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大学英语四课文原文

大学英语四课文原文
大学英语四课文原文

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The 1990s marks the beginning of a telecommunications revolution. This can mean a quantum change in the information available to people and organizations. Although the transition will be slow for some, the development seems inevitable. Eventually, all of us will be affected and all of us will depend upon the new technology as a basic information resource. The passages in this unit give a general picture of the revolution and shed light on the advantages as well as challenges the new technology will bring about.

A transformation is occurring that should greatly boost living standards in the developing world. Places that until recently were deaf and dumb are rapidly acquiring up-to-date telecommunications that will let them promote both internal and foreign investment. It may take a decade for many countries in Asia, Latin America, and Eastern Europe to improve transportation, power supplies, and other utilities. But a single optical fiber with a diameter of less than half a millimeter can carry more information than a large cable made of copper wires. By installing optical fiber, digital switches, and the latest wireless transmission systems, a parade of urban centers and industrial zones from Beijing to Budapest are stepping directly into the Information Age. A spider's web of digital and wireless communication links is already reaching most of Asia and parts of Eastern Europe.

All these developing regions see advanced communications as a way to leap over whole stages of economic development. Widespread access to information technologies, for example, promises to condense the time required to change from labor-intensive assembly work to industries that involve engineering, marketing, and design. Modern communications "will give countries like China and Vietnam a huge advantage over countries stuck with old technology".

How fast these nations should push ahead is a matter of debate. Many experts think Vietnam is going too far by requiring that all mobile phones be expensive digital models, when it is desperate for any phones, period. "These countries lack experience in weighing costs and choosing between technologies," says one expert.

Still, there's little dispute that communications will be a key factor separating the winners from the losers. Consider Russia. Because of its strong educational system in mathematics and science, it should thrive in the Information Age. The problem is its national phone system is a rusting antique that dates from the l930s. To lick this problem, Russia is starting to install optical fiber and has a strategic plan to pump $40 billion into various communications projects. But its economy is stuck in recession and it barely has the money to even scratch the surface of the problem.

Compare that with the mainland of China. Over the next decade, it plans to pour some $100 billion into telecommunications equipment. In a way, China's backwardness is an advantage, because the expansion occurs just as new technologies are becoming cheaper than copper wire systems. By the end of 1995, each of China's provincial capitals except for Lhasa will have digital switches and high-capacity optical fiber links. This means that major cities are getting the basic infrastructure to become major parts of the information superhighway, allowing people to log on to the most advanced services available.

Telecommunications is also a key to Shanghai's dream of becoming a top financial center. To offer peak performance in providing the electronic data and paperless trading global investors expect, Shanghai plans telecommunications networks as powerful as those in Manhattan.

Meanwhile, Hungary also hopes to jump into the modern world. Currently, 700,000 Hungarians are waiting for phones. To partially overcome the problem of funds and to speed the import of Western technology, Hungary sold a 30% stake in its national phone company to two Western companies. To further reduce the waiting list for phones, Hungary has leased rights to a Dutch-Scandinavian group of companies to build and operate what it says will be one of the most advanced digital mobile phone systems in the world. In fact, wireless is one of the most popular ways to get a phone system up fast in developing countries. It's cheaper to build radio towers than to string lines across mountain ridges, and businesses eager for reliable service are willing to accept a significantly higher price tag for a wireless call—the fee is typically two to four times as much as for calls made over fixed lines.

Wireless demand and usage have also exploded across the entire width and breadth of Latin America. For wireless phone service providers, nowhere is business better than in Latin America—having an operation there is like having an endless pile of money at your disposal. BellSouth Corporation, with operations in four wireless markets, estimates its annual revenue per average customer at about $2,000 as compared to $860 in the United States. That's partly because Latin American customers talk two to four times as long on the phone as people in North America.

Thailand is also turning to wireless, as a way to allow Thais to make better use of all the time they spend stuck in traffic. And it isn't that easy to call or fax from the office: The waiting list for phone lines has from one to two million names on it. So mobile phones have become the rage among businesspeople who can remain in contact despite the traffic jams.

