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新视野英语第四册课文原文

新视野英语第四册课文原文
新视野英语第四册课文原文

The Temptation of a Respectable Woman

Mrs.Baroda was a little annoyed to learn that her husband expected his friend, Gouvernail, up to spend a week or two on the plantation.

Gouvernail's quiet personality puzzled Mrs.Baroda. After a few days with him, she could understand him no better than at first. She left her husband and his guest, for the most part, alone together, only to find that Gouvernail hardly noticed her absence. Then she imposed her company upon him, accompanying him in his idle walks to the mill to press her attempt to penetrate the silence in which he had unconsciously covered himself. But it hardly worked.

"When is he going — your friend?" she one day asked her husband. "For my part, I find him a terrible nuisance."

"Not for a week yet, dear. I can't understand; he gives you no trouble."

"No. I should like him better if he did — if he were more like others, and I had to plan somewhat for his comfort and enjoyment."

Gaston pulled the sleeve of his wife's dress, gathered his arms around her waist and looked merrily into her troubled eyes.

"You are full of surprises," he said to her. "Even I can never count upon how you are going to act under given conditions. Here you are," he went on, "taking poor Gouvernail seriously and making a fuss about him, the last thing he would desire or expect."

"Fuss!" she hotly replied. "Nonsense! How can you say such a thing! Fuss, indeed! But, you know, you said he was clever."

"So he is. But the poor fellow is run down by too much work now. That's why I asked him here to take a rest."

"You used to say he was a man of wit," she said, still annoyed. "I expected him to be interesting, at least. I'm going to the city in the morning to have my spring dresses fitted. Let me know when Mr.Gouvernail is gone; until that time I shall be at my aunt's house."

That night she went and sat alone upon a bench that stood beneath an oak tree at the edge of the walk. She had never known her thoughts to be so confused; like the bats now above her, her thoughts quickly flew this way and that. She could gather nothing from them but the feeling of a distinct necessity to leave her home in the next morning.

Mrs.Baroda heard footsteps coming from the direction of the barn; she knew it was Gouvernail. She hoped to remain unnoticed, but her white gown revealed her to him. He seated himself upon the bench beside her, without a suspicion that she might object to his presence.

"Your husband told me to bring this to you, Mrs.Baroda," he said, handing her a length of sheer white fabric with which she sometimes covered her head and shoulders. She accepted it from him and let it lie in her lap.

He made some routine observations upon the unhealthy effect of the night breeze at that season. Then as his gaze reached out into the darkness, he

began to talk.

Gouvernail was in no sense a shy man. His periods of silence were not his basic nature, but the result of moods. When he was sitting there beside Mrs.Baroda, his silence melted for the time.

He talked freely and intimately in a low, hesitating voice that was not unpleasant to hear. He talked of the old college days when he and Gaston had been best friends, of the days of keen ambitions and large intentions. Now, all there was left with him was a desire to be permitted to exist, with now and then a little breath of genuine life, such as he was breathing now.

Her mind only vaguely grasped what he was saying. His words became a meaningless succession of verbs, nouns, adverbs, and adjectives; she only drank in the tones of his voice. She wanted to reach out her hand in the darkness and touch him — which she might have done if she had not been a respectable woman.

The stronger the desire grew to bring herself near him, the further, in fact, did she move away from him. As soon as she could do so without an appearance of being rude, she pretended to yawn, rose, and left him there alone.

Mrs.Baroda was greatly tempted that night to tell her husband — who was also her friend — of this foolishness that had seized her. But she did not yield to the temptation. Besides being an upright and respectable woman she was also a very sensible one.

When Gaston arose the next morning, his wife had already departed, without even saying farewell. A porter had carried her trunk to the station and she had taken an early morning train to the city. She did not return until Gouvernail was gone from under her roof.

There was some talk of having him back during the summer that followed. That is, Gaston greatly desired it; but this desire yielded to his honorable wife's vigorous opposition.

However, before the year ended, she proposed, wholly from herself, to have Gouvernail visit them again. Her husband was surprised and delighted with the suggestion coming from her.

"I am glad, my dear, to know that you have finally overcome your dislike for him; truly he did not deserve it."

"Oh," she told him, laughingly, after pressing a long, tender kiss upon his lips, "I have overcome everything! You will see. This time I shall be very nice to him."

Charlie Chaplin

He was born in a poor area of south London. He wore his mother's old red stockings cut down for ankle socks. His mother was temporarily declared mad. Dickens might have created Charlie Chaplin's childhood. But only Charle Chaplin could have created the great comic character of " the Tramp ", the little man in rags who gave his creator permanent fame.

Other countries —France, Italy, Spain, even Japan and Korea —have provided more applause (and profit) where Chaplin is concerned than the land of his birth. Chaplin quit Britain for good in 1913 when he journeyed to America with a group of performers to do his comedy act on the stage where talent scouts recruited him to work for Mack Sennett, the king of Hollywood comedy films.

