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大学英语4课文原文

大学英语4课文原文
大学英语4课文原文

Para1

An artist who seeks fame is like a dogchasing his own tail who, when he captures it, does not know what else to do but to continue chasing it.The cruelty of success is that it often leads those who seek such success to participate in their own destruction.

艺术家追求成名,如同狗自逐其尾,一旦追到手,除了继续追逐不知还能做些什么。成功之残酷正在于它常常让那些追逐成功者自寻毁灭。

"Don't quit your day job!" is advice frequently given by understandably pessimistic family members and friends to a budding artist who is trying hard to succeed. The conquest of fame is difficult at best, and many end up emotionally if not financially bankrupt. Still, impure motives such as the desire for worshipping fans and praise from peers may spur the artist on. The lure of drowning in fame's imperial glory is not easily resisted.

对一名正努力追求成功并刚刚崭露头角的艺术家,其亲朋常常会建议“正经的饭碗不能丢!”他们的担心不无道理。追求出人头地,最乐观地说也困难重重,许多人到最后即使不是穷困潦倒,也是几近精神崩溃。

Fame's spotlight can be hotter than a tropical jungle-a fraud is quickly exposed, and the pressure of so much attention is too much for most to endure.It takes you out of yourself: You must be what the public thinks you are, not what you really are or could be. The performer, like the politician, must often please his or her audiences by saying things he or she does not mean or fully believe.

Curiously enough, it is those who fail that reap the greatest reward: freedom! They enjoy the freedom to express themselves in unique and original ways without fear of losing the support of fans. Failed artists may find comfort in knowing that many great artists never found fame until well after they had passed away or in knowing that they did not sell out. They may justify their failure by convincing themselves their genius is too sophisticated for contemporary audiences. Unit2

He was an immensely talented man, determined to a degree unusual even in the ranks of Hollywood stars. His huge fame gave him the freedom—and, more importantly, the money—to be his own master. He already had the urge to explore and extend a talent he discovered in himself as he went along. "It can't be me. Is that possible? How extraordinary," is how he greeted the first sight of himself as the Tramp on the screen.

But that shock rousedhis imagination.Chaplin didn't have his jokes written into a script in advance; he was the kind of comic who used his physical senses to invent his art as he went along. Lifeless objects especially helped Chaplin make "contact" with himself as an artist. He turned them into other kinds of objects. Thus, a broken alarm clock in the movie The Pawnbroker became a "sick" patient undergoing surgery; boots were boiled in his film The Gold Rush and their soles eaten with salt and pepper like prime cuts of fish (the nails being removed like fish bones). This physical transformation, plus the skill with which he executed it again and again, is surely the secret of Chaplin's great comedy.

He also had a deep need to be loved—and a corresponding fear of being betrayed. The two were hard to combine and sometimes—as in his early marriages—the collision between them resulted in disaster. Yet even this painfully-bought self-knowledge found its way into his comic creations. The Tramp never loses his faith in the flower girl who'll be waiting to walk into the sunset with him; while the other side of Chaplin makes Monsieur Verdoux, the French wife killer, into a symbol of hatred for women.

It's a relief to know that life eventually gave Charlie Chaplin the stability and happiness it had earlier denied him. In Oona O'Neill Chaplin, he found a partner whose stability and affection spanned the 37 years age difference between them, which had seemed so threatening, that when the official who was marrying them in 1942 turned to the beautiful girl of 17 who'd given notice of their wedding date, he said, "And where is the young man? "—Chaplin, then 54, had cautiously waited outside. As Oona herself was the child of a large family with its own problems, she was well prepared for the battle that Chaplin's life became as many unfounded rumors surrounded them both—and, later on, she was the center of calm in the quarrels that Chaplin sometimes sparked in his own large family of talented children.

Unit3

A welfare client is supposed to cheat. Everybody expects it. Faced with sharing a dinner of raw pet food with the cat, many people in wheelchairs I know bleed the system for a few extra dollars. They tell the government that they are getting two hundred dollars less than their real pension so they can get a little extra welfare money. Or, they tell the caseworker that the landlord raised the rent by a hundred dollars.

I have opted to live a life of complete honesty. So instead, I go out and drum up some business and draw cartoons. I even tell welfare how much I make! Oh, I'm tempted to get paid under the table. But even if I yielded to that temptation, big magazines are not going to get involved in some sticky situation. They keep my records, and that information goes right into the government's computer. Very high-profile.

