唐诗三首原文及翻译

《石壕吏》杜甫

暮投石壕村，有吏夜捉人。老头逾墙走，老妇出门看。

吏呼一何怒，妇啼一何苦！听妇前致词：三男邺城戍。

一男附书至，二男新战死。存者且偷生，死者长已矣！

室中更无人，惟有乳下孙。有孙母未去，出入无完裙。

老妪力虽衰，请从吏夜归，急应河阳役，犹得备晨炊。

夜久语声绝，如闻泣幽咽。天明登前途，独与老翁别。

译文：

傍晚投宿石壕村，有差役在晚上来抓人。老头越过墙逃跑，老妇出门去察看。

差役吼叫多么凶狠，老妇人啼哭多么痛苦！

我听到老妇人走上前去对差役说话：三个儿子应征防守邺城。一个儿子捎信回来，两个儿子最近作战死亡。活着的人暂且活一天算一天，死去的人永远完结了！家里再没有别的男丁，只有还在吃奶的孙子。因为有孙子在，他的母亲还没有离去，出出进进没有完整的衣服。老妇我力气虽然衰弱，请让我跟随你在今晚回兵营去，赶快应征到河南去服役，还能够为军队准备明天的早饭。

夜深了，说话的声音没有了，好像听到了有人隐隐约约地哭。天亮了，我登程赶路，只能同那个老头告别。

茅屋为秋风所破歌

八月秋高风怒号，卷我屋上三重茅。茅飞渡江洒江郊，高者挂罥长林梢，下者飘转沉塘坳。

南村群童欺我老无力，忍能对面为盗贼。公然抱茅入竹去，唇焦口燥呼不得，归来倚杖自叹息。

俄顷风定云墨色，秋天漠漠向昏黑。布衾多年冷似铁，娇儿恶卧踏里裂。床头屋漏无干处，雨脚如麻未断绝。自经丧乱少睡眠，长夜沾湿何由彻！

安得广厦千万间，大庇天下寒士俱欢颜！风雨不动安如山。呜呼！何时眼前突兀见此屋，吾庐独破受冻死亦足！

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译文注释

八月里秋深，狂风怒号，狂风卷走了我屋顶上好几层茅草。茅草乱飞，渡过浣花溪，散落在对岸江边。飞得高的茅草缠绕在高高的树梢上，飞得低的飘飘洒洒沉落到池塘和洼地里。南村的一群儿童欺负我年老没力气，竟忍心这样当面做“贼”抢东西，毫无顾忌地抱着茅草跑进竹林去了。我嘴唇干燥也喝止不住，回来后拄着拐杖，独自叹息。一会儿风停了，天空中乌云像墨一样黑，深秋天空阴沉迷蒙渐渐黑下来了。布被盖了多年，又冷又硬，像铁板似的。孩子睡觉姿势不好，把被子蹬破了。一下雨屋顶漏水，屋内没有一点儿干燥的地方，房顶的雨水像麻线一样不停地往下漏。自从安史之乱

之后，我睡眠的时间很少，长夜漫漫，屋漏床湿，怎能挨到天亮！如何能得到千万间宽敞高大的房子，普遍地庇覆天下间贫寒的读书人，让他们开颜欢笑！安稳得像是山一样。唉！什么时候眼前出现这样高耸的房屋，到那时即使我的茅屋被秋风所吹破，我自己受冻而死也心甘情愿！

卖炭翁

【作者】白居易【朝代】唐

卖炭翁，伐薪烧炭南山中。

满面尘灰烟火色，两鬓苍苍十指黑。

卖炭得钱何所营？身上衣裳口中食。

可怜身上衣正单，心忧炭贱愿天寒。

夜来城外一尺雪，晓驾炭车辗冰辙。

牛困人饥日已高，市南门外泥中歇。

翩翩两骑来是谁？黄衣使者白衫儿。

手把文书口称敕，回车叱牛牵向北。

一车炭，千余斤，宫使驱将惜不得。

半匹红纱一丈绫，系向牛头充炭直。

译文注释

有位卖炭的老翁，整年在南山里砍柴烧炭。他满脸灰尘，显出被烟熏火燎的颜色，两鬓头发灰白，十个手指也被炭烧得很黑。卖炭得到的钱用来干什么？买身上穿的衣裳和嘴里吃的食物。可怜他身上

