全新版大学英语综合教程3课文原文及翻译6 8

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unit 6 The Last Leaf

When Johnsy fell seriously ill, she seemed to lose the will to hang on to life. The doctor held out little hope for

her. Her friends seemed helpless. Was there nothing to be done?

约翰西病情严重，她似乎失去了活下去的意志。医生对她不抱什么希望。朋友们看来也爱莫能助。难道真的就无可奈何了吗？

1 At the top of a three-story brick building, Sue and Johnsy had their studio. Johnsy was familiar for Joanna.

One was from Maine; the other from California. They had met at a cafe on Eighth Street and found their tastes in art,

chicory salad and bishop sleeves so much in tune that the joint studio resulted.

在一幢三层砖楼的顶层，苏和约翰西辟了个画室。“约翰西”是乔安娜的昵称。她们一位来自缅因州，一位来自加利福尼亚。两人相遇在第八大街的一个咖啡馆，发现各自在艺术品味、菊苣色拉，以及灯笼袖等方面趣味相投，于是就有了这个两人画室。

2 That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the

district, touching one here and there with his icy fingers. Johnsy was among his victims. She lay, scarcely moving on her

bed, looking through the small window at the blank side of the next brick house.

那是5月里的事。到了11月，一个医生称之为肺炎的阴森的隐形客闯入了这一地区，用它冰冷的手指东碰西触。约翰西也为其所害。她病倒了，躺在床上几乎一动不动，只能隔着小窗望着隔壁砖房那单调沉闷的侧墙。

3 One morning the busy doctor invited Sue into the hallway with a bushy, gray eyebrow.

一天上午，忙碌的医生扬了扬灰白的浓眉，示意苏来到过道。

4 She has one chance in ten, he said. And that chance is for her to want to live. Your little lady has made up her

mind that she's not going to get well. Has she anything on her mind?

“她只有一成希望，”他说。“那还得看她自己是不是想活下去。你这位女朋友已经下决心不想好了。她有什么心事吗？”

5 She -- she wanted to paint the Bay of Naples some day, said Sue. “她――她想有一天能去画那不勒斯湾，”苏说。

6 Paint? -- bosh! Has she anything on her mind worth thinking about twice -- a man, for instance?

“画画？――得了。她有没有别的事值得她留恋的――比如说，一个男人？”

7 A man? said Sue. Is a man worth -- but, no, doctor; there is nothing of the kind.

“男人？”苏说。“难道一个男人就值得――可是，她没有啊，大夫，没有这码子事。”

8 Well, said the doctor. I will do all that science can accomplish. But whenever my patient begins to count the

carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. After the doctor had

gone Sue went into the workroom and cried. Then she marched into Johnsy's room with her drawing

board, whistling a

merry tune.

“好吧，”大夫说。“我会尽一切努力，只要是科学能做到的。可是，但凡病人开始计算她出殡的行列里有几辆马车的时候，我就要把医药的疗效减去一半。”大夫走后，苏去工作室哭了一场。随后她携着画板大步走进约翰西的房间，口里吹着轻快的口哨。

9 Johnsy lay, scarcely making a movement under the bedclothes, with her face toward the window. She was

looking out and counting -- counting backward.

约翰西躺在被子下几乎一动不动，脸朝着窗。她望着窗外，数着数――倒数着数！

10 Twelve, she said, and a little later eleven; and then en, and

ine; and then eight and seven, almost

together.

“12，”她数道，过了一会儿“11”，接着数“10”和“9”；再数“8”和“7”，几乎一口同时数下来。

11 Sue looked out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the

blank side of the brick house twenty feet away. An old, old ivy vine climbed half way up the brick wall. The cold breath

of autumn had blown away its leaves, leaving it almost bare.

苏朝窗外望去。外面有什么好数的呢？外面只看到一个空荡荡的沉闷的院子，还有20英尺开外那砖房的侧墙，上面什么也没有。一棵古老的常青藤爬到半墙高。萧瑟秋风吹落了枝叶，藤上几乎光秃秃的。

.

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12 Six, said Johnsy, in almost a whisper. They're falling faster now. Three days ago there were almost a hundred.

It made my head ache to count them. But now it's easy. There goes another one. There are only five left now.

“6”，约翰西数着，声音几乎听不出来。“现在叶子掉落得快多了。三天前差不多还有100片。数得我头都疼。可现在容易了。又掉了一片。这下子只剩5片了。”

13 Five what, dear?

“5片什么，亲爱的？”

14 Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor

tell you?

“叶子。常青藤上的叶子。等最后一片叶子掉了，我也就得走了。三天前我就知道会这样。大夫没跟你说吗？”

15 Oh, I never heard of such nonsense. What have old ivy leaves to do with your getting well? Don't be so silly.

Why, the doctor told me this morning that your chances for getting well real soon were ten to one! Try to take some soup

now, and let Sudie go and buy port wine for her sick child.