As a welfare client I'm expected to bow before the caseworker. Deep down, caseworkers know that they are being made fools of by many of their clients, and they feel they are entitled to have clients bow to them as compensation. I'm not being bitter. Most caseworkers begin as college-educated liberals with high ideals. But after a few years in a system that practically requires people to lie, they become like the one I shall call "Suzanne", a detective in shorts. When welfare learned I was making money on my cartoons, Suzanne started "visiting" every fortnight instead of every two months. She looked into every corner in search of unreported appliances, or maids, or a roast pig in the oven, or a new helicopter parked out back. She never found anything, but there was always a thick pile of forms to fill out at the end of each visit, accounting for every penny.

There is no provision in the law for a gradual shift away from welfare. I am an independent businessman, slowly building up my market. It's impossible to jump off welfare and suddenly be making two thousand dollars a month. But I would love to be able to pay for some of my living and not have to go through an embarrassing situation every time I need a spare part for my wheelchair.

There needs to be a lawyer who can act as a champion for the rights of welfare clients, because the system so easily lends itself to abuse by the welfare givers as well as by the clients. Welfare sent Suzanne to look around in my apartment the other day because the chemist said I was using a larger than usual amount of medical supplies. I was, indeed: The hole that has been surgically cut to drain urine had changed size and the connection to my urine bag was leaking.

Unit 4

A transformation is occurring thatshould greatly boost living standards in the developing world. Places that until recently were deaf and dumb are rapidly acquiring up-to-date telecommunications that will let them promote both internal and foreign investment. It may take

a decade for many countries in Asia, Latin America, and Eastern Europe to improve transportation, power supplies, and other utilities. But a single optical fiber with a diameter of less than half a millimete can carry more information than a large cable made of coppe wires. By installing optical fiber, digital switches, and the latest wireless transmission systems, a parade of urban centers and industrial zones from Beijing to Budapest are stepping directly into the Information Age. A spider's we

b of digital and wireless communication links is already reaching most of Asia and parts of Eastern Europe.

All these developing regions see advanced communications as a way to leap over whole stages of economic development. Widespread access to information technologies, for example, promises to condense the time required to change from labor-intensive assembly work to industries that involve engineering, marketing, and design. Modern communications "will give countries like China and Vietnam a huge advantage over countries stuck with old technology".

Still, there's little dispute that communications will be a key factor separating the winners from the losers. Consider Russia. Because of its strong educational system in mathematics and science, it should thrive in the Information Age.The problem is its national phone system is a rusting antiqu that dates from the l930s. To lick this problem, Russia is starting to install optical fiber and has a strategic plan to pump $40 billion into various communications projects.But its economy is stuck in recession and it barely has the money to even scratch the surface of the problem. Meanwhile, Hungary also hopes to jump into the modern world. Currently, 700,000 Hungarians are waiting for phones. To partially overcome the problem of funds and to speed the import of Western technology, Hungary sold a 30% stake in its national phone company to two Western companies.To further reduce the waiting list for phones, Hungary has leased rights to a Dutch-Scandinavian group of companies to build and operate what it says will be one of the most advanced digital mobile phone systems in the world.In fact, wireless is one of the most popularways to get a phone system up fast in developing countries. It's cheaper to build radio towers than to string lines across mountain ridges, and businesses eager for reliable service are willing to accept a significantly higher price tag for a wireless call—the fee is typically two to four times as much as for calls made over fixed lines.

新视野大学英语4第二版课文翻译

Unit 1 Section A 艺术家追求成名,如同狗自逐其尾,一旦追到手,除了继续追逐不知还能做些什么。成功之残酷正在于它常常让那些追逐成功者自寻毁灭。 对一名正努力追求成功并刚刚崭露头角的艺术家,其亲朋常常会建议“正经的饭碗不能丢~”他们的担心不无道理。 追求出人头地,最乐观地说也困难重重,许多人到最后即使不是穷困潦倒,也是几近精神崩溃。 尽管如此,希望赢得追星族追捧和同行赞扬之类的不太纯洁的动机却在激励着他们向前。享受成功的无上光荣,这种诱惑不是能轻易抵挡的。 成名者之所以成名,大多是因为发挥了自己在歌唱、舞蹈、绘画或写作等方面的特长,并能形成自己的风格。 为了能迅速走红,代理人会极力吹捧他们这种风格。他们青云直上的过程让人看不清楚。他们究竟是怎么成功的,大多数人也都说不上来。 尽管如此,艺术家仍然不能闲下来。 若表演者、画家或作家感到无聊,他们的作品就难以继续保持以前的吸引力,也就难以保持公众的注意力。 公众的热情消磨以后,就会去追捧下一个走红的人。 有些艺术家为了不落伍,会对他们的写作、跳舞或唱歌的风格稍加变动,但这将冒极大的失宠的危险。 公众对于他们藉以成名的艺术风格以外的任何形式都将不屑一顾。 知名作家的文风一眼就能看出来,如田纳西?威廉斯的戏剧、欧内斯特?海明威的情节安排、罗伯特?弗罗斯特或 T.S.艾略特的诗歌等。

