速度与激情5的英文影评

速度与激情5的英文影评：Fast & Furious 5 is probably the best one in the franchise so far. It has great action sequences that follow the plot and do not drag on for too long without having any significance to the story. There was a great plot, this time Brain O'Connor finally being on the bad side. The start led immediately off the last movie, where Dom is broken out of prison. Then Brain, Mia and Dom flee to Rio to hide. There they manage to get the cops attention again by helping Vince pull a job. This time they aren't let off lightly- agent Hobbs is on their tail and he won't rest until they're behind bars. I was thrilled to see all the old characters from all the movies back together again hatching brilliant mastermind plots and carrying them out so slick and smooth. I found that the first and fourth movie were a bit boring and lacked the amount of action and plot to keep me interested- My favourites were the second and third, though it was a disappointment not to have Vin Diesel in them. The only bring down in Fast Five was the lack of awesome cars like the ones in Tokyo drift. I was kind of looking forward to amazing paint jobs, races and girls like the first few but there were less of them in this one. That was the only disappointment. Came out of the cinema buzzing, more than pleased and excited for the next one! Yes! Live on Fast & Furious franchise!

Journey to the Center of the Earth(地心游记)2008经典电影英文影评

Journey to the Center of the Earth（地心游记）2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1

英文电影观后感100字(多篇)【精品】

第一篇：100部英文电影 100 部超级好看的英文电影 1,魔法灰姑娘〔超级推荐〕（安妮海瑟薇主演） 2,贱女孩〔超级推荐〕（林赛罗汉主演） 3,灰姑娘的玻璃手机〔超级推荐〕 4,美人鱼〔超级推荐〕（里面音乐也很好听） 5,舞出我人生〔超级推荐〕（励志的！刚出了第二部） 6,录取通知书 7,水瓶座女孩 8,倒霉爱神（林赛罗汉主演） 9,儿女一箩筐 10,冰雪公主〔超级推荐〕 11,我的朋友是明星〔超级推荐〕 12,辣妈辣妹〔超级推荐〕（林赛罗汉主演） 13,物质女孩〔超级推荐〕 14,疯狂金龟车（林赛罗汉主演） 15,平民天后〔超级推荐〕 16,公主日记(不用说勒)〔超级推荐〕（还有第二部哟！） 17,歌舞青春〔超级推荐〕[很热的电影！（ⅰ和ⅱ都喜欢） 18,律政俏佳人 19,麻辣宝贝〔超级推荐〕 20,恋爱刺客 21,美少女啦啦队〔超级推荐〕 22,12月男孩〔超级推荐〕（哈利波特演的哟）

23,足球尤物 24,魔法双星 25,超完美男人〔超级推荐〕 25,劲歌飞扬〔超级推荐〕 26,纽约时刻 27,奶牛美女 28,穿prada的恶魔〔超级推荐〕 29,天生一对 30,高校天后〔超级推荐〕 31,像乔丹一样 32,牛仔裤的夏天〔超级推荐超感人～〕 33,初恋的回忆〔超级推荐欣慰～〕 34,甜心辣舞〔超级推荐〕 35,花豹美眉 36,女兵报道 37,女生向前翻〔超级推荐很立志！〕 38,小姐好辣 39,欧洲任我行 40,留级之王 41,风云才女(希尔顿酒店继承人之一尼克?希尔顿首部主打影片！这是一部有关大学女生校园生活的喜剧，影片描述大学校园里一群正处于青春叛逆期、蠢蠢欲动的特权阶层少男少女平日里生活的点点滴滴……有点点sex)〔超级推荐i love hilton sisters〕 42,谁领风骚〔超级推荐女生的可怕和可爱〕

