英美文学要点中英文对照版

Part one: English Literature

Chapter1 The Renaissance period（14世纪至十七世纪中叶）文艺复兴

1.Humanism is the essence of the Renaissance.人文主义是文艺复兴的核心。

2.the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文

主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心，人是万物之灵。

3.Renaissance humanists found in then classics a justification to exalt human nature and came to see that human

beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.人文主义者们却从古代文化遗产中找到充足的论据，来赞美人性，并开始注意到人类是崇高的生命，人可以不断发展完善自己，而且世界是属于他们的，供他们怀疑，探索以及享受。

4.Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English

humanists.托马斯.摩尔，克利斯朵夫.马洛和威廉.莎士比亚是英国人文主义的代表。

5.Wyatt introduced the Petrarchan sonnet into England.怀亚特将彼特拉克的十四行诗引进英国。

6.The first period of the English Renaissance was one of imitation and assimilation.英国文艺复兴初期只是一

个学习模仿与同化的阶段。

7.The goals of humanistic poetry are: skillful handling of conventions, force of language, and, above all, the

development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be

combined to frame the emotional theme and throw it into high relief.人文主义诗歌的主要目标是对传统习俗的熟练运用，语言的力度与气概，而最重要的是发展了修辞模式，即将格律，韵脚（式），组织结构，意象（比喻，描述）与议论都结合起来勾画出情感主题，并将其极为鲜明生动的表现出来。

8.The most famous dramatists in the Renaissance England are Christopher Marlowe, William Shakespeare, and

Ben Jonson.文艺复兴时期英国最著名的戏剧家有克利斯朵夫.马洛，威廉.莎士比亚与本.约翰逊。

9.Francis Bacon (1561-1626), the first important English essayist.费兰西斯.培根是英国历史上最重要的散文

家。

(I)Edmund Spenser埃德蒙.斯宾塞

10.the theme of Redcrosse is not “Arms and the man,” but something more romantic-“Fierce wars and faithful

loves.”《仙后》的主题并非“男人与武器”，而是更富浪漫色彩的“残酷战争与忠贞爱情”。

11.It is Spenser?s idealism, his love of beauty, and his exquisite melody that make him known as “the poets?

poet.”正是斯宾塞的理想主义，对美的热爱以及精美优雅的诗文韵律是他成为“诗人中的诗人”。(II)Christopher Marlowe克利斯朵夫.马洛

12.As the most gifted of the “University Wits,” Marlowe composed six plays within his short lifetime. Among

them the most important are: Tamburlaine, Parts I & II, Dr.Faustus, The Jew of Malta and Edward II.马洛是当时“大学才子”中最富才华的人，在他短暂的一生中，他完成了六部剧本的创作。其中最负盛名的是：《帖木尔》，《浮士德博士的悲剧》，《马耳他岛的犹太人》以及《爱德华二世》。

13.Marlowe?s greatest achievement lies in that he perfected the blank verse and made it the principal medium of

English drama.马洛的艺术成就在于他完善了无韵体诗，并使之成为英国戏剧中最重要的文体形式。14.Marlowe?s second achievement is his creation of the Renaissance hero for English drama.马洛的第二项贡献

是他创造了文艺复兴时期的英雄形象。

15.His brilliant achievement as a whole raised him to an eminence as the pioneer of English drama.他对戏剧发

展的贡献是不可磨灭的，为此，它被后世尊为英国戏剧的先驱。

16.The passionate shepherd to his love激情的牧人致心爱的姑娘

This short poem is considered to be one of the most beautiful lyrics in English literature.这首短诗是英国文学诗中最优美的抒情诗。

(III)William Shakespeare威廉.莎士比亚

17.The first period of his dramatic career, he wrote five history plays: Henry VI, Parts I, II, and III, Richard III,

and Titus Andronicus; and four comedies: The Comedy of Errors, The Two Gentlemen of V erona, The Taming of the Shrew, and Love?s Labour?s Lost.在他戏剧创作生涯的第一个阶段，他创作了五部历史剧：《亨利六世》，《理查三世》，《泰托斯.安东尼》以及四部喜剧：《错误的戏剧》，《维洛那二绅士》，《驯悍记》和《爱的徒劳》。

18.In the second period, he wrote five histories: Richard II, King John, Henry IV, Parts I and II, and Henry V; six

comedies: A Midsummer Night?s Dream, The Merchant of V enice, Much Ado About Nothing, As Y ou Like It, Twelfth Night, and The Merry Wives of Windsor; and two tragedies: Romeo and Juliet and Julius Caesar.在第二阶段，他写了五部历史剧：《理查三世》，《约翰王》，《亨利四世》，《亨利五世》以及六部喜剧《仲夏夜之梦》，《威尼斯商人》，《无事生非》，《皆大欢喜》，《第十二夜》，《温莎的风流娘儿们》，还有两部悲剧：《罗密欧与朱丽叶》和《裘利斯.凯撒》。

19.Shakespeare?s third period includes his greatest tragedies and his so-called dark comedies. The tragedies of

this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and

Coriolanus. The two comedies are All?s Well That Ends and Measure for Measure.第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧（或悲喜剧），悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。两部喜剧是《终成眷属》和《一报还一报》。

20.The last period of Shakespeare?s work includes his principle romantic tragicomedies: Pericles, Cymbeline,

The Winter?s Tale and The Tempest; and his two plays: Henry VIII and The Two Noble Kinsmen.最后一个时期的作品主要有浪漫悲喜剧：《伯里克利》《辛白林》《冬天的故事》与《暴风雨》。他最后两部剧是《亨利八世》与《鲁克里斯受辱记》。

21.Shakespeare?s sonnets are the only direct expression of the poet?s own feelings.这些十四行诗都是莎翁直抒

胸臆的成果。

22.Shakespeare?s history plays are mainly written under the principle that national unity under a mighty and just

sovereign is a necessity.莎翁的历史剧都有这样一个主题：在一个强大英明的君主统领下的国家，统一是非常必要的。

23.In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic

elements are brought into full play.在他的浪漫喜剧中，莎士比亚以乐观的态度对待爱情与青春，并将浪漫色彩渲染到极致。

24.The successful romantic tragedy is Romeo and Juliet, which eulogizes the faithfulness of love and the spirit of

pursuing happiness.莎翁在其成功的浪漫主义悲剧《罗密欧与朱丽叶》，颂扬了对爱的忠贞及对幸福的追求。

25.Shakespeare?s greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth. They have some

characteristics in common. Each portrays some noble hero.莎士比亚的四大悲剧是：《哈姆雷特》《奥赛罗》《李尔王》《麦克白》

26.“The King?s government must be carried on”—but carried on for the good of the nation, not for the pleasure

of the king.“国王的统治一定要万古不变”----但是这种流传百世万古不变的统治是有利于国家利益的，而不是只为国王自己服务。

27.Thus, he finds no way to solve the social problems. In the end, the only thing he can do as a humanist is to

escape from the reality to seek comfort in his dream.正因如此，他才无力寻求到医治各种社会痼疾的灵丹妙药，最后，他作为人文主义所能做的唯一事情便是逃避现实，从梦幻中找安慰。

28.He holds that literature should be a combination of beauty, kindness and truth, and should reflect nature and

reality.他认为文学应该是真善美的结合，应该反映天性与现实。

29.Shakespeare is above all writers in the past and in the present time.古往今来，没有一个作家能与莎士比亚

媲美，他对后世文学家的潜移默化也是无可估量的。

30.Almost all English writers after him have been influenced by him either in artistic point of view, in literary

form or in language.在他之后几乎所有的英国文学家都在艺术观点，文学形式及语言技巧方面受到他的影响。

31.Sonnet 18 is one of the most beautiful sonnets written by Shakespeare.十四行诗第十八首诗莎翁最出色的

十四行诗。

(IV)Francis Bacon弗兰西斯.培根

32.The most import works of his first group include The Advancement of Learning, Written in English; Novum

Organum , an enlarged Latin version of The Advancement of Learning.培根的作品可分为三类：第一类中最重要的作品有《学术的进展》（用英文著述）《新工具》（是《学术的进展》的拉丁文增补版）

33.One is the knowledge obtained from the Divine Revelation, the other is the knowledge from the workings of

human mind.他将知识分为两种：一种是通过神的启示获得的知识，另一种是通过人类用脑思考而获得的知识。

34.According to Bacon, man?s understanding consists of three parts: history to man?s memory, poetry to man?s

imagination and creation, and philosophy to man?s reason.培根认为，人类的认识与学问分为三部分：基于人类回忆的历史学，基于人类想象力创造力的诗歌与基于人类理性的哲学。

35.Bacon, as a humanist intellect, shows the new empirical attitudes toward truth about nature and bravely

challenges the medieval scholasticist.作为人文主义者的培根展示了自己对于自然界真理的实验主义态度，并向中世纪的经院哲学家们提出挑战。

36.Bacon?s essays are famous for their brevity, compactness and powerfulness.培根的散文以简洁，紧凑，有力

度而著名。

37.The essays are well-arranged and enriched by biblical allusions, metaphors and cadence.这些散文不仅结构

巧妙还大量使用了《圣经》的典故，隐喻和基调。

38.Of Studies 论学习

Reading maketh a full man, conference a ready man, and writing an exact man.读书使人充实，讨论使人机智。

(V)John Donne约翰.邓恩

39.The imagery is drawn from the actual life.诗中的意象都是从现实生活中提取的。

40.His poems give a more inherently theatrical impression by exhibiting a seemingly unfocused diversity of

experiences and attitudes, and a free range of feelings and moods.他的诗歌给人一种固有的戏剧性，展示了看上去零散多样的经历与观念，以及漫无边际的情感与心境。

41.The Sons and Sonnets, by which Donne is probably best known, contains most of his early lyrics.《歌与短歌》

是邓恩最有名的诗集，囊括了他早期大多数爱情诗作。

42.In his gloomy poem “Farewell to love,” we can see his disillusionment.在忧伤的诗作《告别爱情》中，我们

就可以感受到他对爱情幻想的破灭。

43.With the brief, simple language, the argument is continuous throughout the poem.议论依附于一种简洁平白

的语言，并贯穿于整首诗作。

(VI)John Milton约翰.弥尔顿

44.he was entirely occupied with the thoughts of fighting for human freedom.他头脑中充满了为人类自由而战

的思想。

https://www.sodocs.net/doc/4913501136.html,ton?s literary achievements can be divided into three groups: the early poetic works, the middle prose

pamphlets and the great poem.弥尔顿的文学作品可分为三类：早期诗作，中期的散文小册子和后期的伟大诗作。

https://www.sodocs.net/doc/4913501136.html,ton wrote his three major poetical works: Paradise Lost, Paradise Regained, and Samson Agonistes.他的

三部伟大诗作：《失乐园》《复乐园》和《力士参孙》。

47.The theme of Paradise Lost is the “Fall of Man”. In the fall of man Adam discovered his full humanity.失乐

园的主题是人类的沉沦。在沉沦之中，亚当发现了自己身上的人性。

https://www.sodocs.net/doc/4913501136.html,ton held that God created all things out of Himself, including evil.他认为上帝是按照他自己的样子造出

的世界，其中也包括罪恶。

49.It opens the way for the voluntary sacrifice of Christ which showed the mercy of God in bringing good out of

evil.为基督自愿献身开辟了道路，这也显示出上帝欲将人类从罪恶与苦难中拯救出来的同情心。

50.In Samson Agonistes, the whole poem strongly suggests Milton?s passionate longing that he too could bring

destruction down upon the enemy at the cost of his own life.在力士参孙中，整首诗都强烈暗示着弥尔顿渴望他自己也能像参孙一样，以生命为代价，与敌人同归于尽。

