The_Theme_of_Jane_Eyre简爱赏析

The Theme of Jane Eyre

Jane…s natural disposition is stubborn,and because of the early death of her parents, she has to live with her aunt and her families. Her aunt is so ruthless that she sends Jane into the orphanage which has the most harsh rules. So, during her early age,Jane has went through many kinds of bitterness.But her spiritual world therefore becomes more fortitude. After growing up, she goes to the reinfeldt's castle to become the family teacher of Mr Rochester's children. In her eyes,Rochester is arrogant but full of charm, and Rochester considers her as the only one can talk to.And they fall in love with each other.In their wedding,Jane knows that Rochester had married, his wife is the crazy woman!To pursue freedom and equality,Jane flee from him.But after a long time, she knows her real love is Rochester. She goes back to reinfeldt's, but the castle has been burn into ruins by the crazy woman,and Rochester also blind to save her. Among the ruins, Jane looking for Rochester,and they hug each other, no longer separation.It explains such a theme: the value of a man = dignity + love.

One theme is Jane's dignity.In Mrs. Reed home, 10-year-old Jane,has to face her cousins' discrimination and abuse. But she expresses a strong resistance spirit. When her cousin beat her, she responds to; When her aunt exclaims that their children get away from her, she shouted "they do not deserve with me together"; When she is imprisoned in the room,thinking of the abuse, she shout loudly "unfair" from the heart. At the orphanage, Jane's resistance character become more distictive. This is a clear contract with her friend Helen,who is oppressed cruelly but believes in "love your enemy". But Jane detests the principal and the ruthless teachers. She said: "if she uses the root note hit me, and I will take it away from her hand, and break it in front of her."It fully demonstrates that she unwilling humiliation and won't surrender to the fate.

Another theme of the novel is Jane and Rochester's love. Jane Eyre's love view deepen her personality. She thinks love should be set up on the basis of equality spirit, and should not depend on social status, wealth and appearance.Only when men and women both truly love each other,can they get real happiness. On the pursuit of happiness, Jane showed unusual pure, simple thoughts and feelings and indomitable courage. She doesn't because of the servant status give up the pursuit of happiness.Her love is pure, noble.She doesn't interested in his weath. She loves him because he can treat her equally,and take her as a friend.As Rochester speaking, Jane Eyre likes a stream of fresh wind, so that he is braced up.In the past,Rochester had been used to the hypocrisy of the society. And Jane Eyre's simplicity, kind and independent

personality recall his pursuit and yearning for the life.Jane sympathize for the unfortunate fate of Rochester, thinking his mistake is caused by the objective environment. Despite his ugly, and later he becomes a bankruptcy disabled,what she sees is his inner beauty and sympathize with his unfortunate fate.So, eventually marry him.

In the novel,there are two basic melody of Jane's pursuit of life: passion, fantasy, resistance and perseverance;desire for the happiness and freedom of life and the higher realm of spirit pursuit. The theme of the novel is expressed through the rough life experiences of the orphan girl, success in making an heroin who is courageous and tough.

Analysis of Major Characters

Jane Eyre

The development of Jane Eyre?s character is central to the novel. From the beginning, Jane possesses a sense of her self-worth and dignity, a commitment to justice and principle, a trust in God, and a passionate disposition. Her integrity is continually tested over the course of the novel, and Jane must learn to balance the frequently conflicting aspects of herself so as to find contentment.

An orphan since early childhood, Jane feels exiled and ostracized at the beginning of the novel, and the cruel treatment she receives from her Aunt Reed and her cousins only exacerbates her feeling of alienation. Afraid that she will never find a true sense of home or community, Jane feels the need to belong somewhere, to find “kin,” or at least “kindred spirits.” This desire tempers her equally intense need for autonomy an d freedom.

