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A Beautiful Mind(美丽心灵)2001经典电影英文影评

A Beautiful Mind(美丽心灵)2001经典电影英文影评
A Beautiful Mind(美丽心灵)2001经典电影英文影评

A Beautiful Mind(美丽心灵)2001

Earnest thriller-cum-weepie starring Russell Crowe as a maths genius whose life is wracked by schizophrenia. Stamped all over with 'Hollywood prestige project' and showered with awards

Russell Crowe gets the chance to act his heart out in Ron Howard's A Beautiful Mind. Not only does he portray a maths genius (based on real life Nobel Prize-winner John Forbes Nash Jr), he portrays a maths genius crippled by schizophrenia. And he ages 47 years! He turns in a chunky, twitchy performance which, though not on a par with his more subtle turn in The Insider, is admirable. He is complemented by a less flashy, underwritten turn from Jennifer Connelly.

Princeton, 1947. Awkward but arrogant John Nash arrives on a maths scholarship, determined to come up with an original idea. Not bothering with classes, he obsessively writes theorem (plotting the movements of pigeons, for example). His only friend is raffish roommate Charles (Bettany), a rich source of wisecracks - "Officer, I saw the driver who hit me - his name was Johnny Walker" - and moral support. Eventually Nash comes up with a revolutionary paper that wins him a position at MIT. It's here that his eccentricities give way to madness. Although he marries beautiful student Alicia (Connelly), the top-secret code-breaking work he is apparently doing for the government -represented by Ed Harris' mysterious agent - pushes him to breaking point. Full-blown paranoid schizophrenia erupts and Nash is hospitalised, his reality a mess of mania and imagination. Three decades of struggle ensue. Although the film leaves out the seedier elements of the real Nash's life (divorce, cottaging), it fashions a loose biopic that is by turns funny, exciting, sad and downright corny. The script, by Akiva Goldsman, (who also wrote the inexcusable Batman & Robin), is riddled with pithy, but occasionally clichéd, utterances that capture these shifting tones: there's Nash's description of himself: "I'm quite well balanced - I have a chip on both shoulders" - or the description his doctor, Rosen (Plummer), later uses to describes his disease to his wife: "The nightmare of schizophrenia is not knowing what's true."

Although it dallies with Cold War thriller elements, A Beautiful Mind is ultimately a formulaic tale of human perseverance, and merits comparisons with other, similar award-showered tales: notably Shine. As such, it's an above-average weepie, a Hollywood prestige film that pre-packages the sufferings of one highly intelligent man and the woman who loves him to manipulate the emotions. Although the film itself is not as smart as it imagines itself to be, it's certainly artful, with fine camera work by Roger Deakins (who shot the Coens' stylish The Man Who Wasn't There), and solid, thanks to Howard's even-tempered direction.

Verdict

A typical Oscars movie. Solid, middle-brow and worthy.

1

电影《美丽心灵》的个人观后感800字5篇

电影《美丽心灵》的个人观后感800字5 篇 《美丽心灵》讲述了患有精神分裂症的数学家约翰·福布斯·纳什,在博弈论和微分几何学领域潜心研究,最终获得诺贝尔经济学奖的故事。这里给大家分享一些关于电影《美丽心灵》的个人观后感800字,希望能帮到各位。 电影《美丽心灵》的个人观后感800字1 每个人都有着对未来的渴望,都有着对生活的憧憬,都有自我之私,每个人都有公共之德,这一切的一切,都源于人的内心深处。 在《美丽心灵》这部影片中,主人公是约翰纳什,一位伟大的数学家,他凭借自己长期的不懈努力推翻了爱因斯坦的理论,并因此做了教授。在给学生讲课的过程中,他找到了自己的人生伴侣,相处了一段时间后两人结婚生子。可是好景不长,在不久之后,他总是幻想被任命破译国家机密,进行着危险的工作甚至遭人追杀,在他一次讲课时精神病专家带人将他强制带到精神病医院并对他进行治疗,原来他患有非常严重的幻想症,在医院他接受痛苦的治疗,终于病情有所好转,但仍需长期服药才能保持正常。在他回到家中后,由于考虑到服药带来的不良影响,纳什自己停止服药,于是他的幻觉又出现了,他神志不清,甚至差点杀掉自己的妻子和儿子。后来在他妻子的鼓励和教导下,即使再出现幻觉他也能克制住自己,分辨出真假。 纳什在自己和妻子共同的努力下,终于抑制了自己的幻想,其