“噢，我从没听说过这种胡说八道。常青藤叶子跟你病好不好有什么关系？别这么傻。对了，大夫上午跟我说，你的病十有八九就快好了。快喝些汤，让苏迪给她生病的孩子去买些波尔图葡萄酒来。”

16 You needn't get any more wine, said Johnsy, keeping her eyes fixed out the window. There goes another. No, I

don't want any soup. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too. I'm tired of

waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of

those poor, tired leaves.

“你不用再去买酒了，”约翰西说道，两眼一直盯着窗外。“又掉了一片。不，我不想喝汤。这一下只剩下4片了。我要在天黑前看到最后一片叶子掉落。那时我也就跟着走了。我都等腻了。也想腻了。我只想撇开一切,

飘然而去，就像那边一片可怜的疲倦的叶子。”

17 Try to sleep, said Sue. I must call Behrman up to be my model for the old miner. I'll not be gone

a minute.

“快睡吧，”苏说。“我得叫贝尔曼上楼来给我当老矿工模特儿。我去去就来。”

18 Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a long white

beard curling down over his chest. Despite looking the part, Behrman was a failure in art. For forty years he had been

always about to paint a masterpiece, but had never yet begun it. He earned a little by serving as a model to those young

artists who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece.

For the rest he was a fierce little old man, who mocked terribly at softness in any one, and who regarded himself as guard

dog to the two young artists in the studio above.

老贝尔曼是住在两人楼下底层的一个画家。他已年过六旬，银白色蜷曲的长髯披挂胸前。贝尔曼看上去挺像艺术家，但在艺术上却没有什么成就。40年来他一直想创作一幅传世之作，却始终没能动手。他给那些请不起职业模特的青年画家当模特挣点小钱。他没节制地喝酒，谈论着他那即将问世的不朽之作。要说其他方面，他是个好斗的小老头，要是谁表现出一点软弱，他便大肆嘲笑，并把自己看成是楼上画室里两位年轻艺术家的看护人。

19 Sue found Behrman smelling strongly of gin in his dimly lighted studio below. In one corner was a blank canvas

on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of

Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold

upon the world grew weaker. Old Behrman, with his red eyes plainly streaming, shouted his contempt for such foolish

imaginings.

苏在楼下光线暗淡的画室里找到了贝尔曼，他满身酒味刺鼻。屋子一角的画架上支着一张从未落过笔的画布，在那儿搁了25年，等着一幅杰作的起笔。苏把约翰西的怪念头跟他说了，

并说约翰西本身就像一片叶子又瘦又弱，她害怕要是她那本已脆弱的生存意志再软下去的话，真的会凋零飘落。老贝尔曼双眼通红，显然是泪涟涟的，他大声叫嚷着说他蔑视这种傻念头。

20 What! he cried. Are there people in the world foolish enough to die because leafs drop off from

a vine? I have

never heard of such a thing. Why do you allow such silly ideas to come into that head of hers? God! This is not a place in

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which one so good as Miss Johnsy should lie sick. Some day I will paint a masterpiece, and we shall all go away. Yes.

“什么！”他嚷道。“世界上竟然有这么愚蠢的人，因为树叶从藤上掉落就要去死？我听都没听说过这等事。你怎么让这种傻念头钻到她那个怪脑袋里？天哪！这不是一个像约翰西小姐这样的好姑娘躺倒生病的地方。有朝一日我要画一幅巨作，那时候我们就离开这里。真的。”

21 Johnsy was sleeping when they went upstairs. Sue pulled the shade down, and motioned Behrman into the other

room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without

speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the miner

on an upturned kettle for a rock.

两人上了楼，约翰西已经睡着了。苏放下窗帘，示意贝尔曼去另一个房间。在那儿两人惶惶不安地凝视着窗外的常青藤。接着两人面面相觑，哑然无语。外面冷雨夹雪，淅淅沥沥。贝尔曼穿着破旧的蓝色衬衣, 坐在充当矿石的倒置的水壶上，摆出矿工的架势。

22 When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at

the drawn green shade.

第二天早上，只睡了一个小时的苏醒来看到约翰西睁大着无神的双眼，凝望着拉下的绿色窗帘。

23 Pull it up; I want to see, she ordered, in a whisper.

“把窗帘拉起来；我要看，”她低声命令道。

24 Wearily Sue obeyed.

苏带着疲倦，遵命拉起窗帘。

25 But, Lo! after the beating rain and fierce wind that had endured through the night, there yet stood out against the

brick wall one ivy leaf. It was the last on the vine. Still dark green near its stem, but with its edges colored yellow, it

hung bravely from a branch some twenty feet above the ground.