Sad to say, many English people in the 1920's and 1930's thought Chaplin's Tramp a bit, well, " crude ". Certainly middle-class audiences did; the working-class audiences were more likely to clap for a character who revolted against authority, using his wicked little cane to trip it up, or aiming the heel of his boot for a well-placed kick at its broad rear. All the same, Chaplin's comic beggar didn't seem all that English or even working class. English tramps didn't sport tiny moustaches, huge pants or tail coats: European leaders and Italian waiters wore things like that. Then again, the Tramp's quick eye for a pretty girl had a coarse way about it that was considered, well, not quite nice by English audiences —that's how foreigners behaved, wasn't it? But for over half of his screen career, Chaplin had no screen voice to confirm his British nationality.

Indeed, it was a headache for Chaplin when he could no longer resist the talking movies and had to find "the right voice" for his Tramp. He postponed that day as long as possible: in Modern Times in 1936, the first film in which he was heard as a singing waiter, he made up a nonsense language

which sounded like no known nationality. He later said he imagined the Tramp to be a college-educated gentleman who'd come down in the world. But if he'd been able to speak with an educated accent in those early short comedy movies, it's doubtful if he would have achieved world fame. And the English would have been sure to find it "odd". No one was certain whether Chaplin did it on purpose but this helped to bring about his huge success.

He was an immensely talented man, determined to a degree unusual even in the ranks of Hollywood stars. His huge fame gave him the freedom —and, more importantly, the money —to be his own master. He already had the urge to explore and extend a talent he discovered in himself as he went along. "It can't be me. Is that possible? How extraordinary," is how he greeted the first sight of himself as the Tramp on the screen.

But that shock roused his imagination. Chaplin didn't have his jokes written into a script in advance; he was the kind of comic who used his physical senses to invent his art as he went along. Lifeless objects especially helped Chaplin make "contact" with himself as an artist. He turned them into other kinds of objects. Thus, a broken alarm clock in the movie The Pawnbroker became a "sick" patient undergoing surgery; boots were boiled in his film The Gold Rush and their soles eaten with salt and pepper like prime cuts of fish (the nails being removed like fish bones). This physical transformation, plus the skill with which he executed it again and again, are surely the secrets of Chaplin's great comedy.

He also had a deep need to be loved —and a corresponding fear of being betrayed. The two were hard to combine and sometimes —as in his early marriages —the collision between them resulted in disaster. Yet even this painfully-bought self-knowledge found its way into his comic creations. The Tramp never loses his faith in the flower girl who'll be waiting to walk into the sunset with him; while the other side of Chaplin makes Monsieur Verdoux, the French wife killer, into a symbol of hatred for women.

It's a relief to know that life eventually gave Charlie Chaplin the stable happiness it had earlier denied him. In Oona O'Neill Chaplin, he found a partner whose stability and affection spanned the 37 years age difference between them that had seemed so threatening that when the official who was marrying them in 1942, turned to the beautiful girl of 17 who'd given notice of their wedding date and said, "And where is the young man?" —Chaplin, then 54, had cautiously waited outside. As Oona herself was the child of a large family with its own problems, she was well-prepared for the battle that Chaplin's life became as unfounded rumors of Marxist sympathies surrounded them both —and, later on, she was the center of rest in the quarrels that Chaplin sometimes sparked in their own large family of talented children.

Chaplin died on Christmas Day 1977. A few months later, a couple of almost comic body-thieves stole his body from the family burial chamber and held it for money: the police recovered it with more efficiency than Mack Sennett's clumsy Keystone Cops would have done. But one can't help feeling

Chaplin would have regarded this strange incident as a fitting memorial —his way of having the last laugh on a world to which he had given so many.

Longing for a New Welfare System

A welfare client is supposed to cheat. Everybody expects it. Faced with sharing a dinner of raw pet food with the cat, many people in wheelchairs I know bleed the system for a few extra dollars. They tell the government that they are getting two hundred dollars less than their real pension so they can get a little extra welfare money. Or, they tell the caseworker that the landlord raised the rent by a hundred dollars.

I have opted to live a life of complete honesty. So instead, I go out and drum up some business and draw cartoons. I even tell welfare how much I make! Oh, I'm tempted to get paid under the table. But even if I yielded to that temptation, big magazines are not going to get involved in some sticky situation. They keep my records, and that information goes right into the government's computer. Very high- profile.

As a welfare client I'm expected to bow before the caseworker. Deep down, caseworkers know that they are being made fools of by many of their clients, and they feel they are entitled to have clients bow to them as compensation. I'm not being bitter. Most caseworkers begin as college-educated liberals with high ideals. But after a few years in a system that practically requires people to lie, they become like the one I shall call "Suzanne", a detective in shorts.

Not long after Christmas last year, Suzanne came to inspect my apartment and saw some new posters pasted on the wall. "Where'd you get the money for those?" she wanted to know.

"Friends and family."

"Well, you'd better have a receipt for it, by God. You have to report any donations or gifts."

This was my cue to beg. Instead, I talked back. "I got a cigarette from somebody on the street the other day. Do I have to report that?"

