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中英对照.The Importance of Being Earnest. by Oscar Wilde

中英对照.The Importance of Being Earnest. by Oscar Wilde
中英对照.The Importance of Being Earnest. by Oscar Wilde

The Importance of Being Earnest A Trivial Comedy for Serious People

THE PERSONS IN THE PLAY

John Worthing, J.P.

Algernon Moncrieff

Rev. Canon Chasuble, D.D.

Merriman, Butler

Lane, Manservant

Lady Bracknell

Hon. Gwendolen Fairfax

Cecily Cardew

Miss Prism, Governess

THE SCENES OF THE PLAY

ACT I. Algernon Moncrieff’s Flat in Half-Moon Street, W.

ACT II. The Garden at the Manor House, Woolton.

ACT III. Drawing-Room at the Manor House, Woolton.

TIME: The Present.

LONDON: ST. JAMES’S THEATRE

Lessee and Manager: Mr. George Alexander

February 14th, 1895

* * * * *

John Worthing, J.P.: Mr. George Alexander.

Algernon Moncrieff: Mr. Allen Aynesworth.

Rev. Canon Chasuble, D.D.: Mr. H. H. Vincent.

Merriman: Mr. Frank Dyall.

Lane: Mr. F. Kinsey Peile.

Lady Bracknell: Miss Rose Leclercq.

Hon. Gwendolen Fairfax: Miss Irene Vanbrugh.

Cecily Cardew: Miss Evelyn Millard.

Miss Prism: Mrs. George Canninge.

FIRST ACT

SCENE

Morning-room in Algernon’s flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room.

[Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.]

Algernon. Did you hear what I was playing, Lane?

Lane. I didn’t think it polite to listen, sir.

Algernon. I’m sorry for that, for your sake. I don’t play accurately—any one can play accurately—but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.

Lane. Yes, sir.

Algernon. And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell?

Lane. Yes, sir. [Hands them on a salver.]

Algernon. [Inspects them, takes two, and sits down on the sofa.] Oh! . . . by the way, Lane, I see from your book that on Thursday night, when Lord Shoreman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed.

Lane. Yes, sir; eight bottles and a pint.

Algernon. Why is it that at a bachelor’s establishment the servants invariably drink the champagne? I ask merely for information.

Lane. I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand.

Algernon. Good heavens! Is marriage so demoralising as that?

Lane. I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person.

Algernon. [Languidly.] I don’t know that I am much interested in your family life, Lane.

Lane. No, sir; it is not a very interesting subject. I never think of it myself. Algernon. Very natural, I am sure. That will do, Lane, thank you.

Lane. Thank you, sir. [Lane goes out.]

Algernon. Lane’s views on marriage seem somewhat lax. Really, if the lower orders don’t set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility.

[Enter Lane.]

Lane. Mr. Ernest Worthing.

[Enter Jack.]

[Lane goes out.]

Algernon. How are you, my dear Ernest? What brings you up to town?

Jack. Oh, pleasure, pleasure! What else should bring one anywhere? Eating as usual, I see, Algy!

Algernon. [Stiffly.] I believe it is customary in good society to take some slight refreshment at five o’clock. Where have you been since last Thursday?

Jack. [Sitting down on the sofa.] In the country.

Algernon. What on earth do you do there?

Jack. [Pulling off his gloves.] When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring.

Algernon. And who are the people you amuse?

Jack. [Airily.] Oh, neighbours, neighbours.

Algernon. Got nice neighbours in your part of Shropshire?

Jack. Perfectly horrid! Never speak to one of them.

Algernon. How immensely you must amuse them! [Goes over and takes sandwich.] By the way, Shropshire is your county, is it not?

Jack. Eh? Shropshire? Yes, of course. Hallo! Why all these cups? Why cucumber sandwiches? Why such reckless extravagance in one so young? Who is coming to tea?

Algernon. Oh! merely Aunt Augusta and Gwendolen.

Jack. How perfectly delightful!

Algernon. Yes, that is all very well; but I am afraid Aunt Augusta won’t quite approve of your being here.

Jack. May I ask why?

Algernon. My dear fellow, the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you.

Jack. I am in love with Gwendolen. I have come up to town expressly to propose to her.

Algernon. I thought you had come up for pleasure? . . . I call that business.

Jack. How utterly unromantic you are!

Algernon. I really don’t see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I’ll certainly try to forget the fact.