Vietnam is making one of the boldest leaps. Despite a per person income of just $220 a year, all of the 300,000 lines Vietnam plans to add annually will be optical fiber with digital switching, rather than cheaper systems that send electrons over copper wires. By going for next-generation technology now, Vietnamese telecommunications officials say they'll be able to keep pace with anyone in Asia for decades.

For countries that have lagged behind for so long, the temptation to move ahead in one jump is hard to resist. And despite the mistakes they'll make, they'll persist—so that one day they can cruise alongside Americans and Western Europeans on the information superhighway.

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Personal relationship plays an important role in our life. It is important partly because we are scared of solitude. Most people, if left to live alone, will find life empty, boring and lonely. While personal relationship may make life fun and fulfilling, it may also cause tension, even conflicts. Nowadays, more and more people are living alone, either choosing to live that way or

having to. While some claim that living alone gives them creative inspirations and the sense of independence, many suffer from loneliness. Whether living alone or staying with families or friends, what is important is to find pleasure in life.

Here we are, all by ourselves, all 22 million of us by recent count, alone in our rooms, some of us liking it that way and some of us not. Some of us divorced, some widowed, some never yet committed.

Loneliness may be a sort of national disease here, and it's more embarrassing for us to admit than any other sin. On the other hand, to be alone on purpose, having rejected company rather than been cast out by it, is one characteristic of an American hero. The solitary hunter or explorer needs no one as they venture out among the deer and wolves to tame the great wild areas. Thoreau, alone in his cabin on the pond, his back deliberately turned to the town. Now, that's character for you.

Inspiration in solitude is a major commodity for poets and philosophers. They're all for it. They all speak highly of themselves for seeking it out, at least for an hour or even two before they hurry home for tea.

Consider Dorothy Wordsworth, for instance, helping her brother William put on his coat, finding his notebook and pencil for him, and waving as he sets forth into the early spring sunlight to look at flowers all by himself. "How graceful, how benign, is solitude," he wrote.

No doubt about it, solitude is improved by being voluntary.

Look at Milton's daughters arranging his cushions and blankets before they silently creep away, so he can create poetry. Then, rather than trouble to put it in his own handwriting, he calls the girls to come back and write it down while he dictates.

You may have noticed that most of these artistic types went outdoors to be alone. The indoors was full of loved ones keeping the kettle warm till they came home.

The American high priest of solitude was Thoreau. We admire him, not for his self-reliance, but because he was all by himself out there at Walden Pond, and he wanted to be—all alone in the woods.

Actually, he lived a mile, or 20 minutes' walk, from his nearest neighbor; half a mile from the railroad; three hundred yards from a busy road. He had company in and out of the hut all day, asking him how he could possibly be so noble. Apparently the main point of his nobility was that he had neither wife nor servants, used his own axe to chop his own wood, and washed his own cups and saucers. I don't know who did his laundry; he doesn't say, but he certainly doesn't mention doing his own, either. Listen to him: "I never found the companion that was so companionable as solitude."

Thoreau had his own self-importance for company. Perhaps there's a message here: The larger the ego, the less the need for other egos around. The more modest and humble we feel, the more we suffer from solitude, feeling ourselves inadequate company.

If you live with other people, their temporary absence can be refreshing. Solitude will end on Thursday. If today I use a singular personal pronoun to refer to myself, next week I will use the plural form. While the others are absent you can stretch out your soul until it fills up the whole room, and use your freedom, coming and going as you please without apology, staying up late to read, soaking in the bath, eating a whole pint of ice cream at one sitting, moving at your own pace. Those absent will be back. Their waterproof winter coats are in the closet and the dog keeps watching for them at the window. But when you live alone, the temporary absence of your friends and acquaintances leaves a vacuum; they may never come back.

The condition of loneliness rises and falls, but the need to talk goes on forever. It's more basic than needing to listen. Oh, we all have friends we can tell important things to, people we can call to say we lost our job or fell on a slippery floor and broke our arm. It's the daily succession of small complaints and observations and opinions that backs up and chokes us. We can't really call a friend to say we got a parcel from our sister, or it's getting dark earlier now, or we don't trust that new Supreme Court justice.

