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英汉互译6

英汉互译6
英汉互译6

Lecture 6

1. History

The earliest establishment of “international officials” in China goes as far back as the Zhou Dynasty (1100-770BC). According to written recodes, there was an official post called “寄”, “象”,“译”, “象胥首”, “重译”and “舌人” respectively in the e astern, western, southern and northern part of China. These interpreting officials had, at that time, dual function: interpreting for internal and external purpose. The internal purpose referred to the interpreting activities between the central imperial government and the various ethnic nationalities, while the external purpose was for communication between the central imperial government and its neighboring states. The oral form of translation came into being earlier than the written translations, which appeared in ancient China in the Spring and Autumn period (770-476 BC).

However, regarding the training of conference interpreters, China is a relative newcomer; the People’s Republic of China did not start until the late 1970s. The first such program began in Beijing after Chinese was accepted as a working language of the UN.

Now as we are approaching the 21st century, the globalization of the world economy has become an irreversible trend. Economic activities such as investment, banking, business and trade are increasing rapidly, the transformation of science and technology and the training of personnel continue apace, and international exchanges in politics, foreign affairs and culture and flourishing. All of these would be impossible without the involvement of interpreters and translators. Furthermore, with the implementation of economic reform and its opening up policy, China’s demand for qualified interpreters and translators has become all the more urgent, not only for the present but for the 21st century.

Types of interpreting

Today, there are two basic types of interpreting: consecutive and simultaneous. In consecutive, the interpreter gives his interpretation immediately after the speaker has finished as segment of his speech, which may last anywhere from a few seconds (just a few dozen words) to several minutes (a few hundred to a few thousand words). In simultaneous, the interpreter renders by means of earphones and microphones the words of the original speaker at virtually the same time as they are uttered. In addition to these two types, there are other types of interpreting, such as sigh interpreting, which plays an increasingly important role in international conference and involves texts; and liaison interpreting, such as at small business meetings.

2. Skills

Sentence Translation

Section One Translation of Nominal Clauses

1. Whatever he saw and heard on his trip gave a very deep impression.

2. It seemed inconceivable that the pilot could have survived the cash.

3. It is strange that she should have failed to see her own shortcoming.

4. I also told him how appealing I found the offer.

5. I take it for granted that you will come and talk the matter over with him.

6. This is what he is eager to do it.

7. He expressed that hope that he could come over to China again.

8. It does not alter the fact that he is the man responsible for the delay.

9. But considering realistically, we had to face the fact that our prospect were less than good.

10. According to Synder, my cousin Oswald mentioned this matter.

11. I have been to all the cinema in this city, big or small.

12. Her son, my employer’s nephew, was himself an assistant in the shop.

Section Two The Conversion of Positive Sentences between Negative Sentences

Positive English into Negative Chinese Sentences

1. The beauty of the city is more words can describe.

2. Before I could get in a word, he had finished the speech.

3. If you hang back, and reserve and criticize at first, you are preventing yourselves from getting the fullest possible value from what you have read.

4. The first bombs missed the target.

5. We may safely say so.

6. It would be most disastrous if even a rumor of it were given out.

7. It was beyond his power to sign such a contract.

8. I will go unless I hear from him.

9. This failure was the making of him.

10. When Philip missed the last bus, he was at a loss to know what to do.

11. He was 75, but carried his years lightly.

Negative English into Positive Chinese

1. You can’t be too careful.

2. He has no smallest chance of success.

3. She didn’t half cry.

4. I couldn’t feel better.

5. He is no fool.

6. It is wise men that never make mistakes.

7. I didn’t give up hope completely.

8. The young man could not take his eyes off the vision.

9. Nobody denies the imperatives of food, shelter, defense, health and education.

10. Then he discovered a way to get rid of the flies.

3. Practice

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4. Assignment

American

If you’ll stop and think for just a moment, you’ll find we have more of the good things in this country than anywhere else in the world.

Think of this land. From the surf at Big Sur to Florida sunrise. And all the places in between.