Jack. I have no doubt about that, dear Algy. The Divorce Court was specially invented for people whose memories are so curiously constituted.

Algernon. Oh! there is no use speculating on that subject. Divorces are made in Heaven—[Jack puts out his hand to take a sandwich. Algernon at once interferes.] Please don’t touch the cucumber sandwiches. They are ordered specially for Aunt Augusta. [Takes one and eats it.]

Jack. Well, you have been eating them all the time.

Algernon. That is quite a different matter. She is my aunt. [Takes plate from below.] Have some bread and butter. The bread and butter is for

Gwendolen. Gwendolen is devoted to bread and butter.

Jack. [Advancing to table and helping himself.] And very good bread and butter it is too.

Algernon. Well, my dear fellow, you need not eat as if you were going to eat it all. You behave as if you were married to her already. You are not married to her already, and I don’t think you ever will be.

Jack. Why on earth do you say that?

Algernon. Well, in the first place girls never marry the men they flirt with. Girls don’t think it right.

Jack. Oh, that is nonsense!

Algernon. It isn’t. It is a great truth. It accounts for the extraordinary number of bachelors that one sees all over the place. In the second place, I don’t give my consent.

Jack. Your consent!

Algernon. My dear fellow, Gwendolen is my first cousin. And before I allow you to marry her, you will have to clear up the whole question of Cecily. [Rings bell.]

Jack. Cecily! What on earth do you mean? What do you mean, Algy, by Cecily! I don’t know any one of the name of Cecily.

[Enter Lane.]

Algernon. Bring me that cigarette case Mr. Worthing left in the smoking-room the last time he dined here.

Lane. Yes, sir. [Lane goes out.]

Jack. Do you mean to say you have had my cigarette case all this time? I wish to goodness you had let me know. I have been writing frantic letters to Scotland Yard about it. I was very nearly offering a large reward.

Algernon. Well, I wish you would offer one. I happen to be more than usually hard up.

Jack. There is no good offering a large reward now that the thing is found. [Enter Lane with the cigarette case on a salver. Algernon takes it at once. Lane goes out.]

Algernon. I think that is rather mean of you, Ernest, I must say. [Opens case and examines it.] However, it makes no matter, for, now that I look at the inscription inside, I find that the thing isn’t yours after all.

Jack. Of course it’s mine. [Moving to him.] You have seen me with it a hundred times, and you have no right whatsoever to read what is written inside. It is a very ungentlemanly thing to read a private cigarette case.

Algernon. Oh! it is absurd to have a hard and fast rule about what one should read and what one shouldn’t. More than half of modern culture depends on what one shouldn’t read.

Jack. I am quite aware of the fact, and I don’t propose to discuss modern culture. It isn’t the sort of thing one should talk of in private. I simply want my cigarette case back.

Algernon. Yes; but this isn’t your cigarette case. This cigarette case is a present from some one of the name of Cecily, and you said you didn’t know any one of that name.

Jack. Well, if you want to know, Cecily happens to be my aunt.

Algernon. Your aunt!

Jack. Yes. Charming old lady she is, too. Lives at Tunbridge Wells. Just give it back to me, Algy.

Algernon. [Retreating to back of sofa.] But why does she call herself little Cecily if she is your aunt and lives at Tunbridge Wells? [Reading.] ‘From little Cecily with her fondest love.’

Jack. [Moving to sofa and kneeling upon it.] My dear fellow, what on earth is there in that? Some aunts are tall, some aunts are not tall. That is a matter that surely an aunt may be allowed to decide for herself. You seem to think that every aunt should be exactly like your aunt! That is absurd! For Heaven’s sake give me back my cigarette case. [Follows Algernon round the room.]

Algernon. Yes. But why does your aunt call you her uncle? ‘From little Cecily, with her fondest love to her dear Uncle Jack.’ There is no objection, I admit, to an aunt being a small aunt, but why an aunt, no matter what her size may be, should call her own nephew her uncle, I can’t quite make out. Besides, your name isn’t Jack at all; it is Ernest.

Jack. It isn’t Ernest; it’s Jack.

Algernon. You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying that your name isn’t Ernest. It’s on your cards. Here is one of them. [Taking it from case.] ‘Mr. Ernest Worthing, B. 4, The Albany.’ I’ll keep this as a proof that your name is Ernest if ever you attempt to deny it to me, or to Gwendolen, or to any one else. [Puts the card in his pocket.]