In her search for freedom, Jane also struggles with the question of what type of freedom she wants. While Rochester initially offers Jane a chance to liberate her passions, Jane comes to realize that such freedom could also mean enslavement—by l iving as Rochester?s mistress, she would be sacrificing her dignity and integrity for the sake of her feelings. St. John Rivers offers Jane another kind of freedom: the freedom to act unreservedly on her principles. He opens to Jane the possibility of exercising her talents fully by working and living with him in India. Jane eventually realizes, though, that this freedom would also constitute a form of imprisonment, because she would be forced to keep her true feelings and her true passions always in check.

Charlotte Bront? may have created the character of Jane Eyre as a means of coming to terms with elements of her own life. Much evidence suggests that Bront?, too, struggled to find a balance between love and freedom and to find others who understood her. At many points in the book, Jane voices the author?s then-radical opinions on religion, social class, and gender.

Edward Rochester

Despite his stern manner and not particularly handsome appearance, Edward Rochester wins Jane?s heart, because she feels the y are kindred spirits, and because he is the first person in the novel to offer Jane lasting love and a real home. Although Rochester is Jane?s social and economic superior, and although men were widely considered to be naturally superior to women in the Victorian period, Jane is Rochester?s intellectual equal. Moreover, after their marriage is interrupted by the disclosure that Rochester is already married to Bertha Mason, Jane is proven to be Rochester?s moral superior.

Rochester regrets his former libertinism and lustfulness; nevertheless, he has proven himself to be weaker in many ways than Jane. Jane feels that living with Rochester as his mistress would mean the loss of her dignity. Ultimately, she would become degraded and dependent upon Rochester for love, while unprotected by any true marriage bond. Jane will only enter into marriage with Rochester after she has gained a fortune and a family, and after she has been on the verge of abandoning passion altogether. She waits until she is not unduly influenced by her own poverty, loneliness, psychological vulnerability, or passion. Additionally, because Rochester has been blinded by the fire and has lost his manor house at the end of the novel, he has become weaker while Jane has grown in strength—Jane claims that they are equals, but the marriage dynamic has actually tipped in her favor.

Helen Burns

Helen Burns, Jane?s friend at Lowood School, serves as a foil to Mr. Brocklehurst as well as to Jane. While Mr. Brocklehurst embodies an evangelical form of religion that seeks to strip others of their excessive pride or of their ability to take pleasure in worldly things, Helen represents a mode of Christianity that stresses tolerance and acceptance. Brocklehurst uses religion to gain power and to control others; Helen ascetically trusts her own faith and turns the other cheek to Lowood?s harsh policies.

Although Helen manifests a certain strength and intellectual maturity, her efforts involve self-negation rather than self-assertion, and Helen?s submissive and ascetic

nature highlights Jane?s more headstrong character. Like Jane, Helen is an orphan who longs for a home, but Helen believes that she will find this home in Heaven rather than Northern England. And while Helen is not oblivious to the injustices the girls suffer at Lowood, she believes that justice will be found in God?s ultimate judgment—God will reward the good and punish the evil. Jane, on the other hand, is unable to have such blind faith. Her quest is for love and happiness in this world. Nevertheless, she counts on God for support and guidance in her search

St. John Rivers

St. John Rivers is a foil to Edward Rochester. Whereas Rochester is passionate, St. John is austere and ambitious. Jane often describes Rochester?s eyes as flashing and flaming, whereas she constantly associates St. John with rock, ice, and snow. Marriage with Rochester represents the abandonment of principle for the consummation of passion, but marriage to St. John would mean sacrificing passion for principle. When he invites her to come to India with him as a missionary, St. John offers Jane the chance to make a more meaningful contribution to society than she would as a housewife. At the same time, life with St. John would mean life without true love, in which Jane?s need for spiritual solace would be filled only by retreat into the recesses of her own soul. Independence would be accompanied by loneliness, and joining St. John would require Jane to neglect her own legitimate needs for love and emotional support. Her considerat ion of St. John?s proposal leads Jane to understand that, paradoxically, a large part of one?s personal freedom is found in a relationship of mutual emotional dependence.