"Well I'm sorry, but I don't make the rules, Mr. Callahan."

Suzanne tries to lecture me about repairs to my wheelchair, which is always breaking down because welfare won't spend the money maintaining it properly. "You know, Mr. Callahan, I've heard that you put a lot more miles on that wheelchair than average."

Of course I do. I'm an active worker, not a vegetable. I live near downtown, so I can get around in a wheelchair. I wonder what she'd think if she suddenly broke her hip and had to crawl to work.

Government cuts in welfare have resulted in hunger and suffering for a lot of people, not just me. But people with spinal cord injuries felt the cuts in a unique way: The government stopped taking care of our chairs. Each time mine broke down, lost a screw, needed a new roller bearing, the brake wouldn't work, etc., and I called Suzanne, I had to endure a little lecture. Finally, she'd say, "Well, if I can find time today, I'll call the medical worker."

She was supposed to notify the medical worker, who would certify that there was a problem. Then the medical worker called the wheelchair repair companies to get the cheapest bid. Then the medical worker alerted the main welfare office at the state capital. They considered the matter for days while I lay in bed, unable to move. Finally, if I was lucky, they called back and approved the repair.

When welfare learned I was making money on my cartoons, Suzanne started "visiting" every fortnight instead of every two months. She looked into every corner in search of unreported appliances, or maids, or a roast pig in the oven, or a new helicopter parked out back. She never found anything, but there was always a thick pile of forms to fill out at the end of each visit, accounting for every penny.

There is no provision in the law for a gradual shift away from welfare.

I am an independent businessman, slowly building up my market. It's impossible to jump off welfare and suddenly be making two thousand dollars a month. But I would love to be able to pay for some of my living and not have to go through an embarrassing situation every time I need a spare part for my wheelchair.

There needs to be a lawyer who can act as a champion for the rights of welfare clients, because the system so easily lends itself to abuse by the welfare givers as well as by the clients. Welfare sent Suzanne to look around in my apartment the other day because the chemist said I was using a larger

than usual amount of medical supplies. I was, indeed: the hole that has been surgically cut to drain urine had changed size and the connection to my urine bag was leaking.

While she was taking notes, my phone rang and Suzanne answered it. The caller was a state senator, which scared Suzanne a little. Would I sit on the governor's committee and try to do something about the thousands of welfare clients who, like me, could earn part or all of their own livings if they were allowed to do so, one step at a time?

Hell, yes, I would! Someday people like me will thrive under a new system that will encourage them, not seek to convict them of cheating. They will be free to develop their talents without guilt or fear —or just hold a good, steady job.

The Telecommunications Revolution

A transformation is occurring that should greatly boost living standards in the developing world. Places that until recently were deaf and dumb are rapidly acquiring up-to-date telecommunications that will let them promote both internal and foreign investment. It may take a decade for many countries in Asia, Latin America, and Eastern Europe to improve transportation, power supplies, and other utilities. But a single optical fiber with a diameter of less than half a millimeter can carry more information than a large cable made of copper wires. By installing optical fiber, digital switches, and the latest wireless transmission systems, a parade of urban centers and industrial zones

from Beijing to Budapest are stepping directly into the Information Age. A spider's web of digital and wireless communication links is already reaching most of Asia and parts of Eastern Europe.

All these developing regions see advanced communications as a way to leap over whole stages of economic development. Widespread access to information technologies, for example, promises to condense the time required to change from labor- intensive assembly work to industries that involve engineering, marketing, and design. Modern communications "will give countries like China and Vietnam a huge advantage over countries stuck with old technology".

How fast these nations should push ahead is a matter of debate. Many experts think Vietnam is going too far by requiring that all mobile phones be expensive digital models, when it is desperate for any phones, period. "These countries lack experience in weighing costs and choosing between technologies," says one expert.

Still, there's little dispute that communications will be a key factor separating the winners from the losers. Consider Russia. Because of its strong educational system in mathematics and science, it should thrive in the information age. The problem is its national phone system is a rusting antique that dates from the l930s. To lick this problem, Russia is starting to install optical fiber and has a strategic plan to pump $40 billion into various communications projects. But its economy is stuck in recession and it barely

has the money to even scratch the surface of the problem.

Compare that with the mainland of China. Over the next decade, it plans to pour some $100 billion into telecommunications equipment. In a way, China's backwardness is an advantage, because the expansion occurs just as new technologies are becoming cheaper than copper wire systems. By the end of 1995, each of China's provincial capitals except for Tibet will have digital switches and high-capacity optical fiber links. This means that major cities are getting the basic infrastructure to become major parts of the information superhighway, allowing people to log on to the most advanced services available.

Telecommunications is also a key to Shanghai's dream of becoming a top financial center. To offer peak performance in providing the electronic data and paperless trading global investors expect, Shanghai plans telecommunications networks as powerful as those in Manhattan.