Jack. Well, my name is Ernest in town and Jack in the country, and the cigarette case was given to me in the country.

Algernon. Yes, but that does not account for the fact that your small Aunt Cecily, who lives at Tunbridge Wells, calls you her dear uncle. Come, old boy, you had much better have the thing out at once.

Jack. My dear Algy, you talk exactly as if you were a dentist. It is very vulgar to talk like a dentist when one isn’t a dentist. It produces a false impression. Algernon. Well, that is exactly what dentists always do. Now, go on! Tell me the whole thing. I may mention that I have always suspected you of being a confirmed and secret Bunburyist; and I am quite sure of it now.

Jack. Bunburyist? What on earth do you mean by a Bunburyist?

Algernon. I’ll reveal to you the meaning of that incomparable expression as soon as you are kind enough to inform me why you are Ernest in town and Jack in the country.

Jack. Well, produce my cigarette case first.

Algernon. Here it is. [Hands cigarette case.] Now produce your explanation, and pray make it improbable. [Sits on sofa.]

Jack. My dear fellow, there is nothing improbable about my explanation at all. In fact it’s perfectly ordinary. Old Mr. Thomas Cardew, who adopted me when I was a little boy, made me in his will guardian to his grand-daughter, Miss Cecily Cardew. Cecily, who addresses me as her uncle from motives of respect that you could not possibly appreciate, lives at my place in the country under the charge of her admirable governess, Miss Prism.

Algernon. Where is that place in the country, by the way?

Jack. That is nothing to you, dear boy. You are not going to be invited . . . I may tell you candidly that the place is not in Shropshire.

Algernon. I suspected that, my dear fellow! I have Bunburyed all over Shropshire on two separate occasions. Now, go on. Why are you Ernest in town and Jack in the country?

Jack. My dear Algy, I don’t know whether you will be able to understand my real motives. You are hardly serious enough. When one is placed in the position of guardian, one has to adopt a very high moral tone on all subjects. It’s one’s duty to do so. And as a high moral tone can hardly be said to conduce very much to either

one’s health or one’s happiness, in order to get up to town I have always pretended to have a younger brother of the name of Ernest, who lives in the Albany, and gets into the most dreadful scrapes. That, my dear Algy, is the whole truth pure and simple. Algernon. The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility!

Jack. That wouldn’t be at all a bad thing.

Algernon. Literary criticism is not your forte, my dear fellow. Don’t try it. You should leave that to people who haven’t been at a University. They do it so well in the daily papers. What you really are is a Bunburyist. I was quite right in saying you were a Bunburyist. You are one of the most advanced Bunburyists I know.

Jack. What on earth do you mean?

Algernon. You have invented a very useful younger brother called Ernest, in order that you may be able to come up to town as often as you like. I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose. Bunbury is perfectly invaluable. If it wasn’t for Bunbury’s extraordinary bad health, for instance, I wouldn’t be able to dine with you at Willis’s to-night, for I have been really engaged to Aunt Augusta for more than a week.

Jack. I haven’t asked you to dine with me anywhere to-night.

Algernon. I know. You are absurdly careless about sending out invitations. It is very foolish of you. Nothing annoys people so much as not receiving invitations. Jack. You had much better dine with your Aunt Augusta.

Algernon. I haven’t the smallest intention of doing anything of the kind. To begin with, I dined there on Monday, and once a week is quite enough to dine with one’s own relations. In the second place, whenever I do dine there I am always treated as a member of the family, and sent down with either no woman at all, or two. In the third place, I know perfectly well whom she will place me next to, to-night. She will place me next Mary Farquhar, who always flirts with her own husband across the dinner-table. That is not very pleasant. Indeed, it is not even decent . . . and that sort of thing is enormously on the increase. The amount of women in London who flirt with their own husbands is perfectly scandalous. It looks so bad. It is simply washing one’s clean linen in public. Besides, now that I know you to be a confirmed Bunburyist I naturally want to talk to you about Bunburying. I want to tell you the rules.

Jack. I’m not a Bunburyist at all. If Gwendolen accepts me, I am going to kill my brother, indeed I think I’ll kill him in any case. Cecily is a little too much interested in him. It is rather a bore. So I am going to get rid of Ernest. And I strongly advise you to do the same with Mr. . . . with your invalid friend who has the absurd name. Algernon. Nothing will induce me to part with Bunbury, and if you ever get married, which seems to me extremely problematic, you will be very glad to know Bunbury. A man who marries without knowing Bunbury has a very tedious time of it.