51.In his life, Milton shows himself a real revolutionary, a master poet and a great prose writer.弥尔顿毕生都展

现了真正的革命精神和非凡的诗歌才华。

52.Paradise Lost:人类由于理性不强，意志薄弱，经不起考验，暗示英国自产主义革命失败的原因。

Chapter2 The Neoclassical Period(1660-1798)新古典主义

1.In short, it was an age full of conflicts and divergence of values.总之，这一时期是矛盾与价值观分歧的时

期。

2.The eighteenth-century England is also known as the Age of Enlightenment or the Age of R eason.英国的十

八世纪也同时是启蒙主义时代，或曰理性时代。

3.Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.运动的

主旨便是用当代哲学与艺术思想的晨光启迪整个世界。

4.Enlighteners held that rationality or reason should be the only, the final cause of any human thought and

activities. They called for a reference to order, reason and rules.启蒙者主张理性是任何人思想与行动的唯一缘由。他们大力提倡秩序，理性及法律。

5.As a matter of fact, literature at the time, heavily didactic and moralizing, became a very popular means of

public education.其实，当时的文学作品种充满了说教与道德理念，就已经成为大众教育的良好工具。

6.Famous among the great enlighteners in England were those great writers like John Dryden, Alexander Pope,

Joseph Addison and Sir Richard Steele, the two pioneers of familiar essays, Jonathan Swift, Daniel Defoe, Richard Brinsley Sheridan, Henry Fielding and Samuel Johnson.英国著名的启蒙主义文学家有约翰.德莱顿，亚历山大.蒲柏，约瑟夫.艾迪森与理查.斯蒂尔（这两位是现代散文的先驱），乔纳森.斯威夫特，丹尼尔.迪福，理查.B.谢立丹，亨利.费尔丁和塞缪尔.约翰逊。

7.In the field of literature, the Enlightenment Movement brought about a revival of interest in the old classical

works.在文学领域，启蒙主义运动还使人们重新对古典时代的著作产生兴趣。

8.They believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that

literature should be judged in terms of its service to humanity.他们认为理想的艺术应基于秩序，逻辑，确切及情感控制的基础上，而文学作品的价值评判标准应该看它是否为人文主义服务。

9.Thus a polite, urbane, witty, and intellectual art developed.由此一种温文尔雅，充满灵性的知识分子文学艺

术发展起来。

10.Neoclassicists had some fixed laws and rules for almost every genre of literature.在几乎所有的文学形式中，

新古典主义者们都设定了创作的规矩与条框。

11.Drama should be written in the heroic Couplets (iambic pentameter rhymed in two lines); the three unities of

time, space and action should be strictly observed; regularity in construction should be adhered to, and type characters rather than individuals should be represented.戏剧必须用英雄体偶剧（抑扬五音步的押韵双行诗）写就；时间，地点，事件三要素必须要遵循；写作的规矩必须要遵守，而作品中的人物要代表一类人，而不是个性化。

12.But it had a lasting wholesome influence upon English literature. (套话)但新古典主义对英国文学史产生过

持久的全面的影响。

13.The poetic techniques and certain classical graces such as order, good form, unified structure, clarity and

conciseness of language developed in this period have become a permanent heritage.在这一时期出现的诗歌技巧与古典气质，如秩序，优美的格式，统一的结构，简明的语言都成为永恒的文学传统。

14.The mid-century was, however, predominated by a newly rising literary form---the modern English novel,

which, contrary to the traditional romance of aristocrats, gives a realistic presentation of life of the common English people.十八世纪中叶，还兴起一种崭新的文学形式----英国现代小说，这种文学与传统贵族的骑士文学相反，着重描写英国普通百姓的生活。

15.Among the pioneers were Daniel Defoe, Samuel Richardson, Henry Fielding, Laurence Sterne, Tobias George

Smollett, and Oliver Goldsmith.英国现代小说的先驱有丹尼尔.迪福，塞缪尔.理查德，亨利.费尔丁，劳伦斯.斯泰思，托比亚斯.斯摩莱特以及奥立弗.哥尔斯密。

16.From the middle part to the end of the century there was also an apparent shift of interest from the classic

literary tradition to originality and imagination, from society to individual, and from the didactic to the

confessional, inspirational and prophetic. 从十八世纪中叶至十八世纪末，还出现了古典文学传统向独创性与丰富联想性的转移，社会描写向个性描写的转移，说教向忏悔，鼓励及预示的转移。

17.Gothic novels---mostly stories of mystery and horror.哥特式小说----主要讲述恐怖神秘的故事。

18.Jonathan Swift?s A Modest Proposal being generally regarded as the best model of satire, not only of the

period but also in the whole English literary history.乔纳森.斯威夫特的《一个小小的建议》被公认为英国文学史上讽刺作品的经典。

(I)John Bunyan约翰.班扬

19.As a stout Puritan, he had made a conscientious study of the Bible and firmly believed in salvation through

spiritual struggle.作为一个坚定的清教徒，他认真学习《圣经》，并深信人一定能通过精神上的奋斗得到拯救。

20.he made it possible for the reader of the least education to share the pleasure of reading his novel and to relive

the experience of his characters.他的语言具体生动，情节鲜明真实，连没受过教育的人也能享受到阅读他的作品的乐趣。

21.Bunyan?s other works include Grace Abounding to the Chief of Sinners, The Life and Death of Mr.Badman,

The Holy War and The Pilgrim?s Progress, Part II.班扬其他的作品还有《罪人头目的赦免》，《拜得门先生生死录》，《圣战》以及《天路历程》第二部

22.The V anity Fair.名利场（节选《天路历程》第一部）

The Pilgrim?s Progress is the most successful religious allegory in the English language. Its purpose is to urge people to abide by Christian doctrines and seek salvation through constant struggles with their own

weaknesses and all kinds of social evils.《天路历程》是英文作品中最成功的宗教寓言。它的主旨是让人们遵循基督教教义，并通过不断战胜自身弱点与身外的邪恶来获得拯救。

(II)Alexander Pope 亚历山大.蒲伯

23.Pope, a very sensitive man, would strike back hard, and in the constant verbal battles he developed a style of

biting satire. 蒲伯本身是个很敏感的人，自然要用笔墨来反击，在此期间，他发展了犀利的讽刺文体。

24.For him the supreme value was order---cosmic order, political order, social order, aesthetic order, and this

emphasis on order found expression in all of his works.对他来说秩序有着至高无上的价值-----宇宙秩序，政治秩序，社会秩序，美学秩序。这种对秩序与理性的强调深入到了他各部作品中。

25.Pope made his name as a great poet with the publication of An Essay on Criticism in 1711. The next year, he

published The Rape of the Lock, a finest mock epic.1711年，他出版了散文《论批评》，从此奠定了他在诗坛的地位。次年，他又出版了《夺发记》，一部极妙的讽刺史诗。

26.Pope was the greatest poet of his time. He strongly advocated neoclassicism, emphasizing that literary works

should be judged by classical rules of order, reason, logic, restrained emotion, good taste and decorum. 蒲伯是当时最伟大的诗人，他大力提倡新古典主义，强调文学作品的优劣应由古典的秩序尺度，理性，逻辑，情感的克制，高雅的品位以及是否体面，正派来衡量。

27.He worked painstakingly on his poems, developed a satiric, concise, smooth, graceful and well-balanced style.

他致力于诗歌创作，发展了讽刺，简练，通顺，优雅，平衡的风格。

(III)Daniel Defoe丹尼尔.笛福

28.His quick mind, abundant energy and never-failing enthusiasm always brought him back on his feet after a

fall.他过人的才智，充沛的精力，旺盛而持久的热情总是使他在失败后能重新站起。

29.Robinson Crusoe, an adventure story very much in the spirit of the time, is universally considered his

masterpiece.《鲁宾逊漂流记》是一部体现时代精神的游记历险小说，是笛福的代表作。

30.In most of his works, he gave his praise to the hard-working, study middle class and showed his sympathy for

the downtrodden, unfortunate poor.在他大部分作品中，他都表达了对勤劳，坚强的中产阶级的赞誉，以及对破落不幸的穷苦人的同情。

31.Defoe was a very good story-teller.笛福很会讲故事。

32.His sentences are sometimes short, crisp and plain, and sometimes long and rambling, which leave on the

reader an impression of casual narration.他的语句时而短小干脆，朴素直白，时而又气势磅礴，泼墨如水，为读者留下了叙述自由悠闲的印象。

33.His language is smooth, easy, colloquial and mostly vernacular.他的措辞简朴易懂又口语化，有时甚至是俗

语方言。

34.There is nothing artificial in his language: it is common English at its beat.他的语言毫无造作，完全是大众

英语。

35.Robinson Crusoe: The novel consists actually of three parts. 《鲁宾逊漂流记》：整部小说分为三个部分

The realistic account of the successful struggle of Robinson single-handedly against the hostile nature forms the best part of the novel. Robinson is here a real hero: a typical eighteenth-century English middle-class man., the pioneer colonist.其中对鲁宾逊徒手与恶劣的大自然作斗争的描述是小说最精彩的部分。在此，鲁宾逊是真正的英雄：一个典型的英国十八世纪中产阶级人士。

(IV)Jonathan Swift乔纳森.斯威夫特

36.In 1704 he published two powerful satires on corruption in religion and learning, A Tale of a Tub and The

Battle of the Books, which established his name as a satirist.1704年，他针对宗教和学术界的腐败出版了两篇犀利的讽刺小品，一为《桶的故事》，一为《书籍的战斗》。这两篇作品奠定了他在讽刺作品中的地位。

37.Even today Swift is still respected as a national hero in Ireland.直至今日，斯威夫特还被尊为爱尔兰的民族

英雄。

38.In his opinion, human nature is seriously and permanently flawed. To better human life, enlightenment is

needed.他认为人性永远有着严重的瑕疵，为了使人的生活更美好，人们需要启蒙。

39.In his writings, although he intends not to condemn but to reform and improve human nature and human

institutions.在他的作品中，他提倡的不是谴责，而是采取行为改良人性与人为的机构。

40.His “A Modest Proposal ” is generally taken as a perfect model.他的《一个温和的建议》被认为是一篇完善

的典范。

41.Swift is one of the greatest masters of English prose.斯威夫特是一名优秀的散文作家。

42.He defined a good style as “proper words in proper places.” Clear, simple, concrete diction, uncomplicated

sentence structure, economy and conciseness of language mark all his writings---essays, poems and novels.他创立了一种良好的文风，即“在恰当的地方用恰当的词”。无论是散文，诗歌，还是小说，简洁，具体，精确，没有复杂的句式永远是他的写作风格。

43.Swift?s chief works are: A Tale of a Tub and The Battle of the Books, The Drapier?s

Letters(note:Drapier=Swift, alias), Gulliver?s Travels and A Modest Proposal.斯威夫特的作品主要有《桶的故事》，《书籍的战斗》，《德拉皮尔的信》，《格列佛游记》和《一个温和的建议》。

44.Gulliver?s Travels: Jonathan?s best fictional work, the book contains four parts. Its social significance is great

and its exploration into human nature profound. 《格列佛游记》：是斯威夫特最精彩的一部小说，全书分为四卷，它具有重大的社会意义，同时对人性的探索与揭示也是深刻的。

(V)Henry Fielding亨利.费尔丁

45.During his career as a dramatist, Fielding had attempted a considerable number of forms of play.在他戏剧创

作生涯里，费尔丁曾尝试过许多不同的戏剧模式。

46.Of all his plays, the best known are The Coffee-House Politician, The Tragedy of Tragedies, Pasquin, and The