可是，瞧！经过一整夜的急风骤雨，竟然还存留一片常青藤叶，背靠砖墙，格外显目。这是常青藤上的最后一片叶子。近梗部位仍呈暗绿色，但边缘已经泛黄了，它无所畏惧地挂在离地20多英尺高的枝干上。

26 It is the last one, said Johnsy. I thought it would surely fall during the night. I heard the wind. It will fall today,

and I shall die at the same time.

“这是最后一片叶子，”约翰西说。“我以为夜里它肯定会掉落的。我晚上听到大风呼啸。今天它会掉落的，叶子掉的时候，也是我死的时候。”

27 The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the

wall. And then, with the coming of the night the north wind was again loosed.

白天慢慢过去了，即便在暮色黄昏之中，他们仍能看到那片孤零零的常青藤叶子，背靠砖墙，紧紧抱住梗茎。尔后，随着夜幕的降临，又是北风大作。

28 When it was light enough Johnsy, the merciless, commanded that the shade be raised.

等天色亮起，冷酷无情的约翰西命令将窗帘拉起。

29 The ivy leaf was still there.

常青藤叶依然挺在。

30 Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken soup over the

gas stove.

约翰西躺在那儿，望着它许久许久。接着她大声呼唤正在煤气灶上搅鸡汤的苏。

31 I've been a bad girl, Sudie, said Johnsy. Something has made that last leaf stay there to show me how wicked I

was. It is a sin to want to die. You may bring me a little soup now, and some milk with a little port in it and -- no; bring

me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook.

“我一直像个不乖的孩子，苏迪，”约翰西说。“有一种力量让那最后一片叶子不掉，好让我看到自己有多坏。想死是一种罪过。你给我喝点汤吧，再来点牛奶，稍放一点波尔图葡萄酒――不，先给我拿面小镜子来，弄几个枕头垫在我身边，我要坐起来看你做菜。”

32 An hour later she said:

一个小时之后，她说：

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33 Sudie, some day I hope to paint the Bay of Naples.

“苏迪，我真想有一天去画那不勒斯海湾。”

34 The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

下午大夫来了，他走时苏找了个借口跟进了过道。

35 Even chances, said the doctor, taking Sue's thin, shaking hand in his.

“现在是势均力敌，”大夫说着，握了握苏纤细颤抖的手。

36 With good nursing you'll win. And now I must see another case I have downstairs. Behrman, his name is -- some

kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but

he goes to the hospital today to be made more comfortable.

“只要精心照料，你就赢了。现在我得去楼下看另外一个病人了。贝尔曼，是他的名字――记得是个什么画家。也是肺炎。他年老体弱，病来势又猛。他是没救了。不过今天他去了医院，照料得会好一点。”

37 The next day the doctor said to Sue: She's out of danger. You've won. The right food and care now -- that's all.

第二天，大夫对苏说：“她脱离危险了。你赢了。注意饮食，好好照顾，就行了。”

38 And that afternoon Sue came to the bed where Johnsy lay and put one arm around her.

当日下午，苏来到约翰西的床头，用一只手臂搂住她。

39 I have something to tell you, white mouse, she said. Mr. Behrman died of pneumonia today in the hospital. He

was ill only two days. He was found on the morning of the first day in his room downstairs helpless with pain. His shoes

and clothing were wet through and icy cold. They couldn't imagine where he had been on such a terrible night. And then

they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a

palette with green and yellow colors mixed on it, and -- look out the window, dear, at the last ivy leaf on the wall. Didn't

you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece -- he painted it

there the night that the last leaf fell.

“我跟你说件事，小白鼠，”她说。“贝尔曼先生今天在医院里得肺炎去世了。他得病才两天。发病那天上午人家在楼下他的房间里发现他疼得利害。他的鞋子衣服都湿透了，冰冷冰冷的。他们想不出那么糟糕的天气他夜里会去哪儿。后来他们发现了一个灯笼，还亮着，还有一个梯子被拖了出来，另外还有些散落的画笔，一个调色板，和着黄绿两种颜色，――看看窗外，宝贝儿，看看墙上那最后一片常青藤叶子。它在刮风的时候一动也不动，你没有觉得奇怪吗？啊，亲爱的，那是贝尔曼的杰作――最后一片叶子掉落的那天夜里他画上了这片叶子。”

He did not trust the woman to trust him. And he did not trust the woman not to trust him. And he did not want to

be mistrusted now.

他不敢相信这个女人居然会信任自己。他也不认为这个女人就不信任自己。不过，现在他不想失去别人对自己的信任。

unit 7 Life of a Salesman

Making a living as a door-to-door salesman demands a thick skin, both to protect against the weather and against

constantly having the door shut in your face. Bill Porter puts up with all this and much, much more.