Meanwhile, Hungary also hopes to jump into the modern world. Currently, 700,000 Hungarians are waiting for phones. To partially overcome the problem of funds and to speed the import of Western technology, Hungary sold a 30% stake in its national phone company to two Western companies. To further reduce the waiting list for phones, Hungary has leased rights to a Dutch -Scandinavian group of companies to build and operate what it says will be one of the most advanced digital mobile phone systems in the world. In fact, wireless is one of the most popular ways to get a phone system up fast in

developing countries. It's cheaper to build radio towers than to string lines across mountain ridges, and businesses eager for reliable service are willing to accept a significantly higher price tag for a wireless call —the fee is typically two to four times as much as for calls made over fixed lines.

Wireless demand and usage have also exploded across the entire width and breadth of Latin America. For wireless phone service providers, nowhere is business better than in Latin America —having an operation there is like having an endless pile of money at your disposal. BellSouth Corporation, with operations in four wireless markets, estimates its annual revenue per average customer at about $2,000 as compared to $860 in the United States. That's partly because Latin American customers talk two to four times as long on the phone as people in North America.

Thailand is also turning to wireless, as a way to allow Thais to make better use of all the time they spend stuck in traffic. And it isn't that easy to call or fax from the office: the waiting list for phone lines has from one to two million names on it. So mobile phones have become the rage among businesspeople, who can remain in contact despite the traffic jams.

Vietnam is making one of the boldest leaps. Despite a per person income of just $220 a year, all of the 300,000 lines Vietnam plans to add annually will be optical fiber with digital switching, rather than cheaper systems that send electrons over copper wires. By going for next-generation technology now, Vietnamese telecommunications officials say they'll be able to keep pace

with anyone in Asia for decades.

For countries that have lagged behind for so long, the temptation to move ahead in one jump is hard to resist. And despite the mistakes they'll make, they'll persist —so that one day they can cruise alongside Americans and Western Europeans on the information superhighway.

Choose to Be Alone on Purpose

Here we are, all by ourselves, all 22 million of us by recent count, alone in our rooms, some of us liking it that way and some of us not. Some of us divorced, some widowed, some never yet committed.

Loneliness may be a sort of national disease here, and it's more embarrassing for us to admit than any other sin. On the other hand, to be alone on purpose, having rejected company rather than been cast out by it, is one characteristic of an American hero. The solitary hunter or explorer needs no one as they venture out among the deer and wolves to tame the great wild areas. Thoreau, alone in his cabin on the pond, his back deliberately turned to the town. Now, that's character for you.

Inspiration in solitude is a major commodity for poets and philosophers. They're all for it. They all speak highly of themselves for seeking it out, at least for an hour or even two before they hurry home for tea.

Consider Dorothy Wordsworth, for instance, helping her brother William put on his coat, finding his notebook and pencil for him, and waving as he sets forth into the early spring sunlight to look at flowers all by himself.

“How graceful, how benign, is solitude,”he wrote.

No doubt about it, solitude is improved by being voluntary.

Look at Milton's daughters arranging his cushions and blankets before they silently creep away, so he can create poetry. Then, rather than trouble to put it in his own handwriting, he calls the girls to come back and write it down while he dictates.

You may have noticed that most of these artistic types went outdoors to be alone. The indoors was full of loved ones keeping the kettle warm till they came home.

The American high priest of solitude was Thoreau. We admire him, not for his self-reliance, but because he was all by himself out there at Walden Pond, and he wanted to be. All alone in the woods.

Actually, he lived a mile, or 20 minutes' walk, from his nearest neighbor; half a mile from the railroad; three hundred yards from a busy road. He had company in and out of the hut all day, asking him how he could possibly be so noble. Apparently the main point of his nobility was that he had neither wife nor servants, used his own axe to chop his own wood, and washed his own cups and saucers. I don't know who did his laundry; he doesn't say, but he certainly doesn't mention doing his own, either. Listen to him: “I never found the companion that was so companionable as solitude.”

Thoreau had his own self-importance for company. Perhaps there's a message here. The larger the ego, the less the need for other egos around.

The more modest and humble we feel, the more we suffer from solitude, feeling ourselves inadequate company.

If you live with other people, their temporary absence can be refreshing. Solitude will end on Thursday. If today I use a singular personal pronoun to refer to myself, next week I will use the plural form. While the others are absent you can stretch out your soul until it fills up the whole room, and use your freedom, coming and going as you please without apology, staying up late to read, soaking in the bath, eating a whole pint of ice cream at one sitting, moving at your own pace. Those absent will be back. Their waterproof winter coats are in the closet and the dog keeps watching for them at the window. But when you live alone, the temporary absence of your friends and acquaintances leaves a vacuum; they may never come back.

The condition of loneliness rises and falls, but the need to talk goes on forever. It's more basic than needing to listen. Oh, we all have friends we can tell important things to, people we can call to say we lost our job or fell on a slippery floor and broke our arm. It's the daily succession of small complaints and observations and opinions that backs up and chokes us. We can't really call a friend to say we got a parcel from our sister, or it's getting dark earlier now, or we don't trust that new Supreme Court justice.

