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生命不能承受之轻英文书评

生命不能承受之轻英文书评
生命不能承受之轻英文书评

Unbearable Lightness of Being by Milan Kundera - review

People usually complain about there is too much pressure in life which they can hardly bear. However, Milan Kundera, a Czech and French writer with profound thoughts, showed us that "lightness", which means irresponsibility, was the most unbearable thing in our life in Unbearable Lightness of Being. In this novel, he made an effort to discuss some deeply philosophical problems, including the difference between sex and love, the attitudes toward life and so on.

Milan Kundera explored the artistic and intellectual life of Czech society from the Prague Spring to the Soviet Union’s invasion in 1968 in this book. At th e beginning of novel, Milan Kundera showed his own thinking toward being by explaining Nietzsche' saying "Eternal return is the heaviest burden." With the discussion of “lightness and heaviness” in life, the book mainly told us the love story between Thomas and Teresa during wartime.

Because of the true love for Thomas, the responsibility to family and country, Teresa couldn’t put up with Thomas’s illegal love affairs and finally chose to leave Thomas. After that, Thomas, a playboy, still had to deal with his mistresses, trying to get out

of the loss of Teresa. However, this “relaxing” life, which can be regarde d as a kind of lightness of being, couldn’t make Thomas feel well. Story tries to tell us the meaning of being is responsibility by the comparison a nd contrast of main characters’ attitudes toward life, and makes us consider some deeply philosophical problems. This is a profound book with a prefect fusion of romanticism and realism. The social

and living conditions after Prague Spring can be obtained and people’s thoughts toward life after invasion were truly expressed. As the greatest work in literature in 20th century, Unbearable Lightness of Being has beenwidely appreciated nowadays, and its literary and philosophical contribution won’t be ignored.

《生命不能承受之轻》经典语句(中英文都有)

Life can not bear the light 《生命不能承受之轻》 From now on, I began to carefully choose my life, I will not easily let myself lost in a variety of temptations. I have heard the call from afar, and then do not need to turn back to care about all of the blame and comments. I have no time to take care of the past, I have to go forward. Life is like a piece of music. Under the guidance of the aesthetic feeling, the accidental event into a theme, and then recorded in the movement of life. As the main theme of the composer's genealogy written Sonata, the theme of life is also repeated, repeated, revision, extension. Anna can use any other way to end his life, but the station, the death of this memorable theme and love the initiation of the combination, in her desperate moment, the beauty of desolation to lure her. Man is the law of the United States in writing life movement, until the time of the arrival of a deep despair, but they do not know. But if we turn to the second, it is for the sake of our betrayal, that does not necessarily mean that we have been comforted. We have no choice, we can not say that their own credit, it can not be said that their own fault. Night in the cemetery is full of stars in the candlelight, as if all the spirits of the dead child dance party held in, is, children dance, because spirits have as a child in general pure. No matter how cruel life, the cemetery is always a peace, even if it is in the war, during the Hitler period, Stalin period, in all the occupied period. I am not against communism, I am opposed to kitsch! Orange sunset, everything was covered with a kind of nostalgia, even the guillotine. Love, is the desire of the other half of our own lost Before humans were the two sexes, God divided them into two halves. From then on, the two began to wander in the world, looking for each other. Love, is the desire of the other half of our loss. A person's pain is far less than the pain of sympathy, and for some people, their imagination will strengthen the pain, they are more than a hundred times the echo of the imagination to make the pain boundless. We don't have to worry too much about it, it's like a war between the African tribes in Fourteenth Century. Although this period is three hundred thousand black again difficult to portray die de miserable, it did not change the world. 从现在起,我开始谨慎地选择我的生活,我不再轻易让自己迷失在各种诱惑里我心中已经听到来自远方的呼唤,再不需要回过头去关心身后的种种是非与议论。我已无暇顾及过去,我要向前走. 人生如同谱写乐章。人在美感的引导下,把偶然的事件变成一个主题,然后记录在生命的乐