干挨家挨户上门推销这一营生得脸皮厚，这是因为干这一行不仅要经受风吹日晒，还要承受一次又一次的闭门羹。比尔·波特忍受着这一切，以及别的种种折磨。

Life of a Salesman

Tom Hallman Jr.

1 The alarm rings. It's 5:45. He could linger under the covers, listening to the radio and a weatherman who predicts

rain. People would understand. He knows that.

一个推销员的生活

小汤姆·霍尔曼

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.

闹钟响了。是清晨5：45。他可以在被子里再躺一会儿，听听无线电广播。天气预报员预报有雨。人们会理解的。这点他清楚。

2 A surgeon's scar cuts across his lower back. The fingers on his right hand are so twisted that he can't tie his shoes.

Some days, he feels like surrendering. But his dead mother's challenge echoes in his soul. So, too, do the voices of those

who believed him stupid, incapable of living independently. All his life he's struggled to prove them wrong. He will not

quit.

3 And so Bill Porter rises.

他的下背有一道手术疤痕。他右手的手指严重扭曲，连鞋带都没法系。有时，他真想放弃不干了。可在他内心深处，一直回响着已故老母的激励, 还有那些说他蠢，说他不能独立生活的人的声音。他一生都在拚命去证明他们错了。他决不能放弃不干。

于是比尔·波特起身了。

4 He takes the first unsteady steps on a journey to Portland's streets, the battlefield where he fights alone for his

independence and dignity. He's a door-to-door salesman. Sixty-three years old. And his enemies -- a crippled body that

betrays him and a changing world that no longer needs him -- are gaining on him.

他摇摇晃晃迈出了去波特兰大街的头几步，波特兰大街是他为独立与尊严而孤身搏杀的战场。他是个挨家挨户上门推销的推销员，今年63岁。他的敌人――辜负他的残疾的身体和一个不再需要他的变化着的世界――正一步一步把他逼向绝境。

5 With trembling hands he assembles his weapons: dark slacks, blue shirt and matching jacket, brown tie, tan

raincoat and hat. Image, he believes, is everything.

他用颤抖的双手收拾行装：深色宽松裤，蓝衬衣和与之相配的茄克衫，褐色领带，土褐色雨衣和帽子。在他看来，形象就是一切。

6 He stops in the entryway, picks up his briefcase and steps outside. A fall wind has kicked up. The weatherman was

right. He pulls his raincoat tighter.

7 He tilts his hat just so. 他在门口停了一下，提起公文包，走了出去。秋风骤起，冷飕飕的。天气预报员说得没错。他将雨衣裹裹紧。

他把帽子往一侧微微一斜。

8 On the 7:45 bus that stops across the street, he leaves his briefcase next to the driver and finds a seat in the middle

of a pack of bored teenagers.

在街对面停靠的7：45那班公共汽车上，他把公文包放在司机身旁，在一群没精打采的十几岁的孩子当中找了个位子坐下。

综合英语(一)课文及翻译

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新编大学英语4课文翻译(包括课后文章翻译)和答案

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全新版大学英语综合教程3课文原文及翻译6-8

unit 6 The Last Leaf When Johnsy fell seriously ill, she seemed to lose the will to hang on to life. The doctor held out little hope for her. Her friends seemed helpless. Was there nothing to be done? 约翰西病情严重，她似乎失去了活下去的意志。医生对她不抱什么希望。朋友们看来也爱莫能助。难道真 的就无可奈何了吗？ 1 At the top of a three-story brick building, Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at a cafe on Eighth Street and found their tastes in art, chicory salad and bishop sleeves so much in tune that the joint studio resulted. 在一幢三层砖楼的顶层，苏和约翰西辟了个画室。“约翰西”是乔安娜的昵称。她们一位来自缅因州，一 位来自加利福尼亚。两人相遇在第八大街的一个咖啡馆，发现各自在艺术品味、菊苣色拉，以及灯笼袖等方面趣 味相投，于是就有了这个两人画室。 2 That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the district, touching one here and there with his icy fingers. Johnsy was among his victims. She lay, scarcely moving on her bed, looking through the small window at the blank side of the next brick house. 那是5月里的事。到了11月，一个医生称之为肺炎的阴森的隐形客闯入了这一地区，用它冰冷的手指东 碰西触。约翰西也为其所害。她病倒了，躺在床上几乎一动不动，只能隔着小窗望着隔壁砖房那单调沉闷的侧墙。 3 One morning the busy doctor invited Sue into the hallway with a bushy, gray eyebrow. 一天上午，忙碌的医生扬了扬灰白的浓眉，示意苏来到过道。 4 "She has one chance in ten," he said. "And that chance is for her to want to live. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind? “她只有一成希望，”他说。“那还得看她自己是不是想活下去。你这位女朋友已经下决心不想好了。她有 什么心事吗？” 5 "She -- she wanted to paint the Bay of Naples some day," said Sue. “她――她想有一天能去画那不勒斯湾，”苏说。 6 "Paint? -- bosh! Has she anything on her mind worth thinking about twice -- a man, for instance?" “画画？――得了。她有没有别的事值得她留恋的――比如说，一个男人？” 7 "A man?" said Sue. "Is a man worth -- but, no, doctor; there is nothing of the kind." “男人？”苏说。“难道一个男人就值得――可是，她没有啊，大夫，没有这码子事。” 8 "Well," said the doctor. "I will do all that science can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines." After the doctor had gone Sue went into the workroom and cried. Then she marched into Johnsy's room with her drawing board, whistling a merry tune. “好吧，”大夫说。“我会尽一切努力，只要是科学能做到的。可是，但凡病人开始计算她出殡的行列里有 几辆马车的时候，我就要把医药的疗效减去一半。”大夫走后，苏去工作室哭了一场。随后她携着画板大步走进 约翰西的房间，口里吹着轻快的口哨。 9 Johnsy lay, scarcely making a movement under the bedclothes, with her face toward the window. She was looking out and counting -- counting backward. 约翰西躺在被子下几乎一动不动，脸朝着窗。她望着窗外，数着数――倒数着数！ 10 "Twelve," she said, and a little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven," almost together. “12，”她数道，过了一会儿“11”，接着数“10”和“9”；再数“8”和“7”，几乎一口同时数下来。 11 Sue looked out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine climbed half way up the brick wall. The cold breath of autumn had blown away its leaves, leaving it almost bare. 苏朝窗外望去。外面有什么好数的呢？外面只看到一个空荡荡的沉闷的院子，还有20英尺开外那砖房的侧墙，上面什么也没有。一棵古老的常青藤爬到半墙高。萧瑟秋风吹落了枝叶，藤上几乎光秃秃的。