Scientific surveys show that we who live alone talk at length to ourselves and our pets and the television. We ask the cat whether we should wear the blue suit or the yellow dress. We ask the parrot if we should prepare

steak, or noodles for dinner. We argue with ourselves over who is the greater sportsman: that figure skater or this skier. There's nothing wrong with this. It's good for us, and a lot less embarrassing than the woman in front of us in line at the market who's telling the cashier that her niece Melissa may be coming to visit on Saturday, and Melissa is very fond of hot chocolate, which is why she bought the powdered hot chocolate mix, though she never drinks it herself.

It's important to stay rational.

It's important to stop waiting and settle down and make ourselves comfortable, at least temporarily, and find some grace and pleasure in our condition, not like a self-centered British poet but like a patient princess sealed up in a tower, waiting for the happy ending to our fairy tale.

After all, here we are. It may not be where we expected to be, but for the time being we might as well call it home. Anyway, there is no place like home.

Bribery and Business Ethics

Students taking business courses are sometimes a little surprised to find that classes on business ethics have been included in their schedule. They often do not realize that bribery in various forms is on the increase in many countries and, in some, has been a way of life for centuries.

Suppose that during a negotiation with some government officials, the Minister of Trade makes it clear to you that if you offer him a substantial bribe, you will find it much easier to get an import license for your goods, and you are

also likely to avoid "procedural delays", as he puts it. Now, the question is: do you pay up or stand by your principles?

It is easy to talk about having high moral standards but, in practice, what would one really do in such a situation? Some time ago a British car manufacturer was accused of operating a fund to pay bribes, and of other questionable practices such as paying agents and purchasers an exaggerated commission, offering additional discounts, and making payments to numbered bank accounts in Switzerland. The company rejected these charges and they were later withdrawn. Nevertheless, at that time, there were people in the motor industry in Britain who were prepared to say in private: "Look, we're in a very competitive business. Every year we're selling more than a £1,000 million worth of cars abroad. If we spend a few million pounds to keep some of the buyers happy, who's hurt? If we didn't do it, someone else would."

It is difficult to resist the impression that bribery and other questionable payments are on the increase. Indeed, they seem to have become a fact of commercial life. To take just one example, the Chrysler Corporation, third largest of the U.S. car manufacturers, revealed that it made questionable payments of more than $2.5 million between 1971 and 1976. By announcing this, it joined more than 300 other U.S. companies that had admitted to the U.S. Securities and Exchange Commission that they had made payments of one kind or another —bribes, extra discounts, etc. —in recent years. For discussion purposes, we can divide these payments into three

broad categories.

The first category consists of substantial payments made for political purposes or to secure major contracts. For example, one U.S. corporation offered a large sum of money in support of a U.S. presidential candidate at a time when the company was under investigation for possible violations of U. S. business laws. This same company, it was revealed, was ready to finance secret U.S. efforts to throw out the government of Chile.

In this category, we may also include large payments made to ruling families or their close advisers in order to secure arms sales or major petroleum or construction contracts. In a court case involving an arms deal with Iran, a witness claimed that £1 million had been paid by a British company to a "negotiator" who helped close a deal for the supply of tanks and other military equipment to that country. Other countries have also been known to put pressure on foreign companies to make donations to party bank accounts.

The second category covers payments made to obtain quicker official approval of some project, to speed up the wheels of government. An interesting example of this kind of payment is provided by the story of a sales manager who had been trying for some months to sell road machinery to the Minister of Works of a Caribbean country. Finally, he hit upon the answer. Discovering that the minister collected rare books, he bought a rare edition of a book, slipped $20,000 within its pages, then presented it to the minister. This

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Unit 1 Section A 艺术家追求成名,如同狗自逐其尾,一旦追到手,除了继续追逐不知还能做些什么。成功之残酷正在于它常常让那些追逐成功者自寻毁灭。 对一名正努力追求成功并刚刚崭露头角的艺术家,其亲朋常常会建议“正经的饭碗不能丢~”他们的担心不无道理。 追求出人头地,最乐观地说也困难重重,许多人到最后即使不是穷困潦倒,也是几近精神崩溃。 尽管如此,希望赢得追星族追捧和同行赞扬之类的不太纯洁的动机却在激励着他们向前。享受成功的无上光荣,这种诱惑不是能轻易抵挡的。 成名者之所以成名,大多是因为发挥了自己在歌唱、舞蹈、绘画或写作等方面的特长,并能形成自己的风格。 为了能迅速走红,代理人会极力吹捧他们这种风格。他们青云直上的过程让人看不清楚。他们究竟是怎么成功的,大多数人也都说不上来。 尽管如此,艺术家仍然不能闲下来。 若表演者、画家或作家感到无聊,他们的作品就难以继续保持以前的吸引力,也就难以保持公众的注意力。 公众的热情消磨以后,就会去追捧下一个走红的人。 有些艺术家为了不落伍,会对他们的写作、跳舞或唱歌的风格稍加变动,但这将冒极大的失宠的危险。 公众对于他们藉以成名的艺术风格以外的任何形式都将不屑一顾。 知名作家的文风一眼就能看出来,如田纳西?威廉斯的戏剧、欧内斯特?海明威的情节安排、罗伯特?弗罗斯特或 T.S.艾略特的诗歌等。