Historical Register for the Y ear 1736.他的作品中最有名的要数《咖啡屋的政治家》，《悲剧中的悲剧》，《巴斯昆》，《1736历史年鉴》。

47. a “comic epic in prose,” whose subject is “the true ridiculous” in human nature.“散文体喜剧史诗”，主题是

人类本性中的荒唐，对人性进行了真实的讽刺。

48.The dominating qualities of the novel are its excellent character-portrayal, timely entrances and exits,

robustness of tone and hilarious, hearty humor.小说的突出特点是出色的人物刻画，及时的出场退场，笔调的遒劲及令人会心的幽默。

49.“The Great Man, properly considered, is no better than a great gangster”----The History of Jonathan Wild the

Great从某种意义上说，伟大的人物无异于“伟大”的匪徒--------《伟大的乔纳森怀尔德》。

50.The History of Tom Jones is a masterpiece on the subject of human nature. 费尔丁的代表作《汤姆.琼斯：

一个弃儿的故事》主题是对人性的讽刺。

51.the purpose of the novel was not just to amuse, but to instruct, the object of novel was to present a faithful

picture of life, “the just copies of human manners,” with sound teaching woven into their texture, so as to teach men to know themselves, their proper-spheres and appropriate manners.，小说不仅供娱乐，而且更有教育意义，他的小说的主旨是要真实地展示生活，使之成为“人类态度的完整拷贝”，并将说教巧妙的引入作品，教导人们认识自己，寻求适宜的人生态度。

52.Fielding has been regarded by some as “Father of the English novel,” for his contribution to the establishment

of the form of the modern novel.费尔丁被一些人尊为“英国小说之父”，因为他为现代小说模式的创立作出很大贡献。

53.he was the first to set out , both in theory and practice, to write specifically a “comic epic in prose,” the first

to give the modern novel its structure and style.他第一个在理论与实践上创造了“散文体喜剧史诗”，并第一个为现代小说确立了结构和风格。

54.He “thinks the thought” of all his characters, so he is able to present not only their external behaviors but also

the internal workings of their minds.作者以角色的口吻去“想”，因此不仅可以表述人物的外在行为，还可深入刻画其内心的思想活动。

55.Fielding …s language is easy, unlaboured and familiar, but extremely vivid and vigorous. His sentences are

always distinguished by logic and rhythm, and his structure carefully planed toward an inevitable ending.费尔丁的创作语言自然流畅，通俗易懂，同时又栩栩如生并富有活力，他的句子以逻辑性和韵律性见长，

小说结尾总是水到渠成，顺理成章。

56.Tom Jones, the novel consists of 18 books. Tom, the titular hero of the story, he became a national hero,

he---honest, kind-hearted, high-spirited, loyal, and brave, but impulsive, wanting prudence and full of animal spirits.《汤姆.琼斯》共18卷，汤姆曾一度成为全国人民心中的英雄，他----诚实，善良，高尚，忠诚，勇敢，同时也有着易冲动，鲁莽和野性难驯的缺点。

57.Tom Jones brings its author the name of the “Prose Home.” The panoramic view it provides of the

18th-century English country.《汤姆.琼斯》为费尔丁赢得了“散文荷马”的盛名，小说为读者提供了一幅英国18世纪乡村与城市的宏伟的全景图。

(VI)Samuel Johnson塞缪尔.约翰逊

58.The years between 1737 and 1755, he did translations, wrote poems, essays and so on.1737年至1755年这段

时间对他来说充满了艰辛:他做过翻译,写过诗,为书商编书,编辑杂志。

59.In his famous Literary Club, where he was surrounded with respect by the elite of the literary circles.在他的

文学社里，周围围满了敬仰他的文学精英。

60.Johnson was an energetic and versatile writer. He had a hand in all the different branches of literary activities.

约翰逊精力充沛，多才多艺，他还涉足各种各样的文学领域。

61.His chief works include pomes: “London”, and “The V anity of Human Wishes”; a romance: The History of

Rasselas, Prince of Abyssinia; a tragedy: Irene.他的主要作品有诗歌：《伦敦》，《人类欲望的虚幻》骑士浪漫诗：《拉塞拉斯的历史》，《阿比西尼亚王子》；一部悲剧：《艾琳》。

62.As a lexicographer, Johnson distinguished himself as the author of the first English dictionary by an

Englishman----A Dictionary of the English Language, a gigantic task which Johnson undertook

single-handedly and finished in over seven years.作为词典编撰者，约翰逊是编撰英文词典的第一个英国人，作品为《英文大词典》，这部巨著是塞缪尔.约翰逊花了七年时间独自完成的。

63.Johnson was the last great neoclassicist enlightener in the later eighteenth century. He was very much

concerned with the theme of the vanity of human wishes.约翰逊是十八世纪下半叶最后一位新古典主义启蒙文学家，他十分关心人类欲望的虚幻，几乎他所有的作品都含有这样的主题。

64.His sentences are long and well structured, interwoven with parallel words and phrases.他使用的句子一般较

长，但结构工整，包含有许多排比，对仗。

65.Reading his works gives the reader the impression that he is talking with a very learned man.读他的小说会

给人一种感觉，他在与一位非常博学的人士对话。

(VII)Richard Brinsley Sheridan理查.比.谢立丹

66.The year 1777 saw the appearance of his masterpiece The School for Scandal, which brought him quite a

fortune.1777年，谢立丹的代表作《造谣学校》出版，使他大发其财。

67.His plays, especially The Rivals and The School for Scandal, are generally regarded as important links

between the masterpiece of Shakespeare and those of Bernard Shaw, and as true classics in English comedy.

他的代表作《情敌》和《造谣学校》被认为是上承莎士比亚，下接萧伯纳的纽带，是真正的英国古典派喜剧。

68.In his play, morality is the constant theme.他的作品永恒的主题是道德。

69.The School for Scandal is mainly a story about two brothers, the hypocritical Joseph Surface and the

good-natured, imprudent, spendthrift Charles Surface. The play ends with great disgrace for Joseph and

double bliss for Charles. It is a sharp satire on the moral degeneracy of the aristocratic-bourgeois society in the eighteenth-century England. No wonder, the play has been Regarded as the best comedy since

Shakespeare. 《造谣学校》主要讲述了两个兄弟的故事，一个是伪君子约瑟夫.萨尔菲斯，另一个是放荡不羁但心地善良的查尔斯.萨尔菲斯。戏剧的结尾约瑟夫名声扫地，而查尔斯既获得了美人的芳心，又获得了丰厚的遗产，而梯泽尔夫人在丈夫的感化下与其重归于好。《造谣学校》是对18世纪英国贵族资产阶级的道德败坏，对无聊的富人恶意的制造谣言，对上层社会骄奢淫逸的生活以及对在高贵生活方式和高尚道德准则的掩饰下的道德沦丧与虚伪假善的辛辣讽刺。毫无疑问，它被认为是自莎士比亚以来最出色的喜剧。

(VII)Thomas Gray托马斯.格雷

70.he declined the Poet laureateship in 1757.1757年，他竟谢绝了授予他的诗人桂冠奖。

71.In contrast to those professional writers, Gray?s literary output was small.与其余专职作家不同，格雷作品极

少。

72.His masterpiece, “Elegy Written in a Country Churchyard” was published in 1751. The poem once and for all

established his fame as the leader of the sentimental poetry of the day, especially “the Graveyard

School”.1757年，他的代表作《写在教堂墓地的挽歌》出版这首诗奠定了他在当时作为感伤主义诗歌创始人的地位，尤其是从此他便成为“墓地诗歌”流派的代表。

73.His other poems include “Ode on the Spring”, “Ode on the Death of a Favourite cat” and so on. (Ode:….赞，

颂)他的其他作品还有《春之颂》，《伊顿公学展望》，《爱猫之死》等等。

74. A conscientious artist of the first rate, Gray wrote slowly and carefully, painstakingly seeking perfection of

form and phrase.格雷创作态度认真，作品诞生速度慢，却精益求精。

75.“Elegy Written in a Country Churchyard” is regarded as Gray?s best and most representative work. In this

poem, Gray reflects on death, the sorrows of life, and the mysteries of human life with a touch of his personal melancholy. The poem abounds in images and arouses sentiment in the bosom of every reader, The poem has been ranked among the best of the eighteenth century English poetry.《写在教堂墓地的挽歌》是雷格最优秀的代表作，创作历时八年，诗中内容与格雷的知己理查.韦斯特的去世有关。其中，格雷揭示了生与死的愁苦与神秘，并略述了自己忧伤的心情。诗中富于比喻，并给读者带来深深的伤感。这首诗被列为英国十八世纪最优秀的诗歌之一。

Chapter3 The Romantic Period (1798-1832)浪漫主义

1.This urgency was provoked by two important revolutions: the French Revolution of 1789-1794 and the

English Industrial Revolution which happened more slowly, but with Astonishing consequences.英国面临着新的发展动力：一是1789-1794年的法国资产阶级大革命，一是同时期英国内部的工业革命。

2.In 1832, the Reform Bill was enacted, which brought the Industrial capitalists into power.1832年“改革法案”

在议会通过并实施。

3.The Romantic Movement, whether in England, Germany or France, expressed a more or less negative

forward the existing social.浪漫主义运动，无论是在英国，德国还是法国，都表现相互对工业革命时期现存的社会经济制度及城市资产阶级的上升的否定态度。

4.The Romantics demonstrated a strong reaction against the dominant modes of thinking of the 18th-century

writers and philosophers. Where their predecessors saw man as a social animal, the Romantics saw him

essentially as an individual in the solitary state.文学家摒弃了18世纪盛行的文学及哲学基调---理性，新古典主义文学家认为人是社会性的动物，而浪漫主义文学家认为人应该是独立自由的个体。

5.Thus, we can say that Romanticism actually constitutes a change of direction from attention to the outer

world of social civilization to the inner world of the human spirit.因此，我们还可以说浪漫主义其实是将人们的注意力从外部世界—社会文明转移到内部世界---人类自己的精神实质。

6.The Romantic period is an age of poetry.浪漫主义时代也是诗歌的时代。

7.They believed that poetry could purify both individual souls and the society.他们（浪漫主义代表诗人布莱

克，华兹华斯，科勒律治，拜伦，雪莱及济恩）认为诗歌是医治社会顽疾的良药，可以净化人的灵魂。

8.Wordsworth defines the poet as a “man speaking to men,” and poetry as “the spontaneous overflow of

powerful feelings, which originates in emotion recollected in tranquillity.”华兹华斯认为诗人是对着广大人民讲话的人，而诗歌是强烈情感的自发流露，发乎情，止乎静。

9.Imagination, defined by Coleridge, is the vital faculty that creates new wholes out of disparate elements.想象

是在全无联系的各种元素上创立新型整体的一种超凡的官能。

10.The Romantics not only extol the faculty of imagination, but also elevate the concepts of spontaneity and

inspiration, regarding them as something crucial for true poetry.浪漫主义者不仅推崇想象，还强调灵感与创作的自发性，认为有这两种才智才能创造出真正的诗歌。

11.Romantics also tend to be nationalistic.浪漫主义者们还体现了强烈的民族精神。

12.To the Romantics, poetry should be free from all rules. They would turn to the humble people and the

common everyday life for subjects.浪漫主义诗人却打破这些格律，他们会在穷苦百姓及日常生活中找寻素材。

13.The two major novelists of the Romantic period are Jane Austen and Walter Scott.浪漫主义时期的代表小说

家有简.奥斯汀与沃尔特.司各特.