Character Contrast of Rochester and John in Jane Eyre Jane Eyre is a famous novel written by Charlotte Bronte. Jane is the heroine of the book, and she finally married Edward Rochester and they lived a happy life together. There is a person who may be easily neglected——St. John Rivers. He was Jane?s cousin, and also proposed to Jane. But Jane chose Rochester after struggling. There are remarkable differences between Rochester and St. John.Even the adjectives used by Charlotte Bronte for the two male characters are opposite: Rochester is fire and St John is ice.

Jane is affected by both men. Bronte wrote, “I was almost as hard beset by him (St John) now as I had been once before, in a different way, by another

(Rochester). I was a fool both times. To have yielded then would have been an error of principle; to have yielded now would have be en an error of judgment.”

Jane was affected by Rochester because she loved him so much, because he saw what she was and appreciated and encouraged her. She was affected by Rivers because she owed him her life, because he was one of her few relatives, because she was too depressed to resist his efforts and finally because he possessed a character that didn?t explode with anger to help her channel her own against him. When Rochester offered Jane a love without marriage, and John offered her a marriage without love, she gave up all them. Eventually she got the love with marriage, and she chose Rochester as her better half.

Edward Rochester, as Jane?s employer and the master of Thornfield, was a wealthy, passionate man with a dark secret that provides much of the novel?s suspense. At first, he seemed indifferent to his employees, including Jane. He was a strange man according to the account of Mrs. Fairfax, “His character is unimpeachable. He is rather peculiar. He is considered a just and liberal landlord by his tenants, but he has never lived much amongst them.”( VolumeⅠ, Chapter Ⅺ, 166) So Jane was curious about him, and cautious when talking with him.

Despite Rochester?s stern manner and not particularly handsome appearance, Edward Rochester wined Jane?s heart, because she felt they were kindred spirits and because he was the first person in the novel to offer Jane lasting and a real home. Bronte wanted readers to know that Jane was not attracted by Edward?s appearance but because she recognized something good in his soul.

Rochester seemed to be a Gothic hero. He was haunted by his shameful past. He was rash and impetuous when he was young. His problems of Bertha Mason and Celine Varens were partly the result of his recklessness. On the other hand, he was a sympathetic figure. First, he didn?t abandon Adele Varens though he didn?t believe she was his daughter. Second, he stuck to taking care of Bertha though he had suffered so long. What was worse, he was blind and lost one arm for saving his servants when Bertha set big fire. So we can draw a conclusion, actually Rochester was a great man.

“While Rochester is a prototype of the fiery, passionate, unconventional man,

St. John is his opposite: cold, hard-hearted and repressed.”(Harvard Blue Sky Most popular Study Guides)

St. John River was a handsome young clergyman who was the brother of Diana and Mary Rivers. When Jane arrived at Moor House, hungry and penniless, fleeing from Thornfield Hall, John offered her shelter. Although Jane became close friends with the Rivers sisters, she found that St. John had a “reserved, an abstract, and even a brooding nature.”

“Now, I did not like this, reader, St. John was a man; but I began to feel he had spoken truth of himself, when he said he was hard and cold. The humanities and amenities of life had no attraction for him...As I looked at his lofty forehead, still and pale as a white stone…I comprehended all at once that he would hardly make a good husband.”( VolumeⅢ, Chapter Ⅷ) From Jane?s words, we can see John was not a ideal husband.

He was a pious Christian and humble to work for God. It is easily noticed from his words, “I cannot accept on his behalf a divided allegiance. It must be entire.”(Page 411), and “I, for instance, am but dust and ashes.” (Page 411) .

But from the long conversation between and John and Jane, when he asking Jane to marry him and be the wife of a missionary, his aggressive and controlling in his interactions with others exposed. He was entirely alienated from his feelings and devoted solely to an austere ambition. He said, “But, as it is, either our union must be consecrated and sealed by marriage, or it can not exist.” When Jane regarded him as a brother, he answered, “We cannot——we cannot”with short, sharp determination.When I saw thus words during reading the book, I doubted whether John loved Jane or not. He never said “I love you” to Jane, nor did he remember to shake hands with her when living. He just wanted a wife he can “influence efficiently” and “retain absolutely”, rather someone he beloved.