Unit 7 The Joy of Travel新编大学英语第二版第三册课文翻译

Unit 7 The Joy of Travel Transformative Travel Twenty-five years ago I felt like a wreck. Although I was just 23, my life already seemed over. The future appeared as much like a wasteland as the emptiness I could see while looking back to the past. I felt lost, without choices, without hope. I was stuck in a job I hated and trapped in an engagement with a woman I didn't love. At the time, both commitments seemed like a good idea, but I suppose it was the fantasy of being a successful, married businessman that appealed to me far more than the reality. I decided to take a class just for the entertainment value. It happened to be an introductory counseling course, one that involved personal sharing in the group. We were challenged to make commitments publicly about things we would like to change in our lives, and in a moment of pure impulsiveness, I declared that by the next class meeting I was going to quit my job and end my engagement. A few days later I found myself unemployed and unattached, excited by the freedom, yet terrified about what to do next. I needed some kind of transition from my old life to a new one, a sort of ritual that would help me to transform myself from one person into another. So I did something just as impulsive as my previous actions: I booked a trip for a week in Aruba. In spite of what others might have thought, I was not running away from something but to something. I wanted a clean break, and I knew I needed to get away from my usual environment and influences so as to think clearly about where I was headed. Once settled into my room on the little island of Aruba, I began my process of self-change. I really could have been anywhere as long as nobody could reach me by phone and I had the peace and quiet to think about what I wanted to do. I spent the mornings going for long walks on the beach, the afternoons sitting under my favorite tree, reading books and listening to tapes. Probably most important of all, I forced myself to get out of my room and go to meet people. Ordinarily shy, I now decided that I was someone who was perfectly capable of having a conversation with anyone I chose. Since nobody knew the "real" me, the way I had always been, I felt free to be completely different. It took me almost a year to pay off that trip, but I am convinced that my single week in Aruba was worth three years in therapy. That trip started a number of processes that helped me to transform myself. This is how I did it: I created a mindset that made me ready for change. I expected that big things were