14.Jane Austen?s view of life is a totally realistic one.简.奥斯汀对生活抱有完全的现实主义.

15.The major theme of Jane?s novels is love and marriage toward which she holds on a practical idealism---love

should be justified by reason and disciplined by self-control. She chooses to stay within the tiny field that she knows best., she has become a popular classic and has been admired for her wit, her common-sense, her

insight into characters and social relationships. 简.奥斯汀作品的主题为爱情与婚姻,对于这个主题,奥斯汀抱有一种较为实际的理想主义---爱情必须有理智及道德准则的约束,她的作品的背景都很小却都是她熟知的,她的智慧,常识及对人物和人际关系深刻的洞察受到了大批读者的喜爱.

16.Walter Scott showed a keen sense of political and traditional forces and of their influence on the individual.

He is the first major historical novelist.司各特表现出对政治与传统的力量及它们对个人的影响深刻的洞察力。他是英国文学史上第一位重要的历史小说家。

17.Gothic novel, a type of romantic fiction that predominated in the late eighteenth century, its principal

elements are violence, horror, and the supernatural.哥特式小说也是浪漫主义运动的一部分，它盛行于浪漫主义前期的18世纪末。这种小说的主要题材是暴力，恐怖及对超自然力（鬼神）的描写。

(I)William Blake威廉.布莱克

18.He was often misunderstood by other people, who would regard him as gifted but mad. He was recognized

only posthumously.他经常遭到旁人误解，认为他是个天才，又是个疯子，他去世后才被人发掘出来并一举成名。

19.Childhood is central to Blake?s concern in the Songs of Innocence and Songs of Experience, and this concern

gives the two books a strong social and historical reference.他的两步诗集《天真之歌》和《经验之歌》中，童年是布莱克主要描述的中心，这个描述中心使作品富有社会与历史性的参考价值。

20.Blake?s Marriage of Heaven and Hell marks his entry into maturity. It plays the double role both as a satire

and a revolutionary prophecy.布莱克的《天堂与地狱的结合》一诗标志着他创作上的成熟，并担负了讽喻与革命预言的两重角色。

21.The “marriage,” to Black, means the reconciliation of then contraries, not the subordination of the one to the

other.婚姻对布莱克意味着矛盾的调和，而并非一方从属于另一方。

22.Blake felt bound to declare that “I know that This World is World of Imagination & Vision” and that “The

Nature of my work is visionary or imaginative.”布莱克热切得宣布：“我认为人世凡尘是一个充满想象与幻想的世界，我的作品也如人世凡尘一样充满想象与幻觉。”

23.Blake writes his poems in plain and direct language.布莱克的语言直白朴素。

24.Symbolism in wide rang is also a distinctive feature of his poetry.大范围地使用象征手法也是他作品的鲜

明特征。

(II)William Wordsworth威廉.华兹华斯

25.The poet Robert Southey as well as Coleridge lived nearby, and the three men became known as the “Lake

Poets”.诗人骚塞,科勒律治也居住在同一地城,三人并称为”湖畔诗人”。

26.In 1842 he received a government pension, and in the following year he succeeded Southey as Poet

Laureate.1842年政府为他发了津贴，次年他压倒骚塞成为了“桂冠诗人”。

27.According to the subject, Wordsworth?s short poems can be classified into two group: poems about nature and

poems about human life.按照主题，华的短诗可分为两大类：关于自然的和关于人类生活的。

28.Wordsworth is regarded as a “worshipper of nature.”华被称为”大自然的膜拜者”。

29.Wordsworth thinks that common life is the only subject of literary interest. The joys and sorrows of the

common people are his themes.华认为普通人的普通生活应是文学的主题，她的作品大多描述普通百姓的喜怒哀乐。

30.His works contain “The Solitary Reaper”, “To a Highland Girl”, ”The Old Cumberland Beggar ” and “The

Ruined Cottage”.他的作品包括《孤独的收割者》，《致高地姑娘》，《老坎伯兰的乞丐》和《被摧毁的茅屋》。

31.In its daring use of subject mater and sense of then authenticity of the experience of the poorest, “Resolution

and Independence” is the triumphant conclusion of ideas first developed in the Lyrical Ballads.通过大胆运用这样的主题，同时对贫苦人民生活经历的描写拥有极大的可信度，“革命与独立”则成为《抒情歌谣集》中成功的结论，这在英国诗歌历史上也是第一次。

32.Wordsworth is a poet in memory of the past .华兹华斯是一个怀旧的诗人。

33.Wordsworth?s deliberate simplicity and refusal to decorate the truth of experience produced a kind of pure and

profound poetry which no other poet has ever equaled.华兹华斯对简洁朴素的风格的追求，对粉饰真实的

厌恶使他的诗歌具有别人无法企及的纯净与深远之美。

34.he maintained that the scenes and events of everyday life and the speech of ordinary people were the raw

material of which poetry could and should be made.他强调诗歌创作最要紧的是把握真实素材的来源，他的创作理论的核心便是普通人的生活经历，普通人的词汇语言都是诗人应该也能够汲取的素材。

35.William Wordsworth is the leading figure of the English romantic poetry, the focal poetic voice of the period.

华兹华斯是英国诗歌史上的精英，是浪漫主义时期的杰出代表。

36.The most important contribution he has made is that he has not only started the modern poetry, the poetry of

the growing inner self, but also changed the course of English poetry by using ordinary speech of the

language and by advocating a return to nature.他对诗歌的巨大贡献在于开启了现代诗歌，开创了运用百姓生活语言写诗的新道路，并号召人们回归自然。

(III)Samuel Taylor Coleridge塞.泰.科勒律治

37.In 1798, the two men published a joint volume of poetry, Lyrical Ballads, which became a landmark in

English poetry. 1798年，他同华兹华斯合作出版《抒情歌谣集》，成为英诗发展的一座里程碑。

38.In addition to “The Ancient Mariner,” he wrote “Kubla Khan,” began writing “Christabel” and composed

“This Lime-Tree Bower My Prison,”“Frost at Midnight,” and “The Nightingale,” which are considered to be his best “conversational” poems.他创作了《古航海家之歌》，《忽必烈汗》，《子夜寒霜》，《夜莺》等名诗，这些都是他“对话诗”的代表。

39.Philosophically and critically, Coleridge opposed the limitedly rationalistic trends of the the 18th-century

thought.在哲学与文学评论方面，科勒律治反对18世纪那种局限的理性主义潮流。

40.he advocated a more spiritual and religious interpretation of life, based on what he had learnt from Kant and

Schelling.他倡导了以坎特与斯凯灵理论的对人类精神化与宗教化的诠释。

41.He believed that art is the only permanent revelation of the nature of reality.他认为艺术是唯一一种能永远

揭示现实的形式。

42.Coleridge?s actual achievement as poet can be divided into two remarkably diverse groups: the demonic and

the conversational.柯勒律治在诗歌方面的成就可分为不同的两大类，神祗诗与对话诗。

43.Mysticism and demonism with strong imagination are the distinctive features of this group.这些诗歌的显著

特点，便是神秘与想象。

44.“Christabel” uses a freer version of the ballad form to create an atmosphere of the Gothic horror at once

delicate and sinister.“克丽斯特贝尔”一诗采用了更为自由的抒情诗形式，创造出的是与一种微妙而又邪恶的哥特式恐怖氛围。

45.He sings highly Wordsworth?s “purity of language,”“deep and subtle thoughts,”“Perfect truth to nature” and

his “imaginative power.” But he denies Wordsworth?s claim that there is no essential difference between the language of poetry and the language spoken by common people.他高度赞赏华兹华斯那“纯净的语言”，“深邃的思想”，“对自然完美真实的描述”以及他“非凡的想象力”。但是他不赞成华兹华斯所说的“诗歌语言与普通百姓的生活语言没什么两样”。

46.Coleridge was esteemed by some of his contemporaries and is generally recognized today as a lyrical poet

and literary critic of the first rank.科勒律治被同时期的诗界所尊崇，直至今日也被奉为第一流的抒情诗人与文学评论家。

47.he was one of the most influential English literary critics and philosophers of the 19th century.他是19世纪浪

漫主义文学与哲学的代表。

（IV）George Gordon Byron乔治.戈登.拜伦

48.The publication in 1812 of the first two cantos of Childe Harold?s Pilgrimage, brought Byron fame.拜伦早期

代表作是长篇叙事诗《恰尔德.哈罗德游记》第一，第二章（1812）。

49.In Geneva, he wrote the third canto of Childe Harold and the narrative poem The Prisoner of Chillon.在日内

瓦，拜伦写下了《哈罗德游记》第三章及叙事诗《齐伦的囚犯》。

50.he produced the verse drama Manfred, the first two cantos of Don Juan.他创作了诗剧《曼弗雷德》，《唐璜》

的前两章。

51.Don Juan is Byron?s masterpiece, a great comic epic of the early 19th century.他的代表作《唐璜》是19世纪

初期的著名讽刺史诗。

52.Byron invests in Juan the moral positives like courage, generosity and frankness, are virtues neglected by the

modern society.拜伦在唐璜身上开发出勇敢,慷慨,诚恳直白等优点。

53.the poet?s true intention is, by making use of Juan?s adventures, to present a panoramic view of different types

of society.诗人的创作意旨在于通过唐璜的游历来体现不同的社会情形。

54.Byron?s satire on the English society in the later part of the poem can be compared with Pope?s; and his satire

is much less personal than that of Pope?s, for Byron is here attacking not a personal enemy but the whole hypocritical society.拜伦在诗的末尾对英国社会的讽刺与蒲柏相媲美，有过之而无不及，因为拜伦讽刺的不是个人恩怨，而是整个社会的虚伪。

55.As a leading Romanticist, Byron?s chief contribution is his creation of the “Byronic hero,” a proud,

mysterious rebel figure of noble origin. Such a hero appears first in Childe Harold?s Pilgrimage, and then further developed in later works such as the Oriented Tales, Manfred, and Dan Juan in different guises.作为浪漫主义的代表诗人，拜伦的主要贡献在于他创造了“拜伦式英雄”，高傲，神秘，反叛却带有贵族血统。

这种拜伦式英雄出现在《哈罗德游记》，《东方故事集》，《曼弗雷德》及《唐璜》等多部作品中。

56.Actually Byron has enriched European poetry with an abundance of ideas, images, artistic forms and

innovations.拜伦以丰富的思想，想象力，艺术形式和创新欧洲的诗歌得到了发展

(V)Percy Bysshe Shelley柏.比.雪莱

57.He held a lifelong aversion to cruelty, injustice, authority, institutional religion and the formal shams of

respectable society, condemning war, tyranny and exploitation.他一生都在执著的反抗社会上的残忍与不公，强权与宗教，战争与剥削。

58.He realized that the evil was also in man?s mind.他认为罪恶还存在于人的思想。

59.One of Shelley?s greatest political lyrics is “Men of England. The poem was later to become a rallying song of

the British Communist Party.”雪莱最著名的政治抒情诗是“致苏格兰人民”，这首诗在宪章运动时期成为广大工人的战歌。

60.Best of all the well-known lyric pieces is Shelley?s “Ode to the West Wind”; here Shelley?s rhapsodic and

declamatory tendencies find a subject perfectly suited to them.雪莱最著名的抒情诗当属“西风颂”，这首诗语气狂热，宜于诵读。