实很简单,就像他妻子说的:不要用你的眼睛去看事物,而是要用你的心去看事物,这样才能辨别出真假。其实,事物的本质很简单,不要用大脑把它想复杂,只要我们用心去真正的体会,世间的每一个角落都会充满美丽,就像生活中常说的那样,看一个事物,不能光看外表,要看它的内心深处,内心深处的美丽才是真正的美丽。 过多的幻想,过高的期望,就像不知飞向何方的鸟儿一样,永远也无法到达目的地。生活中的许多事情都是有自己来主宰的,对生活过于憧憬,甚至超出自己力所能及的范围,那么憧憬就成了幻想,变得难以实现。所以说,生活需要目标,但目标的实现必须是自己能够达到的,这样你才会对自己的生活充满信心,才不会出现幻想,我们所做的一切事,都不是用脑想出来的,而是需要用心去体会并完成的。 用心去聆听世间的声音,用心去呼吸这片新鲜的空气,用心去感受世间其他事物的存在。生活就像一杯苦咖啡,耐人寻味;生活就像一块奶糖,越嚼越甜;生活就像琴弦,能弹出动人的旋律;生活就像风筝,带你飞向遥远的天空。生活,需要我们无时无刻的用心去体会。 电影《美丽心灵》的个人观后感800字2 “精神分裂症”是在三院心理科预见习的时候开始接触到的,当时科室的病人以精神分裂症为主。精神分裂症主要症状为“思维障碍”大致有思维速度障碍、思维形式障碍、思维资料障碍等。病人还可出现幻觉,主要有幻听、幻视、幻触。对这些病人的治疗,医院以药物为主,精神性的药物副作用很大,科室里大部分病人精神萎靡,处于半睡半醒状态。由于精神分裂症目前临床上还查不出具体原因,

Journey to the Center of the Earth(地心游记)2008经典电影英文影评

Journey to the Center of the Earth(地心游记)2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1

夏洛特的网观后感

夏洛特的网观后感 夏洛特的网观后感 这是一部关于友情的故事,一部美丽的童话。 在美国的一个小山村里,有普通的人,普通的生活,普通的动物。然而这一切被一个充满爱心的小女孩菲尔的一个举动改变了。 那是一个风雨交加的夜晚,小女孩菲尔冒着雨来到牲畜棚……并在这个牲畜棚里救下了一头可爱而又发育不良的小猪,并给它命名为威伯。她带着它上学,带着它散步,喂她牛奶。。。。。。可惜,好景不长,可爱的威伯还是被小女孩的父母卖给了小女孩的舅舅。 在这个新的环境里,威伯并不是受人喜爱的,在它孤独的时候,它结下了蜘蛛夏洛特。在夏夜的清甜气味中倾诉衷肠,猜疑,喜悦,还有对彼此好奇的模仿。。。。。。历经风霜的老羊告诉了无忧无虑的威伯:它的命运将是熏肉火腿,威伯不敢相信命运会如此残酷。夏洛特是被轻视的动物,一只微不足道的蜘蛛,马要踩她,鸟要吃她,可她对朋友许下了诺言:我来救你。为了拯救威尔伯,夏洛特在蛛网上织出了种种不可思议的词语,用她全部的生命创造了一幕幕“神迹”,沸腾了整个牧场和小镇。。。。。。生命是会消失的。当小镇居民沉浸在博览会的喧嚣中时,夏洛特死了。威伯独自回到谷仓,带着荣耀与繁华归来,那是夏洛特的一诺千金。

冬天来了,威伯坐在谷仓的门口看到了雪。啊!雪,威伯咯咯地笑。雪花缓慢而优美地降落,威伯好像看到了夏洛特的招手。春天又来了,威伯长大了。他坐在谷仓里面,看着成百上千地小蜘蛛,好像勇敢的小伞兵,拖着长长的蛛丝,在和煦的南风中飞向远方。生命会消失,有时候也会轮回。威伯抬头看着微风中舞动的蛛丝,再见!再见呀!亲爱的夏洛特!Ordinary Miracle的音乐响起,是什么让一只蜘蛛在生命的最后时刻创造了奇迹?那真的是普通得再普通不过的生命。你会轻视卑微的生命吗?任何卑微都有可能创造神迹,因为有理想,还有爱。 每一个字母都倾注了夏洛特的爱和友情,化作了一股不可抗拒的力量,注入夏洛特体内,这股力量使她决心要帮助这头可爱的小猪,也是爱和友情点燃了她智慧的灯。同样是爱和友情感化了所有的人,夏洛特感化了威伯的心,棚中每一只小动物的心,甚至是那颗冷漠的心。她让人知道蜘蛛并不是一种可怕的动物,她们一样有爱。她的所作所为,改变了人们的看法。。。。。。 心中有爱,天高地阔。 夏洛特的网观后感 美丽的事物并非那么不凡,天空知道什么时候该下雪,你也不必教一粒种子如何发芽,这些都只是今天又一个平凡的奇迹。他们说生命就像一件礼物,每天打包为你送上,打

