TKT Practical Lesson Plan Template 2013(2)new

Anticipated difficulties with materials, activities and tasks:

1.Students may speak Chinese while

talking about their Sunday s? activities.

2..Students may have difficulties talking

about their activities on weekends Solutions:

1. Using the CCQS or eliciting to remind students to speak English in the group work.

2. Before student make reports, give an example to my activities on weekends.

Declaration:

This lesson plan is my own work …….………Linda Li…………………..(candidate?s signature).

Board plan

Seating plan

人体各部位英汉对照

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ball 拇指腕掌 half moon 甲晕 fist 拳头 knuckle 指关节 back 手背 wrist 手腕 elbow 肘 bone 骨 skeleton 骨骼 thigh 大腿 kneecap 膝盖骨 sinew 腱 muscle 肌肉 knee 膝盖 leg 腿 shank 小腿 calf 小腿肚 foot 脚 instep 脚背 toes 脚趾 ankle 脚踝 Achilless tendon 跟腱 heel 脚后跟 sole 脚底 arch 脚掌心(拱起那部分) 3. 人体胸部和下半身各部位英语单词collarbone 锁骨 shoulder 肩shoulder blade 肩胛骨shoulder joint 肩关节 pit 胸口 breast 胸部(特别指女性) breastbone 胸骨 joint 关节 rib 肋骨 chest 胸部 nipple 乳头 armpit 腋下 armpit hair 腋毛abdomen 腹部 navel 肚脐 waist 腰 lumbar vertebrae腰椎back 背 backbone 脊骨, 脊柱 hip 臀部 bottom 屁股 pelvis 骨盆 4. 内脏各部位英语单词vein 静脉 artery 动脉 capillary 毛细血管 nerve 神经 spinal marrow 脊髓internal organs 内脏heart 心脏

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3、palm 手掌 [pɑ：m] 4、finger 手指[?f??g?(r)] 5、nail 指甲 [ne?l] 6、fist 拳头[f?st] 7、back 手背[b?k] 8、wrist 手腕[r?st] 9、elbow 肘 [?elb?u] 10、bone 骨 [b??n] 11、skeleton 骨骼[?skel?tn] 12、thigh 大腿[θa?] 13、muscle 肌肉 [?m?sl] 14、knee 膝盖 [ni:] 15、leg 腿 [leg] 16、shank 小腿[???k] 17、foot 脚 [fut] 三、人体胸部和下半身各部位英语单词 1、shoulder 肩[???uld?] 2、pit 胸口 [p?t] 3、joint 关节 [d???nt] 4、chest 胸部[t?est] 5、abdomen 腹部[??bd?m?n] 6、navel 肚脐 [?ne?vl] 7、waist 腰[we?st] 8、back 背 [b?k] 9、backbone 脊柱[?b?kb??n] 10、hip 臀部[h?p] 11、bottom 屁股[?b?t?m] 四、内脏各部位英语单词 1、vein 静脉[ve?n] 2、artery 动脉 [?ɑ:t?ri] 3、capillary 毛细血管[k??p?l?ri] 4、nerve 神经[n?:v]