So there are sharp distinguishes between Rochester and St. John. Jane described Rochester?s eyes as flashing and flaming, whereas she constantly associated St. John with rock, ice and snow. St. John was self-centered while

Rochester not. To match Jane, Rochester tried to change himself. He tried to understood Jane and expressed his feelings truly, sincerely and faithfully. But John didn?t try to change himself. He selected Jane as his wife after noticed Jane?s abilities and good qualities, but he himself did nothing.

John vented his passions while John repressed it. Although he “flushed” and “kindled”at the sight of Rosamond Oliver, he would rather turn himself into “an automation” than succumb to Rosamond?s beauty or fortune. What? s more, Rochester gave Jane freedom while John threatened Jane like a “shackle” through his assertion of his “masterhood”. Optimistic critics point to Jane?s description of St. John as her reminder that the marriage she rejected would offer her much more stifling.

By entering into marriage, Jane did enter into a sort of “bond” and get in many ways. This “bond” was the “escape” that she had sought all long. If Jane accepted John?s request, how different her life would be.

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简爱里的经典语录20句

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【精彩片段1】 ①“唉，我两次做了对不起你的事，现在很懊悔。……”她停住了。“也许这毕竟无关紧要。”她喃喃地自言自语说：“那样我也许会好过些，但是，向她低声下气实在使我痛苦。” ②她挣扎着要改变一下她的位置，但没有成功。她的脸变了形。她似乎经历着某种内心的冲动——也许是最后一阵痛苦的先兆。 ③“唉，我得了却它。永恒就在前头，我还是告诉她好。走到我化妆盒跟前去，打开它，把你看到的一封信拿出来。” ④我听从她的吩咐。“把信读一读，”她说。 ⑤这封信很短，内中写道：…… 1、第一段中，“她”是，“我两次做了对不起你的事”，是哪两件事？（3分） 【精彩片段2】 ①下午某个时候，我抬起头来，向四周瞧了瞧，看见西沉的太阳正在墙上涂上金色的落日印记，我问道，“我该怎么办？” ②我心灵的回答一一“立即离开 A ”——是那么及时，又那么可怕，我立即捂住了耳朵。我说，这些话我现在可受不了。“我不当 B 的新娘，是我痛苦中最小的一部份，”我断言，“我从一场美梦中醒来，发现全是竹篮打水一场空，这种恐惧我既能忍受，也能克服。不过要我义无反顾地马上离他而去却让我受不了，我不能这么做。” ③但是，我内心的另一个声音却认为我能这样做，而且预言我应当这么做。我斟酌着这个决定，希望自己软弱些，以躲避已经为我铺下的可怕的痛苦道路。而良心己变成暴君，抓住激情的喉咙，嘲弄地告诉她，她那美丽的脚已经陷入了泥沼，还发誓要用铁臂把她推入深不可测。 1、文章节选自，文中的Ａ指Ｂ是，我是。（3分） 2、我为什么想要离开？最后她离开了吗？（２分） ３.第③段“但是，我内心的另一个声音却认为我能这样做，而且预言我应当这么做。”