同样,像莫奈、雷诺阿、达利这样的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。 他们鲜明独特的艺术风格标志着与别人不同的艺术形式上的重大变革,这让他们名利双收,但也让他们付出了代价,那就是失去了用其他风格或形式表现自我的自由。 名气这盏聚光灯可比热带丛林还要炙热。骗局很快会被揭穿,过多的关注带来的压力会让大多数人难以承受。 它让你失去自我。你必须是公众认可的那个你,而不是真实的你或是可能的你。艺人,就像政客一样,必须常常说些违心或连自己都不完全相信的话来取悦听众。 一滴名气之水有可能玷污人的心灵这一整口井,因此一个艺术家若能保持真我,会格外让人惊叹。 你可能答不上来哪些人没有妥协,却仍然在这场名利的游戏中获胜。 一个例子就是爱尔兰著名作家奥斯卡?王尔德,他在社交行为和性行为方面以我行我素而闻名于世。虽然他的行为遭到公众的反对,却依然故我,他也因此付出了惨痛的代价。在一次宴会上,他一位密友的母亲当着他的朋友和崇拜者的面,指责他在性方面影响了她的儿子。 他听了她的话以后大为光火,起诉了这个年轻人的母亲,声称她毁了自己的“好”名声。但是,他真该请一个更好的律师。 结果是,法官不仅不支持他提出的让这个女人赔偿他名声损失费的请求,反而对他本人进行了罚款。 他由于拒交罚款最终还被送进了监狱。更糟糕的是,他再也无法获得更多公众的宠爱。在最糟糕的时候,他发现没有一个人愿意拿自己的名声冒险来替他说话。

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新视野三版读写B2U4Text A College sweethearts 1I smile at my two lovely daughters and they seem so much more mature than we,their parents,when we were college sweethearts.Linda,who's21,had a boyfriend in her freshman year she thought she would marry,but they're not together anymore.Melissa,who's19,hasn't had a steady boyfriend yet.My daughters wonder when they will meet"The One",their great love.They think their father and I had a classic fairy-tale romance heading for marriage from the outset.Perhaps,they're right but it didn't seem so at the time.In a way, love just happens when you least expect it.Who would have thought that Butch and I would end up getting married to each other?He became my boyfriend because of my shallow agenda:I wanted a cute boyfriend! 2We met through my college roommate at the university cafeteria.That fateful night,I was merely curious,but for him I think it was love at first sight."You have beautiful eyes",he said as he gazed at my face.He kept staring at me all night long.I really wasn't that interested for two reasons.First,he looked like he was a really wild boy,maybe even dangerous.Second,although he was very cute,he seemed a little weird. 3Riding on his bicycle,he'd ride past my dorm as if"by accident"and pretend to be surprised to see me.I liked the attention but was cautious about his wild,dynamic personality.He had a charming way with words which would charm any girl.Fear came over me when I started to fall in love.His exciting"bad boy image"was just too tempting to resist.What was it that attracted me?I always had an excellent reputation.My concentration was solely on my studies to get superior grades.But for what?College is supposed to be a time of great learning and also some fun.I had nearly achieved a great education,and graduation was just one semester away.But I hadn't had any fun;my life was stale with no component of fun!I needed a boyfriend.Not just any boyfriend.He had to be cute.My goal that semester became: Be ambitious and grab the cutest boyfriend I can find. 4I worried what he'd think of me.True,we lived in a time when a dramatic shift in sexual attitudes was taking place,but I was a traditional girl who wasn't ready for the new ways that seemed common on campus.Butch looked superb!I was not immune to his personality,but I was scared.The night when he announced to the world that I was his girlfriend,I went along