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We all listen to music according to our separate , for the sake of analysis, the whole listening process may become clearer if we break it up into its component parts, so to certain sense we all listen to music on three separate lack of a better terminology, one might name these: 1) the sensuous plane, 2) the expressive plane, 3) the sheerly musical only advantage to be gained from mechanically splitting up the listening process into these hypothetical planes is the clearer view to be had of the way in which we listen. The simplest way of listening to music is to listen for the sheer pleasure of the musical sound is the sensuous is the plane on which we hear music without thinking, without considering it in any turns on the radio while doing something else andabsent-mindedly bathes in the kind of brainless but attractive state of mind is engendered by the mere sound appeal of the music. The surprising thing is that many people who consider themselves qualified music lovers abuse that plane in go to concerts in order to lose use music as a consolation or an enter an ideal world where one doesn’t have to think of the realities of everyday course they aren’t thinking about the music allows them to leave it, and they go off to a place to dream, dreaming because of and apropos of the music yet never quite listening to it. Yes, the sound appeal of music is a potent and primitive force, but you must not allow it to usurp a disproportionate share of your sensuous plane is an important one in music, a very important one, but it does not constitute the whole story. The second plane on which music exists is what I have called the expressive , immediately, we tread on controversial have a way of shying away from any discussion of music’s expressive not Stravinsky himself proclaim that his music was an “object”, a “thing”, with a life of its own, and with no other meaning than its own purely musical existenceThis intransigent attitude of Stravinsky’s may be due to the fact that so many people have tried to read different meanings into so many knows it is difficult enough to say precisely what it is that a piece of music means, to say it definitely to say it finally so that everyone is satisfied with your that should not lead one to the other extreme of denying to music the right to be “expressive”. Listen, if you can,to the 48 fugue themes of Bach’s Well-tempered to each theme, one after will soon realize that each theme mirrors a different world of will also soon realize that the more beautiful a theme seems to you the harder it is to find any word that will describe it to your complete , you will certainly know whether it is a gay theme or a sad will be able, on other words, in your own mind, to draw a frame of emotional feeling around your study the sad one a little closer. Try to pin down the exact quality of its it pessimistically sad or resignedly sad; is it fatefully sad or smilingly sadLet us suppose that you are fortunate and can describe to your own satisfaction in so many words the exact meaning of your chosen is still no guarantee that anyone else will be need they important thing is that each one feels for himself the specific expressive quality of a theme or, similarly, an entire piece of if it is a great work of art, don’t expect it to mean exactly the same thing to you each time you return to it. The third plane on which music exists is the sheerly musical the pleasurable sound of music and the expressive feeling that it gives off, music does exist in terms of the notes themselves and of their listeners are not sufficiently conscious of this third plane. It is very important for all of us to become more alive to music on its sheerly musical all, an actual musical material is being intelligent listener must be prepared to increase his awareness of the musical material and what happens to must hear the melodies, the rhythms, the harmonies, the tone colors in a more conscious above all he must, in order to follow the line of the composer’s thought, know something of the principles of musical to all of these elements is listening to the sheerly musical plane. Let me repeat that I have split up mechanically the three separate planes on which we listen merely for the sake of greater clarity. Actually, we never listen on one or the other of these we do is to correlate them—listening in all three ways at the same takes no mental effort, for we do it instinctively Perhaps an analogy with what happens to us when we visit the theater will make this instinctive correlation the theater, you are aware of the actors and actresses, costumes and sets, sounds and these give one the sense that the theater is a pleasant place to be constitute the sensuous plane in our theatrical reactions. The expressive plane in the theater would be derived from the feeling that you get from what is happening on the are moved to pity, excitement, or is this general feeling, generated aside from the particular words being spoken, a certain emotional something which exists on the stage,that isanalogous to the expressive quality in music. The plot and plot development is equivalent to our sheerly musical playwright creates and develops a character in just the same way that a composer creates and develops a to the degree of your awareness of the way in which the artist in either field handles his material will you become a more intelligent is easy enough to see that the theatergoer never is conscious of any of these elements is aware of them all at the same same is true of music simultaneously and without thinking listen on all three planes. It is not surprising that modern children tend to look blank and dispirited when info rmed that they will someday have to “go to work and make a living”. The problem is that they cannot visualize what work is in corporate Americ a. Not so long ago, when a parent said he was off to work, the child knew very well what was about to happen. His parent was going to make something or fix something. T

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大学英语四、六级考试分数解释 大学英语四、六级考试（CET）分为四级（CET-4）和六级（CET-6）两个级别。大学英语四、六级考试的设计参照了《大学英语课程教学要求》（以下简称教学要求）。四级参照《教学要求》中规定的“一般要求”；六级参照《教学要求》中规定的“较高要求”。大学英语四、六级考试的分数报道采用常模参照方式，不设及格线。四级考试的常模群体选自全国16所高校的约三万名非英语专业的考生；六级常模群体选自全国五所重点大学的约五千名非英语专业的考生。每次考试等值后的卷面分数都参照常模转换为报道分。四、六级考试报道总分为710分，计算公式为： 公式中TotSco表示总分，X表示每位考生常模转换前的原始总分，Mean表示常模均值，SD表示常模标准差。每次四、六级考试等值后的卷面分数都将参照此常模公式转换为报道分数。 四、六级考试单项成绩有四个部分，这四个部分以及所占的分值比例为：听力占35%，阅读占35%，翻译和写作占30%。各单项报道分的满分为：听力249分，阅读249分，翻译和写作212分。各单项报道分之和等于报道总分。 每位考生的报道分在常模群体中都有一个相应的百分位位置。下面的表1 和表2是大学英语四、六级考试报道分数常模百分位对照表。举例说明表1的使用方法如下（表2的使用方法和表1相同）。 例1：某考生四级报道总分是450分，从表1可以查到其在常模群体中的相应百分位是25%，表示这名考生的英语成绩优于常模群体中25%的人，但劣于75%的人。