中“另一个声音”是什么？（2分） ４.如何理解“而良心己变成暴君，抓住激情的喉咙，嘲弄地告诉她，她那美丽的脚已经陷入了泥沼，还发誓要用铁臂把她推入深不可测的痛苦深渊。”这个句子？（3分） ５.文段充斥着“我”的心灵挣扎，从中看出“我”是个怎样的人？你觉得她打动你的地方是什么？（4分） 【精彩片段3】 ①“你以为我是机器而没有感情吗?你以为我穷、低微、矮小、不美，我就没有灵魂没有心吗?你想错了——我的心灵和你一样，我的心也和你完全一样，……我们站在上帝的面前是平等的——因为我们是平等的。” １.以上这段文字出自名著《》，是英国作家的作品。 ２.这段节选表现了女主人公怎样的性格? 【精彩片段4】 ①刚走近寝室,就听见斯卡查德小姐的大嗓门.她在检查抽屉,刚拉出Ａ的.我们一进去, Ａ就劈头盖脸地挨了顿臭骂,斯卡查德小姐还威胁说明天要把好几件没迭好的东西别在Ａ肩膀上。 ②"我的东西是乱得丢人." Ａ低声地对我说,"原打算收拾的,可给忘了."第二天一大早,斯卡查德小姐在一块纸牌子上写下三个醒目大字"邋遢鬼",还把它像经匣似地贴在Ａ宽大而温顺,聪颖而善良的额头上.她把这东西一直戴到晚上,毫无怨言,权当该受的惩罚.下午放学后,我奔向Ａ,一把扯下那东西,丢进火里.她所不愿的怒火,在我胸中燃烧了一整天.大滴大滴滚烫的泪水,不断灼烧着我的面颊,她那听天由命的惨相,使我心疼得无法忍受. ③此后的一个星期,Ｂ写给劳埃德先生的信有了回音,并且看来他的答复进一步证实了我的话. Ｂ 召集全校当众宣布,对我受到的指责已进行了调查,她非常快地声明,我的罪名已完全澄清.那时候,老师们纷纷和我 握手、亲吻,同伴们中也响起一阵欢快的低语声。 1. Ａ是，Ｂ是。 2.. “我受到的指责”是： 【精彩片段5】 ①从四月进入明媚晴爽的五月.天空湛蓝,阳光和煦,风儿轻轻拂面.此时,草木欣欣向荣,洛伍德抖开一头秀发, 处处吐绿,遍地芬芳.榆树和橡树一度光秃的高大树干恢复了往日威严的勃勃生机.各种各样的植物在林深处茂密生 长,形形色色的苔藓遍铺山谷.数不清的野樱草花灿烂夺目,犹如地皮上升起一片奇特的阳光.领略着它们林荫深处 淡淡的金色光斑,宛若美妙的色彩倾洒大地.这一切,我常常尽情享受,从容自在,无人看管,而且几乎总是独自一人. 因为这种少有的自由与乐趣事出有因,现在我就来把它解释一下. ②刚才不是把此地形容得十分美妙么?环抱于山川林木之中,坐落在溪流之畔,十分美妙.只是是否有利于健康 却是另一回事. ③Ａ所处的林中山谷,是大雾弥漫的摇篮,而雾气却滋生传染病.春天急促的脚步加快了疾病流行,它悄悄潜 入孤儿院,把Ｂ传遍了拥挤的教室和寝室.结果,五月未到,学校就已变成了一座医院. 1. Ａ是，Ｂ是。 2.我的朋友在此次灾难中死于。 【精彩片段6】 ①醒来已是白天.一阵异样的动作把我弄醒.我抬头一看,原来我在别人怀抱里,原来是护士抱着我,正穿过走 廊回寝室去.擅离床位却未遭到责备,人们还有其他的事要想,得对我的各种问题作出解释.过后两天才知道,A 天亮回到房中时,发现我躺在小床上,脸蛋靠着B 的肩膀,胳膊搂着她脖子.我睡着了,但B ......死了. ②她被安葬在布罗克布里奇墓园.死后十五年后,那墓只剩一座青草覆盖的土堆.但如今,这里竖起一座灰色大 理石碑,上面镌刻着她的姓名与 C两个字。 1.A是，B是。 2. C处是哪两个字。 【精彩片段7】 ①我从床上坐起来,更有利于思考.今晚寒气逼人,我给肩膀披上条披肩,又接着绞起脑汁来. ②"我想要什么?新地方.新房子.新面孔.新环境,如果再想要比这些再好的东西只是徒劳.别人是怎样得到新地 方?大概,向朋友求助.可我没朋友,还有许多人也没有朋友,他们只能自己去找,自己帮自己.他们是怎么做的?" ③我说不上来,没有答案于是我命令脑筋转起来,找出答案,而且要快.它转呵,转呵,越转越快,只觉得脑袋和太 阳穴都在怦怦搏动.差不多一小时,却理不出头绪,脑子乱成一团,白兴奋一场.爬起来在屋里走了一圈,拉开窗帘,只 见一两颗星星在寒夜中颤抖.只好又爬到床上. ④一定是有位好心的仙女趁我不在,把我想要的主意搁到了枕头上.所以我刚躺下去,这主意就悄悄地.自然地 出现在心海......"求职者都登广告,你可以在郡里A 的上登广告." ⑤"怎么登它?对于广告,我一无所知." ⑥此刻,回答来得既顺畅又干脆: ⑦"你应当把广告和广告费装进一只信封,寄给A 的编辑,重要的是要抓紧第一个机会,把信投进洛顿 的邮筒.回信应寄往邮局,写上Ｊ.Ｅ收.信寄出后一时期左右就可以去打听.如果有回音,那我就马上行动." 1.A.指。广告登出后，有了怎样的回音？（要素：地点、人物、工作、保酬） 2.谁的离开，促使我渴望生活有这样的变化，她去干什么了？ 【精彩片段8】 ①"是她,我肯定!......到哪里我都认得出来!"这人拦住我,一把抓住我的手.