Jack. That is nonsense. If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won’t want to know Bunbury.

Algernon. Then your wife will. You don’t seem to realise, that in married life three is company and two is none.

Jack. [Sententiously.] That, my dear young friend, is the theory that the corrupt French Drama has been propounding for the last fifty years.

Algernon. Yes; and that the happy English home has proved in half the time.

Jack. For heaven’s sake, don’t try to be cynical. It’s perfectly easy to be cynical.

Algernon. My dear fellow, it isn’t easy to be anything nowadays. There’s such a lot of beastly competition about. [The sound of an electric bell is heard.] Ah! that must be Aunt Augusta. Only relatives, or creditors, ever ring in that Wagnerian manner. Now, if I get her out of the way for ten minutes, so that you can have an opportunity for proposing to Gwendolen, may I dine with you to-night at Willis’s?

Jack. I suppose so, if you want to.

Algernon. Yes, but you must be serious about it. I hate people who are not serious about meals. It is so shallow of them.

[Enter Lane.]

Lane. Lady Bracknell and Miss Fairfax.

[Algernon goes forward to meet them. Enter Lady Bracknell and Gwendolen.]

Lady Bracknell. Good afternoon, dear Algernon, I hope you are behaving very well.

Algernon. I’m feeling very well, Aunt Augusta.

Lady Bracknell. That’s not quite the same thing. In fact the two things rarely go together. [Sees Jack and bows to him with icy coldness.]

Algernon. [To Gwendolen.] Dear me, you are smart!

Gwendolen. I am always smart! Am I not, Mr. Worthing?

Jack. You’re quite perfect, Miss Fairfax.

Gwendolen. Oh! I hope I am not that. It would leave no room for developments, and I intend to develop in many directions. [Gwendolen and Jack sit down together in the corner.]

Lady Bracknell. I’m sorry if we are a little late, Algernon, but I was obliged to call on dear Lady Harbury. I hadn’t been there since her poor husband’s death. I never saw a woman so altered; she looks quite twenty years younger. And now I’ll have a cup of tea, and one of those nice cucumber sandwiches you promised me. Algernon. Certainly, Aunt Augusta. [Goes over to tea-table.]

Lady Bracknell. Won’t you come and sit here, Gwendolen?

Gwendolen. Thanks, mamma, I’m quite comfortable where I am.

Algernon. [Picking up empty plate in horror.] Good heavens! Lane! Why are there no cucumber sandwiches? I ordered them specially.

Lane. [Gravely.] There were no cucumbers in the market this morning, sir. I went down twice.

Algernon. No cucumbers!

Lane. No, sir. Not even for ready money.

Algernon. That will do, Lane, thank you.

Lane. Thank you, sir. [Goes out.]

Algernon. I am greatly distressed, Aunt Augusta, about there being no cucumbers, not even for ready money.

Lady Bracknell. It really makes no matter, Algernon. I had some crumpets with Lady Harbury, who seems to me to be living entirely for pleasure now. Algernon. I hear her hair has turned quite gold from grief.

Lady Bracknell. It certainly has changed its colour. From what cause I, of course, cannot say. [Algernon crosses and hands tea.] Thank you. I’ve quite a treat for you to-night, Algernon. I am going to send you down with Mary Farquhar. She is such a nice woman, and so attentive to her husband. It’s delightful to watch them. Algernon. I am afraid, Aunt Augusta, I shall have to give up the pleasure of dining with you to-night after all.

Lady Bracknell. [Frowning.] I hope not, Algernon. It would put my table completely out. Your uncle would have to dine upstairs. Fortunately he is accustomed to that.

Algernon. It is a great bore, and, I need hardly say, a terrible disappointment to me, but the fact is I have just had a telegram to say that my poor friend Bunbury is very ill again. [Exchanges glances with Jack.] They seem to think I should be with him. Lady Bracknell. It is very strange. This Mr. Bunbury seems to suffer from curiously bad health.

Algernon. Yes; poor Bunbury is a dreadful invalid.