新标准大学综合英语2 unit1 课文翻译

NUIT1 大学已经不再特别了 有这么一种说法：“要是你能记得20世纪60年代的任何事情，你就没有真正经历过那段岁月。”对于在大麻烟雾中度过大学时光的那些人，这话可能是真的。但是，20世纪60年代有一件事人人都记得，那就是：上大学是你一生中最激动人心、最刺激的经历。 20世纪60年代，加州的高校把本州变成了世界第七大经济实体。然而，加州大学的主校园伯克利分校也以学生示威、罢课以及激进的政治氛围而著名。1966年，罗纳德?里根竞选加州州长，他问加州是否允许“一所伟大的大学被喧闹的、唱反调的少数人征服。”自由派人士回答说，大学之所以伟大正是因为它们有能力容忍喧闹的、唱反调的少数人。 在欧洲的大学校园里，大学生以新的姿态和激情投入到争取自由和正义的事业中去，大规模的社会主义或共产主义运动引发了他们与当权者之间日益升级的暴力冲突。许多抗议是针对越南战争的。可是在法国，巴黎大学的学生与工会联盟，发动了一场大罢工，最终导致戴高乐总统辞职。 20世纪60年代大学生活的特点并不仅仅是激进的行动。不论在什么地方，上大学都意味着你初次品尝真正自由的滋味，初次品尝深更半夜在宿舍或学生活动室里讨论人生意义的滋味。你往往得上了大学才能阅读你的第一本禁书，看你的第一部独立影人电影，或者找到和你一样痴迷吉米?亨德里克斯或兰尼?布鲁斯的志同道合者。那是一段难以想象的自由时光，你一生中最无拘无束的时光。 可如今那份激情哪儿去了？大学怎么了？现在，政治、社会和创造意识的觉醒似乎不是凭借大学的助力，而是冲破其阻力才发生的。当然，一点不假，高等教育仍然重要。例如，在英国，布莱尔首相几乎实现了到2010年让50％的30岁以下的人上大学的目标（即使愤世嫉俗的人会说，这是要把他们排除在失业统计数据之外）。不过，大学教育已不再是全民重视的话题了。如今，大学被视为人们急于逃离的一种小城镇。有些人辍学，但大多数已经有些麻木，还是坚持混到毕业，因为离开学校实在是太费事了。 没有了20世纪60年代大学生所发现的令人头脑发热的自由气氛，如今的大学生要严肃得多。英国文化协会最近做了一项调查，研究外国留学生在决定上哪所大学时所考虑的因素。这些因素从高到低依次是：课程质量、就业前景、学费负担、人身安全问题、生活方式，以及各种便利。大学已变成实现目的的手段，是在就业市场上增加就业几率的一个机会，上大学本身不再是目的，不再是给你提供一个机会，让你暂时想象一下：你能够改变世界。 童年与大学之间的距离已缩小了，大学与现实世界之间的距离也缩小了。其中的一个原因可能和经济有关。在一个没有保障的世界里，现在的许多孩子依赖父母资助的时间比以前的孩子更长。21世纪的学生大学毕业后根本无法自立门户，因为那太昂贵了。另一个可能的原因是通讯革命。儿子或女儿每学期往家里打一两回电话的日子一去不复返了。如今，大学生通过手机与父母保持着脐带式联系。至于寻找痴迷无名文学或音乐的同道好友，没问题，我们有互联网和聊天室来帮助我们做到这一点。

大学英语课文翻译及习题答案

大学英语课文翻译及习 题答案 标准化管理部编码-[99968T-6889628-J68568-1689N]

Unit 1 1. A very curious boy, Tom, is interested not only in whats but also in whys and hows. 汤姆是个非常好奇的男孩，他不仅对“是什么”感兴趣，而且也对“为什么”和“怎么会”感兴趣。 2. Happiness, according to Prof. Smith, is the ability to make the most of what you have. 据史密斯教授说，幸福就是你能充分利用你所有的一切。 3. You’d better keep the book where your 15-year-old son can’t get his hands on. 你最好把这本书放在你15岁的儿子找不到的地方。 4. The story was very funny and Bill kept laughing while reading it. 这故事非常滑稽，比尔一边读一边不停地笑。 5. High-achieving students do not necessarily put in more time at their studies than their lower-scoring classmates. 成绩优秀的学生未必比他们得分较低的同学在学习上花费更多的时间。 6. How did you manage to persuade these students to take the speed-reading course 你是怎样设法说服这些学生修读快速阅读课的 7. Working hard is important, but knowing how to make the most of one's abilities counts for much more. 用功是重要的，但知道如何充分利用自己的才能更重要得多。 8. She asked her students to think for themselves rather than telling them what to think. 她要求学生独立思考，而不是告诉他们该思考什么。 Unit 2 1. Referring to the differences between American English and British English, he said, “The United States and Britain are, after all, two different countries.” 在谈及美国英语和英国英语的差别时，他说：“美国和英国毕竟是两个不同的国家。” 2. Prof. Smith encourages his students to think for themselves. “I am just as happy,” he often says, “even if you challenge me or completely disagree with me.” 史密斯教授鼓励他的学生独立思考。他常说：“即使你们对我提出质疑或者完全不同意我的看法，我也同样高兴。” 3. We called on him to take part in our conversation about pop music, but as soon as he joined in, he introduced a new topic and referred to the NBA finals of the previous week. 我们请他参加我们关于流行音乐的谈话，但他一参加进来就引入一个新的话题，谈起了上周的NBA决赛。 4. The driver is responsible for this accident. His car knocked down a tree and a man on his bike. 司机应对这次事故负责。他的车撞倒了一棵树和一个骑车的人。