The Grand Canyon … the wheat fields of Kansa… Autumn in New Hampshire…

You could go on forever. But America is more than a place of much beauty. It’s a place for good times.

It’s the Saturday night.

It’s a trip down a dirt road in a beat up old jalopy.

It’s your team winning.

It’s a late night movie you could enjoy a thousand times.

And, yes, when you’re thirsty, it’s the taste of ice-cold Coca-Cola. It’s a real thing.

In fact, all of the good things in this country are real. They’re all around you, plainly visible. We point to many of them in our advertising. But you can discover many, many more without ever seeing a single commercial for Coke.

So have a bottle of Coke… and start looking up.

The Coca-cola Company 5. Additional Interpreting Sentences

1) Education begins its work with the first breath of the child. (Paul)

2) Education has its object the formation of character. (Spencer, Herbert)

3) The sooner you treat your son as a man, the sooner he will be one. (Locke)

4) Education commences at the mother’s knee, and every word spoken within the hearsay of children tends towards the formation of character. (Ballou)

5) Example is better than precept. (Johnson, Samuel)

6) Better be unborn than untaught, for ignorance is the root of misfortune. (Plato)

7) Better untaught than ill taught. (Ray, John)

8) Every person has two educations, one which he receives from others, and one, more important, which he gives himself. (Gibson)

9) Human history becomes more and more a race between education and catastrophe. (Wells,

H.G.)

10) I have never let my schooling interfere with my education. (Twain, Mark)

References

1.当孩子一开始呼吸时,教育就开始了。

2.教育的目的在于品德的形成。

3.越早把你的孩子当成大人,他就越早成为大人。

4.教育在母亲的膝下就开始了,孩子听到的一言一语都会影响到品格的形成。

5.言教不如身教。

6.与其不受教育,不如不出生,因为愚蠢是不幸的根源。

7.宁可不受教育,胜过被教坏了。

8.每个人都受到两种教育,一种来自别人,另一种更重要的,是来自他自己。

9.人类的历史越来越成为一种教育和灾难的竞争。

10.我从来没有让在学校学的东西干扰我的教育。

6. Interpreting

Text One

A Letter of Introduction

Dear Students,

Welcome to BIT (Being Institute Of Tourism). My name is Li Mei and I’ll be your writing teacher. I hope you’ll enjoy my lessons on writing. As you’ll be seeing quite a bit of me, perhaps you’d like to know something about me. So let me introduce myself.

I’m from Beijing. I’ve been teaching at BIT since 1992. I’ve taught different classes, such as listening and speaking, reading, language laboratory, video, writing, advanced English and so on. Many students like writing lessons and find them very useful and necessary. So I would be very happy if I could give you some help in writing.

In September 1989, I went to the United States and completed some courses for Overseas Teachers of English—TESOL (Teaching English to Speakers of Other Languages). The course was especially designed for native speakers. It was not easy but quite beneficial. I also observed different classes given by American teachers. I learned a great deal from my teaching experience. Text Two

What Kind of Writer Are You?

By Stephen Minot

People write poetry, fiction, and drama for many different reasons. Here are three of the most common:

Many find that the best way to learn about creative writing is to write. Just as those who have played a particular sport become better spectators, and those who play an instrument listen to music with greater awareness and pleasure, those who have written poems, short stories, or plays read with a special understanding and appreciation. They see more in what they read, and as a result they enjoy reading more. Reading is a resource that stays with them for life.

For others, writing is in itself a rewarding avocation. A great majority of those in creative writing classes or adult workshops don’t plan to make writing their primary vocation. They are like those who play a musical instrument seriously but without any intention of joining the Boston Symphony. They devote time to improving their skills, they take part in workshop groups, they may publish from time to time; but writing remains an avocation, not a vocation.