Lady Bracknell. Well, I must say, Algernon, that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or to die. This shilly-shallying with the question is absurd. Nor do I in any way approve of the modern sympathy with invalids. I consider it morbid. Illness of any kind is hardly a thing to be encouraged in others. Health is the primary duty of life. I am always telling that to your poor uncle, but he never seems to take much notice . . . as far as any improvement in his ailment goes. I should be much obliged if you would ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Saturday, for I rely on you to arrange my music for me. It is my last reception, and one wants something that will encourage conversation, particularly at the end of the season when every one

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(2)1岁以下儿童及新生儿因肝、肾功能发育不全,应避免使用。 (3)酒精中毒、患肝病或病毒性肝炎时,本品有增加肝脏毒性作用的危险,应禁用。 (4)肾功能不全者禁用。 【限定剂型】片剂,咀嚼片,缓释片,泡腾片,分散片,胶囊剂,口服溶液剂,滴剂,糖浆剂,颗粒剂,泡腾颗粒剂,栓剂。 【药物贮藏】应在阴凉干燥处密闭保存。 【药物配伍】1、长期饮酒或正在应用其他肝酶诱导剂时,尤其是巴比妥类或其他抗痉挛药的患者,连续使用本品,有发生肝脏毒性反应的危险。 2、长期大量与阿司匹林、其他水酸盐制剂或其他非甾体抗炎药合用时(如每年累积用量达1000克,应用3年以上),可明显增加肾毒性的危险。 3、与抗病毒药剂多夫定合用时,会增加毒性,应避免同时应用。 4、与抗凝血药合用时可增加抗凝血作用,故要调整抗凝血药的用量。Paracetamol Main Use :Pain, fever Active Ingredient :Paracetamol Manufacturer :Non-proprietary How does it work? This medicine contains the active ingredient paracetamol, which is a medicine used to relieve mild to moderate pain. It is also useful for reducing fever. It is not fully understood how paracetamol produces these effects. Paracetamol can be used to relieve mild to moderate aches and pains associated with conditions such as headaches, migraine, toothache, teething, colds and flu. It is also useful for reducing fever and discomfort associated with colds and flu and following vaccinations.

青年教师基本功大赛演讲稿

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23、flap angle 襟翼角 24、flap setting 襟翼调整 25、the full flap position 全襟翼位置 26、a flapless landing 无襟翼着陆 27、the landing gear 起落架 28、stabilizer 安定面 29、the nose wheel 前轮 30、gear locked 起落架锁定 31、the wheel well 起落架舱 32、the wheel door 起落架舱门 33、a tyre 轮胎 34、to burst 爆破 35、a deflated tyre 放了气的轮胎 36、a flat tyre 走了气的轮胎 37、a puncture 轮胎被扎破 38、to extend the flaps (to retract the flaps) 放下襟翼(收上襟翼) 39、gear extention (gear retraction) 起落架放下(起落架收上) 40、The gear is jammed. 起落架被卡死。 41、The flaps are jammed. 襟翼被卡死。 42、the emergency extention system 应急放下系统 43、to crank the gear down 摆动放下起落架 44、the brakes 刹车

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信托说明书 -----不动产转移声明 本信托声明书于19___年___月___日由___(姓名,地址)(以下简称“受托人”)作出。 This DECLARATION OF TRUST is made the _______day of ____19__,by(name)(address).(hereinafter referred to as " the Trustee") 鉴于 WHEREAS: 1.(略) 1.(omitted) 2.该项住宅事实上已转让给(姓名,地址)(以下简称“委托人”) 2.The said premises were in fact assigned to (name and address of beneficiary)(hereinafter referred to as "the Principal ")

本文据证明,受托人在此宣称,从该转让日起,已为委托人以信托而持有并将继续持有该住宅,该住宅的收入和利润及销售或处理时所得的收益,受托人在此同意,在该委托人要求时将该住宅转让、转移或作其他处理给委托人,或按委托人指示或指定在其时或以其指定的形式转让给其指定的人。 NOW THE DEED WITNESSETH that the Trustee doth hereby DECLARE that the Trustee has since the date of the said Assignment held and henceforth hold and stand possessed of the said premises and the income and profits thereof and the proceeds of sale thereof in case of the same shall be sold or disposed of UPON TRUST for the Principal and the Trustee doth hereby agree to assign transfer or otherwise dispose of the said premises to the Principal at the said (Principal) request or to such person or persons at such time or times or in such manner as the said Principal shall direct or appoint. 并在此声明,在本文据存在期间,一受托人有权指定新的或