英文电影影评

Titanic, "not only because it is a successful commercial film and, more importantly, it brought about the end of the century a wave of nostalgia: the Titanic sank in the early 20th century is a tragedy, the film has to The facts add up the true love story, set sail Tai Tanni will be less than 5 days of love, friendship and a disaster at the end of the century before this generation, it told us a truth: that we must cherish life. Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it -- from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie. In each of his previous outings, Cameron has pushed the special effects envelope. In Aliens, he cloned H.R. Giger's creation dozens of times, fashioning an army of nightmarish monsters. In The Abyss, he took us deep under the sea to greet a band of benevolent space travelers. In T2, he introduced the morphing terminator (perfecting an effects process that was pioneered in The Abyss). And in True Lies, he used digital technology to choreograph an in-air battle. Now, in Titanic, Cameron's flawless re-creation of the legendary ship has blurred the line between reality and illusion to such a degree that we can't be sure what's real and what isn't. To make this movie, it's as if Cameron built an all-new Titanic, let it sail, then sunk it. Of course, special effects alone don't make for a successful film, and Titanic would have been nothing more than an expensive piece of eye candy without a gripping story featuring interesting characters. In his previous outings, Cameron has always placed people above the technological marvels that surround them. Unlike film makers such as Roland Emmerich and Dean Devlin, Cameron has used visual effects to serve his plot, not the other way around. That hasn't changed with Titanic. The picture's spectacle is the ship's sinking, but its core is the affair between a pair of mismatched, star-crossed lovers. Titanic is a romance, an adventure, and a thriller all rolled into one. It contains moments of exuberance, humor, pathos, and tragedy. In their own way, the characters are all larger-than- life, but they're human enough (with all of the attendant frailties) to capture our

速度与激情5 豪车

速度与激情5》曝光各种给力超跑大盘点 作为电影史上最卖座的赛车题材，《速度与激情》无论是从各个方面都足询以吸引年青观众，尤其是当这个系列已经进行到第五部，而且是所有主演悉数回归，齐聚一堂的时候。300辆车遭重创，快感十足的飙车场景是车迷最为关注的，这也势必造成车辆的碰撞和毁损，这样的场面也将在新片中得以体现。据悉，在该片的拍摄中，共毁坏了200多辆汽车，而汽车的金属碎片洒满了街道。为此我们为车迷们准备了主力车型的清单，下面来一一详解析 《速度与激情5》超跑对决他们决定干最后一票的任务地点是巴西的里约热内卢。多米尼克和布莱恩组成了一支终极赛车团队，和当地的触目惊心的腐败政府展开对战，而神秘的第三方势力也插手了他们的交锋，但疯狗一样的铁血警察也绝不示弱...

Ford Galaxy 其中，最值得观众和车迷期待的就是追车镜头。据透露，该片主创人员特别将追车镜头延长至一刻钟，并且场面绝对震撼。据介绍，其中一场戏发生在里约热内卢的大街上，主角们被好几十辆警车追逐，穿越了整个城市，这样的动作场面是观众从未看过的。并且最最重要的是，它们完全都是实拍，而非技术手段处理的结果。

FORD GT40 这辆概念车将把传奇的GT40重新赋予生命，重新唤起福特跑车激情，性能和速度的特点。GT40概念车按照前辈类似的，圆滑的侧面轮廓铸造。直至每个尺寸，每个弯曲，每根线条都是忠于原作并进行了时尚的重新修塑。GT40最显著的特点就是60年代赛车那种长长的车前鼻。但其精细的强调线条，光学纤维的车头灯也使得该车透露出现代的气息。

Corvette Grand Sport 科尔维特是美国最早的跑车品牌之一．它的标志是交叉的两面旗子。黑白相间的旗子表示该车是参加公路汽车大赛的运动车；红色旗子上的蝴蝶结商标表示该车由雪佛兰分部制造．旗上的奖杯和花朵则代表夺魁后的欢呼和成功的纪念。历史上有许多值得尊敬和收藏的好车，1963 Corvette Grand Sport 就是部例子，但是你要买到这款车几乎不大可能，那需要很多金钱，而Superformance 以善于复刻跑车出名，他们拿到通用的官方授权，可以生产这辆跑车的房车版和赛车版，完全秉承了这辆车在那个年代的辉煌和造型

Seven(七宗罪)1995经典电影英文影评

Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1

小王子电影观后感英文版

小王子电影观后感英文版 本文为小王子电影观后感英文版范文，让我们通过以下的文章来了解。 Recently, I read a fairy story book, Little Prince. This book tells the adventurous experiences of little prince from his planet to the earth. Little prince comes from the outer space and he is hurt by a rose. So he leaves there and travels into space. He comes to the earth and be the friend of a fox. The fox tells his secret to little prince and he helps a pilot in the desert. In the end, he dies under the help of a snake and his soul goes back to his planet. This book is very interesting and teaches me a lot. I like little price adventures. He teaches me to be honest and love others. All of us should never loss the pureness of childhood. This is a fairytale whose distribution volume is only second to The Bible. It’s been translated to versions of many other languages. And I gather there must be something special, something really great about it. It’s this conviction that drove me to read it at the first beginning. Well, with due respect to the author, I failed to see how this fairytale be worthy