Scientific surveys show that we who live alone talk at length to ourselves and our pets and the television. We ask the cat whether we should wear the blue suit or the yellow dress. We ask the parrot if we should prepare steak, or noodles, for dinner. We argue with ourselves over who is the greater sportsman: that figure skater or this skier. There's nothing wrong with this. It's good for us, and a lot less embarrassing than the woman in front of us in line at the market who's telling the cashier that her niece Melissa may be coming to visit on Saturday, and Melissa is very fond of hot chocolate, which is why she bought the powdered hot chocolate mix, though she never drinks it herself.

It's important to stay rational.

It's important to stop waiting and settle down and make ourselves comfortable, at least temporarily, and find some grace and pleasure in our condition, not like a self-centered British poet but like a patient princess sealed up in a tower, waiting for the happy ending to our fairy tale.

After all, here we are. It may not be where we expected to be, but for the time being we might as well call it home. Anyway, there is no place like home.

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Emotional Intelligence (or EQ), as defined by Daniel Goleman, is "a capacity for recognizing our own and others' feelings, for motivating ourselves, and for managing ourselves, both within ourselves and in our relationships". Some scientists are arguing that EQ is a better measure of how intelligent a person is, and many researchers on the subject now agree that among the ingredients for success, EQ counts more than any other factor. Emotional Intelligence could be of practical use in many aspects such as how companies decide which job candidate to hire, how parents should raise their children, how schools should teach them, and so on

What is the most valuable contribution employees make to their companies, knowledge or judgment? I say judgment. Knowledge, no matter how broad, is useless until it is applied. And

application takes judgment, which involves something of a sixth sense—a high performance of the mind.

This raises interesting questions about the best training for today's business people. As Daniel Goleman suggests in his new book, Emotional Intelligence, the latest scientific findings seem to indicate that intelligent but inflexible people don't have the right stuff in an age when the adaptive ability is the key to survival.

In a recent cover story, Time magazine sorted through the current thinking on intelligence and reported, "New brain research suggests that emotions, not IQ, may be the true measure of human intelligence." The basic significance of the emotional intelligence that Time called "EQ" was suggested by management expert Karen Boylston: "Customers are telling businesses, 'I don't care if every member of your staff graduated from Harvard. I will take my business and go where I am understood and treated with respect.'"

If the evolutionary pressures of the marketplace are making EQ, not IQ, the hot ticket for business success, it seems likely that individuals will want to know how to cultivate it. I have a modest proposal: Embrace a highly personal practice aimed at improving these four adaptive skills.

Raising consciousness. I think of this as thinking differently on purpose. It's about noticing what you are feeling and thinking and escaping the conditioned confines of your past. Raise your consciousness by catching yourself in the act of thinking as often as possible. Routinely take note of your emotions and ask if you're facing facts or avoiding them.

Using imagery. This is what you see Olympic ski racers doing before entering the starting gate. With their eyes closed and bodies swaying, they run the course in their minds first, which improves their performance. You can do the same by setting aside time each day to dream with passion about what you want to achieve.

Considering and reconsidering events to choose the most creative response to them. When a Greek philosopher said 2,000 years ago that it isn't events that matter but our opinion of them, this is what he was talking about. Every time something important happens, assign as many interpretations to it as possible, even crazy ones. Then go with the interpretation most supportive of your dreams.

Integrating the perspectives of others. Brain research shows that our view of the world is limited by our genes and the experiences we've had. Learning to incorporate the useful perspectives of others is nothing less than a form of enlarging your senses. The next time someone interprets something differently from you—say, a controversial political event—pause to reflect on the role of life experience and consider it a gift of perception.

The force of habit—literally the established wiring of your brain—will pull you away from practicing these skills. Keep at it, however, because they are based on what we're learning about the mechanism of the mind.

Within the first six months of life the human brain doubles in capacity. It doubles again by age four and then grows rapidly until we reach sexual maturity. The body has about a hundred billion nerve cells, and every experience triggers a brain response that literally shapes our senses. The mind, we now know, is not confined to the brain but is distributed throughout the body's universe of cells. Yes, we do think with our hearts, brains, muscles, blood and bones.