歌剧魅影全套歌词中英对照高级翻译超

Turn your face away 把你的脸转向这里 from the garish light of day Night-time sharpe ns 夜色渐浓 heighte ns each sen sati on 知觉萌动 Darkn ess stirs and wakes imag in ati on 冥冥黑暗引领想象出笼 Sile ntly the sen ses aba ndon their defe nces ... 寂静之中感觉幵始放纵 Slowly, gen tly ni ght un furls its sple ndour 夜晚显现魅力缓慢轻柔 Grasp it, sense it - tremulous and tender 抓住它感觉它 颤抖中带着温柔 tur n your thoughts away 把你的心转向这里 from cold, un feeli ng light 脱离那冰冷无情的光 and listen to the music of the night ... 尽情聆听这夜的乐章 Close your eyes and surre nder to your 闭上双眼尽情放纵 darkest dreams! 心灵深处的梦想 不要再看俗气的日光

you knew before! 全部主张! Close your eyes, 闭上双眼 let your spirit start to soar! 让你的灵魂去飞翔! And you'll live 你将拥有新的生活 as you've n ever lived before ... 在你从未生活过的地方 Softly, deftly 不知不觉中 music shall surro und you ... 音乐将你包容 Feel it, hear it, 去感受去聆听 clos ing in aro und you ... 让它进入你的心 Ope n up your mi nd 让你的思想翱翔 let your fan tasies unwind 为你的幻想松绑 in this dark ness which 在这黑暗之中 you know you cannot fight 你知道自己无力抵抗

电气专业术语中英文对照

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see-you-again整理歌词中英文对照

see you again It's been a long day without you my friend 没有老友你的陪伴日子真是漫长 And I'll tell you all about it when I see you again 与你重逢之时我会敞开心扉倾诉所有 We've come a long way from where we began 回头凝望我们携手走过漫长的旅程 Oh I'll tell you all about it when I see you again 与你重逢之时我会敞开心扉倾诉所有 When I see you again 与你重逢之时 Damn who knew all the planes we flew 谁会了解我们经历过怎样的旅程 Good things we've been through 谁会了解我们见证过怎样的美好 That I'll be standing right here 我都会在这里 Talking to you about another path 与你聊聊另一种选择的可能 I know we loved to hit the road and laugh 我懂我们都喜欢速度与激情 But something told me that it wouldn't last 但有个声音告诉我这美好并不会永恒 Had to switch up look at things different see the bigger picture 如何才能改变观点用更宏观的视野看这世界 Those were the days hard work forever pays 有付出的日子终有收获的时节 Now I see you in a better place 此刻我看到你走进更加美好的未来 Now I see you in a better place 此刻我看到你走进更加美好的未来 How could we not talk about family when family's all that we got?当家人已是我们唯一的牵绊时我们怎么能忘却最可贵的亲情Everything I went through you were standing there by my side 无论历经怎样的艰难坎坷总有你相伴陪我度过 And now you gonna be with me for the last ride 而今你将陪我走完这最后一段旅程 It's been a long day without you my friend 没有老友你的陪伴日子真是漫长 And I'll tell you all about it when I see you again 与你重逢之时我会敞开心扉倾诉所有 We've come a long way from where we began

电影专业术语 中英对照

电影专业术语中英文对照 A Above-the-line 线上费用 A-B roll A-B卷 AC 交流电 Academy ratio 学院标准画框比 Adaptation 改编 ADR editor ADR 剪辑师 Aligator clamp=gaffer grip 固定灯具的弹簧夹,又称鳄鱼夹 Ambient Sounds 环境音 Amp 安培 Amplification 信号放大 Amplitude 振幅 Analog 模拟 Anamorphic lens 变形镜头 Aperture 光圈 Answer Print 校正拷贝 Arc 摄像机的弧度运动 Art director 艺术指导 Aspect ratio 画框比 Atmosphere sound 气氛音 Attack 起音 Audio board 调音台 Audio mixer 混音器,混音师 Automatic dialogue replacement 自动对白补录 Automatic focus 自动对焦 Automatic gain control 自动增益控制 Automatic iris 自动光圈(少用) Axis of action 表演轴线 B Back light 轮廓光 Background light=Scenery light 场景光 Balance 平衡 Balanced 平衡电缆 Barndoor 遮扉(灯具上的黑色金属活动板,遮光用的) Barney 隔音套 Base 片基(用来附着感光乳剂的胶片基底) Base plate 底座(固定灯的) Baselight level 基本亮度 Batch capturing 批次采集 Below-the-line 线下费用 Bidirectional 双向麦克风 Bit depth 位元深度(在数字声音中每次取样的数目,通常是8,12,16)

木头电子钟中英文说明书

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