同样,像莫奈、雷诺阿、达利这样的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。 他们鲜明独特的艺术风格标志着与别人不同的艺术形式上的重大变革,这让他们名利双收,但也让他们付出了代价,那就是失去了用其他风格或形式表现自我的自由。 名气这盏聚光灯可比热带丛林还要炙热。骗局很快会被揭穿,过多的关注带来的压力会让大多数人难以承受。 它让你失去自我。你必须是公众认可的那个你,而不是真实的你或是可能的你。艺人,就像政客一样,必须常常说些违心或连自己都不完全相信的话来取悦听众。 一滴名气之水有可能玷污人的心灵这一整口井,因此一个艺术家若能保持真我,会格外让人惊叹。 你可能答不上来哪些人没有妥协,却仍然在这场名利的游戏中获胜。 一个例子就是爱尔兰著名作家奥斯卡?王尔德,他在社交行为和性行为方面以我行我素而闻名于世。虽然他的行为遭到公众的反对,却依然故我,他也因此付出了惨痛的代价。在一次宴会上,他一位密友的母亲当着他的朋友和崇拜者的面,指责他在性方面影响了她的儿子。 他听了她的话以后大为光火,起诉了这个年轻人的母亲,声称她毁了自己的“好”名声。但是,他真该请一个更好的律师。 结果是,法官不仅不支持他提出的让这个女人赔偿他名声损失费的请求,反而对他本人进行了罚款。 他由于拒交罚款最终还被送进了监狱。更糟糕的是,他再也无法获得更多公众的宠爱。在最糟糕的时候,他发现没有一个人愿意拿自己的名声冒险来替他说话。

大学英语Unit 1 课文翻译

学外语 学习外语是我一生中最艰苦也是最有意义的经历之一。虽然时常遭遇挫折,但却非常有价值。 我学外语的经历始于初中的第一堂英语课。老师很慈祥耐心,时常表扬学生。由于这种积极的教学方法,我踊跃回答各种问题,从不怕答错。两年中,我的成绩一直名列前茅。 到了高中后,我渴望继续学习英语。然而,高中时的经历与以前大不相同。以前,老师对所有的学生都很耐心,而新老师则总是惩罚答错的学生。每当有谁回答错了,她就会用长教鞭指着我们,上下挥舞大喊:“错!错!错!”没有多久,我便不再渴望回答问题了。我不仅失去了回答问题的乐趣,而且根本就不想再用英语说半个字。 好在这种情况没持续多久。到了大学,我了解到所有学生必须上英语课。与高中老师不同,大学英语老师非常耐心和蔼,而且从来不带教鞭!不过情况却远不尽如人意。由于班大,每堂课能轮到我回答的问题寥寥无几。上了几周课后,我还发现许多同学的英语说得比我要好得多。我开始产生一种畏惧感。虽然原因与高中时不同,但我却又一次不敢开口了。看来我的英语水平要永远停步不前了。 直到几年后我有机会参加远程英语课程,情况才有所改善。这种课程的媒介是一台电脑、一条电话线和一个调制解调器。我很快配齐了必要的设备并跟一个朋友学会了电脑操作技术,于是我每周用5到7天在网上的虚拟课堂里学习英语。 网上学习并不比普通的课堂学习容易。它需要花许多的时间,需要学习者专心自律,以跟上课程进度。我尽力达到课程的最低要求,并按时完成作业。 我随时随地都在学习。不管去哪里,我都随身携带一本袖珍字典和笔记本,笔记本上记着我遇到的生词。我学习中出过许多错,有时是令人尴尬的错误。有时我会因挫折而哭泣,有时甚至想放弃。但我从未因别的同学英语说得比我快而感到畏惧,因为在电脑屏幕上作出回答之前,我可以根据自己的需要花时间去琢磨自己的想法。突然有一天我发现自己什么都懂了,更重要的是,我说起英语来灵活自如。尽管我还是常常出错,还有很多东西要学,但我已尝到了刻苦学习的甜头。 学习外语对我来说是非常艰辛的经历,但它又无比珍贵。它不仅使我懂得了艰苦努力的意义,而且让我了解了不同的文化,让我以一种全新的思维去看待事物。学习一门外语最令人兴奋的收获是我能与更多的人交流。与人交谈是我最喜欢的一项活动,新的语言使我能与陌生人交往,参与他们的谈话,并建立新的难以忘怀的友谊。由于我已能说英语,别人讲英语时我不再茫然不解了。我能够参与其中,并结交朋友。我能与人交流,并能够弥合我所说的语言和所处的文化与他们的语言和文化之间的鸿沟。