《美丽心灵》观后感:当爱在 精神分裂也并不可怕

《美丽心灵》观后感:当爱在精神分裂也 并不可怕 原创:刘超宁双胞胎生活笔记 其实,这是一篇作业。 一直在中科院心理所学习儿童教育与发展心理学,在《儿童创造力培养》课上老师要求对《美丽心灵》这部影片写一篇观后感,并带着对创造力的认识去思考。 所以,这篇命题作文诞生了。 《美丽心灵》一部获奖无数的影片,根据真人真事改编,讲述了英俊而又十分古怪的数学家约翰·纳什在念研究生时发明了他的博弈理论,短短26页的论文在经济、军事等领域产生深远的影响,他开始享有国际声誉。但纳什出众的直觉受到了精神分裂症的困扰,使他向学术最高层次进军的辉煌历程发生了巨大改变。 面对疾病带来的身体和精神的多重挑战,纳什在深爱着他的妻子艾丽西亚的相助和支持下,与被认为只能好转、无法治愈的疾病作斗争。经过十几年的不懈努力,完全通过意志的力量,他一如既往地坚持工作,并于xx年获得诺贝尔奖,他在博奕论方面颇具前瞻性的工作也成为20世纪最具影响力的理论。而纳什也成了一个不仅拥有美好情感,并具有美丽心灵的人。 整部影片带着观众深度认识了一遍精神分裂症患者的精神世界,悬念重重让人欲罢不能,当影片结束,心头升起一股由衷的敬佩之情。放下演员的诠释与影片的情节,有些感受一遍遍冲击着自己。

内心的抱负奠定了成功的基础 影片一开头是一群刚刚入学到普林斯顿这座世界顶级学府的学子们,纳什也是其中之一。通过这个前提,让我认识到高创造力的人必然拥有高智商,但在普林斯顿这个高智商人群的聚集地,并非每一个高智商的人都能够具有高创造力。(嘎嘎,轻松get到一个知识点。)影片中在纳什发明博弈理论之前,因为迟迟无法递交论文加之其孤僻怪异的性格,遭到了同学们多次的嘲讽,尤其是与同学进行围棋博弈的片段,看着纳什踉跄的撞翻棋盘跌倒在地,那一刻身为观众也能深深体会到备受奚落和打击的内在痛苦。 经过自暴自弃之后,可以说精神分裂患者内心渴望成功的潜意识反倒进一步激发了他对于博弈理论的研究。来自于纳什心中一直不灭的远大抱负和对于数学满腔的热爱,同时还有于孤独中继续坚持使得纳什最终走向成功。而这种抱负、热爱和坚持可以说贯穿了纳什的一生,这也是最终带领纳什走向诺贝尔奖的重要原因之一。 孤独中的坚持是成功的“陪伴者” 整部影片看下来,孤独感一直萦绕心头。从最初纳什研究博弈理论内心的孤独挣扎,到病发虽有妻子陪伴但依旧孤独的进行治疗,再到最后带着极强的理性和觉察力继续孤独的在读书馆一角研究,虽然影片描述的是身患精神分裂的纳什的一生,但相信这依旧是其他杰出的高创造力领袖所必然经历的感受。 --越是优秀越会曲高和寡; --越是优秀前行道路上的同行人必然越来越少;