只穿着单薄的衣服，心里却担心炭卖不出去，还希望天更寒冷。夜里城外下了一尺厚的大雪，清晨，老翁驾着炭车碾轧冰冻的车轮印往集市上赶去。牛累了，人饿了，但太阳已经升得很高了，他们就在集市南门外泥泞中歇息。那得意忘形的骑着两匹马的人是谁啊？是皇宫内的太监和太监的手下。太监手里拿着文书，嘴里却说是皇帝的命令，吆喝着牛朝皇宫拉去。一车的炭，一千多斤，太监差役们硬是要赶着走，老翁是百般不舍，但又无可奈何。那些人把半匹红纱和一丈绫，朝牛头上一挂，就充当炭的价钱了。

【少儿综合素质训练】陶渊明《归园田居》古诗词及翻译

陶渊明《归园田居》古诗词及翻译 【本文概要】陶渊明，名潜，字渊明，又字元亮，自号“五柳先生”，私谥“靖节”，世称靖节先生，浔阳柴桑人。东晋末至南朝宋初期伟大的诗人、辞赋家。下面是本文分享的陶渊明《归园田居》古诗词及翻译。！ 《归园田居?其一》 魏晋：陶渊明 少无适俗韵，性本爱丘山。 误落尘网中，一去三十年。(误落一作：误入) 羁鸟恋旧林，池鱼思故渊。 开荒南野际，守拙归园田。 方宅十余亩，草屋八九间。 榆柳荫后檐，桃李罗堂前。 暧暧远人村，依依墟里烟。 狗吠深巷中，鸡鸣桑树颠。 户庭无尘杂，虚室有余闲。

久在樊笼里，复得返自然。 翻译 年轻时就没有适应世俗的性格，生来就喜爱大自然的风物。 错误的陷落到仕途罗网，转眼间远离田园已十余年。 笼子里的鸟儿怀念以前生活的森林，池子里的鱼儿思念原来嬉戏的深潭。 我愿到南边的原野里去开荒，依着愚拙的心性回家耕种田园。 绕房宅方圆有十余亩地，还有那茅屋草舍八九间。 榆树柳树成荫遮盖了后屋檐，桃树李树整齐的栽种在屋前。 远处的邻村屋舍依稀可见，村落上方飘荡着袅袅炊烟。 深深的街巷中传来了几声狗吠，桑树顶有雄鸡不停啼唤。 庭院内没有世俗琐杂的事情烦扰，静室里有的是安适悠闲。 久困于樊笼里毫无自由，我今日总算又归返林山。 《归园田居?其二》 魏晋：陶渊明 野外罕人事，穷巷寡轮鞅。 白日掩荆扉，虚室绝尘想。 时复墟曲中，披草共来往。(墟曲中一作：墟曲人) 相见无杂言，但道桑麻长。 桑麻日已长，我土日已广。

常恐霜霰至，零落同草莽。 翻译 住在郊野很少与人结交往来，偏僻的里巷少有车马来往。 白天柴门紧闭，在幽静的屋子里屏绝一切尘俗的观念。 耕作之余不时到田里，把草拨开，和农民随意交往。 见面之后不谈世俗之事，只说田园桑麻生长。 田里的桑麻已经渐渐长高，我垦种的土地面积也日渐增广。 经常担心霜雪突降，庄稼凋零如同草莽。 《归园田居?其三》 魏晋：陶渊明 种豆南山下，草盛豆苗稀。 晨兴理荒秽，带月荷锄归。 道狭草木长，夕露沾我衣。 衣沾不足惜，但使愿无违。 翻译 我在南山下种植豆子，地里野草茂盛豆苗稀疏。 清晨早起下地铲除杂草，夜幕降临披着月光才回家。 山径狭窄草木丛生，夜间露水沾湿了我的衣裳。 衣衫被沾湿并不可惜，只愿我不违背归隐心意。 《归园田居?其四》 魏晋：陶渊明