61.“If Winter comes, can Spring be far behind?” The poem is written in the terza rima form Shelley derived from

his reading of Dante.“如果冬天已经来临，春天还会远吗？”诗人引用了文艺复兴时期意大利诗人但丁的三行诗节隔句押韵法。

62.Shelley?s greatest achievement is his four-act poetic drama, Prometheus Unbound，The play is an exultant

work in praise of humankind?s potential, and Shelley himself recognized it as “the most perfect of my

products.”.雪莱最有造诣的作品是他的四幕诗剧《解放了的普罗米修斯》，它赞扬了人类自身的潜力，雪莱认识它是自己最出色的作品。

63.Like Blake, he has a reputation as a difficult poet: erudite, imagistically complex, full of classical and

mythological allusions.像布莱克一样，由于不同于其他人，他是个备受推崇的诗人，他的作品博学，具有深厚文化底蕴，含有丰富的典故和神灵的暗示。

(VI)John Keats约翰.济慈

64.Endymion, published in 1818, was a poem based on the Greek myth of Endymion and the moon

goddess.1818年,济慈出版了长诗<安狄米恩>,该诗以希腊神话为素材,记述了牧人安狄米恩赫月光女神的故。

65.It was this yearning and suffering that quickened his maturity and added a new dimension to his poetry.一连

串挫折与内心压抑的情感促使他走向成熟，并使他未来的创作更加丰满。

66.At the heart of these pomes lies Keats? concern with how the ideal can be joined with the real, the imagined

with the actual, and man with woman.这些诗歌表达了济慈对如何将理想与现实，想象与实际，男人与女人结合起来的思考。

67.The volume also contain his four great odes: ”Ode on Melancholy,”“Ode on a Grecian Urn,”“Ode to a

Nightingale,”“Ode a Psyche;” his lyric masterpiece “To Autumn” and the unfinished poem “Hyperion.”这部诗集包括他著名的四首“颂”：“忧郁颂”，“希腊古瓮颂”，“夜莺颂”，“普赛克颂”及他抒情诗的代表作“秋日颂”和未完成的诗作“希波里恩”。

68.The odes are generally regarded as Keats?s most important and mature works.颂诗是济慈最重要也是最成

熟的作品。

69.In the great of these works, he also suggests the undercurrent of disillusion that accompanies such ecstasy, the

human suffering which forever question the visionary transcendence achieved by art.在这些作品中,他对资本主义社会现实又不满，他的诗歌却常常带有唯美主义色彩。

70.“Ode to a Nightingale” expresses the contrast between the happy world of natural loveliness and human

world of agony.”夜莺颂”展示了自然界之美与人世之痛苦强烈的反差。

71.“Ode on an Grecian Urn” shows the contrast between the permanence of art and the transience of human

passion.“希腊古瓮颂”展示了永恒的艺术与短暂的人类热情之间的对比。

72.Sight, sound, scent, taste and feeling are all taken in to give an entire understanding of an experience.将视，

听，嗅，味，触等感觉都转化成绝美的文字，带来一个通透的体验。

73.He draws diction, style and imagery from works of Shakespeare, Milton and Dante.他在措词，风格和比喻上

都参考了莎士比亚，弥尔顿和但丁的作品。

74.Keat s?s poetry characterized by exact and closely knit construction, sensual descriptions, and by force of

imagination, gives transcendental values to the physical beauty of the world. 济慈的诗以精确紧凑的造句，有感描写为特色，通过想象，营造了超出人类经验值的自然之美。

(VII)Jane Austen 简.奥斯汀

75.Her first novel, Sense and Sensibility, tells a story about two sisters and their love affairs: Pride and Prejudice,

the most popular of her novels, deals with five Bennet sisters and search for suitable husbands; and

Northanger Abbey.她的处女作《理智与情感》讲述了一对姐妹的恋爱经历；《傲慢与偏见》是她最著名的作品，讲述了贝内特一家五位姐妹寻找如意郎君的过程；《诺觉寺》讽刺了18世纪流行的哥特式骑士抒情诗。

76.Mansfield Park presents the antithesis of worldliness and unworldliness ; Emma gives the thought over

self-deceptive vanity; and Persuasion contrasts the true love with the prudential calculations.《曼斯菲尔德花园》表现了世俗与非世俗的并存；《爱玛》对自欺欺人的虚荣心给予了反思；《劝告》将真挚爱情与精打细算进行了对照。

77.She holds the ideals of the landlord class in politics, religion and moral principles; and her works show clearly

her firm belief in the predominance of reason over passion, the sense of responsibility, good manners and clear-sighted judgment over the Romantic tendencies of emotion and individuality.她主张地主阶级应在政治及社会生活中占主导地位，而她的作品也表现了她强调的理智高于情感，责任心、礼节、公正高于浪漫与个人主义的观点。

78.And in style, she is neoclassicism advocator, upholding those traditional ideas of order, reason, proportion and

gracefulness in novel writing.在写作风格上，她提倡新古典主义，坚持理性，秩序，典雅的原则。

79.Austen?s main literary concern is about human beings in their personal relationships.奥斯汀的创作主题总与

个人的生活及人际关系有关。

80.It is her conviction that a man?s relationship to his wife and children is at least as important a part of his life as

his concerns about his belief and career.她确信一个人与自己妻子，儿女的关系最起码同他生命的另一半---事业，信仰---同样重要。

81.plots are all restricted to the provincial life of the late 18th-century England, concerning three or four landed

gentry families with their daily routine life.奥斯汀的写作素材十分狭窄。主题，角色，社会背景及情节都离不开18世纪英国的乡村中产阶级生活，总是三，四口之家的日常生活。

82.Pride and Prejudice, originally drafted as “First Impressions” in 1796, is the most delightful of Jane Austen?s

works.《傲慢与偏见》原名《第一印象》是奥斯汀最出色的作品。

83.Our first impression, according to Jane Austen, are usually wrong.奥斯汀认为人的第一印象总是有失偏颇

的。

84.The structure of the novel is exquisitely deft, the characterization in the highest degree memorable, while the

irony has a radiant shrewdness unmatched elsewhere.这部小说结构精致灵巧，人物描写令人难忘，讽刺出其不意。

85.The works of Jane Austen, at once delightful and profound, are among the supreme achievements of English

literature. With trenchant observation and in meticulous detail, she presents the quiet, day-to-day country life of the upper-middle-class English.奥斯汀的著作令人愉悦并有深意，是英国文学史上巨大的成就。她通过犀利细致的观察，向我们展现了平和的英国乡村中产阶级的日常生活全貌。

86.Her characteristic theme is that maturity is achieved through the loss of illusions.其典型的主旨是成熟，实在

错误的幻想打破后获得的。

87.Because of her sensitivity to universal patterns of human behavior, Jane Austen has brought the English novel,

as an art of form, to its maturity, and she has been regarded by many critics as one of the greatest of all

novelists.由于她人类行为的普遍模式十分敏感，奥斯汀使英国小说走向成熟，众多评论家都认为她是英国最出色的小说家之一。

Chapter 4 The V ictorian Period(1836-1901)维多利亚时期

https://www.sodocs.net/doc/4913501136.html,mon sense and moral propriety, which were ignored by the Romanticists, again became the

predominant preoccupation in literary work.道德和常理这些被浪漫主义时代遗弃多年的主题，又回到了文学主流中来。

2.Oscar Wilde and Walter Pater, both notorious advocators of the theory of “art for art?s sake.”唯美主义者奥

斯卡．王尔德与沃尔特．培特都极力推崇“为了艺术而艺术”的观点。

3.Utilitarianism was widely accepted and practiced.实用主义大行其道。

4.The poetry of this period was mainly characterized by experiments with new styles and ways of expression.

这个时期的诗歌具有风格标新，表达立异的特点。

5.V ictorian literature, in general, truthfully represents the reality and spirit of the age. The high-spirited

vitality, the down to earth earnestness, the good-matured humor and unbounded imagination are all

unprecedented.维多利亚时期文学，真实地反映了时代的现实与精神，其中体现出的高度的活力，脚踏实地的精神，善意的幽默与无羁无绊的丰富联想都是空前的。

(I)Charles Dickens查尔斯．狄更斯

6.Soon The Posthumous Papers of the Pickwick Club appeared in monthly installments. It is once lifted him

into a position of fame and fortune.很快《皮克威克外传》也出版了，这使狄更斯一度名利双收。

7.Dickens is one of the greatest critical realist writer of the V ictorian Age.狄更斯是伟大的批判现实主义作

家。

8.The best he can do seems to try to retain an optimism with wishful thinking.他所能做的只是保持一种充满

希望的乐观主义。

9.Whatever his limitations, this man is loved and admired by the millions, not only for the practical reform his

works have helped to bring about but also for that heart which is ready to love and sympathize.不管狄更斯有何局限性，他都深受人民大众喜爱，不仅因为他的作品促进社会改良，更因为他那颗善良博爱之心。

10.In his works, Dickens sets out a full map and a Large-scale criticism of the nineteenth century England,

particularly London.在他的作品中，狄更斯对１９世纪的英国，特别是伦敦做出了全面地描绘及大量的批评。

11.His early works contain Oliver Twist, Nicholas Nickleby, The Pickwick Paper(legal fraud), David

Copperfield and Martin Chuzzlewit.他的早期作品包括《雾都孤儿》，《尼古拉斯．尼克尔比》，《皮克威克外传》（合法欺骗），《大卫．科波菲尔》和《马丁．瞿述伟》等等。

12.This youthful brightness and optimism is also manifest in the constant jokes and laughter.作者青年时期的

这种明朗与乐观还体现在作品的幽默与笑料中。

13.His later works contain A tale of two Cities, Bleak House, Little Dorrit, Hard Times and Great Expectations.

后期作品包括《双城记》，《荒凉山庄》，《小多利特》，《艰难时世》和《远大前程》。

14.Charles Dickens is a master story-teller.狄更斯具有惊人的讲故事能力。

15.Dickens? works are also characterized by a mingling of humor and pathos.狄更斯的作品还有一个特点，是

将幽默与哀伤的泪水交汇起来。

16.Sometimes Dickens seems so anxious to wring an extra tear from the audience that he indulges himself in

excessive sentimental melodrama and spoils the story.有时狄更斯会将作品写的令读者潸然泪下，但由于他过于注重悲情的渲染，有时会破坏故事的连贯性。

17.Charles Dickens is one of the greatest Victorian writers, and his name one of those to be remembered

forever. 狄更斯是英国文学史上能与莎士比亚齐名的文学巨人，他的作品与人格都将永远留在人民心中。

(II)The Bronte Sisters布朗蒂姐妹

18.Charlotte Bronte, Emily Bronte, and their gifted sister Anne Bronte came from a large family of Irish origin.

夏洛蒂.布朗蒂，艾米丽.布朗蒂，安妮.布朗蒂三姐妹出生于爱尔兰裔的大户人家。

19.Charlotte?s second novel, Jane Eyre, won immediate success when it appeared in 1847. In the same year,

Emily?s single and unique work Wuthering Heights and Anne?s Agnes Grey were also published.夏洛蒂的第二部小说《简爱》问世后立即大获成功。同年，艾米丽唯一的小说《呼啸山庄》与安妮的《阿格尼斯.格雷》也相继发行。

20.Charlotte?s works are all about the struggle of an individual consciousness towards self-realization, about

some lonely and neglected young women with a fierce longing for love, understanding and a full, happy life.