例2：某考生四级报道总分是500分，从表1可以查到其在常模群体中的相应百分位在44%～55%之间，表示这名考生的英语成绩至少优于常模群体中44%的人，但不会优于55%的人。 例3：某考生四级报道的听力单项分是140分，从表1可以查到其在常模群体中的相应百分位在12%，表示这名考生的听力成绩优于常模群体中12%的人。 例4：某考生四级报道的阅读单项分是140分，从表1可以查到其在常模群体中的相应百分位在17%，表示这名考生的阅读成绩优于常模群体中17%的人。 表 1：大学英语四级考试报道分数的常模百分位对照表

2020年6月大学英语四级考试真题及答案

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新标准大学英语5~6课文原文

It was a horrible joke, but Doc Daneeka didn't laugh until Yussarian came to him one mission later and pleaded again, without any real expectation of success, to be grounded. Doc Daneeka snickered once and was soon immersed in problems of his own, which included Chief White Halfoat, who had been challenging him all that morning to Indian wrestle, and Yossarian, who deciede right then and there to go crazy. "You're wasting your time," Doc Daneeka was forced to tell him. "Can't you grant someone who's crazy?" "Oh, sure. I have to. There's a rule saying I have to graound anyone who's crazy." "Then why don't you ground me? I'm crazy. Ask Clevinger." "Clevinger? Where is Clavinger? You find Clevinger and I'll ask him." "Then ask any of the others. They will tell you how crazy I am." "They are crazy." "Then why don;t you ground them?" "Why don't they ask me to ground them?" "Because they're crazy, that's why." "Of course they're crazy," Doc Dneeka replied. "I just told you they are crazy, didn't I? And you can;t let crazy people decide whether they are crazy or not, can you?" Yossarian looked at him soberly and tried another apporach."Is Orr crazy?" "He sure is,"Doc Daneeka said. "Can you ground him?" "I sure can. But first he has to ask me to. That's part of the rule." "Then why doesn't he ask you?" "Because h's crazy," Doc Daneeka said. "He has to be crazy to keep flying combat mission after all the close calls he's had. Sure, I can ground Orr. But first he has to ask me to." "That's all he has to do to be grounded?" "That's all. Let him ask me." "And then you can ground him?" Yossarian asked. "No, then I can't ground him." "You mean there's a catch?" "Sure there's a catch," Doc Daneeka repled. "Catch-22. Anyone who wants to get out of combat duty isn't really crazy." There was only one catch that was Catch-22, which specified that a concern for one's own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be frounded. All he had to do was ask; and as soon as he did, he would no longer be crazy to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whitsle. “That’s some catch, that catch-22,” he observed. “It’s the best there is,” Doc Daneeka agree.

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大学英语四六级考试真题 Part II Reading Comprehension (35 minutes) Directions: There are 4 passages in this part. Each passage is followed by some questions or unfinished statements. For each of them there are four choices mark ed A), B), C) and D). You should decide on the best choice and mark the correspondin g letter on the Answer Sheet with a single line through the center. Passage One Questions 21 to 25 are based on the following passage. Unless we spend money to spot and prevent asteroids (小行 星) now, one might crash into Earth and destroy life as we know it, say some scientist s. Asteroids are bigger versions of the meteoroids (流 星) that race across the night sky. Most orbit the sun far from Earth and don’ t threaten us. But there are also thousands of asteroids whose orbits put them on a coll ision course with Earth. Buy $50 million worth of new telescopes right now. Then spe nd $10 million a year for the next 25 years to locate most of the space rocks. By the ti me we spot a fatal one, the scientists say, we’ll have a way to change its course. Some scientists favor pushing asteroids off course with nuclear weapons. But the cost wouldn’t be cheap. Is it worth it? Two things experts consider when judging any risk re: 1) How likel y the event is; and 2) How bad the consequences if the event occurs. Experts think an asteroid big enough to destroy lots of life might strike Earth once every 500,000 years . Sounds pretty rare—but if one did fall, it would be the end of the world. “If we don’t take care of these big asteroids, they’ll take care of us,” says one scientist. “It’s that simple.” The cure, though, might be worse than the disease. Do we really want fleets of n uclear weapons sitting around on Earth? “The world has less to fear from doomsday (毁灭性