大英3课后翻译

新标准大学英语综合教程3 汉译英英译汉 1. Students differ about whether they should have their future mapped out when they are still at university. Some think they should have a definite goal and detailed plan, so as to brace themselves for any challenges, whereas some others think they don't have to think much about the future, because future is full of uncertainties. 2. 经过仔细检查，这位科学家得知自己患了绝症。虽然知道自己将不久于人世，他并没有抱怨命运的不公， 而是准备好好利用剩下的日子，争取加速推进由他和同事们共同发起的那个研究项目，以提前结项。(tick away; make the best of; have a shot at) After a very careful check-up, the scientist was told he had got a fatal disease. Although he knew that his life was ticking away, instead of complaining about the fate, the scientist decided to make the best of the remaining days, and speed up the research project he and his colleagues initiated, and have a shot at completing it ahead of schedule. 1. We all sensed we were coming to the end of our stay here, that we would never get a chance like this again, and we became determined not to waste it. Most important of course were the final exams in April and May in the following year. No one wanted the humiliation of finishing last in class, so the peer group pressure to work hard was strong. Libraries which were once empty after five o'clock in the afternoon were standing room only until the early hours of the morning, and guys wore the bags under their eyes and their pale, sleepy faces with pride, like medals proving their diligence. 我们都觉得在校时间不多了，以后再也不会有这样的学习机会了，所以都下定决心不再虚度光阴。当然，下一年四五月份的期末考试最为重要。我们谁都不想考全班倒数第一，那也太丢人了，因此同学们之间的竞争压力特别大。以前每天下午五点以后，图书馆就空无一人了，现在却要等到天快亮时才会有空座，小伙子们熬夜熬出了眼袋，他们脸色苍白，睡眼惺忪，却很自豪，好像这些都是表彰他们勤奋好学的奖章。 2. Tomorrow? It's all a lie; there isn't a tomorrow. There's only a promissory note that we are often not in a position to cash. It doesn't even exist. When you wake up in the morning it'll be today again and all the same rules will apply. Tomorrow is just another version of now, an empty field that will remain so unless we start planting some seeds. Your time, which is ticking away as we speak (at about 60 seconds a minute chronologically; a bit faster if you don't invest your time wisely), will be gone and you'll have nothing to show for it but regret and a rear-view mirror full of "could haves", "should haves" and "would haves". 明天行吗？明天只是个谎言；根本就没有什么明天，只有一张我们常常无法兑现的期票。明天甚至压根儿就不存在。你早上醒来时又是另一个今天了，同样的规则又可以全部套用。明天只是现在的另一种说法，是一块空地，除非我们开始在那里播种，否则它永远都是空地。你的时间会流逝（时间就在我们说话的当下嘀嗒嘀塔地走着，每分钟顺时针走60秒，如果你不能很好地利用它，它会走得更快些），而你没有取得任何成就来证明它的存在，唯独留下遗憾，留下一面后视镜，上面写满了“本可以做”、“本应该做”、“本来会做”的事情。 1.