During a single crucial three-week period during our teenage years, chemical activity in the brain is cut in half. That done, we are "biologically wired" with what one of the nation's leading brain researchers calls our own "world view". He says it is impossible for any two people to see the world exactly alike. So unique is the personal experience that people would understand the world differently.

However, it is not only possible to change your world view, he says, it's actually easier than overcoming a drug habit. But you need a discipline for doing it. Hence, the method recommended here.

No, it's not a curriculum in the sense that an MBA is. But the latest research seems to imply that without the software of emotional maturity and self-knowledge, the hardware of academic training alone is worth less and less.

新视野大学英语4第二版课文翻译

Unit 1 Section A 艺术家追求成名,如同狗自逐其尾,一旦追到手,除了继续追逐不知还能做些什么。成功之残酷正在于它常常让那些追逐成功者自寻毁灭。 对一名正努力追求成功并刚刚崭露头角的艺术家,其亲朋常常会建议“正经的饭碗不能丢~”他们的担心不无道理。 追求出人头地,最乐观地说也困难重重,许多人到最后即使不是穷困潦倒,也是几近精神崩溃。 尽管如此,希望赢得追星族追捧和同行赞扬之类的不太纯洁的动机却在激励着他们向前。享受成功的无上光荣,这种诱惑不是能轻易抵挡的。 成名者之所以成名,大多是因为发挥了自己在歌唱、舞蹈、绘画或写作等方面的特长,并能形成自己的风格。 为了能迅速走红,代理人会极力吹捧他们这种风格。他们青云直上的过程让人看不清楚。他们究竟是怎么成功的,大多数人也都说不上来。 尽管如此,艺术家仍然不能闲下来。 若表演者、画家或作家感到无聊,他们的作品就难以继续保持以前的吸引力,也就难以保持公众的注意力。 公众的热情消磨以后,就会去追捧下一个走红的人。 有些艺术家为了不落伍,会对他们的写作、跳舞或唱歌的风格稍加变动,但这将冒极大的失宠的危险。 公众对于他们藉以成名的艺术风格以外的任何形式都将不屑一顾。 知名作家的文风一眼就能看出来,如田纳西?威廉斯的戏剧、欧内斯特?海明威的情节安排、罗伯特?弗罗斯特或 T.S.艾略特的诗歌等。

同样,像莫奈、雷诺阿、达利这样的画家,希区柯克、费里尼、斯皮尔伯格、陈凯歌或张艺谋这样的电影制作人也是如此。 他们鲜明独特的艺术风格标志着与别人不同的艺术形式上的重大变革,这让他们名利双收,但也让他们付出了代价,那就是失去了用其他风格或形式表现自我的自由。 名气这盏聚光灯可比热带丛林还要炙热。骗局很快会被揭穿,过多的关注带来的压力会让大多数人难以承受。 它让你失去自我。你必须是公众认可的那个你,而不是真实的你或是可能的你。艺人,就像政客一样,必须常常说些违心或连自己都不完全相信的话来取悦听众。 一滴名气之水有可能玷污人的心灵这一整口井,因此一个艺术家若能保持真我,会格外让人惊叹。 你可能答不上来哪些人没有妥协,却仍然在这场名利的游戏中获胜。 一个例子就是爱尔兰著名作家奥斯卡?王尔德,他在社交行为和性行为方面以我行我素而闻名于世。虽然他的行为遭到公众的反对,却依然故我,他也因此付出了惨痛的代价。在一次宴会上,他一位密友的母亲当着他的朋友和崇拜者的面,指责他在性方面影响了她的儿子。 他听了她的话以后大为光火,起诉了这个年轻人的母亲,声称她毁了自己的“好”名声。但是,他真该请一个更好的律师。 结果是,法官不仅不支持他提出的让这个女人赔偿他名声损失费的请求,反而对他本人进行了罚款。 他由于拒交罚款最终还被送进了监狱。更糟糕的是,他再也无法获得更多公众的宠爱。在最糟糕的时候,他发现没有一个人愿意拿自己的名声冒险来替他说话。