大学英语精读4 书后cloze吐血整理

When dad told us about the delivery work it sounded easy, just a piece of cake. The trouble was, we didn’t take care to inquire just how much material was involved. Before long trucks seemed to be pulling up outside our house all day long, leaving stacks of advertising. It seemed we should have no chance of meeting the deadline. The we had this marvelous idea. Hiring local kids to help would enable us to get the job done on time. True, it would cut into our profits, but there was no alternative. things seemed to be going well, but then we had trouble over a pay claim. Our workers demanded five dollars an hour, but fortunately for us they were ready to settle for less. As for us, when we finally settled our accounts we ended up earning less than the minimum wage for our efforts. I guess we should have know better than to believe that big bucks come easy. While it is often said that love makes the world go round, scientists take a less romantic view. To their minds, energy is the fundamental force at work. All animal life is dependent on obtaining sufficient energy from food. Deer, like other wild animals, do this through eating as much food as possible in the summer, when food resources are abundant. Any excess of energy over their current needs is deposited in the body in the form of fat. Then, when food becomes scarce in the winter, they can live off the fat. In addition, nature helps them to survive the winter by slowing down their metabolism, assisting them to pull through the cold weather. However, when the winter is particularly harsh, deer may have to draw on the fat they have built up more heavily. Under such conditions, only deer in good condition are able to survive to give birth to a new generation. In his essay George Orwell starts off by citing Bernard Shaw’s remark that people are more superstitious today than they were in the Middle Ages. They promptly accept the opinions of experts without asking any questions themselves. Obviously Shaw exaggerates just in order to prove his point that we should not always fall back on the theories of well-known authorities. Rather, we should aim at finding out some things for ourselves. By way of illustration, Orwell outlines arguments against the Flat Earth and the Oval Earth theories, thus throwing light on the fact that much of our knowledge actually rests on authority rather than on reasoning or on experiment. Finally, Orwell draws his conclusion that ours is a credulous age partly because we have such an exceptionally heavy burden of knowledge. The last time Lyz saw her husband was as he waved goodbye to her from the steps of their house. He was due to fly off on business later that day. Unluckily for him his flight was cancelled and he found himself having to take United Flight 93 the following day. It was from on board that ill-fated flight that he telephoned with the news that hijackers had threatened to blow up the aircraft. Cursing his bad luck, he nonetheless realized that his fate was in his own hands. Hoping that the terrorists were bluffing when they claimed to have a bomb, he and some other passengers decided to act. Without hanging up, he set off with the others to attack the hijackers. From the telephone came the sound of screams. Then silence.

大学英语精读 第三版 第四册课文翻译

大学英语精读(第三版)第四册课文翻译 第一单元 两个大学男孩,不清楚赚钱需要付出艰苦的劳动,被一份许诺轻松赚大钱的广告吸引了。男孩们很快就明白,如果事情看起来好得不像真的,那多半确实不是真的。 轻轻松松赚大钱 约翰·G·哈贝尔 “你们该看看这个,”我向我们的两个读大学的儿子建议道。“你们若想避免因为老是向人讨钱而有失尊严的话,这兴许是一种办法。”我将挂在我们门把手上的、装在一个塑料袋里的几本杂志拿给他们。塑料袋上印着一条信息说,需要招聘人投递这样的袋子,这活儿既轻松又赚钱。(“轻轻松松赚大钱!”)“我不在乎失不失尊严,”大儿子回答说。 “我可以忍受,”他的弟弟附和道。 “看到你们俩伸手讨钱讨惯了一点也不感到尴尬的样子,真使我痛心,”我说。 孩子们说他们可以考虑考虑投递杂志的事。我听了很高兴,便离城出差去了。午夜时分,我已远离家门,在一家旅馆的房间里舒舒服服住了下来。电话铃响了,是妻子打来的。她想知道我这一天过得可好。 “好极了!”我兴高采烈地说。”你过得怎么样”我问道。 “棒极了!”她大声挖苦道。“真棒!而且这还仅仅是个开始。又一辆卡车刚在门前停下。”