高级英语课文翻译

青年人的四种选择 Lesson 2: Four Choices for Young People 在毕业前不久，斯坦福大学四年级主席吉姆?宾司给我写了一封信，信中谈及他的一些不安。 Shortly before his graduation, Jim Binns, president of the senior class at Stanford University, wrote me about some of his misgivings. 他写道：“与其他任何一代人相比，我们这一代人在看待成人世界时抱有更大的疑虑 ,, 同时越 来越倾向于全盘否定成人世界。” “More than any other generation, ” he said, “ our generation views the adult world with great skepticism, there is also an increased tendency to reject completely that world. ”很 明显，他的话代表了许多同龄人的看法。 Apparently he speaks for a lot of his contemporaries. 在过去的几年里，我倾听过许多年轻人的谈话，他们有的还在大学读书，有的已经毕业，他 们对于成人的世界同样感到不安。 During the last few years, I have listened to scores of young people, in college and out, who were just as nervous about the grown world. 大致来说，他们的态度可归纳如下：“这个世界乱糟糟的，到处充满了不平等、贫困和战争。 对此该负责的大概应是那些管理这个世界的成年人吧。如果他们不能做得比这些更好，他们又能拿 什么来教育我们呢？这样的教导，我们根本不需要。” Roughly, their attitude might be summed up about like this:“ The world is in pretty much of a mess, full of injustice, poverty, and war. The people responsible are, presumably, the adults who have been running thing. If they can’ t do better than that, what have they got to teach our generation? That kind of lesson we can do without. ” 我觉得这些结论合情合理，至少从他们的角度来看是这样的。 There conclusions strike me as reasonable, at least from their point of view. 对成长中的一代人来说，相关的问题不是我们的社会是否完美（我们可以想当然地认为是这 样），而是应该如何去应付它。 The relevant question for the arriving generation is not whether our society is imperfect (we can take that for granted), but how to deal with it. 尽管这个社会严酷而不合情理，但它毕竟是我们惟一拥有的世界。 For all its harshness and irrationality, it is the only world we’ ve got. 因此，选择一个办法去应付这个社会是刚刚步入成年的年轻人必须作出的第一个决定，这通 常是他们一生中最重要的决定。 Choosing a strategy to cope with it, then, is the first decision young adults have to make, and usually the most important decision of their lifetime. 根据我的发现，他们的基本选择只有四种： So far as I have been able to discover, there are only four basic alternatives: 1）脱离传统社会

陶渊明《归园田居·少无适俗韵》译文及赏析

陶渊明《归园田居·少无适俗韵》译文及赏析 导读：《归园田居·少无适俗韵》原文 少无适俗韵1，性本爱丘山。 误落尘网中2，一去三十年3。 羁鸟恋旧林4，池鱼思故渊5。 开荒南野际6，守拙归园田7。 方宅十余亩8，草屋八九间。 榆柳荫后檐9，桃李罗堂前10。 暧暧远人村11，依依墟里烟12。 狗吠深巷中，鸡鸣桑树颠。 户庭无尘杂13，虚室有余闲14。 久在樊笼里15，复得返自然 注释 少：指少年时代。适俗：适应世俗。韵：本性、气质。一作“愿”。 尘网：指尘世，官府生活污浊而又拘束，犹如网罗。这里指仕途。 三十年：有人认为是“十三年”之误(陶渊明做官十三年)。一说，此处是三又十年之意(习惯说法是十又三年)，诗人意感“一去十三年”音调嫌平，故将十三年改为倒文。 羁(ji)鸟：笼中之鸟。恋：一作“眷”。 池鱼：池塘之鱼。鸟恋旧林、鱼思故渊，借喻自己怀恋旧居。 野：一作“亩”。际：间。

守拙(zhuō)：意思是不随波逐流，固守节操。 方宅：宅地方圆。一说，“方”通“旁”。 荫(yìn)：荫蔽。 罗：罗列。 暧暧(ài)：昏暗，模糊。 依依：轻柔而缓慢的飘升。墟里：村落。 户庭：门庭。尘杂：尘俗杂事。 虚室：空室。余闲：闲暇。 樊(fán)笼：蓄鸟工具，这里比喻官场生活。樊，藩篱，栅栏。《归园田居·少无适俗韵》翻译 少小时就没有随俗气韵，自己的天性是热爱自然。 偶失足落入了仕途罗网，转眼间离田园已十余年。 笼中鸟常依恋往日山林，池里鱼向往着从前深渊。 我愿在南野际开垦荒地，保持着拙朴性归耕田园。 绕房宅方圆有十余亩地，还有那茅屋草舍八九间。 榆柳树荫盖着房屋后檐，争春的桃与李列满院前。 远处的邻村舍依稀可见，村落里飘荡着袅袅炊烟。 深巷中传来了几声狗吠，桑树顶有雄鸡不停啼唤。 庭院内没有那尘杂干扰，静室里有的是安适悠闲。 久困于樊笼里毫无自由，我今日总算又归返林山。 《归园田居·少无适俗韵》赏析