《美丽心灵》精神分裂症分析

《美丽心灵》观后感 ——从变态心理学的角度评分8.8的电影,其艺术含量不言而喻。但是如果要从心理角度来对影片主角纳什进行变态心理分析,就需要剔除该人物作为电影形象的艺术加工成分,将他作为一个精神分裂症天才的独特案例,加以分析。 精神分裂症是一种最常见的重性精神病。是一种对患者本人和家庭成员的生活产生强烈影响的复杂的综合症。该病症的心理异常表现十分复杂多样,基本特点是病人的精神活动与现实环境相脱离;思维、情感和意志行为互不协调,甚至相互分裂。会出现的病症有:思维障碍(其中包括联想障碍、逻辑进程障碍和妄想)、情感障碍、意志行为障碍、感知觉障碍和一些其他的异常表现。下面,我就首先从症状表现来分析纳什的精神分裂症。 一、症状表现 1、思维障碍 通过影片的描述,我发现在思维障碍方面,纳什患有妄想。妄想是精神分裂症最显着的症状之一。对于观察者来说,妄想的内容十分古怪,表明患者与现实的脱离。常见的妄想有夸大妄想、被控制感、被害妄想、关系妄想和躯体妄想。夸大妄想是由那些对个体而言非常重要的信念构成的。影片中纳什是个数学天才,他已经获得了一定的名气,并且在五角大楼成功地破解了密码。可是他并不满足于那些将军不太热情的感谢。于是国防部的帕切尔出现了,将关系到15万人的生命的项目交托与他。纳什觉得自己就是拯救国家于危难的英雄。这就是纳什的夸大妄想的表现。除此之外,纳什还有被害妄想。严格来说,从他一开始接受帕切尔的任务时,他就时刻担心事情败露。每次那个荒废的仓库寄密件时,都担心有人跟踪而神情紧张。在一场幻觉的枪战过后,纳什以为自己的为国安局破译间谍密码的工作暴露了,于是他就变得更加紧张,时时刻刻都会注意身边的人是不是来抓自己。直到在一次大学演讲上,几个精神病院的医生真的来“抓”他医院时,他拼了命的逃跑。牵连观念是指某些人或事对个体具有特殊意义。就像纳什,他坚定不移的认为美国的所有报刊杂志里藏着关系到15万人生命的国家机密,并且只有他能够看得出来。那一个个常人看来再普通不过的新闻、广告,在纳什的眼睛里同编排成一连串的密码,有着某种不为人知的联系。这就是纳什关系妄想的表现。 2、感知觉障碍 在感知觉障碍方面,纳什最突出的表现就是幻觉。幻觉就是指虚幻的感知觉,即患

Seven(七宗罪)1995经典电影英文影评

Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1

感动中国观后感5篇

感动中国观后感5篇 在神州大地上,有这样一群人,他们默默坚守、无私奉献在各自的岗位上,用青春与热血、热爱与无畏,创造着属于自己的人生传奇,感动着华夏儿女,正是这些人,在鸡年的春天里,唱响了“中 国人的年度精神史诗”,传递着温暖人心的力量。这里给大家分享 一些关于感动中国观后感,方便大家学习。 感动中国观后感1 春天,是一个充满生机的季节。在这个季节里,我们一起观看了《感动中国》,收获了一份难言的感动。 回忆节目中十位平凡而特殊的人物,给我留下深刻印象的是朱敏才老师。我的心跟着故事的发展不停地起伏,故事中年轻的朱老师 毕业后,不知去了何处,有人认为他会回北京,但是朱老师并没有 回到家乡,而是和他妻子来到农村,给那里的小朋友们上课。那里 的条件差得让我吃惊,卧室竟然就在厕所旁边,有时他们睡觉时一 股臭味悄悄地跑到了他们的床前,臭得他们捂着鼻子,连觉都睡不好。但是就在这样的艰苦条件下,朱老师依然坚持着自己的教育, 一直为孩子们着想。一次他出国了,做的第一件事就是把孩子们安 顿好,然后才能安心地离开。这样的朱老师,孩子们谁不喜欢啊! 看着电视里那所小小的学校,老师在为孩子们辛勤的工作,孩子们 也非常努力的学习,再苦的日子也在欢声笑语中度过。 然而,让我特别心疼的是这么善良的朱老师,身体一直不太健康。有一次朱老师给孩子们上课时,突然间倒了下去。朱老师被送进了 医院,昏迷了几天,医生查出他得了脑溢血而中风,孩子们听到消 息后,伤心的哭了,他们哭着说:“朱老师您辛苦了!”这句话令 我特别难忘,眼睛也看得湿湿的。朱老师醒来后,用颤抖的手写了 一句话:我想去上课,我想见孩子们。朱老师嘴里还咿咿呀呀说着。看到这里,我的鼻子酸酸的,为什么世界上有这么伟大的老师啊?