夏洛蒂的作品主题几乎都是个人自觉地为实现自我价值而奋斗，都是有关一些孤独而卑微的少女对爱情，理解与完整幸福的生活的强烈渴求。

21.In her mind, man?s life is composed of perpetual battle between sin and virtue, good and evil.在她看来，人

生就是一场永不停息的罪恶与美德的斗争。

22.All her heroines? highest joy arises from some sacrifice of self or some human weakness overcome.她小说

中的女主人公最大的快乐都来自一些自我牺牲后或个人弱点被战胜后获得的幸福。

23.She is a writer of realism combined with romanticism. On one hand, she presents a vivid realism picture of

the English society by exposing the cruelty, hypocrisy and other evils of the upper classes, and by showing the misery and suffering of the poor. On the other hand, her writings are marked throughout by an intensity of vision and passion.她还是集现实主义与浪漫主义于一身的作家。一方面，她真实生动的再现了英国上流社会的残酷，虚伪及其他丑恶现象以及下层贫苦人民的不幸。另一方面，她的笔下充盈这美好的情与景。

24.Jane Eyre: It is noted for its sharp criticism of the existing society. The success of the novel is also due to its

introduction to the English novel the first governess heroine.《简爱》：它以对当时社会尖锐的批评而闻名于世。小说的成功在于它在英国小说史上第一次成功的塑造出了家庭教师的女主人公形象。

25.The vivid description of her intense feelings and her thought and inner conflicts brings her to the heart of the

audience.小说通过对简热烈的情感，思想以及内心冲突的生动描写，向读者展示出了一幅心灵画卷。

26.Wuthering Heights: It is the story about two families and an intruding stranger.《呼啸山庄》讲的是两个家

庭与一个外来者的故事。

(III)Alfred Tennyson阿尔弗雷德.丁尼生

27.He was appointed the Poet Laureate.丁尼生被授予“桂冠诗人”的荣誉。

28.Tennyson?s poetic career is also marked out by Idylls of the King (the Celtic legends of King Arthur).丁尼

生另一部代表作是《国王诗歌集》，故事源于凯尔特民族关于亚瑟王与他的圆桌骑士的传说。

29.For one thing, the moral standards and sentiments reflected in the poem belong to the V ictorians rather than

to the medieval royal people. For the other, the story of the rise and fall of King Arthur is, in fact, meant to represent a cyclic history of western civilization.其一是因为诗中道德标准及情感都属于维多利亚并非中世纪的贵族；其二是因为故事中亚瑟王的崛起与衰败其实就是西方文明周而复始的历史写照。（《国王诗集》并不是古代传奇简单的翻版，而是对古典神话的现代诠释？）

30.Tennyson is a real artist. He has the natural power of linking visual picture with musical expressions.丁尼生

是一位善于将可视的风景图画与极富乐感的表达语汇及多姿多彩的情感非常自然的糅合在一起的艺术家。

31.The dreaminess of Spenser, the majesty of Milton, the natural simplicity of Wordsworth, the fantasy of

Blake and Coleridge, the melody of Keats and Shelley, and the narrative vigor of Scott and Byron.丁尼生的创作不仅体现了他自身的天才，还体现了英国灿烂的诗歌传统，从斯宾塞的梦幻到弥尔顿的壮丽，从华兹华斯的自然简洁到布莱克与科勒律治的奇异诡谲，从雪莱与济慈的旋律美到司格特与拜伦的叙事天才，这一切丰富多彩的品质都在丁尼生笔下有所体现。

(IV).Robert Browning罗伯特.布朗宁

32.Like Browning?s other characters in their monologues, these people unconsciously reveal their own

characters in the story.正像布朗宁其他独白作品种的人物，这些人也不自觉地通过讲述故事暴露了自己的性格特点。

33.The name of Browning is often associated with the term: “ dramatic monologue.”《指环与书》一诗使布朗

宁成为英国最伟大的诗人之一。

34.To Browning, the dramatic monologue is an ingenious means to exploit his literary gift without getting too

personal.对布朗宁来说，戏剧独白是一种既能开发文才，又可与角色保持一定距离的灵活方式。(V)George Eliot乔治.艾略特

35.Then there came successively her three most popular novels, Adam Bede, The Mill on the Floss and Silas

Marner.而后她的三部代表作相继问世：《亚当.贝德》、《费洛斯河上的磨房》以及《织工拉斯.马奈尔》36.In1872，Middlemarch, a panoramic book considered today by many to be George Eliot?s greatest

achievement.1872年，《弥都玛持镇》问世，这部作品是她最好的作品。

37.By joining the worlds of inward propensity and outward circumstances and showing them both operating in

the lives of her characters, she initiates a new type of realism and sets into motion a variety of developments, leading in the direction of both the naturalistic and psychological novel.通过将自己的内心世界与外在环境结合起来，并把两者注入对角色的塑造之中，艾略特开创了一种新型的现实主义，并进一步朝着自然主义与心理分析小说发展。

38.In her works, she seeks to present the inner struggle of a soul and to reveal the motives, impulses and

hereditary influences which govern human action.在作品中，她努力的表现人们灵魂深处的斗争，揭示那种驾驭人类行为的动机，冲动及遗传影响。

39.George Eliot shows a particular concern for the destiny of women, especially those with great intelligence,

potential and social aspirations.艾略特特别关心女性的命运，尤其是那些才华出众，渴望步入社会的女性。

40.In her mind, the pathetic tragedy of women lies in their very birth.艾略特认为女人的不幸是出生时就随

身带来的。

41.Middlemarch: but both fail in achieving their goals owing to the social environment as well as their own

vulnerabilities. 《弥都玛持镇》：小说的两个女性主角都具有潜在资质与雄雄野心，但都因为社会环境与自身弱点的限制没能达到人生目标。

(VI)Thomas Hardy托马斯.哈代

42.his last two novels: Tess of the D?Urbervilles and Jude the Obscure.他的最后两部小说是《德伯家的苔丝》

与《无名的裘德》。

43.His best local-colored works are his later ones, such as The Return of the Native, The Trumpet Major, The

Mayor of Casterbridge, The Woodlanders, Tess of the D?Urbervilles and Jude the Obscure. These works, known as “novels of character and environment,” are the most representative of him as both a naturalistic and a critical realist writer.他晚年的作品最富地方色彩，如《还乡》，《号兵长》，《卡斯特桥市长》，《林地居民》，《德伯家的苔丝》与《无名的裘德》这些作品便是著名的“角色与环境为纲的小说”，最好的代表了作者自然主义与批判主义的写作特点。

44.Tess, a simple, innocent and faithful country girl. She finally becomes a victim of the modern society.苔丝，

一个单纯忠诚的乡村女孩，她最后成为了现代社会的牺牲品。

45.Hardy is often regarded as a transitional writer.哈代常被认为是一位承前启后的作家。

46.In his works, man is shown inevitably bound by his own inherent nature and hereditary traits which prompt

him to go and search for some specific happiness or success and set him in conflict with the environment.哈代作品中的人物都不可避免的屈从于自身的天性或遗传的品质，促使他追求某一种幸福成功，从而又使自己陷入与环境的冲突中。

47.He is a meditative story-teller or romancer.他是个善于深入思考的故事家。

48.They are not only individual cases but also universal truth.他们不仅个别的例子，还是普遍的真理。

49.Their plight is not just their own; it applies to any one, any age. And finally, all the works of Hardy are

noted for the rustic dialect and a poetic flavor which fits well into their perfectly designed architectural

structures. 他们（小说中的人物）的故事不仅是他们自身的经历，而且具有相当的普遍性。最后，哈代的作品结构完美，语言极富乡土气息与诗情画意。

50.Tess of the D?Urbervilles: There she meets Angel Clare, son of a clergyman. It is a fierce attack on the

hypocritical morality of the bourgeois society and the capitalist invasion into the country and destruction of the English peasantry towards the end of the century. 《德伯家的苔丝》：苔丝远离故土，外出谋生，与牧师之子安吉尔相识相爱。这部小说抨击了当时扭曲人性的虚伪道德，抨击了破坏乡村宁静的资本主义价值观。

Chapter 5 The Modern Period 现代时期

1.The once sun-never-set Empire finally collapsed.日不落帝国终于日薄西山了。

英美文学术语(英文版)_literary_terms

英国文学 Alliteration:押头韵repetition of the initial sounds（不一定是首字母） Allegory:寓言a story with two meanings, a literal meaning and a symbolic meaning. Allusion:典故a reference in a literary work to person, place etc. often to well-known characters or events. Archetype:原型 Irony:反讽intended meaning is the opposite of what is stated Black humor:黑色幽默 Metaphor: 暗喻 Ballad: 民谣about the folk loge Epic:史诗in poetry, refers to a long work dealing with the actions of gods and heroes. Romance: 罗曼史/骑士文学is a popular literary form in the medieval England./Chivalry Euphuism: 夸饰文体This kind of style consists of two distinct elements. The first is abundant use of balanced sentences, alliterations and other artificial prosodic means. The second element is the use of odd similes and comparisons. Spenserian stanza: It refers to a stanza of nine lines, with the first eight lines in iambic pentameter and the last line in iambic hexameter. 斯宾塞诗节新诗体，每一节有9排，前8排是抑扬格五步格诗，第9排是抑扬格六步格诗。The Faerie Queene Conceit:奇特的比喻is a far-fetched simile or metaphor, occurs when the speaker compares two highly dissimilar things. 不像的事物 Sonnet: 十四行诗a lyric consisting of 14 lines, usually in iambic pentameter, restricted to a definite rhyme scheme. Blank verse: 无韵体诗written in unrhymed iambic pentameter. Elegy 挽歌 The Heroic Couplet:英雄对偶句 Lyric:抒情诗is a short poem that expresses the poet’s thoughts and emotion or illustrates some life principle. often concerns love. A red, red Rose. Byronic Hero: refers to a proud, mysterious rebel figure of noble origin. Stream of Consciousness:意识流the author tells the story through the freely flowing thoughts and associations of one of the characters. James Joyce and Virginia Woolf are two major advocates of this technique. Renaissance:文艺复兴14-15th, originated in Italy, encouraged the reformation of the Church and humanism. Humanism: 人文主义it is the essence of the Renaissance. It emphasizes the dignity of human beings and the importance of the present life. Metaphysical poetry:玄学派诗歌it is commonly used to name the work of the 17th-century writers who wrote under the influence of John Donne. With the rebellious spirit, they tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple. John Donne, George Herbert. The Enlightenment Movement:启蒙运动18th century flourished in France. Enlighten the whole world with the light of modern philosophical and artistic ideas. reason, rationality, equality and science and universal education. John Dryden, Alexander Pope. Neoclassicism:新古典主义17-18th centuries of classical standards of standards of order, balance, and harmony in literature. Alexander Pope, Samuel Johnson. Sentimentalism:感伤主义18世纪60-80年代，came into being as a result of a bitter discontent on the part of certain enlighteners i n social reality. use of pathetic effects and attempts to arouse feeling by “pathetic” indulgence. The Graveyard School: 墓畔派whose poems are mostly devote to sentimental lamentations or meditation on