大学英语精读4 书后cloze吐血整理

When dad told us about the delivery work it sounded easy, just a piece of cake. The trouble was, we didn’t take care to inquire just how much material was involved. Before long trucks seemed to be pulling up outside our house all day long, leaving stacks of advertising. It seemed we should have no chance of meeting the deadline. The we had this marvelous idea. Hiring local kids to help would enable us to get the job done on time. True, it would cut into our profits, but there was no alternative. things seemed to be going well, but then we had trouble over a pay claim. Our workers demanded five dollars an hour, but fortunately for us they were ready to settle for less. As for us, when we finally settled our accounts we ended up earning less than the minimum wage for our efforts. I guess we should have know better than to believe that big bucks come easy. While it is often said that love makes the world go round, scientists take a less romantic view. To their minds, energy is the fundamental force at work. All animal life is dependent on obtaining sufficient energy from food. Deer, like other wild animals, do this through eating as much food as possible in the summer, when food resources are abundant. Any excess of energy over their current needs is deposited in the body in the form of fat. Then, when food becomes scarce in the winter, they can live off the fat. In addition, nature helps them to survive the winter by slowing down their metabolism, assisting them to pull through the cold weather. However, when the winter is particularly harsh, deer may have to draw on the fat they have built up more heavily. Under such conditions, only deer in good condition are able to survive to give birth to a new generation. In his essay George Orwell starts off by citing Bernard Shaw’s remark that people are more superstitious today than they were in the Middle Ages. They promptly accept the opinions of experts without asking any questions themselves. Obviously Shaw exaggerates just in order to prove his point that we should not always fall back on the theories of well-known authorities. Rather, we should aim at finding out some things for ourselves. By way of illustration, Orwell outlines arguments against the Flat Earth and the Oval Earth theories, thus throwing light on the fact that much of our knowledge actually rests on authority rather than on reasoning or on experiment. Finally, Orwell draws his conclusion that ours is a credulous age partly because we have such an exceptionally heavy burden of knowledge. The last time Lyz saw her husband was as he waved goodbye to her from the steps of their house. He was due to fly off on business later that day. Unluckily for him his flight was cancelled and he found himself having to take United Flight 93 the following day. It was from on board that ill-fated flight that he telephoned with the news that hijackers had threatened to blow up the aircraft. Cursing his bad luck, he nonetheless realized that his fate was in his own hands. Hoping that the terrorists were bluffing when they claimed to have a bomb, he and some other passengers decided to act. Without hanging up, he set off with the others to attack the hijackers. From the telephone came the sound of screams. Then silence.

大学英语精读 第三版 第四册课文翻译

大学英语精读(第三版)第四册课文翻译 第一单元 两个大学男孩,不清楚赚钱需要付出艰苦的劳动,被一份许诺轻松赚大钱的广告吸引了。男孩们很快就明白,如果事情看起来好得不像真的,那多半确实不是真的。 轻轻松松赚大钱 约翰·G·哈贝尔 “你们该看看这个,”我向我们的两个读大学的儿子建议道。“你们若想避免因为老是向人讨钱而有失尊严的话,这兴许是一种办法。”我将挂在我们门把手上的、装在一个塑料袋里的几本杂志拿给他们。塑料袋上印着一条信息说,需要招聘人投递这样的袋子,这活儿既轻松又赚钱。(“轻轻松松赚大钱!”)“我不在乎失不失尊严,”大儿子回答说。 “我可以忍受,”他的弟弟附和道。 “看到你们俩伸手讨钱讨惯了一点也不感到尴尬的样子,真使我痛心,”我说。 孩子们说他们可以考虑考虑投递杂志的事。我听了很高兴,便离城出差去了。午夜时分,我已远离家门,在一家旅馆的房间里舒舒服服住了下来。电话铃响了,是妻子打来的。她想知道我这一天过得可好。 “好极了!”我兴高采烈地说。”你过得怎么样”我问道。 “棒极了!”她大声挖苦道。“真棒!而且这还仅仅是个开始。又一辆卡车刚在门前停下。”