英文影评A Beautiful Mind(美丽心灵)

1102班周昊亮201119010201 A beautiful mind A beautiful mind --a movie tells us a story about a mathematician, Nash who is involved in schizophrenia during his study but under his wife's help he gets rid of this disease and makes a great achievement in mathematics. And finally he becomes one of the Nobel Prize winners. Just in terms of this movie's plot, it is easy for us to understand and we can know more about the things happened to him. He is diligent and patient to his study. Not until his wife Alicia forces him to go to bed will he stop his study and work. It is his diligence and patience that have touched me when I saw this movie this week. Shouldn't I learn from Nash? I can also learn something else from him. The movie's latter portion shows us that Nash is struggling against the roommate Charles, the little girl and the so called Defense Minister who are all imaginary people. But it also reflects his insistence and will. I want to say everything that once you are determined to do, as long as you persist to do and then you will be successful. Last but not least, the most important thing I want to share is the love between the couple. It does touch me. When the husband is out of his mind, the wife never fails him, and tries her best to help him

Tess(苔丝)1979经典电影英文影评

Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1

美丽心灵观后感700字精选三篇

美丽心灵观后感700字精选三篇 篇一 美,无处不在;美,不在于你的外表,不在于你的身份;美,只在于你的心灵。美,天天都在我们周围游荡,只要你认真去观察,用心去发现,你,就会察觉,原来在我们的身边有着许许多多的美,但这些美都美在不同的地方。观看了《美丽心灵》之后,体会到纳什有着一颗美丽的心灵,他为了承担家庭的重担,为了照顾儿子,为了满足妻子的需要,而停止了吃药。并在别人的嘲笑与医生的不赞同下,坚强地活着与心理疾病做斗争。他的心是洁净的,他的坚强意志使他的心灵得到美化。艾丽西娅是个美丽的天使,拥有着美丽的心灵,守护着她的爱人。面对得了患有精神分裂症的丈夫,面临受伤的威胁,抱着刚出生的儿子,她丝毫没有退缩,坚强地承担起了这个在风雨中摇曳的家。纳什的朋友阿芬问她:“你还撑得住吗?”她说:“有的时候我恨纳什,恨上帝。但每当看者纳什并告诉自己他是我的白马王子时,我便成了一个爱他的人,虽然这样的时候不多,但却足够了。”多么伟大的女人,至少也该是个了不起的女人。她是美丽的,她神圣的爱使她拥有一颗美丽的心灵。马丁·汉森等给予纳什帮助和鼓励及关怀的人都拥有一颗美丽心灵,他们用自己宽广并温暖的胸怀接纳了一个有着心理疾病的人。纳什、艾丽西娅、汉森等人都在用自己的爱架起了一座通往美丽心灵的桥梁。

天才与精神疾病只一步之遥,有出色优势时要防止负面问题的出现,不能戴有色眼睛看待生活中患有各类疾病特别是精神疾病的人们,要学会理解包容别人,要培养阳光思维。特别是从事心理咨询的职业人员,要有崇高的使命感与责任心,进则兼济天下,退则独善藏身。 有位名人说,世界上最难战胜的人是自己。我在无数次的亲身体验之后,不得不佩服这位哲人的先见之明是多么精准。人可以超越一切,却无法超越自己。但在看了《美丽心灵》之后,在体验了约翰?纳什博士痛苦而伟大的人生境遇之后,我不得不承认,人的精神和毅力是万能的!“精诚所致,金石为开”,这位唯一获得诺贝尔奖的精神分裂症科学家便战胜了自己,赢得了世上的最高胜利!他无比坚韧而美丽的心灵,为我们树立了一座永不动摇的丰碑! 篇二 天才与精神疾病只一步之遥,有出色优势时要防止负面问题的出现,不能戴有色眼睛看待生活中患有各类疾病个性是精神疾病的人们,要学会明白包容别人,要培养阳光思维。个性是从事心理咨询的职业人员,要有崇高的使命感与职责心,进则兼济天下,退则独善藏身。 这是我观看完《美丽心灵》这部影片后首先想到的。 我认为这部电影之因此能够成为经典的心理电影,并且获得第74届奥斯卡:最佳影片、最佳导演、最佳改编剧本、最佳女配角,第59届金球奖戏剧类最佳影片、最佳男主角、最佳女配角、最佳编剧8项大奖。其出彩之处能够从两个方面来简要说。

