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人教版英语选修六Unit5 the power of nature(第一课时)教学教案

人教版英语选修六Unit5 the power of nature(第一课时)教学教案
人教版英语选修六Unit5 the power of nature(第一课时)教学教案

The power of nature

蚌埠二中

王莹

The analysis of text and students

This class is based on the topic of the power of nature. It aims at helping students realize the double sides of nature power, which means its positive effects and negative effects. As for its negative effects, they can not only be caused by nature but also human beings.

The damage caused by nature can’t be prevented but reduced by taking measures. The bad effects caused by man can definitely be prevented by controlling human beings’activities. Students have already learnt something about earthquake in previous study, so this class focuses on making students consider how we should treat nature and what kind of attitudes and measures we should take when confronting disasters. The most important thing is that students can realize the importance of focusing on advantages and avoiding disadvantages.

一.Teaching aims

1.Introduce the topic of “The power of nature” to students

2.Students know the different forms and effects of nature power

3.students realize that we should draw on the advantages of nature

and avoid its disadvantages

二.Teaching important and difficult points

1.How to help the students realize the importance of the power of

nature, including using energy as well as protecting human beings from damage

2.How to enable the students to take full advantage of the nature

power and meanwhile protect the nature

三.Teaching method s

Discussion, speaking and cooperative learning

四.Teaching aids

Multimedia facilities, photos

五.Teaching procedures

Ⅰ. Greetings

Greet the whole class as usual.

Ⅱ.Warming up

Brainstorming:

The teacher asks one question: What does the power of nature mean? Can you give some names of nature power?

The students may give various answers, such as wind, water, sun, earthquake……

Ⅲ. Presentation

Step one: Show students some pictures

Present pictures

Present the pictures of water, coal, wildlife one by one… and then ask students the question: what can we use them to do? What will happen if they are treated in this way?

Students’ answers may vary.

Teacher: From these pictures, can you tell me what kinds of effects can nature power make?

the power of nature : positive effects & negative effects

Teacher asks students another question: The bad effects are caused by ____?

Possible answers: They are caused by man. They are man-made disasters.

Step two: Show the pictures of natural disaster

Teacher: Can we stop the earthquake?

S: No.

T: Can we do something to reduce the damage caused by earthquake? Then what can we do?

Students answer may vary.

After that, let’s think about what we can do to deal with natural disaster, man-made disaster and how should we treat the positive power.

Step three: Show a form

Show the form of “Advice/ Measures”

Then show students a picture of saving energy.

Ⅳ. Conclusion

Ask students to consider the question:

The power of nature can bring us both benefits and damage, so we should draw on advantages and avoid _________ (disadvantages)

Ⅴ. Consolidation

Play a game

One group of students act one kind of natural disaster, ask other students to guess what it is. And then give more than one piece of advice.

After that, show the students a song “the earth song”.

Ⅵ. Homework

Ask students to work together to make a blackboard newspaper based on the topic of the power of nature.

Ⅶ. Blackboard Design

The power of nature

benefits Group

damage: 1 2 3 4 5 man- made & natural disaster

Teaching Reflection

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选修六 Unit 1 1.adj. 现实主义的;逼真的;现实的 2.adj. 抽象的;深奥的n. 摘要 3.n. 雕塑 4.n. 雕刻家;雕塑家 5.n. 美术陈列室;画廊 6.n. 信任;信心;信念 7.adv. 忠实地 8.adv. 所以;因而 9.n. 目标;目的vi. & vt. 瞄准;(向某方向)努力 10.adj. 常规的;传统的;因循守旧的 11.adj. 典型的;有代表性的 12.adj. 明显的;明白的 13.n. 新生;复兴;复活 14.vt. 采用;采纳;收养 15.adj. 人道主义的 16.vt. 拥有;具有;支配 17.n. (尤作复数)所有;财产 18.adj. 卓越的;杰出的;极好的 19.n. 透视画法;透视图;观点 20.n. 技术;方法;技能 21.n. 巧合(的事);(事情、口味、故事等)相合 22.巧合地 23.n. 杰作;名著 24.n. 印象主义;印象派 25.adj. 印象派的 n.印象派艺术家 26.adj. 后印象派的n. 后印象派艺术家 27.大量28.n. 阴影;影子 29.adj. 荒谬的;可笑的 30.adj. 争论的;争议的 31.n. 努力;尝试;企图vt. 尝试;企图 32.(可是)另一方面 33.vt. 预言;预告;预测 34.n. 风景;景色 35.adj. 确切的;特定的 36.n. 画像;身材;数字 37.n. 黏土 38.n. 评论家;批评者 39.n. 青铜;青铜色;青铜制艺术品 40.n. 大理石 41.vt. 雕刻;刻记 42.adj. 脆弱的;容易生病的;精致的 43.n. 帆布;画布 44.n. 咖啡馆;小餐馆 45.adj. 过敏性的;对……过敏的 46.adv. 有效地 47.n. 展览;陈列;展览会 48.adj.敢做敢为的;侵略的;好斗的 49.n. 学者 50.n. 肉;肌肉;肉体 51.活着的;本人 52.n. 几何学 53.n. 束;串 54.n. 林荫道;道路;大街 55.n. 喜爱;偏爱