“又一辆卡车” “今晚第三辆了。第一辆运来了四千份蒙哥马利-沃德百货公司的广告;第二辆运来四千份西尔斯-罗伯克百货公司的广告。我不知道这一辆装的啥,但我肯定又是四千份什么的。既然这事是你促成的,我想你或许想了解事情的进展。” 我之所以受到指责,事情原来是这样:由于发生了一起报业工人罢工,通常夹在星期日报纸里的广告插页,必须派人直接投送出去。公司答应给我们的孩子六百美金,任务是将这些广告插页在星期天早晨之前投递到四千户人家去。 “不费吹灰之力!”我们上大学的大儿子嚷道。 “六百块!”他的弟弟应声道,“我们两个钟点就能干完!” “西尔斯和沃德的广告通常都是报纸那么大的四页,”妻子告诉我说,“现在我们门廊上堆着三万二千页广告。就在我们说话的当儿,两个大个子正各抱着一大捆广告走过来。这么多广告,我们可怎么办” “你让孩子们快干,”我指示说。”他们都是大学生了。他们自己的事得由他们自己去做。” 第二天中午,我回到旅馆,看到一份紧急留言,要我马上给妻子回电话。她的声音高而颤抖,很不自然。家里又运到了好几卡车的广告插页。“有百货公司的,廉价商店的,杂货店的,食品店的,汽车行的,等等。有些像整本杂志那么厚。我们这里有数十万页,说不定是几百万页的广告!我们家整个房子从东墙到西墙,从南墙到北墙统统堆满了广告,一堆又一堆,比你大儿子还要高。现在只剩下一点点空间,刚够一个人走进去,从十一种插页中各取一份,卷在一起,套上橡皮筋,再塞进一只塑料袋内。我们的塑料袋足够供应全美所有的外卖餐厅!”她越讲声音越响,几乎震耳欲聋。”这么多的广告必须在星期日早晨七点以前统统送出

新视野大学英语第四册课文原文

1A An artist who seeks fame is like a dog chasing his own tail who, when he captures it, does not know what else to do but to continue chasing it. The cruelty of success is that it often leads those who seek such success to participate in their own destruction. "Don't quit your day job!" is advice frequently given by understandably pessimistic family members and friends to a budding artist who is trying hard to succeed. The conquest of fame is difficult at best, and many end up emotionally if not financially bankrupt. Still, impure motives such as the desire for worshipping fans and praise from peers may spur the artist on. The lure of drowning in fame's imperial glory is not easily resisted. Those who gain fame most often gain it as a result of exploiting their talent for singing, dancing, painting, or writing, etc. They develop a style that agents market aggressively to hasten popularity, and their ride on the express elevator to the top is a blur. Most would be hard-pressed to tell you how they even got there. Artists cannot remain idle, though. When the performer, painter or writer becomes bored, their work begins to show a lack of continuity in its appeal and it becomes difficult to sustain the attention of the public. After their enthusiasm has dissolved, the public simply moves on to the next flavor of the month. Artists who do attempt to remain current by making even minute changes to their style of writing, dancing or singing, run a significant risk of losing the audience's favor. The public simply discounts styles other than those for which the artist has become famous. Famous authors' styles—a Tennessee Williams play or a plot by Ernest Hemingway or a poem by Robert Frost or T.S. Eliot—are easily recognizable. The same is true of painters like Monet, Renoir, or Dali and moviemakers like Hitchcock, Fellini, Spielberg, Chen Kaige or Zhang Yimou. Their distinct styles marked a significant change in form from others and gained them fame and fortune. However, they paid for it by giving up the freedom to express themselves with other styles or forms. Fame's spotlight can be hotter than a tropical jungle—a fraud is quickly exposed, and the pressure of so much attention is too much for most to endure. It takes you out of yourself: You must be what the public thinks you are, not what you really are or could be. The performer, like the politician, must often please his or her audiences by saying things he or she does not mean or fully believe. One drop of fame will likely contaminate the entire well of a man's soul, and so an artist who remains true to himself or herself is particularly amazing. You would be hard-pressed to underline many names of those who have not compromised and still succeeded in the fame game. 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