高级英语lesson2原文及其翻译

“Hiroshima! Everybody off!” That must be what the man in the Japanese stationmaster's uniform shouted, as the fastest train in the world slipped to a stop in Hiroshima Station. I did not understand what he was saying. First of all, because he was shouting in Japanese. And secondly, because I had a lump in my throat and a lot of sad thoughts on my mind that had little to do with anything a Nippon railways official might say. The very act of stepping on this soil, in breathing this air of Hiroshima, was for me a far greater adventure than any trip or any reportorial assignment I'd previously taken. Was I not at the scene of the crime? The Japanese crowd did not appear to have the same preoccupations that I had. From the sidewalk outside the station, things seemed much the same as in other Japanese cities. Little girls and elderly ladies in kimonos rubbed shoulders with teenagers and women in western dress. Serious looking men spoke to one another as if they were oblivious of the crowds about them, and bobbed up and down re-heatedly in little bows, as they exchanged the ritual formula of gratitude and respect: "Tomo aligato gozayimas." Others were using little red telephones that hung on the facades of grocery stores and tobacco shops. "Hi! Hi!" said the cab driver, whose door popped open at the very sight of a traveler. "Hi", or something that sounds very much like it, means "yes". "Can you take me to City Hall?" He grinned at me in the rear-view mirror and repeated "Hi!" "Hi! ’ We set off at top speed throug h the narrow streets of Hiroshima. The tall buildings of the martyred city flashed by as we lurched from side to side in response to the driver's sharp twists of the wheel. Just as I was beginning to find the ride long, the taxi screeched to a halt, and the driver got out and went over to a policeman to ask the way. As in Tokyo, taxi drivers in Hiroshima often know little of their city, but to avoid loss of face before foreigners, will not admit their ignorance, and will accept any destination without concern for how long it may take them to find it. At last this intermezzo came to an end, and I found myself in front of the gigantic City Hall. The usher bowed deeply and heaved a long, almost musical sigh, when I showed him the invitation which the mayor had sent me in response to my request for an interview. "That is not here, sir," he said in English. "The mayor expects you tonight for dinner with other foreigners or, the restaurant boat. See? This is where it is.” He sketched a little map for me on the back of my invitation. Thanks to his map, I was able to find a taxi driver who could take me straight to the canal

《归园田居.其一》翻译、理解性默写、选择题及答案【统编版必修上册】

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漉我新熟酒，双鸡招近局。 日入室中暗，荆薪代明烛。 欢来苦夕短，已复至天旭。 感谢您的阅读，本文如对您有帮助，可下载编辑，谢谢

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笼中鸟常依恋往日山林，池里鱼向往着从前深渊。 我愿在南野际开垦荒地，保持着拙朴性归耕田园。 绕房宅方圆有十余亩地，还有那茅屋草舍八九间。 榆柳树荫盖着房屋后檐，争春的桃与李列满院前。 远处的邻村舍依稀可见，村落里飘荡着袅袅炊烟。 深巷中传来了几声狗吠，桑树顶有雄鸡不停啼唤。 庭院内没有那尘杂干扰，静室里有的是安适悠闲。 久困于樊笼里毫无自由，我今日总算又归返林山。 注释 1.少：指少年时代。适俗：适应世俗。韵：本性、气质。一作"愿"。 2.尘网：指尘世，官府生活污浊而又拘束，犹如网罗。这里指仕途。 3.三十年：有人认为是"十三年"之误(陶渊明做官十三年)。一说，此处是三又十年之意(习惯说法是十又三年)，诗人意感"一去十三年"音调嫌平，故将十三年改为倒文。 4.羁(ji)鸟：笼中之鸟。恋：一作"眷"。 5.池鱼：池塘之鱼。鸟恋旧林、鱼思故渊，借喻自己怀恋旧居。 6.野：一作"亩"。际：间。 7守拙(zhuō)：意思是不随波逐流，固守节操。 8.方宅：宅地方圆。一说，"方"通"旁"。 9.荫(yn)：荫蔽。 10.罗：罗列。 11.暧暧(i)：昏暗，模糊。

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