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新课标高中英语选修6课文-第一单元reading翻译

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人教版高中英语选修六单词表

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纳;收养 △ humanistic adj. 人道主义的vt. 拥有;具有;支配(尤作复数)所有; 财产superb adj. 卓越的;杰出的; 极好的 △ ve n. 透视画法;透视图; 观点technique n. 技术;方法;技能△ Masaccio 马萨乔(意大利画家)coincid 巧合(的事);(事情、口味、故事等)相合bdence 巧合地 △ ma 杰作;名著△印象主义;印象派 △ adj. 印象派的n. 印象派艺术家 △ post -adj. 后印象派的 n. 后印象派艺术家 a great deal 大量shadow n. 阴影;影子

controversial adj. 争论的;争议的 a 努力;尝试;企图 vt. 尝试;企图and (可是)另一方面 predict vt. 预言;预告;预测 △ landscape n. 风景;景色adj. 确切的;特定的 figure n. 画像;身材;数字 clay n. 黏土 △评论家;批评者 △b青铜;青铜色; 青铜制艺术品 marble n. 大理石 △ Mona Lisa 蒙娜?丽莎 (达? 芬奇所作的一幅著名肖像画) △ Leonardo da Vinci 列奥纳多?达?芬奇 (意大利著名画家) carve vt. 雕刻;刻记delicate adj. 脆弱的;容易生病的;精致的 △ Michelangelo 米开朗基罗 (意大利文艺复兴雕刻家、画家、建筑师和诗人)△

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人教版英语选修六课文原文资料讲解

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Unit 1A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepeted as the beginning of what we call "modern art". This is

新课标高中英语选修6U1 art课文 翻译

艺术是受一个民族的风俗和信仰影响。西方艺术风格经历了多次变革。因为西方艺术多种多样,在短短的一篇课文里不可能进行全面的描述。因此,本书只谈及从公元六世纪开始以来最重要的几种艺术风格。 中世纪(5到15世纪) 在中世纪时期,画家的主要目的是把宗教主题表现出来。这一时期传统的艺术家无意于如实地展现自然和人物。这时的典型绘画充满了宗教的特征,体现出了对上帝的爱戴和敬重。但是,13世纪时绘画观念在改变是显而易见的,像乔托这样的画家开始以一种更现实的方式来画宗教场景。 文艺复兴时期(15世纪到16世纪) 在文艺复兴时期,新的思想和价值观逐渐取代了中世纪的思想和价值观。人们开始较少关注宗教主题而采取一种更人性化的生活态度。同时画家们回到罗马、希腊的古典艺术理念上。他们力争如实画出人物和自然。富人们想拥有自己的艺术品,这样就可以装饰自己的高级宫殿和豪宅。他们出价聘请著名艺术家不仅让他们画他们的活动和成就,还要他们画自己的肖像、房子和所有物。 在此期间,最重要的发现之一就是如何用透视法来画出事务。这一手法是1428年由马萨乔第一次使用的。当人们第一次看到他的画时,还以为是透过墙上的小洞来观看真实的场景,并对此深信不疑。如果没有发现透视法,就没有人能画出如此逼真的画。巧合的是,这一时期油画颜料也得到了发展,使得绘画的色彩看上去更丰富、更深沉。没有新的颜料和新的手法,我们就不能看到很多使这一时期著名的杰作。 印象派(19世纪后期到20世纪初期) 19世纪后期,欧洲发生了巨大的变化,从以农业为主的社会转变成了以工业为主的社会。许多人从农村迁入到新城市。有许多新发明和社会变革。这些变革也自然地促成了新的绘画风格。在那些突破传统画法的画家中有生活和工作在法国巴黎的印象派画家。 印象派画家是第一批室外写景的画家。他们急切地想把一天中不同时间投射到物体上的光线和阴影呈现出来。然而由于自然光的变化很快,印象派画家们必须很快地作画,因此,他们的画就不像以前那些画家们的画那样细致了。起初,很多人不喜欢这种画法,甚至还怒不可遏。他们说这些画家作画时漫不经心,粗枝大叶,而他们的作品更是荒谬可笑。 现代艺术(20世纪到今天) 在印象派作品的创建初期,他们是存在着争议的,但是如今已经被人们接受而成为我们现在所说的“现代艺术”的始祖了。这是因为印象派鼓励画家用一种崭新的视角看待他们的环境。如今,现代艺术风格有好几十种,然而如果没有印象派,那么这许多不同的风格也许就不可能存在。一方面,有些现代艺术是抽象的,也就是说,画家并不打算把我们眼睛看到的东西如实地画出来,而是集中展现物体的某些品质特征,用色彩、线条和形状把它们呈现出来。而另一方面,有些现代派的艺术作品却是那么真实,看上去就像是照片。这些风格如此不同。谁能预言将来会有什么样的绘画风格?