写作指导:如何写英文影评及练习含答案

如何用英语介绍一部电影 【写作任务】 假定你是李华,你校英文爱好者协会准备在电影周期间展播一部英文电影。请你根据提示,给该协会负责人Ted写一封信,向他推荐美国电影《马戏之王》(The Greatest Showman)。 注意:1. 词数100左右(开头和结尾已给出,但不计入总词数); 2. 可适当增加细节,以使行文连贯。 Dear Ted, I’m writing to recommend The Greatest Showman to you for our school Film Week. _____________________________________________________________________ _________________ I am looking forward to your consideration of this film. Yours, Li Hua 【写作指导】 一、审题定调 介绍一部电影时,我们常用夹叙夹议的方式,即用记叙的方式介绍电影的剧情,用议论的方式发表自己的看法。介绍电影情节时要抓住重点,电影评论部分要客观公正。 在介绍电影情节时,多用一般现在时和一般过去时,人称多用第三人称。二、谋篇布局

因为该信件的开头和结尾部分已给出,所以我们只需要写出正文部分即可。正文可分为三部分: 第一部分:电影简介(上映日期、类型、导演等); 第二部分:剧情简介; 第三部分:发表评论。 三、组织语言 第一部分:电影简介(上映日期、类型、导演等)。 第二部分:剧情简介。 第三部分:发表评论。 【范文展示】 普通范文

《生命不能承受之轻》里的经典句子

《生命不能承受之轻》里的经典句子 一. 人永远都无法知道自己该要什么,因为人只能活一次,既不能拿它跟前世相比,也不能在来生加以修正。 二. 他永远不可能知道为自己的情感所左右到底是对还是错。 三. 粗暴地显示了肉体和灵魂之间不可调和的两重性——这一人类的根本体验。 四. 罪恶的制度并非由罪人建立,而恰恰由那些确信已经找到了通往天堂的惟一道路的积极分子所建立。 五. 爱开始于一个女人以某句话印在我们诗化记忆中的那一刻。 六. 当心灵在说话,理智出来高声反对,是不恰当的。 七. 人类的博爱都只能建立在媚俗的基础之上。 八. 但是在某个政治运动独霸整个权力的地方,人们便一下置身于极权的媚俗之国。

在媚俗被当作谎言的情况下,媚俗必定处于非媚俗的境地。 十. 媚俗一旦失去其专横的权力,它就像人类的任何一个弱点一样 令人心动。因为我们中没有一个是超人,不可能完全摆脱媚俗。不管我们心中对它如何蔑视,媚俗总是人类境况的组成部分。 十一. 媚俗的根源就是对生命的绝对认同。 十二. 任何政治运动并非建立在理性的态度之上,而是以表演、形象、词语、老套等为基础,其总体构成了这种或那种的政治媚俗。 十三. 我们全部需要有人注视我们。根据我们生活所追求的不同的目光类型,可以将我们分成四类。 第一类追求那种被无数不知名的人注视的目光,换句话说,就是公众目光。 第二类是那种离开了多双熟悉的眼睛注视的目光就活不下去的人。 第三类,这类人必须活在所爱之人的目光下。第四类,他们生活在纯属想象、不在身边的人的目光下。 十四. 现实大于梦想,远甚于梦想。

媚俗,是存在与遗忘之间的中转站。 十六. 幸好,我们同他人的关系在何种程度上取决于我们的感情,即我们的爱还是不爱,是善待还是仇视,而且,它们在何种程度预先受个人实力对比的制约,这是永远都无法下确切定义的。 十七. 人类真正的善心,只对那些不具备任何力量的人才能自由而纯粹地体现出来。 十八. 人类真正的道德测试(是最为彻底的测试,但它处于极深的层次,往往部位我们注意),是看他与那些受其支配的东西如动物之间的关系如何。 十九. 如果我们没有能力爱,也许正是因为我们总渴望得到别人的爱,也就是说我们总希望从别人那儿得到什么(爱),而不是无条件地投入其怀中并且只要他这个人的存在。 二十. 这就是人为什么人类不可能幸福的缘故,因为幸福是对重复的渴望。 二十一.