新编大学英语3 课文翻译及习题答案 unit9

Unit 9 Music In-Class Reading Music to Your Gear 参考译文 音乐与开车 安迪·埃利斯 1 尽管音乐能使你胸中的怒气平息，但是开车时听音乐也会损害你的健康。近期研究表明，听声音很响的音乐会严重地影响司机的注意力，而且心理学家也提醒人们，不断地在车里放这种音乐是很危险的，尤其是处于车流中或在高速公路上开车时。 2 音乐有两个极端，任何一个极端都有可能带来危险。重金属音乐以其强烈的节奏会使人莽撞驾驶，而聆听处于另一个极端的优美的、令人舒心的音乐，会使司机过分放松，以至于丧失安全意识，陷入迷迷糊糊的欲睡状态。 3 英国汽车协会一直关注道路安全，它委托搞了一个项目，研究严重车祸与音乐之间的关系。这项研究发现，17至25年龄段的男人是最危险、最易产生车祸的群体。研究还发现，这个群体的人70%的开车时间都在听音乐。 4 快节奏或重金属音乐要是放得很响，会使人易怒好斗，开起车来就会冲劲十足，这种司机也就更容易去冒险。开车的速度受到了音乐的速度和节奏的控制。 5 在试验中，给那些自愿参加实验的司机听声音很响的音乐，他们说尽管他们不一定感到非要开快车，但的确发现自己换档更快了，加速也快了，刹车更急了。若是让这些司机听慢节奏的抒情曲，他们承认经常感到自己走神，他们在高速公路上长途开车时，至少有两位参试的司机发现自己不知不觉地在跨越车道标记。 6 这些自愿参试的司机（有些刚刚拿到驾驶执照）所发表的意见非常说明问题。十八岁的西蒙告诉英国汽车协会，“《走出地狱的蝙蝠》里的快节奏摇滚乐真会让人送命的。我发现自己不知不觉地越开越快。” 7 另一名自愿参试的司机一直在听ZZ Top乐队最流行的曲子，他说，“我一直在快速行驶，扯着嗓门唱歌，没有看见也没有听见那辆一直想超过我的消防车。” 8 还有些人说：“我陷入了深思”…… “人的感觉会变得麻木” …… “听不见别的汽车是个问题”，“我一直在随着音乐的节奏加快速度。” 9 一些慢节奏的背景音乐，如肖邦的音乐，会刺激人的大脑，使思维模式发生变化，激发阿尔法脑波，使人有一种舒服愉快的感觉。处于放松状态在大多数情况下对我们有好处，但开车时则不然。心理学家雪利?费希尔教授提醒人们说：“最大的危险是疲劳驾驶。有些音乐会使你无法集中注意力，甚至陷入轻度睡眠状态，那样就会造成可怕的惨祸。” 10 “问题的关键在于根据具体情况选择合适的音乐。刺激性的音乐适合在漫长、枯燥的道路上听，但是当交通状况糟糕时，或是交通拥挤时，这种音乐会分散你的注意力。” 11 然而，音乐也有其好的一面，正如英国汽车协会的心理学家罗伯特?韦斯特所指出的那样：“如果有些音乐影响我们安全行驶，那么反过来也是有道理的。

综合英语三课文翻译

Unit 1 Changes in the Way We Live 在美国，不少人对乡村生活怀有浪漫的情感。许多居住在城镇的人梦想着自己办个农场，梦想着靠土地为生。很少有人真去把梦想变为现实。或许这也没有什么不好，因为，正如吉姆·多尔蒂当初开始其写作和农场经营双重生涯时所体验到的那样，农耕生活远非轻松自在。但他写道，自己并不后悔，对自己作出的改变生活方式的决定仍热情不减。 Mr. Doherty Builds His Dream Life Jim Doherty 有两件事是我一直想做的――写作与务农。如今我同时做着这两件事。作为作家，我和E·B·怀特不属同一等级，作为农场主，我和乡邻也不是同一类人，不过我应付得还行。在城市以及郊区历经多年的怅惘失望之后，我和妻子桑迪终于在这里的乡村寻觅到心灵的满足。 这是一种自力更生的生活。我们食用的果蔬几乎都是自己种的。自家饲养的鸡提供鸡蛋，每星期还能剩余几十个出售。自家养殖的蜜蜂提供蜂蜜，我们还自己动手砍柴，足可供过冬取暖之用。 这也是一种令人满足的生活。夏日里我们在河上荡舟，在林子里野餐，骑着自行车长时间漫游。冬日里我们滑雪溜冰。我们为落日的余辉而激动。我们爱闻大地回暖的气息，爱听牛群哞叫。我们守着看鹰儿飞过上空，看玉米田间鹿群嬉跃。 但如此美妙的生活有时会变得相当艰苦。就在三个月前，气温降