For a smaller group, writing has become a central commitment. It is no an easy route. Those who are college students may have to slight other course. When they graduate, they will probably have to enter another field to earn enough to eat and pay the rent. In spite of these challenges, they identify themselves as poet, writer or dramatist. To support this notion, they must allow a portion of each day to reading contemporary fiction, poetry or drama in a close, professional way. They attend readings and conferences, but most important, they write regularly. In short, they are immersed in a particular genre—not just their own work but the best of what is being published as well.

Which group do you fall into? If you are just beginning, you may well be in a fourth category:

those who are testing the field. They aren’t sure just how important writing may become in their lives, but they know that they are not going to find out simply by wondering. They are determined not to become one of those wistful passive adults who keep saying. “I’ve always wanted to write.”

It may be that you will begin with high expectations and will discover after graduation that you are really a reader rather a writer. But you will have lost nothing because you will have become a far more perceptive reader than you were before. Or perhaps you will begin with a commitment to one genre and find that your real talent and interest lie in another. Writers, unlike ballet dancers and atomic physicists, don’t have to start early and stay on a single track. In writing, anything is possible at any age. There is no way of predicting how much talent and commitment will help until you make an initial effort.

Text Three

Rebecca (蝴蝶梦)

By Daphne du Maurier

We can never go back again, that much is certain. The past is still too close to us. The things we have tried to forget and put behind us would stir again, and that sense of fear, or furtive unrest, struggling at length to blind unreasonable panic—now mercifully stilled, thank God—might in some manner unforeseen becoming a living companion, as it had seen before.

He is a wonderful patient and never complains, not even when he remembers……which happens, I think, rather more often than he would have me know.

I can tell by the way he will look lost and puzzled suddenly, all expression dying away from his dear face as though swept clean by an unseen hand, and in its place a mask will form, a sculptured thing, formal and cold, beautiful still but lifeless. He will fall to smoking cigarette after cigarette, not bothering to extinguish them, and the growing stubs will lie around on the ground like petals. He will talk quickly and eagerly about nothing at all, snatching at any subject and panacea to pain. I believe there is a theory that men and women emerge finer and stronger after suffering, and that to advance in this or any world we must endure ordeal by fire. This we have done in full measure, ironic though it seems. We have both known fear, and loneliness, and very great distress. I suppose sooner or later in the life of everyone comes a moment of trial. We all of us, and we must give battle in the end. We have conquered ours, or so we believe.

The devil does not ride us any more. We have come through our crisis, not unscathed of course. His precondition of disaster was correct from the beginning; like a ranting actress in an indifferent play, I might say that we have paid for freedom. But I had enough melodrama in this life, and would willingly give my five senses if they could ensure us our present peace and security. Happiness is not a possession to be prized, it is a quality of thought, a state of mind. Of course we have our moments of depression; but there are other moments too, when time, unmeasured by the clock, runs on into eternity and, catching his smile, I know we are together, we match in unison, not clash of thought or opinion makes a barrier between us.

参考译文

蝴蝶梦

达夫妮·杜穆里埃著

我们永远也回不去了,这一点的确是确定无疑的。过去的岁月仍近在咫尺。我们力图忘却并永远置诸脑后的种种往事,说不定又会重新唤起我们的回忆。还有那种恐惧,那种诡秘

的不宁之感——感谢上帝慈悲,现在总算平息了——过去曾一度演变成不可理喻的盲目惊慌,说不定也还会以某种无法预见的形式卷土重来,就像过去那样和我们形影相随,朝夕共处。