简爱赏析

题目：《简爱》赏析 班级：09级外语系英语教育学号：200905023047 姓名：樊霞

简爱赏析 文章摘要：《简爱》这本书是英国及整个世界文学史上的金典传世佳作。它似 一缕亮丽的晨曦，不仅灿烂了十九世纪英国文学的天空而且以其独特的魅力穿越时空一百六十年来温润着每一位读者的心田。它通过一个孤女坎坷不平的人生道路成功地塑造了一个不安现状、不干受辱、自尊自爱、自立自强、敢于抗争、敢于追求的女性形象。它也反映了一个平凡心灵的坦诚倾述。 夏洛蒂·勃朗特（Charlotte Bronte,1816-1855）出生在英国北部的一个偏僻的小山村里，她是乡村教师帕特里克·勃朗特的第三个孩子。早年丧母，在她年幼的时候她的姐姐因生病去世。她和她的妹妹最爱好的是写作相继发表了著名的《简爱》、《呼啸山庄》。一八五四年的六月，三十八岁的夏洛蒂克服父亲的反对和一位牧师结了婚。可是在六个月的一天，夏洛蒂和丈夫在山涧看瀑布在归途中遇雨受寒最终离开了人世，还带去了一个尚未出世的婴儿。 《简爱》是一本用第一人称叙述的自传体小说，书中许多情节都取材自作者的亲身经历，凝聚了作者的内心感受。真实的再现了作者三十年的坎坷遭遇和勇敢追求，细腻的叙述了女主人公艰难的生存状态和复杂的心理活动及反对人性的压抑和摧残赞扬了妇女独立自主自尊自强的精神。在将近一百五十年前维多利亚时代的英国，社会上贵族富豪踌躇满志、神甫教士“神恩”浩荡、等级森严、习俗累累、金钱第一、男权至上的社会里女主人公靠自己的正直品德和聪明才智批评了宗教事业、嘲笑社会风习、藐视地位财力主张男女平等无疑是给了人们莫大的鼓励。她也给了我太多的感动。 作者在书中用到了大量的内心独白。如当她因为还击里德少爷被关在红房子时她内心一阵的呐喊不公平并不断地问自己：“为什么我会活得这样苦”。这样的独白激起了她的决心让她知道采取不同寻常的方法来逃脱这难以忍受的迫害。我觉得这她这一开始的决心是最终过上幸福生活的关键。又如简爱热心的在洛武德学校当了两年教师的职务由于谭波儿小姐的结婚使他回到从前。她觉得谭波儿小姐把她在她身边的一直呼吸的那种宁静气氛随身带走了。于是她想要一份新的工作。她说工作不像“自由”“享乐”这些字眼听起来愉快但要达到这样的目的并不难只要肯动脑筋就可以达成。从她这些内心独白不难看出她对人性的珍视和对幸福的追求。简爱曾愤愤不平地说：“通常人们认为女人是非常安静的可是女人也有着和男人一样的感情。她们对于过于严肃的束缚对于过于绝对的僵滞也会和男人一样感到十分痛苦。”她也曾义正严词地对罗切斯特说：“你以为我穷、低微、