人教版英语选修六课文原文.doc

Unit 1A SHORT HISTORY OF WESTERN PAINTING Art is influenced by the customs and faith of a people. Styles in Western art have changed many times. As there are so many different styles of Western art, it would be impossible to describe all of them in such a short text. Consequently, this text will describe only the most important ones. Starting from the sixth century AD. The Middle Ages(5th to the 15th century AD) During the Middle Ages, the main aim of painters was to represent religious themes. A conventional artistof this period was not interested in showing nature and people as they really were. A typical picture at this time was full of religious symbols, which created a feeling of respect and love for God. But it was evident that ideas were changing in the 13th century when painters like Giotto di Bondone began to paint religious scenes in a more realistic way. The Renaissance(15th to 16th century) During the Renaissance, new ideas and values gradually replaced those held in the Middle Ages. People began to concentrate less on religious themes and adopt a more humanistic attitude to life.At the same time painters returned to classical Roman and Greek ideas about art. They tried to paint people and nature as they really were. Rich people wanted to possess their own paintings, so they coule decorate their superb palaces and great houses. They paid famous artists to paint pictures of themselves, their houses and possessions as well as their activities and achievements. One of the most important discoveries during this period was how to draw things in perspective. This technique was first used by Masaccio in 1428. When people first saw his paintings, they were convinced that they were looking through a hole in a wall at a real scene. If the rules of perspective had not been discovered, no one would have been able to paint such realistic pictures. By coincidence,oil paints were also developed at this time, which made the colours used in paintings look richer and deeper. Without the new paints and the new technique, we would not be able to see the many great masterpieces for which this period is famous. Impressionism(late 19h to early 20th century) In the late 19th century, Europe changed a great deal,from a mostly agricultural society to a mostly industrial one. Many people moved from the countryside to the new cities. There were many new inventions and social changes also led to new painting styles. Among the painters who broke away from the traditional style of painting were the Impressionists, who lived and worke in Paris. The Impressionists were the first painters to work outdoors. They were eager to show how light and shadow fell on objects at different times of day. However, because natural light changes so quickly, the Impressionists had to paint quickly. Their paintings were not as detailed as those of earlier painters. At first, many people disliked this style of painting and became very angry about it. They said that the painters were careless and their paintings were ridiculous. Modern Art(29th century to today) At the time they were created, the Impressionist paintings were controversial, but today they are accepeted as the beginning of what we call "modern art". This is because the Impressionists encouraged artists to look at their environment in new ways. There are scores of modern art styles,but without the Impressionists, many of these painting styles might not exsist. On the one hand, some modern art is abstract; that is, the painter does not attempt to paint objects as we see them with our eyes, but instead concentrates n certain qualities of the object,

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