他的忍耐功夫着实惊人。他从不怨天尤人,即使在回忆起往后的时候也决不愤愤然……而我相信他常常想其过去,尽管他不愿意让我知道。

他怎能满过我的眼睛?有时,他显出茫然若有所失的样子,可爱的脸上,所有的表情消失得一干二净,仿佛被一只无形的手一下子全抹掉似的,取而代之的是一副面具,一件雕塑品,冷冰冰,一本正经,纵然不失英俊,却毫无生气;有时,他会猛抽香烟,一支接一支,甚至连烟蒂也顾不上弄熄。结果,那闪着火星的烟头九像花瓣似地在他周围三了一地;有时,他胡乱找个话题,口若悬河,讲得眉飞色舞,其实什么内容也没有,无非是想介词排解心头的忧伤。我通过一种说话:不论哪一对夫妻,只有经历苦难磨砺,就会变得更高尚、更坚强,因此在今世或来世做人,理当忍受火刑的考验。这话听上去有点似是而非,不过我俩倒是充分领略了其中的滋味。我俩经历过恐惧、孤独和极大的不幸。我觉得,每个人在自己的一生中迟早会面临考验,我们大家都有各自特定的恶魔灾星,备受压迫和折磨,到头来总是奋起与之搏斗。我俩总算战胜了这个恶魔,或者说是我们相信自己战胜了。

现在,那灾星在也不来欺压我们。难关总算闯过了,自然我们也受了些创伤。他对灾难的预感打一开始就很灵验,而我呢,不妨效法一出蹩脚戏里的女戏子,装腔作势地嚷嚷,宣布我们为自由付了代价。说实在的,戏剧性的曲折离奇,这辈子我领教够了,要是让我俩一直箱现在这样安安稳稳过日子,我宁愿拿自己所有的感官作代价。幸福并不是一件值得珍藏的占有物,而是一种思想状态,一种心境。当然,我们有时也会消沉沮丧,但是在其他时刻,时间不再由钟摆来计量,而是连绵地伸向永恒;我只要一看到他的微笑,就意识到我俩在一起携手并进,再没有思想或意见上的分歧在我俩之间设下屏障。(林智玲、程德译、陆谷孙校)

小学六年级上册英语全书翻译

一单元 Let’s start 去一个地方有许多种方式,看这些图片。我知道有哪些吗?让我想想。 首页:你怎样去上学?我步行去上学。我骑自行车去上学。我怎样才能到动物园?你可以乘地铁去。我怎样才能到自然公园?你可以坐12路公共汽车去。 A部分 Let’s learn 你怎样去上学?我骑自行车去上学。你怎样去加拿大?我乘飞机去。乘飞机坐轮船步行骑自行车坐公共汽车乘火车乘地铁 Let’s play 你怎样去上学?我步行去上学。你怎 样去美国?我乘飞机去。 Let’s talk 莎朗,你怎样去上学?我家很近。我通常步行去上学。有时候我骑车去,你呢?我通常乘公共汽车去 上学。 Group work 你怎样去上学?我通常步行去上学,因为我家很近。你怎样去上学?我通常乘公共汽车去上学,因为它快。Let’s read 莎朗,今天下午我们去公园吧。太好了!介是我们怎样去呢?太简单了。你骑自行车来我家。我们可以步行车站。然后我们乘公共汽车去公

园。好吧。介是你家在哪儿?我家在邮局附近。哪一层?第五层,5A房间。好的!今天下午,两点见。到 时候见! B部分 L et’s learn 看交通灯。记住交通规则!红灯停。黄灯等。绿灯行。Let’s talk我怎样能到中山公园?你可以乘15路公共汽车。我可以步行吗?当然,如果你愿意。那 儿不远。 Let’s read 看并且找出不同之处。交通灯在每个国家都一样。总是有三种灯:红、黄和绿。红是“停”黄是“等”,绿是“行”。在中国,司机在路的右边行驶。在美国,司机也在路的右边行驶。然而,在英国和澳大利亚,司机在咱的左边行驶。如果你乘公共汽车,骑自行车或步行,你必须知道交通规则。 C部分 Pronunciation 山峰打对处理猪大的罐子盘子Read and match 菜海滩大头针茶Good to know 1.人行横道 2.右转弯 3.单行道 4. 禁止驶入 5.自行车禁行 6.禁止左转 故事时间:这儿有15美元,我们去快餐店吃午饭吧。我们怎么去那儿呢?乘出租车怎么样?那太贵

考博英语翻译英汉互译方法汇总

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