欧美电影赏析

从《美丽心灵》的约翰·纳什看西方文化 《美丽心灵》讲述了一位患有精神分裂症却在博弈论和微分几何学领域内潜心研究,在妻子的帮助下顽强克服妄想型分裂症并取得了诺贝尔经济学奖的数学家约翰·纳什。 影片开头,当一位导师在做演讲的时候,约翰一个人坐在教室的角落,眼神躲躲闪闪;后来的茶会上对素不相识的人出言不逊可以看出纳什并不擅长或者说完全不会与人打交道的。纳什总是沉浸于自己的世界,为数字着迷。但同时纳什身上也闪烁着不平凡的光彩:对数学的疯狂热爱,深沉的爱恋,顽强不屈的意志。 数字狂热。纳什在普林斯顿大学学习时,曾获得著名的卡内基奖学金,影片开头的茶会中,纳什在摆弄桌子上的玻璃杯,光线透过玻璃杯在桌子上投射出复杂而又美丽的光线,当然,这是我们平常人的想法,当折射光线有桌面转到一位学生的领带上并在一个特殊的角度使领带发出特殊的光彩,但那时却是语不惊人死不休:“从这里可以看出你的领带有多差。”纳什对数学的热爱早已使他忘记了人与人之间交流的一些常识。纳什由于不被周围的人接受,于是就创造了一个室友,陪伴他、安慰他,纳什的博士论文希望能创造出一个完全的原创理论,可是屡试屡败,纳什几近崩溃,但是纳什的室友却陪他一起疯狂,缓解压力,这是他精神分裂症的开始。之后,有一个令人印象深刻的场景,是John Nash和一班同学坐在学校 的酒馆里喝啤酒,这时,进来了三个女孩,其中一个是特别漂亮的金发美女,当其他人在评头论足、跃跃欲试的时候,Nash迅速在脑海里设计出了一个唯一能确保成功约到这个美女的公式,可他并不付诸实施,而是飞奔回寝室,将其写在了玻璃窗上。这是博弈论的开始,也是纳什辉煌成就的初始。 笨拙恋爱。创造出博弈论的纳什如愿以偿地进入了惠勒实验室,击败了曾经羞辱过他的竞争对手--马丁。纳什在事业上顺风顺水,同时也开始担任麻省理工的教学工作。同时,由于纳什难以与人交流,我几乎认为这样的纳什可能要孤独终老了,可是一位名叫艾丽西亚的女子却从容地走进了他的生命里,当纳什因窗外的噪音而关上教室所有的窗户,使教室内闷热无比时,艾丽西亚却打开窗户和施工人员商量后,噪音消失了。艾丽西亚用完全不同的方法达到了同样的目的,令人难以忘怀。Nash约会女友的时候,他拙嘴笨舌,无法像个文科 生那样表达自己的感情。借助于漫天星光,他站在女友身后,抱着女友的双手,逐一指点天上的群星。在他不发一言的指引中,一只巨大的雨伞从无序的繁星点点中慢慢出现,尾钩如月。两人相拥,星辉摇曳,在无限的宁静和永恒中无言的浪漫充斥天地---理科生的浪漫竟一任如斯!难怪我那挑剔的女同学会说他SEXY和CHARMING了。 顽强理性。在刚进入普林斯顿的时候,由于他不合群,所以他自己创造出了一个好朋友。此人非常明白Nash的心意,一直鼓励和安慰他。毕业以后,Nash没有找到女友---他的性格缺陷让他在人际沟通方面举步维艰,所以他又创造出大学好友的侄女,一个非常可爱的女孩,以满足他对家庭生活的渴望。再后来,在冷战的大环境下,他又想象出一个密探,对方委托他为美国服务,分析杂志上存在的密码。这一切导致了他严重的心理障碍,形成了人格分裂。在数十年间,他一直为这三个人困扰。他知道他们不是真实的,但是又无力说服自己相信这一点,因为他们随时会出现在他面前。直到有一天,小侄女伸手要他抱,他突然醒悟这一切都不是真的---他们没有随岁月流逝而变得衰老!Nash冲出家门,拦在即将驾车离家出走的 妻子面前,几乎被车撞死。大雨淋湿了他的头发,他凝视车窗后的妻儿,用他那含混不清的语调说:“我明白了,他们不是真的。因为他们没有变老!”我非常喜欢这一段,觉得这体现了人类的伟大之处。一个人在精神世界如此凋残零乱的状况下,依然不放弃任何转好的可能。而在狂乱和绝望的挣扎中,他没有放弃理性之光,没有放弃一个智慧生物对世界的观察能力和思辨能力。他在观察自己心中生成的幻像时,依然能注意到他们没有随时光流逝而衰老,从而证明他们是虚幻不实的,这让人深深感动,也因为自己和他一样,为自己被冠以人类的名号而骄傲。即使是疯狂如斯,也坚持使用理性,人因为肉体而脆弱,却因为理性而坚强。

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