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NEW CONCEPT ENGLISH (IV) (new version) 2 Lesson 1 Finding Fossil man We can read of things that happened 5,000 years ago in the Near East, where people first learned to write. But there are some parts of the world where even now people cannot write. The only w ay that they can preserve their history is torecount it as sagas--legends handed down from one generation of story-tellersto another. These legends are useful because they can tell us somethin g aboutmigrations of people who lived long ago, but none could write down what they did. Anthropologists wondered where the remote ancestors of the Polynesianpeoples now living in th e Pacific Islands came from. The sagas of these peopleexplain that some of them came from Indo nesia about 2,000 years ago.But the first people who were like ourselves lived so long ago that ev en theirsagas, if they had any, are forgotten. So archaeologists have neither history nor legends to help them to find out where the first 'modern men' came from.Fortunately, however, ancient me n made tools of stone, especially flint, becausethis is easier to shape than other kinds. They may also have used woodand skins, but these have rotted away. Stone does not decay, and so the tool s oflong ago have remained when even the bones of the men who made them have disappeared without trace. 3 Lesson 2 Spare that spider Why, you may wonder, should spiders be our friends ? Because they destroy somany insects, and insects include some of the greatest enemies of the humanrace. Insects would make it impossible for us to live in the world; they woulddevour all our crops and kill our flocks and herds, if it were not for the protectionwe get from insect-eating animals. We owe a lot to the birds and beasts wh o eat insects but all of them put together kill only a fraction of the number destroyed by spiders. Moreover, unlike some of the other insect eaters, spiders never dothe least harm to us or our bel ongings.Spiders are not insects, as many people think, nor even nearly related to them.One can t ell the difference almost at a glance for a spider always has eight legsand an insect never more th an six.How many spiders are engaged in this work on our behalf ? One authority on spiders made a census of the spiders in a grass field in the south of England, andhe estimated that there were more than 2,250,000 in one acre, that is something like 6,000,000 spiders of different kinds on a f ootball pitch. Spiders are busy for at least half the year in killing insects. It is impossible to make more than the wildest guess at how many they kill, but they are hungry creatures, not content wi th only three meals a day. It has been estimated that the weight of all the insects destroyed by spi ders in Britain in one year would be greater than the total weight of all the human beings in the c ountry.T. H. GILLESPIE Spare that Spider from The Listene Lesson 3 Matterhorn man Modern alpinists try to climb mountains by a route which will give them goodsport, and the more