简爱优美段落摘抄

简爱优美段落摘抄 简爱好句好段摘抄 1、我给了她一个先令。她从口袋里掏出一只旧长袜，把钱币放进去，用袜子系好，放回原处。她让我伸出手去，我照办了。她把脸贴近我手掌，细细看了起来，但没有触碰它。 2、我回到房间，从脸盆架上找到了海绵，从抽屉里找到了食盐，并顺原路返回。他依旧等待着，手里拿了把钥匙。他走近其中一扇黑色的小门，把钥匙插进锁孔，却又停下来同我说起话来。 3、我进门的时候，图书室显得很安静，那女巫——如果她确实是的话，舒适地坐在烟囱角落的安乐椅上。她身披红色斗篷，头戴一顶黑色女帽，或者不如说宽边吉卜赛帽，用一块条子手帕系到了下巴上。桌子上立着一根熄灭了的蜡烛。她俯身向着火炉，借着火光，似乎在读一本祈祷书般的黑色小书，一面读，一面象大多数老妇人那样，口中念念有词。我进门时她并没有立即放下书来，似乎想把一段读完。 4、夜晚的宁静和安逸，被响彻桑菲尔德府的一声狂野、刺耳的尖叫打破了。 5、罗切斯特先生拉开厚厚的窗幅，掀起亚麻布窗帘，尽量让月光射进屋来。看到黎明即将来临，我既惊讶又愉快。多漂亮的玫瑰色光束正开始照亮东方的天际！随后，罗切斯特先生走近梅森，这时外科医生已经在给他治疗了。 6、我按他的吩咐办了。宾客们都瞪着眼睛看我从他们中间直穿而过。我找到了梅森先生，传递了信息，走在他前面离开了房间。领他进了图书室后，我便上楼去了。 7、我的脉搏停止了，我的心脏不再跳动，我伸出的胳膊僵住了。叫声消失，没有再起。说实在，无论谁发出这样的喊声，那可怕的尖叫无法立即重复一遍，就是安第斯山上长着巨翅的秃鹰，也难以在白云缭绕的高处，这样连叫两声。那发出叫声的东西得缓过气来才有力气再次喊叫。 8、在这种情形下，我既得细听又得静观，细听有没有野兽或者那边窠穴中魔鬼的动静。可是自从罗切斯特先生来过之后，它似乎已被镇住了。整整一夜我只听见过三声响动，三次之间的间隔很长——一次吱吱的脚步声，一次重又响起短暂的狗叫似的声音，一次人的深沉的呻吟声。 9、莉娅摇了摇头，于是谈话嘎然而止。我从这里所能猜测到的就是这么回事：在桑菲尔德有一个秘密，而我被故意排除在这个秘密之外了。