电影幸福终点站观后感2000字

电影幸福终点站观后感2000字 《幸福终点站》是一部美国的爱情喜剧电影,不知道大家有没有看过呢?影片主要讲述了主人公维克多在前往美国的过程中,却因为家乡发生政变而被迫留在机场的故事。网友们对这部电影有怎样的感受呢?下面就跟一起来看看吧! 在光怪陆离的现代社会,谈论幸福、追求幸福、收获幸福,似乎是一件矫情而奢侈的事情。在日复一日的喧嚣与苟且之中,我们满足于口腹之欲、声色之娱,或者守着一颗荒芜的心,过着麻木的生活。幸福二字,要么羞于提及,要么不再想起。然而,那些冠名为“幸福”的影片,却总能不经意地撩动你的心弦,比如《幸福来敲门》,比如斯皮尔伯格执导的这部《幸福终点站》。 据说是在一个真实事件基础上延伸、编织而成的故事:上世纪80年代末,维克多.纳沃斯基(汤姆.汉克斯饰)自东欧小国克罗西亚(虚构国名)飞到美国,却因祖国发生政变而导致 __明失效,进退两难的维克多被困机场,一呆就是9个月。在如此 __人生境遇中,在机场这么一小块方寸之地,他竟然 __地站稳了脚跟,赢得了尊重,收获了友谊,甚至遇见了爱情。 维克多的幸福,究竟有何“密码”呢?

维克多,这个憨憨的中年男子,因祖国的一场政变莫名其妙地迷失了自己的身份,但自始至终,他唯独不曾迷失真实的自己。 他不曾迷失底线。机场负责人弗兰克为了甩掉他这个麻烦,企图采取“钓鱼”行动,故意撤掉保安留出空档好让他能够走出机场,这样就可以合法地拘捕他。如果此刻维克多“精明”一点,他完全可以走出机场大门,但最终等待他的只有镣铐。可这个傻不拉几的家伙,__地选择了不越雷池半步。 他不曾迷失方向。他是带着已过世父亲的梦想而来,只为去纽约见到父亲的爵士乐偶像并要到签名。他一直守护着那个装满了签名的小罐子,他日复一日向机场小姐姐提交护照和申请表,因为他始终不变地守护者自己的期望与方向,从不曾忘记,永不会迷航。 正因为这一份坚定,他安之若素地在机场里安营扎寨,努力用洒脱面对尴尬,用乐观化解狼狈,用进取超越绝望。 他不曾迷失善良。一名 __乘客携带了为父亲救命的药品,按照有关规定,缺乏相关手续的人类药品只能被扣留。在乘客哭求、下跪均无济于事之后,临时抓丁充当翻译的维克多,将药品的治疗对象翻译成“山羊”,从而救乘客于绝望,成全了他的一番孝心。后来弗兰克

世界是平的 英文影评

Review of “Outsourced” “Outsourced”is a typical fish-out-of-water tale about a young American telemarketer who learns that his job is being shipped overseas. Todd Anderson (Josh Hamilton) spends his days managing a customer call center in Seattle until his job, along with those of the entire office, are outsourced to India. Todd rejects but when his boss informs him that quitting would mean losing his stock options, he has to go to train his Indian replacement Puro (Asif Basra). Out of constant cultural misunderstandings, Todd (Josh Hamilton) is frustrated with everything in India. He eats food by using left hand which is taboo in India. Left hand is considered as dirty hand, which is used for clean something. That’s why Todd (Josh Hamilton) can’t find toilet paper in washroom. It is quite different from America. Also Todd (Josh Hamilton) sees the personal questions, which asked by the hostess, as an embarrassing invasion of his privacy. She questions Todd during his classes, tells him he needs to know more about India. Because of cultural diversity, Todd (Josh Hamilton) has difficulty making the call center employees understand what their American customers expect. In order to get the length of a call down to six minutes, Todd (Josh Hamilton) teaches the Indian employees to speak in American way. While an employee Asha (Ayesha Dharker) questions Todd (Josh Hamilton) during his classes, tells him he needs to know more about India. She becomes his

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《傲慢与偏见》英文书评

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安全,生命不可承受之轻(新编版)

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