新标准大学英语综合教程4课文翻译

Unit 1 Active reading (1)大学毕业找工作的第一要义：别躺在沙发上做梦今年夏天，超过 65万的大学生毕业离校，其中有许多人根本不知道怎么找工作。在当今金融危机的背景下，做父母的该如何激励他们？七月，你看着 21岁英俊的儿子穿上学士袍，戴上四方帽，骄傲地握着优等学士学位证书，拍毕业照。这时，记忆中每年支付几千英镑，好让儿子吃好、能参加奇特聚会的印象开始消退。总算熬到头了。等到暑假快要结束，全国各地的学生正在为新学期做准备的时候，你发现大学毕业的儿子还歪躺在沙发上看电视。他只是偶尔走开去发短信，浏览社交网站 Facebook，去酒吧喝酒。这位前“千禧一代”的后裔一夜之间变成了哼哼一代的成员。他能找到工作吗？这就是成千上万家庭所面临的景象：今年夏天，超过 65万大学生毕业，在当今金融危机的背景下他们中的大多数人不知道自己下一步该做什么。父母只会唠叨，而儿女们则毫无缘由地变成了叛逆者，他们知道自己该找份工作，但却不知道如何去找。来自米德尔塞克斯郡的杰克·古德温今年夏天从诺丁汉大学政治学系毕业，获得二级一等荣誉学士学位。他走进大学就业服务中心，又径直走了出来，因为他看见很多人在那里排长队。跟他一起住的另外 5个男孩也都跟他一样，进去又出来了。找工作的压力不大，虽然他所认识的大多数女生都有更清晰的计划。他说：“我申请政治学研究工作，但被拒了。他们给的年薪是 1万 8千镑，交完房租后所剩无几，也就够买一罐煮豆子，可他们还要有研究经历或硕士学位的人。然后我又申请了公务员速升计划，并通过了笔试。但在面试时，他们说我‘太冷漠’了，谈吐‘太像专家治国国论者’。我觉得自己不可能那样，但我显然就是那样的。”打那以后他整个夏天都在“躲”他能够轻松复述《交通警察》中的。若干片段，他白天看电视的时间太多，已经到了影响健康的地步。跟朋友谈自己漫无目标的日子时，他才发现他们的处境和自己的并没有两样。其中一位朋友在父母的逼迫下去超市摆货，其余的都是白天 9点到 5点“无所事事”，晚上去酒吧喝酒打发时间。要么，干脆就在酒吧工作？这样还可以挣些酒钱。“我不想在酒吧工作，我上的是综合性中学，我拼命读书才考上了一所好大学。到了大学，我又埋头苦读，才得到一个好学位。可现在我却跟那些没上过大学的朋友处在同一个水平线上，他们整天给客人倒酒，干无聊的活。我觉得自己好像兜了一圈，又回到了原来的起点。他的母亲杰奎琳·古德温为他辩护。她坚持认为她的儿子已经尽力了，她自己中学毕业后一直都在工作，可是她和她的丈夫发现，建议儿子如何继续找工作是件很棘手的事情。她说，“我一直都必须工作。现在找工作很难，因为如果你有了学位，学位就会为你提供新的机会，至少你自己会这么想。”虽然现在她对儿子的态度还比较温和，但是她心里很清楚，去南美度三星期的假之后，他的休假就结束了。他可能还得付房租，分担家庭开支。她说，“在某个时候他们总该长大成人，我们已经帮了他们交了大学的学费，所以他们也该给我们一点点回报了。南美度假就是一个分水岭，他回来以后如果找不到工作，那就打圣诞节零工好了。” 心理治疗师盖尔·林登费尔德是《情感康复策略》的作者。她说古德温家长的说法是很恰当的，从上大学到工作的转换对孩子和父母来说都很艰难，关键是他们要在支持理解孩子和不溺爱孩子之间取得平衡。“父母的主要任务就是支持他们，如果他们教导孩子该如何做就会引起矛盾，”她说。“如果有熟人，一定要找他们想办法。但很多父母心太软了。必须限制孩子的零花钱，要求他们交房租，或分担日常生活或养宠物的花销。父母要过正常的生活，不要让孩子随便用你们的银行卡或者榨干你们的情感能量。”为他们支付职业咨询费、