速度与激情6观后感

速度与激情6观后感 七月流火，马里亚纳的海风流离失所，季风带给北纬34度的西安几滴湿润的雨露，骄阳不在，有风微暖。我在热闹的电影院看热血沸腾的《速度与激情6》，马达轰鸣，心跳扑通。香车美女速度激情伴我行，感谢你喧闹了我得夏天。在看《速度与激情6》之前，我已经用迅雷下载了它的蓝光版本，但是出于对老范的忠实拥趸，对系列精彩的爱不释手，我一直让那么高清的电影休眠在我电脑硬盘的角落里，高清的片源在硬盘里一睡就睡过了头，终于到了内地上映的日子。小心灵按捺不住，一阵狂喜的飙到太平洋影城。惊呼电影节奏越来越快，一开场如同暴力摩托的海岸线公路飞奔飚车戏，从一开始就给观众注入紧张的强心剂，一下子把观众的感觉拉了回来，告诉观众这是电影院，这是在看《速度与激情6》；场面越来越激烈，暴力越来越升级，演员越来越熟悉，剧情的套路越来越简单，对手戏越来越直接，跑车坦克飞机轮番上，飞机跑道堪比基努李维斯的《生死时速》，越来越长，简直从美国东海岸滑翔到了西海岸，武器越来越霸道，就像史泰龙的《第一滴血》系列，下一部的武器格局远远甩前作一条街。爆米花指数越来越高，肾上腺激素分泌越来越多。除过以上排比句列出的

越来越，我想说说我反面的感觉。就拿片中的一句话来说：并没有什么计划，只是信仰能让人义无反顾。本片的剧情并没有多么新颖入胜，但系列发展到今天，我们观众似乎已经习惯或者忽略了这些故事的简单直接，飚车戏越拍越像动作戏，观众单纯是为买爽买痛快买刺激进电影院的，这也对，或许导演本身就没有其他设计没有其他准备，它的信仰就在速度+激情上，就这亮点，也是我这么多年来一直捧场这个系列的初衷理由。但是我在想，如果第七部第八部还是这样，再没有其他元素设计，再没有其他剧情设计，再没有其他创新，我在考虑我是否会继续去观看下去，免不了窠臼，走不出泥潭，就剩下一个精良的团队+导演编剧的诚意，也不足以观众一次次的去买视觉疲劳，去买似曾相识。 《速度与激情6》生了一个好娘家，环球营业却给其找了一个烂婆家，虽然海外上映的婆家那么多，但中国内地绝对是最烂的一个。5月份在北美上映之时，票房有了，首周末3天接近1亿美元；口碑也有了，斩获烂番茄影评网站７０％的好评，但这一切都只出现在娘家，到了婆家这边，曾经有望北美中国同步上映的《速度与激情６》先是被公关到６月份，最终又被推到７月２６日，没有无缘无故的痛，众所周知在国内，但凡被公关掉的电影，都是其他片方嫉妒眼红却不敢正面碰撞的，都是引进方曾经一度看好，但不得不遭到外界的干扰挥泪斩马谡。引进方肯定迫于多家片方联合的压力，或者迫于总局毫无意义的上半年国产电影票

Tess(苔丝)1979经典电影英文影评

Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1

2020年看英语电影观后感英文版

看英语电影观后感英文版 电影大家看过许多了，观后感大家也写过许多，那么偶尔看一 看写一写英语的观后感也是不错的。下面是的关于英语电影观后感， 希望对您有所帮助 ! Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana. Clones named Avatars are sent to Pandora Pla to persuade people there to leave the pla so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.However,he es across Neytiri and they fall in love with each other.Jake begins to see that nature and the pla should be protected.At last he and the people there work together to defeat human beings and send them back to the earth. 3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple — human beings should protect nature and live in harmony with it. am honored today watched the United States ， 3D cartoon animated film The story is the old manCarl and his wife Eliza has always been thought of children in South America