“又一辆卡车” “今晚第三辆了。第一辆运来了四千份蒙哥马利-沃德百货公司的广告;第二辆运来四千份西尔斯-罗伯克百货公司的广告。我不知道这一辆装的啥,但我肯定又是四千份什么的。既然这事是你促成的,我想你或许想了解事情的进展。” 我之所以受到指责,事情原来是这样:由于发生了一起报业工人罢工,通常夹在星期日报纸里的广告插页,必须派人直接投送出去。公司答应给我们的孩子六百美金,任务是将这些广告插页在星期天早晨之前投递到四千户人家去。 “不费吹灰之力!”我们上大学的大儿子嚷道。 “六百块!”他的弟弟应声道,“我们两个钟点就能干完!” “西尔斯和沃德的广告通常都是报纸那么大的四页,”妻子告诉我说,“现在我们门廊上堆着三万二千页广告。就在我们说话的当儿,两个大个子正各抱着一大捆广告走过来。这么多广告,我们可怎么办” “你让孩子们快干,”我指示说。”他们都是大学生了。他们自己的事得由他们自己去做。” 第二天中午,我回到旅馆,看到一份紧急留言,要我马上给妻子回电话。她的声音高而颤抖,很不自然。家里又运到了好几卡车的广告插页。“有百货公司的,廉价商店的,杂货店的,食品店的,汽车行的,等等。有些像整本杂志那么厚。我们这里有数十万页,说不定是几百万页的广告!我们家整个房子从东墙到西墙,从南墙到北墙统统堆满了广告,一堆又一堆,比你大儿子还要高。现在只剩下一点点空间,刚够一个人走进去,从十一种插页中各取一份,卷在一起,套上橡皮筋,再塞进一只塑料袋内。我们的塑料袋足够供应全美所有的外卖餐厅!”她越讲声音越响,几乎震耳欲聋。”这么多的广告必须在星期日早晨七点以前统统送出

新视野大学英语第四册课文原文

1A An artist who seeks fame is like a dog chasing his own tail who, when he captures it, does not know what else to do but to continue chasing it. The cruelty of success is that it often leads those who seek such success to participate in their own destruction. "Don't quit your day job!" is advice frequently given by understandably pessimistic family members and friends to a budding artist who is trying hard to succeed. The conquest of fame is difficult at best, and many end up emotionally if not financially bankrupt. Still, impure motives such as the desire for worshipping fans and praise from peers may spur the artist on. The lure of drowning in fame's imperial glory is not easily resisted. Those who gain fame most often gain it as a result of exploiting their talent for singing, dancing, painting, or writing, etc. They develop a style that agents market aggressively to hasten popularity, and their ride on the express elevator to the top is a blur. Most would be hard-pressed to tell you how they even got there. Artists cannot remain idle, though. When the performer, painter or writer becomes bored, their work begins to show a lack of continuity in its appeal and it becomes difficult to sustain the attention of the public. After their enthusiasm has dissolved, the public simply moves on to the next flavor of the month. Artists who do attempt to remain current by making even minute changes to their style of writing, dancing or singing, run a significant risk of losing the audience's favor. The public simply discounts styles other than those for which the artist has become famous. Famous authors' styles—a Tennessee Williams play or a plot by Ernest Hemingway or a poem by Robert Frost or T.S. Eliot—are easily recognizable. The same is true of painters like Monet, Renoir, or Dali and moviemakers like Hitchcock, Fellini, Spielberg, Chen Kaige or Zhang Yimou. Their distinct styles marked a significant change in form from others and gained them fame and fortune. However, they paid for it by giving up the freedom to express themselves with other styles or forms. Fame's spotlight can be hotter than a tropical jungle—a fraud is quickly exposed, and the pressure of so much attention is too much for most to endure. It takes you out of yourself: You must be what the public thinks you are, not what you really are or could be. The performer, like the politician, must often please his or her audiences by saying things he or she does not mean or fully believe. One drop of fame will likely contaminate the entire well of a man's soul, and so an artist who remains true to himself or herself is particularly amazing. You would be hard-pressed to underline many names of those who have not compromised and still succeeded in the fame game. 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