《简爱》及其1996版电影赏析教案资料

《简爱》及其1996版电影赏析

淡极始知花更艳 《简爱》及其1996版电影赏析 喜欢《生命中不能承受之轻》。昆德拉是可以把哲学写成小说的人。他在书里阐述到的几个问题，在爱情里同样困扰着现实生活中的我们。比如，非你不可。到底爱情里两个人的相遇只是基于巧合机率还是真的是一种必然，一种笃定。 还有关于灵和肉的讨论，我崇尚灵魂的交流胜于一切。也觉得肉应该是灵魂的升华，不该独立与灵魂而存在。看了各种版本《简爱》的电影，而《简爱》这是我看的第一本外国小说，一本会反复看的小说，但其中只有1996这个版本的电影，我可以做到不厌的看。 曾经一度因为太爱简爱的故事，所以在我的心目中几乎没有一部让我完全满意的改编影视作品。 琼芳汀固然文静贤淑但是却缺乏简内在的坚韧，苏珊娜约克冷静优雅但是太过美丽，至于罗切斯特这个角色，抱歉，即使奥森威尔斯和乔治斯科特这样的表演大师也还是难以完全达到我所期待的爱德华费尔菲克斯：斯科特暴躁有余不够沉稳，威尔斯与其说象个英格兰乡绅，还不如象奥塞罗。当然最让我感到荒唐的是007提莫西达蹲顿演的罗切斯特，当他带着那只瞎了的眼睛出现在破败的城堡前，我几乎笑了出来---不是别的，因为他实在他帅了，帅得让人不愿意看到他残缺的摸样。 我希望裘德洛将来不要尝试这个角色。 玩笑归玩笑，说实话，这个版本的女主角夏洛特甘斯布并不美。 非但不美，而且恕我直言，她甚至有点丑，不象苏非码索或者贝阿那样靓丽妩媚，可她却是我心目中最具有巴黎味道的女人。她那娇小的骨架，浓厚的艺术气质，独特的品位，正是芬芳质朴的巴黎小女子。甚至她在电影中简洁的穿衣风格正是我所追求的。

所以，我认可她的简爱，因为她的不美，但却气质非凡，压抑中的热情，质朴中的高贵。是的，热情，在勃朗特姐妹身上都有这种爱尔兰式的激情，虽然清教徒严厉的道德观把这种有点野性的热情暂时掩盖住了，但是那种灵魂深处的一种难以克制的风暴还是会在镇定温柔文字中泄露出来，假如谁读不出这种热情，那就是没有真正的理解简爱，理解夏洛特勃郎特。 正是因为这种热情太过激烈，所以显得几乎冷漠。 简绝不可爱，不讨人喜欢，就象夏洛特本人一样是个生硬古板的牧师女儿，只有那样一只温暖有力的大手才可以拨开表面的泥土，看到内在的宝石。 以艾热先生为蓝本塑造的这个罗切斯特，像所有女作家笔下的梦中情人一样由于耽于想象和理想化显得有点难以把握，威廉赫特这个美国演员虽然少有的具备一种贵族气质，但是象丹尼尔戴刘易斯一样，忧郁有余但是缺少力度，罗切斯特是个粗邝但是却不粗野的人，这个分寸很难拿捏，他有英国绅士的教养和派头，可是却有一种自然的质朴，还有点脆弱--注意，是脆弱不是懦弱，关键是他看透了那个外表平凡但是却内心丰富的女人，两个人一直在互相试探，既希望彼此了解又在逃避对方的控制，简的出走与其是道德上不如说是对自己尊严的捍卫，对罗切斯特的怨恨。简的身上充满了基督教式的反抗和忍耐的双重个性。 我热爱简的故事。因为在她身上我看到了身边很多人甚至是我自己的影子，虽然不完全是。 现在有个时髦的词语叫做剩女。 这没有什么稀罕更不丢人，这是一个女性群体崛起时代必然遇到的问题，奥斯丁是剩女，勃朗特两姐妹是剩女，许多我们熟知的伟大的女性其中也有很多都是剩女，在她们身上，剩女=圣女。 追求完美，是不妥协，是捍卫自我。一个女子独自在这个世界上生存本身就是一件了不起的事情，这是值得骄傲而不是自卑的。 像詹姆斯卡梅伦说的，假如你为自己制定了一个高不可及的目标，即便失败了，也比别人伟大。