美国军队军衔中英对照

美国军队军衔 军衔 分6等25级： 将官5级(五星上将、上将、中将、少将、准将) 校官3级(上校、中校、少校) 尉官3级(上尉、中尉、少尉) 军士6级(一级军士长、二级军士长、三级军士长、上士、中士、下士)， 准尉5级(一、二、三、四、五级准尉) 士兵3级(一等兵、二等兵、三等兵) 美国军衔列表 军衔是军队中区分军阶高低的标志。军衔在军服着装中有着不可替代的作用，美军军衔设计精美，制作精良，堪称军队军衔中的精品。美军军衔分为3类11 级。军官军衔有上将、中将、少将、准将；上校、中校、少校；上尉、中尉、少尉、准尉。美军上将军衔一般授予军兵种最高军事长官。因为美国国防部长由文职官员担任，所以国防部长是不授衔的。美军中等级森严，下级必须服从上级，以此保证军队管理和作战的需求。 美国的军官职务编制军衔规定 参谋长联席会议主席、军种参谋长、战区司令官为上将；军种副参谋长、军长、舰队司令为中将；师长、航空母舰特混部队司令为少将；副师长、独立旅旅长为准将；团长、空军联队长、舰长为上校；营长、舰艇中队长为中校；副营长、舰艇分队长为少校；连长为上尉；副连长为中尉；排长为少尉。 Major general ------少将 美国陆军、空军或海军中在准将之上中将之下的军衔 Brigadier General -----准将 美国陆军、空军或海军陆战队军衔，级别高于上校，低于少将 Captain ------------上校; 上尉 上尉美军陆军、空军、或海军陆战队的经过委任授予的军衔，位居中尉之上少校之下 美军海军或海岸警备队的经过委任授予的军衔，位居海军中校之上海军少将之下 Lieutenant---------------海军上尉 a first lieutenant-------------[美]陆军[空军, 海军陆战队]中尉 a second lieutenant----------[美]陆军[空军、海军陆战队]少尉; a lieutenant (of) junior grade-----------[美]海军中尉 lieutenant colonel------------陆军中校 lieutenant commander--------海军少校 lieutenant general----------------陆军中将, 海军陆战队中将

英美文学－中英文对照

British Writers and Works The Anglo-Saxon Period ●The Venerable Bede 比得673~735 ?Ecclesiastical History of the English People 英吉利人教会史 ●Alfred the Great 阿尔弗雷得大帝849~899 ?The Anglo-Saxon Chronicle 盎格鲁—萨克逊编年史 The Late Medieval Ages ●William Langland 威廉·兰格伦1332~1400 ?Piers the Plowman 农夫比埃斯的梦 ●Geoffery Chaucer 杰弗里·乔叟1340(?)~1400 ?The Books of the Duchess悼公爵夫人 ?Troilus and Criseyde特罗伊拉斯和克莱希德 ?The Canterbury Tales坎特伯雷故事集 ?The House of Fame声誉之宫 ●Sir Thomas Malory托马斯·马洛里爵士1405~1471 ?Le Morte D’Arthur亚瑟王之死 The Renaissance ●Sir Philip Sydney菲利普·锡德尼爵士1554~1586 ?The School of Abuse诲淫的学校 ?Defense of Poesy诗辩 ●Edmund Spenser埃德蒙·斯宾塞1552~1599 ?The Shepherds Calendar牧人日历 ?Amoretti爱情小唱 ?Epithalamion婚后曲 ?Colin Clouts Come Home Againe柯林·克劳特回来了 ?Foure Hymnes四首赞美歌 ?The Faerie Queene仙后 ●Thomas More托马斯·莫尔1478~1535 ?Utopia乌托邦 ●Francis Bacon弗兰西斯·培根1561~1626 ?Advancement of Learning学术的推进 ?Novum Organum新工具 ?Essays随笔 ●Christopher Marlowe柯里斯托弗·马洛1564~1595 ?Tamburlaine帖木耳大帝 ?The Jew of Malta马耳他的犹太人 ?The Tragical History of Doctor Faustus浮士德博士的悲剧

美国和英国警察的警衔-中英文对照

精心整理美国警察的警衔 美国因为是联邦制国家，各州法律不同，所以警察没有全国统一的警衔，各州各行其是，大都把职务和警衔等融为一体。纽约市的警察有十个等级，包括：总局长、分局长、助理分局长、副分局长、督察、助理督察、警长、副警长、警官、巡警。洛杉矶市的警衔有九级：局长、副局长、分局长、上尉、组长、巡官、刑警、巡佐、警员。 纽约警察局(NYPD)警衔： Officer=警员 Detective=警探 Sergeant=警司 Lieutenant=警督 Captain=警监 DeputyInspector=副高级警监 Inspector=高级警监 DeputyChief=副总警监 AssistantChief=助理总警监 BureauChief=处总警监 ChiefofDepartment=局总警监 NYPD的中低各衔别还分具体档次,这点与LAPD警衔是一样的.但与LAPD不同的是,NYPD最高首长并非局总警监,而是PoliceCommissioner=警察专员.警察专员之下还有若干DeputyPolicerCommissioner=副警察专员(包括一名FirstDeputyPoliceCommissioner=第一副警察专员).警察专员与副警专员均为文职,所以并不算警衔.而作为NYPD警衔最高的局总警监,行政地位要低于警察专员和副警察专员. 洛杉机警察局(LAPD)警衔 PoliceOfficer=警员 PoliceDetective=警探 PoliceSergeant=警司 PoliceLieutenant=警督 PoliceCaptain=警监 PoliceCommander=警长 PoliceDeputyChief=副总警监 ChiefofPolice=总警监 说明:从警官到警监,各级内还有不同档次.比如,警官分为1/2/3级,刚服役新警衔别为1级警官,依此类推.总警监只有一名,既LAPD局长,是LAPD最高首长. 佛蒙特州警(VTSP)警衔 Trooper=警员 Corporal=警士 Sergeant=警司 Lieutenant=警督 Captain=警监 Major=警长 LieutenantColonel=副总警监

美国军衔一览

陆军Army/land force 五星上将General of the Army（美军有此等级，中国无）上将General 中将Lieutenant General 少将Major General 准将Brigadier General （美军有此等级，中国无） 上校Colonel 中校Lieutenant Colonel 少校Major 中尉First Lieutenant 少尉Second Lieutenant 陆军高级军士长(Sergeant Major of the Army) 军士指挥官(Command Sergeant Major) 军士长(Sergeant Major) 二级军士长(Master Sergeant) 上士(Staff Sergeant)

二等兵(Private) 海军Navy 海军上将Senior colonel of Admiral 海军中将Vice Admiral Rear Admiral 海军少将Rear Admiral 海军准将Lower Grade navy（美军有此等级，中国无） 国无） 海军上校Captain 海军中校Commander 海军少校Lieutenant Commander 海军上尉Lieutenant 海军中尉Lieutenant Junior Grade 海军少尉Ensign 空军Air force 空军上将General 空军中将Lieutenant General 空军少将Major General 空军准将Brigadier General（美军有此等级，中国无）

美国无） 空军上校Colonel 空军中校Lieutenant Colonel 空军上尉Captain 空军中尉First Lieutenant 空军少尉Second Lieutenant

英美文学选读复习要点中英文对照

e to order, reason and rules.启蒙者主张理性是任何人思想与行动的唯一缘由。他们大力提倡秩序，理性及法律。 5. As a matter of fact, literature at the time, heavily didactic and moralizi ng, became a very popular means of public education.其实，当时的文学作品种充满了说教与道德理念，就已经成为大众教育的良好工具。 6. Famous among the great enlighteners in England were those great wr iters like John Dryden, Alexander Pope, Joseph Addison and Sir Richard Steele, the two pioneers of familiar essays, Jonathan Swift, Daniel Defo e, Richard Brinsley Sheridan, Henry Fielding and Samuel Johnson.英国著名的启蒙主义文学家有约翰.德莱顿，亚历山大.蒲柏，约瑟夫.艾迪森与理查.斯蒂尔（这两位是现代散文的先驱），乔纳森.斯威夫特，丹尼尔.迪福，理查.B.谢立丹，亨利.费尔丁和塞缪尔.约翰逊。 7. In the field of literature, the Enlightenment Movement brought about a revival of interest in the old classical works.在文学领域，启蒙主义运动还使人们重新对古典时代的著作产生兴趣。 8. They believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.他们认为理想的艺术应基于秩序，逻辑，确切及情感控制的基础上，而文学作品的价值评判标准应该看它是否为人文主义服务。 9. Thus a polite, urbane, witty, and intellectual art developed.由此一种温文尔雅，充满灵性的知识分子文学艺术发展起来。 10. Neoclassicists had some fixed laws and rules for almost every genre of literature.在几乎所有的文学形式中，新古典主义者们都设定了创作的规矩与条框。 11. Drama should be written in the heroic Couplets (iambic pentameter r hymed in two lines); the three unities of time, space and action should b e strictly observed; regularity in construction should be adhered to, and t ype characters rather than individuals should be represented.戏剧必须用英雄体偶剧（抑扬五音步的押韵双行诗）写就；时间，地点，事件三要素必须要

英美文学选读考前总复习中英文版

一.What is the theme of Beowulf? 这首诗主题介绍了如何原始人工资在聪明和强大的领导之下的自然世界的敌对势力的英勇斗争的生动写照。这首诗是自然界神话与英雄传说混合在一起的一个例子。 Thematically the poem presents a vivid picture of how the primitive people wage heroic struggles against the hostile forces of the natural world under a wise and mighty leader.The poem is an example of the mingling of nature myths and heroic legends. 二.莎士比亚（1）四个悲剧。（二）四大悲剧的共同之处？3请简要总结每个英雄人性的弱点。 1.莎士比亚的四个最大的悲剧是：哈姆雷特、奥赛罗、李尔王、麦克白。 2.每个描绘了一些高尚的英雄，谁面临着人类生活的不公，陷入了一个困难的局面和他们的命运与整个国家的命运息息相关。 3.每一位英雄有他的弱点的性质；老国王李尔不愿意完全放弃他的权力；麦克白的权欲挑起他的抱负和他会导致无休止的罪行 1.Shakespeare’s four greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth. 2.Each portrays some noble hero, who faces the injustice of human life and is caught in a difficult situation and whose fate is closely connected with the fate of the whole nation. 3. Each hero has his weakness of nature; the old king Lear who is unwilling to totally give up his power; and Macbeth’s lust for power stirs up his ambition and leads him to incessant crimes 三.试论莎士比亚的艺术的创作。 1.主要特点是既不是仅仅是个人的也不是类型；他们是代表某些类型的个人。每个字符都有他或她自己的个性；与此同时，他们可能与别人分享功能。 2.通过运用心理分析的方法，莎士比亚成功探索刻画心灵。 3.莎士比亚很少发明自己的情节；相反，他借用他们的一些旧的戏剧或故事书，或从古希腊和古罗马的来源。 4.在他的著作中，伪装也是重要的设备，打造

各国军衔等级一览(中国美国俄罗斯英国)

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军士长、军士；上等兵、列兵。印度军衔设7等20级：元帅（只在战时授予有特殊功勋的军种参谋长）；上将、中将、少将、准将；上校、中校、少校；上尉、中尉、少尉；一级准尉、二级准尉、三级准尉；上士、中士、下士；一等兵、二等兵、新兵。韩国军衔设5等15级：上将、中将、少将、准将；上校、中校、少校；上尉、中尉、少尉、准尉；上士、中士、下士；兵。日本自卫队军衔设6等18级：上将、中将、少将；上校、中校、少校；上尉、中尉、少尉；准尉；军士长、上士、中士、下士；上等兵、一等兵、二等兵、三等兵。阿尔及利亚军衔设6等17级：少将、准将；上校、中校、少校；上尉、中尉、少尉；一级准尉、二级准尉；军士长、军士；上士、中士、下士、上等兵、列兵。英国军衔设8等19级：元帅；上将、中将、少将；准将；上校、中校、少校；上尉、中尉、少尉；一级准尉、二级准尉；上士、中士、下士；一等兵、二等兵、新兵。法国军衔设5等20级：上将、中将、少将、准将；上校、中校、少校；上尉、中尉、少尉、准尉；总军士长、军士长、准军士长、上士、中士、下士；上等兵、下等兵、列兵。加拿大军衔设6等17级：上将、中将、少将、准将；上校、中校、少校；上尉、中尉、少尉；一级准尉、二级准尉、准尉；上士、中士、下士；列兵。附：中国士官军衔调整为7衔级士官将有住房公积金2010年7月，国务院和中央军委公布了

