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2019年雅思阅读模拟试题:示意图题(3)

2019年雅思阅读模拟试题:示意图题(3)
2019年雅思阅读模拟试题:示意图题(3)

2019年雅思阅读模拟试题:示意图题(3)

A Chronicle of Timekeeping

Our conception of time depends on the way we measure it

A

According to archaeological evidence, at least 5,000

years ago, and long before the advent of the Roman Empire,

the Babylonians began to measure time, introducing calendars

to co-ordinate communal activities, to plan the shipment of goods and, in particular, to regulate planting and harvesting. They based their calendars on three natural cycles: the

solar day, marked by the successive periods of light and darkness as the earth rotates on its axis; the lunar month, following the phases of the moon as it orbits the earth; and the solar year, defined by the changing seasons that accompany our planet's revolution around the sun.

B

Before the invention of artificial light, the moon had greater social impact. And, for those living near the equator in particular, its waxing and waning was more conspicuous

than the passing of the seasons. Hence, the calendars that were developed at the lower latitudes were influenced more by the lunar cycle than by the solar year. In more northern climes, however, where seasonal agriculture was practised,

the solar year became more crucial. As the Roman Empire expanded northward, it organised its activity chart for the most part around the solar year.

C

Centuries before the Roman Empire, the Egyptians had formulated a municipal calendar having 12 months of 30 days, with five days added to approximate the solar year. Each period of ten days was marked by the appearance of special groups of stars called decans. At the rise of the star Sirius just before sunrise, which occurred around the all-important annual flooding of the Nile, 12 decans could be seen spanning the heavens. The cosmic significance the Egyptians placed in the 12 decans led them to develop a system in which each interval of darkness (and later, each interval of daylight) was divided into a dozen equal parts. These periods became known as temporal hours because their duration varied according to the changing length of days and nights with the passing of the seasons. Summer hours were long, winter ones short; only at the spring and autumn equinoxes were the hours of daylight and darkness equal. Temporal hours, which were first adopted by the Greeks and then the Romans, who disseminated them through Europe, remained in use for more than 2,500 years.

D

In order to track temporal hours during the day, inventors created sundials, which indicate time by the length or direction of the sun's shadow. The sundial's counterpart, the water clock, was designed to measure temporal hours at night. One of the first water clocks was a basin with a small hole near the bottom through which the water dripped out. The falling water level denoted the passing hour as it dipped below hour lines inscribed on the inner surface. Although these devices performed satisfactorily around the

Mediterranean, they could not always be depended on in the cloudy and often freezing weather of northern Europe.

E

The advent of the mechanical clock meant that although it could be adjusted to maintain temporal hours, it was

naturally suited to keeping equal ones. With these, however, arose the question of when to begin counting, and so, in the early 14th century, a number of systems evolved. The schemes that divided the day into 24 equal parts varied according to the start of the count: Italian hours began at sunset, Babylonian hours at sunrise, astronomical hours at midday and 'great clock' hours, used for some large public clocks in Germany, at midnight. Eventually these were superseded by

'small clock', or French, hours, which split the day into two 12-hour periods commencing at midnight.

F

The earliest recorded weight-driven mechanical clock was built in 1283 in Bedfordshire in England. The revolutionary aspect of this new timekeeper was neither the descending

weight that provided its motive force nor the gear wheels (which had been around for at least 1,300 years) that transferred the power; it was the part called the escapement. In the early 1400s came the invention of the coiled spring or fusee which maintained constant force to the gear wheels of

the timekeeper despite the changing tension of its mainspring. By the 16th century, a pendulum clock had been devised, but

the pendulum swung in a large arc and thus was not very efficient.

G

To address this, a variation on the original escapement was invented in 1670, in England. It was called the anchor escapement, which was a lever-based device shaped like a

ship's anchor. The motion of a pendulum rocks this device so that it catches and then releases each tooth of the escape wheel, in turn allowing it to turn a precise amount. Unlike the original form used in early pendulum clocks, the anchor escapement permitted the pendulum to travel in a very small arc. Moreover, this invention allowed the use of a long pendulum which could beat once a second and thus led to the development of a new floor- standing case design, which became known as the grandfather clock.

H

Today, highly accurate timekeeping instruments set the beat for most electronic devices. Nearly all computers contain a quartz-crystal clock to regulate their operation. Moreover, not only do time signals beamed down from Global Positioning System satellites calibrate the functions of precision navigation equipment, they do so as well for mobile phones, instant stock-trading systems and nationwide power-distribution grids. So integral have these time-based technologies become to day-to-day existence that our dependency on them is recognised only when they fail to work.

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雅思阅读模拟试题:音乐 Background music may seem harmless, but it can have a powerful effect on those who hear it. Recorded background music first found its way into factories, shop and restaurants in the US. But it soon spread to other arts of the world. Now it is becoming increasingly difficult to go shopping or eat a meal without listening to music. To begin with, “ muzak ” (音乐广播网) was intended simply to create a soothing (安慰) atmosphere. Recently, however, it’s become big business –thanks in part to recent research. Dr. Ronald Milliman, an American marketing expert, has shown that music can boost sales or increase factory production by as much as a third. But, it has to be light music. A fast one has no effect at all on sales. Slow music can increase receipts by 38%. This is probably because shoppers slow down and have more opportunity to spot items they like to buy. Yet, slow music isn’t always answered. https://www.sodocs.net/doc/5f17820647.html,liman found, for example, that in restaurants slow music meant customers took longer to eat their meals, which reduced overall sales. So restaurants owners might be well advised to play up-tempo music to keep the customers moving – unless of course, the resulting indigestion leads to complaints! ( )1. The reason why background music is so popular is that ______. A. it can have a powerful effect on those who hear it B. it can help to create a soothing atmosphere C. it can boost sales or increase factory production everywhere D. it can make customers eat their meals quickly ( )2. Background music means ________. A. light music that customers enjoy most B. fast music that makes people move fast C. slow music that can make customers enjoy their meals D. the music you are listening to while you are doing something ( )3. Restaurant owners complain about background music because ______. A. it results in indigestion B. it increases their sales C. it keeps customers moving D. it decreases their sales ( )4. The word “ up-tempo music” probably means_____. A.slow music B.fast music C.light music D.classical music

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