到华氏零下30度，我们辛苦劳作了整整两天，用一个雪橇沿着河边拖运木柴。再过三个月，气温会升到95度，我们就要给玉米松土，在草莓地除草，还要宰杀家禽。前一阵子我和桑迪不得不翻修后屋顶。过些时候，四个孩子中的两个小的，16岁的吉米和13岁的埃米莉，会帮着我一起把拖了很久没修的室外厕所修葺一下，那是专为室外干活修建的。这个月晚些时候，我们要给果树喷洒药水，要油漆谷仓，要给菜园播种，要赶在新的小鸡运到之前清扫鸡舍。 在这些活计之间，我每周要抽空花五、六十个小时，不是打字撰文，就是为作为自由撰稿人投给报刊的文章进行采访。桑迪则有她自己繁忙的工作日程。除了日常的家务，她还照管菜园和蜂房，烘烤面包，将食品装罐、冷藏，开车送孩子学音乐，和他们一起练习，自己还要上风琴课，为我做些研究工作并打字，自己有时也写写文章，还要侍弄花圃，堆摞木柴、运送鸡蛋。正如老话说的那样，在这种情形之下，坏人不得闲――贤德之人也歇不了。 我们谁也不会忘记第一年的冬天。从12月一直到3月底，我们都被深达5英尺的积雪困着。暴风雪肆虐，一场接着一场，积雪厚厚地覆盖着屋子和谷仓，而室内，我们用自己砍伐的木柴烧火取暖，吃着自家种植的苹果，温馨快乐每一分钟。 开春后，有过两次泛滥。一次是河水外溢，我们不少田地被淹了几个星期。接着一次是生长季节到了，一波又一波的农产品潮涌而来，弄得我们应接不暇。我们的冰箱里塞满了樱桃、蓝莓、草莓、芦笋、豌豆、青豆和玉米。接着我们存放食品罐的架子上、柜橱里也开始堆

全新版大学英语综合教程3课文原文及翻译(20200701193003)

unit 4 Was Einstein a Space Alien? 1 Albert Einstein was exhausted. For the third night in a row, his baby son Hans, crying, kept the household awake until dawn. When Albert finally dozed off ... it was time to get up and go to wor k. He couldn't skip a day. He needed the job to support his young family. 1. 阿尔伯特.爱因斯坦精疲力竭。他幼小的儿子汉斯连续三个晚上哭闹不停，弄得全家人直到天亮都无法入睡。阿尔伯特总算可以打个瞌睡时，已是他起床上班的时候了。他不能一天不上班，他需要这份工作来养活组建不久的家庭。 2 Walking briskly to the Patent Office, where he was a "Technical Expert, Third Class," Albert w orried about his mother. She was getting older and frail, and she didn't approve of his marriage to Mileva. Relations were strained. Albert glanced at a passing shop window. His hair was a mess; he had forgotten to comb it again. 2. 阿尔伯特是专利局三等技术专家。在快步去专利局上班的路上，他为母亲忧心忡忡。母亲年纪越来越大，身体虚弱。她不同意儿子与迈尔娃的婚事，婆媳关系紧张。阿尔伯特瞥了一下路过的商店的橱窗，看见自己头发凌乱，他又忘了梳头了。 3 Work. Family. Making ends meet. Albert felt all the pressure and responsibility of any young h usband and father. 3. 工作，家庭，维持生计——阿尔伯特感受到了一位年轻丈夫和年轻父亲所要承担的全部压力和责任。 To relax, he revolutionized physics. 他想放松下，却使物理学发生了突破性进展 4 In 1905, at the age of 26 and four years before he was able to get a job as a professor of physic s, Einstein published five of the most important papers in the history of science--all written in his " spare time." He proved that atoms and molecules existed. Before 1905, scientists weren't sure abo ut that. He argued that light came in little bits (later called "photons") and thus laid the foundation for quantum mechanics. He described his theory of special relativity: space and time were threads in a common fabric, he proposed, which could be bent, stretched and twisted. 4. 1905 年，在他被聘为物理学教授的前四年，26岁的爱因斯坦发表了科学史上最重要论文中的五篇——这些论文都是他在“业余时间”完成的。他证明了原子和分子的存在。1905 年之前，科学家们对此没有把握。爱因斯坦论证说光以微粒形态出现 (后来被称为“光子”)，这为量子力学奠定了基础。他把狭义相对论描写为：时空如同普通织物中的线，他提出，这些线可以弯曲、拉长和交织在一起。 5 Oh, and by the way, E=mc2. 5. 对了，顺便提一下，E = mc2 。 6 Before Einstein, the last scientist who had such a creative outburst was Sir Isaac Newton. It ha ppened in 1666 when Newton secluded himself at his mother's farm to avoid an outbreak of plagu e at Cambridge. With nothing better to do, he developed his Theory of Universal Gravitation. 6. 在爱因斯坦之前，最近一位迸发出如此创造性思想的科学家当数艾萨克牛顿