英美文学论文(英文)

A Analysis of the Women Characters in David Copperfield Class:09商务Name: 唐东No.0907030044 Abstract:David Copperfield was written by Charles Dickens,who is the greatest representative of English critical realism in the nineteenth century. One of Dickens's favorite novels,David Copperfield is known all over the world for the well-portrayed characters based on the writer's own life.In David Copperfield,dozens of women characters are portrayed ranging from rich women to poor servants.This paper analyzes some of the women characters in the novel,through which Dickens reveals his attitude toward marriage. . Key words:women characters love family marriage Ⅰ、The goddess The representative figure of The goddess are Peggotty,the loyal maidservant and David’aunt Miss Betsey Trotwood. Peggotty is Dav id’s first goddess,she is not beautiful and fat.But she is loyal.She treated David as her own son,and David regards her as his mother or maybe his father.She treats David full of sympathy and cherish.She see through Mr Murdstone’s conspiracy,and give David help and protect when he was in danger.In an other hands,Peggotty was lack of culture so she only tell David in emotional .Let David know there also love in the world althought his mother was died. ‘Master David ,my love. But don't forget，I'll take care of your mother. She needs her cross old Peggotty！I'll stay with her，although I hate these Murdstones. And remember，David, I love you as much as I love your mother，and more. And I'll Write to you.’ Miss Betsey Trotwood,David’s aunt is another goddess in his life.She meet David’s mother at the night which David born,but go away never look back.Maybe she is a little eccentric. ‘You were talking about the baby．I'm sure it'll be a girl．Now，as soon as she’ s born…’ ‘He，perhaps，’ said my mo ther bravely．‘Don’ t be stupid，of course it’

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美国和英国警察的警衔 中英文对照 集团公司文件内部编码：（TTT-UUTT-MMYB-URTTY-ITTLTY-

美国警察的警衔 美国因为是联邦制国家，各州法律不同，所以警察没有全国统一的警衔，各州各行其是，大都把职务和警衔等融为一体。纽约市的警察有十个等级，包括：总局长、分局长、助理分局长、副分局长、督察、助理督察、警长、副警长、警官、巡警。洛杉矶市的警衔有九级：局长、副局长、分局长、上尉、组长、巡官、刑警、巡佐、警员。 纽约警察局(NYPD)警衔： Officer=警员 Detective=警探 Sergeant=警司 Lieutenant=警督 Captain=警监 DeputyInspector=副高级警监 Inspector=高级警监 DeputyChief=副总警监 AssistantChief=助理总警监 BureauChief=处总警监 ChiefofDepartment=局总警监 NYPD的中低各衔别还分具体档次,这点与LAPD警衔是一样的.但与LAPD不同的是,NYPD最高首长并非局总警监,而是PoliceCommissioner=警察专员.警察专员之下还有若干DeputyPolicerCommissioner=副警察专员(包括一名FirstDeputyPoliceCommissioner=第一副警察专员).警察专员与副警专员均为文职,所以并不算警衔.而作为NYPD警衔最高的局总警监,行政地位要低于警察专员和副警察专员.

洛杉机警察局(LAPD)警衔 PoliceOfficer=警员 PoliceDetective=警探 PoliceSergeant=警司 PoliceLieutenant=警督 PoliceCaptain=警监 PoliceCommander=警长 PoliceDeputyChief=副总警监 ChiefofPolice=总警监 说明:从警官到警监,各级内还有不同档次.比如,警官分为1/2/3级,刚服役新警衔别为1级警官,依此类推.总警监只有一名,既LAPD局长,是LAPD最高首长. 佛蒙特州警(VTSP)警衔 Trooper=警员 Corporal=警士 Sergeant=警司 Lieutenant=警督 Captain=警监 Major=警长 LieutenantColonel=副总警监 Colonel=总警监

英美文学选读考前总复习中英文版

.What is the theme of Beowulf? 这首诗主题介绍了如何原始人工资在聪明和强大的领导之下的自然世界的敌对势力的英勇斗争的生动写照。这首诗是自然界神话与英雄传说混合在一起的一个例子。Thematically the poem presents a vivid picture of how the primitive people wage heroic struggles against the hostile forces of the natural world under a wise and mighty leader.The poem is an example of the mingling of nature myths and heroic legends. 二. 莎士比亚?（1）四个悲剧。（二）四大悲剧的共同之处？3 请简要总结每个英雄人性的弱点。 1. 莎士比亚的四个最大的悲剧是：?哈姆雷特、?奥赛罗、?李尔王、?麦克白。 2. 每个描绘了一些高尚的英雄，谁面临着人类生活的不公，陷入了一个困难的局面和他们的命运与整个国家的命运息息相关。 3. 每一位英雄有他的弱点的性质?；老国王李尔不愿意完全放弃他的权力?；麦克白的权欲挑起他的抱负和他会导致无休止的罪行 1.Shakespeare 's four greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth. 2.Each portrays some noble hero, who faces the injustice of humanlife and is caught in a difficult situation and whose fate is closely connected with the fate of the whole nation. 3. Each hero has his weakness of nature; the old king Lear who is unwilling to totally give up his power; and Macbeth 's lust for power stirs up his ambition and leads him to incessant crimes

军衔名称中英文对照

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军衔的英文名称 Army 陆军 Field Marshal 元帅 General of the Army 五星上将 General 上将 Lieutenant General 中将 Major General 少将 Brigadier 准将 Colonel 上校 Lieutenant Colonel 中校 Major 少校 Captain 上尉 Lieutenant 中尉 Second Lieutenant 少尉 Warrant Officer (Class I) 一级准尉 Warrant Officer (ClassII) 二级准尉 Staff Sergeant 上士 Sergeant 中士 Corporal 下士 Lance Corporal 一等兵 Private 二等兵

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美中军衔英文名称对照表[原创] 2007-07-16 17:50:18| 分类：默认分类| 标签：|字号大中小订阅 U.S.ARMY 美国陆军 General of the Army (O-11)五星上将 General (O-10)上将 Lieutenant General (O-9)中将 Major General (O-8)少将 Brigadier General (O-7)准将 Colonel (O-6)上校 Lieutenant Colonel (O-5)中校 Major (O-4)少校 Captain (O-3)上尉 First Lieutenant (O-2)中尉 Second Lieutenant (O-1)少尉 Chief Warrant Officer 5 五级准尉 Chief Warrant Officer 4 四级准尉 Chief Warrant Officer 3 三级准尉 Chief Warrant Officer 2 二级准尉 Warrant Officer 1 一级准尉 SERGEANT MAJOR OF THE ARMY（E-9）陆 军总军士长 COMMAND SERGEANT MAJOR（E-9）总军士长 （旅级单位） SERGEANT MAJOR （E-9）一级军士长（营级单 位） FIRST SERGEANT（E-8）二级军士长（连级单位 负责人） Master Sergeant （E-8）二级军士长（非负责人）Sergeant First Class （E-7）三级军士长 STAFF SERGEANT（E-6）上士 Sergeant （E-5）中士 Corporal （E-4）下士 SPECIALIST（E-4）技术军士 Private First Class （E-3）一等兵（上等兵） Private（E-2）二等兵 Basic Private（E-1）新兵U.S.AIR FORCE美国空军 General of the Air Force (O-11)五星上将 General (O-10)上将 Lieutenant General (O-9)中将 Major General (O-8)少将 Brigadier General (O-7)准将 Colonel (O-6)上校 Lieutenant Colonel (O-5)中校 Major (O-4)少校 Captain (O-3)上尉 First Lieutenant (O-2)中尉 Second Lieutenant (O-1)少尉 Chief Master Sergeant of the AirForce（E-9）空 军总军士长 Command Chief Master Sergeant（E-9）一级军 士长 Chief Master Sergeant（E-9）一级军士长First Sergeant（E-8）二级军士长 Senior Master Sergeant（E-8）二级军士长Master Sergeant（E-7）三级军士长 First Sergeant（E-7）三级军士长 Technical Sergeant（E-6）技术军士 Staff Sergeant（E-5）上士 Senior Airman（E-4）下士 Airman First Class（E-3）一等兵（上等兵） Airman （E-2）二等兵 Airman Basic（E-1）新兵

英美文学名词中英互译2

2. Alliteration:The repetition of the initial consonant sounds in poetry..10. Anapest抑抑扬: It’s made up of two unstressed and one stressed syllables, with the two unstressed ones in front.12 Antithesis:(a figure of speech) The balancing of two contrasting ideas, words phrases, or sentences. An antithesis is often expressed in a balanced sentence, that is, a sentence in which identical or similar grammatical structure is used to express contrasting ideas.17.Assonance(半韵, 半谐音元音相同而辅音不同的韵, 如late与make): The repetition of similar vowel sounds, especially in poetry. Assonance is often employed to please the ear or emphasize certain sounds.19. Autobiography(自传；自传文学): A person’s account of his or her own life. An autobiography is generally written in narrative form and includes some introspection.21.Ballad stanza （民谣体诗节）: A type of four-line stanza. The first and third lines have four stressed words or syllables; the second and fourth lines have three stresses. Ballad meter is usually iambic. The number of unstressed syllables in each line may vary. The second and fourth lines rhyme.29.Classicism（古典主义）: A movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.32. Conceit（奇 喻，妙喻）: A kind of metaphor that makes a comparison between two startlingly different things. A conceit may be a brief metaphor, but it usually provides the framework for an entire poem. An especially unusual and intellectual kind of conceit is the metaphysical conceit.35. Consonance: The repetition of similar consonant sounds in the middle or at the end of words.36. Couplet（双行体、双偶体）: Two consecutive（[k?n'sekjutiv] 连续 不断的；连贯的）lines of poetry that rhyme. A heroic couplet is an iambic pentameter couplet.37 Critical Realism:The critical realism of the 19th century flourished in the fouties and in the beginning of fifties. The realists first and foremost set themselves the task of criticizing capitalist society from a democratic viewpoint and delineated the crying contradictions of bourgeois reality. But they did not find a way to eradicate（根除，根绝； 消灭）social evils.42. Diction（措 词）: A writer’s choice of words, particularly for clarity, effectiveness, and precision.47. Enlightenment（启蒙主义）: With the advent of the 18th century, in England, as in other European countries, there sprang into life a public movement known as the Enlightenment. The Enlightenment on the whole, was an expression of struggle of the then progressive class of bourgeois against feudalism. The inequality, stagnation, prejudices and other survivals of feudalism. The attempt to place all branches of science at the service of mankind by connecting them with the actual deeds and requirements of the people.48Epic（史诗）: A long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated. Many epics were drawn from an oral tradition and were transmitted by song and recitation before they were written down.65.Foot（音 步）: It is a rhythmic unit, a specific combination of stressed and unstressed syllables.67.Free Verse（自由诗：不受格律约束 的）: V erse that has either no metrical pattern or an irregular pattern.69. Iamb（抑扬格）: It is the most commonly used foot in English poetry, in which an unstressed syllable comes first, followed by a stressed syllable.70. Iambic pentameter（抑扬格五音 步）: A poetic line consisting of five verse feet, with each foot an iamb—that is, an unstressed syllable followed by a stressed syllable. Iambic pentameter is the most common verse line in English poetry.71. Image（意象）: We usually think with words, many of our thoughts come to us as pictures or imagined sensations in our mind. Such imagined pictures or sensations are called images.73.Imagism（意象派： 1912年前后源于英美，主张主题 和形式摆脱因袭之风）: It’s a poetic movement of England and the U.S. flourished from 1909 to 1917.The movement insists on the creation of images in poetry by