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1A An artist who seeks fame is like a dog chasing his own tail who, when he captures it, does not know what else to do but to continue chasing it. The cruelty of success is that it often leads those who seek such success to participate in their own destruction. "Don't quit your day job!" is advice frequently given by understandably pessimistic family members and friends to a budding artist who is trying hard to succeed. The conquest of fame is difficult at best, and many end up emotionally if not financially bankrupt. Still, impure motives such as the desire for worshipping fans and praise from peers may spur the artist on. The lure of drowning in fame's imperial glory is not easily resisted. Those who gain fame most often gain it as a result of exploiting their talent for singing, dancing, painting, or writing, etc. They develop a style that agents market aggressively to hasten popularity, and their ride on the express elevator to the top is a blur. Most would be hard-pressed to tell you how they even got there. Artists cannot remain idle, though. When the performer, painter or writer becomes bored, their work begins to show a lack of continuity in its appeal and it becomes difficult to sustain the attention of the public. After their enthusiasm has dissolved, the public simply moves on to the next flavor of the month. Artists who do attempt to remain current by making even minute changes to their style of writing, dancing or singing, run a significant risk of losing the audience's favor. The public simply discounts styles other than those for which the artist has become famous. Famous authors' styles—a Tennessee Williams play or a plot by Ernest Hemingway or a poem by Robert Frost or T.S. Eliot—are easily recognizable. The same is true of painters like Monet, Renoir, or Dali and moviemakers like Hitchcock, Fellini, Spielberg, Chen Kaige or Zhang Yimou. Their distinct styles marked a significant change in form from others and gained them fame and fortune. However, they paid for it by giving up the freedom to express themselves with other styles or forms. Fame's spotlight can be hotter than a tropical jungle—a fraud is quickly exposed, and the pressure of so much attention is too much for most to endure. It takes you out of yourself: You must be what the public thinks you are, not what you really are or could be. The performer, like the politician, must often please his or her audiences by saying things he or she does not mean or fully believe. One drop of fame will likely contaminate the entire well of a man's soul, and so an artist who remains true to himself or herself is particularly amazing. You would be hard-pressed to underline many names of those who have not compromised and still succeeded in the fame game. An example, the famous Irish writer Oscar Wilde, known for his uncompromising behavior, both social and sexual, to which the public objected, paid heavily for remaining true to himself. The mother of a young man Oscar was intimate with accused him at a banquet in front of his friends and fans of sexually influencing her son. Extremely angered by her remarks, he sued the young man's mother, asserting that she had damaged his "good" name. He should have hired a better attorney, though. The judge did not second Wilde's call to have the woman pay for damaging his name, and instead fined Wilde. He ended up in jail after refusing to pay, and even worse, was permanently expelled from the wider circle of public favor. When things were at their worst, he found that no one was willing to risk his or her name in his defense. His price for remaining true to himself was to be left alone when he needed his fans the most. Curiously enough, it is those who fail that reap the greatest reward: freedom! They enjoy the freedom to express themselves in unique and original ways without fear of losing the support of fans. Failed artists may find comfort in knowing that many great artists never found fame until well after they had passed away or in knowing that they did not sell out. They may justify their failure by convincing themselves their genius is too sophisticated for contemporary audiences. Single-minded artists who continue their quest for fame even after failure might also like to know that failure has motivated some famous people to work even harder to succeed. Thomas Wolfe, the American novelist, had his first novel Look Homeward, Angel rejected 39 times before it was finally published. Beethoven overcame his father, who did not believe that he had any potential as a musician, to become the greatest musician in the world. 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`课文1 发现化石人 1. We can read of things that happened 5,000 years ago in the Near East, where people first learned to write. 我们从书籍中可读到5,000 年前近东发生的事情,那里的人最早学会了写字。 2. But there are some parts of the world where even now people cannot write. 但直到现在,世界上有些地方,人们还不会书写。 3. The only way that they can preserve their history is to recount it as sagas -- legends handed down from one generation of story tales to another. 他们保存历史的唯一办法是将历史当作传说讲述,由讲述人一代接一代地将史实描述为传奇故事口传下来。 4. These legends are useful because they can tell us something about migrations of people who lived long ago, 这些传说是有用的,因为他们告诉我们很久以前生活在这里的移民的一些事情。 5. but none could write down what they did. 但是没有人能写下来。 6. Anthropologists wondered where the remote ancestors of the Polynesian peoples now living in the Pacific Islands came from. 人类学家过去不清楚如今生活在太平洋诸岛上的波利尼西亚人的祖先来自何方, 7. The sagas of these people explain that some of them came from Indonesia about 2,000 years ago. 当地人的传说却告诉人们:其中一部分是约在2,000年前从印度尼西亚迁来的。 8. But the first people who were like ourselves lived so long ago that even their sagas,if they had any, are forgotten. 但是,和我们相似的原始人生活的年代太久远了,因此,有关他们的传说既使有如今也失传了。 9. So archaeologists have neither history nor legends to help them to find out where the first 'modern men' came from. 于是,考古学家们既缺乏历史记载,又无口头传说来帮助他们弄清最早的“现代人”是从哪里来的。 10. Fortunately, however, ancient men made tools of stone, especially flint, 然而,幸运的是,远古人用石头制作了工具,特别是用燧石, 11. because this is easier to shape than other kinds. 因为燧石较之其他石头更容易成形。 12. They may also have used wood and skins, but these have rotted away. 他们也可能用过木头和兽皮,但这类东西早已腐烂殆尽。 13. Stone does not decay, and so the tools of long ago have remained when even the bones of the men who made them have disappeared without trace. 石头是不会腐烂的。因此,尽管制造这些工具的人的骨头早已荡然无存,但远古时代的石头工具却保存了下来。 $课文2 不要伤害蜘蛛 14. Why, you may wonder, should spiders be our friends? 你可能会觉得奇怪,蜘蛛怎么会是我们的朋友呢? 15. Because they destroy so many insects, and insects include some of the greatest enemies of the human race. 因为它们能消灭那么多的昆虫,其中包括一些人类的大敌, 16. Insects would make it impossible for us to live in the world; 昆虫就会使我们无法在地球上生活下去, 17. they would devour all our crops and kill our flocks and herds, 昆虫会吞食我们的全部庄稼,杀死我们的成群的牛羊。 18. if it were not for the protection we get from insect-eating animals. 要不是人类受一些食虫动物的保护, 19. We owe a lot to the birds and beasts who eat insects but all of them put together kill only a fraction of the number dest royed by spiders. 我们要十分感谢那些吃昆虫的鸟和兽,然而把它们所杀死的昆虫全部加在一起也只相当于蜘蛛所消灭的一小部分。 20. Moreover, unlike some of the other insect eaters, spiders never do the harm to us or our belongings. 此外,蜘蛛不同于其他食虫动物,它们丝毫不危害我们和我们的财物。 21. Spiders are not insects, as many people think, nor even nearly related to them. 许多人认为蜘蛛是昆虫,但它们不是昆虫,甚至与昆虫毫无关系。 22. One can tell the difference almost at a glance, 人们几乎一眼就能看出二者的差异, 23. for a spider always has eight legs and insect never more than six. 因为蜘蛛都是8条腿,而昆虫的腿从不超过6条。 24. How many spiders are engaged in this work no our behalf? 有多少蜘蛛在为我们效力呢? 25. One authority on spiders made a census of the spiders in grass field in the south of England, 一位研究蜘蛛的权威对英国南部一块草坪上的蜘蛛作了一次调查。 26. and he estimated that there were more than 2,250,000 in one acre; 他估计每英亩草坪里有225万多只蜘蛛。 27. that is something like 6,000,000 spiders of different kinds on a football pitch. 这就是说,在一个足球场上约有600万只不同种类的蜘蛛。 28. Spiders are busy for at least half the year in killing insects. 蜘蛛至少有半年在忙于吃昆虫。 29. It is impossible to make more than the wildest guess at how many they kill, 它们一年中消灭了多少昆虫,我们简直无法猜测, 30. but they are hungry creatures, not content with only three meals a day. 它们是吃不饱的动物,不满意一日三餐。 31. It has been estimated that the weight of all the insects destroyed by spiders in Britain in one year would be greater than the total weight of all the human beings in the country. 据估计,在英国蜘蛛一年里所消灭昆虫的重量超过这个国家人口的总重量。 $课文3 马特霍恩山区人 32. Modern alpinists try to climb mountains by a route which will give them good sport,

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