英国文学基础知识
英国文学第一学期名词解释
Allegory: a story or description in which the characters and events symbolize some deeper underlying meaning, and serve to spread moral teaching.
Alliteration: A poetic device where the first consonant sounds or any vowel sounds in words or syllables are repeated.
Allusion: A reference to a familiar literary or historical person or event, used to make an idea more easily understood.
Ballad: A short poem that tells a simple story and has a repeated refrain. Ballads were originally intended to be sung. Early ballads, known as folk ballads, were passed down through generations, so their authors are often unknown. Later ballads composed by known authors are called literary ballads.
Blank Verse: unrhymed lines of iambic pentameter.
Carpe Diem:A Latin term meaning "seize the day." This is a traditional themeof Poetry, especially lyrics. A carpe diem poem advises the reader or the person it addresses to live for today and enjoy the pleasures of the moment.
Two celebrated carpe diem poems are Andrew Marvell's "To His Coy Mistress" and Robert Herrick's poem beginning "Gather ye rosebuds while ye may...."
Conceit: an unusually far-fetched or elaborate metaphor or simile presenting a surprisingly apt parallel between two apparently dissimilar things or feelings.
Connotation: The impression that a word gives beyond its defined meaning.
Couplet: Two lines of Poetry with the same rhyme and Meter, often expressing a complete and self-contained thought.
Denotation:The definition of a word, apart from the impressions or feelings it creates in the reader.
Dramatic Monologue
Epic:A long narrative poem about the adventures of a hero of great historic or legendary importance. The setting is vast and the action is often given cosmic significance through the intervention of supernatural forces such as gods, angels, or demons. Epics are typically written in a classical style of grand simplicity with elaborate Metaphors and allusions that enhance the symbolic importance of a hero's adventures.
Frame story:a story in which another story is enclosed or embedded as a “tale within a tale”, or which contains several such tales.
Foot:The smallest unit of rhythm in a line of Poetry. In English-language poetry, a foot is
typically one accented syllable combined with one or two unaccented syllables.
There are many different types of feet. When the accent is on the second syllable of a two syllable word (con-tort), the foot is an "iamb"; the reverse accentual pattern (tor-ture) is a "trochee." Other feet that commonly occur in poetry in English are "anapest", two unaccented syllables followed by an accented syllable as in in-ter-cept, and "dactyl", an accented syllable followed by two unaccented syllables as in su-i-cide.
Grub Street Writers: Hack writers in the Eighteenth Century England. Many of them lived on Grub Street. They took writing as a profession.
Heroic Couplet: A rhyming couplet written in iambic pentameter (a Verse with five iambic feet). Humanism: A philosophy that places faith in the dignity of humankind and rejects the medieval perception of the individual as a weak, fallen creature. "Humanists" typically believe in the perfectibility of human nature and view reason and education as the means to that end.
Iambic pentametre:If a line of a poem has five feet, and in each foot there are two syllables, the first being unstressed, the second, stressed, the line is an iambic pentameter line.
Irony: In literary criticism, the effect of language in which the intended meaning is the opposite of what is stated.
Metaphysical Poetry: The body of poetry produced by a group of seventeenth-century English writers called the "Metaphysical Poets." The group includes John Donne and Andrew Marvell. The Metaphysical Poets made use of everyday speech, intellectual analysis, and unique imagery. They aimed to portray the ordinary conflicts and contradictions of life. Their poems often took the form of an argument, and many of them emphasize physical and religious love as well as the fleeting nature of life. Elaborate conceits are typical in metaphysical poetry.
Metaphysical Poets: a group of 17th century English poets whose work is notable for its ingenious use of intellectual concepts in surprising conceits, strange paradoxes, and far-fetched imagery.
Meter:In literary criticism, the repetition of sound patterns that creates a rhythm in Poetry. The patterns are based on the number of syllables and the presence and absence of accents. The unit of rhythm in a line is called a Foot. Types of meter are classified according to the number of feet in a line. These are the standard English lines: Monometer, one foot; Dimeter, two feet; Trimeter, three feet; Tetrameter, four feet; Pentameter, five feet; Hexameter, six feet (also called the Alexandrine); Heptameter, seven feet (also called the "Fourteener" when the feet are iambic).
The most common English meter is the iambic pentameter, in which each line contains ten syllables, or five iambic feet, which individually are composed of an unstressed syllable followed by an accented syllable.
Oedipus Complex: A son's amorous obsession with his mother. The phrase is derived from the story of the ancient Theban hero Oedipus, who unknowingly killed his father and married his mother.
Oxymoron:A phrase combining two contradictory terms. Oxymorons may be intentional or unintentional.
Paradox: A statement that appears illogical or contradictory at first, but may actually point to an underlying truth.
Poetic License: Distortions of fact and literary convention made by a writer — not always a poet —for the sake of the effect gained. Poetic license is closely related to the concept of "artistic freedom."
Renaissance:The period in European history that marked the end of the Middle Ages. It began in Italy in the late fourteenth century. In broad terms, it is usually seen as spanning the fourteenth, fifteenth, and sixteenth centuries, although it did not reach Great Britain, for example, until the 1480s or so. The Renaissance saw an awakening in almost every sphere of human activity, especially science, philosophy, and the arts. The period is best defined by the emergence of a general philosophy that emphasized the importance of the intellect, the individual, and world affairs. It contrasts strongly with the medieval worldview, characterized by the dominant concerns of faith, the social collective, and spiritual salvation.
Rhyme: When used as a noun in literary criticism, this term generally refers to a poem in which words sound identical or very similar and appear in parallel positions in two or more lines. Rhymes are classified into different types according to where they fall in a line or stanza or according to the degree of similarity they exhibit in their spellings and sounds. Some major types of rhyme are "masculine" rhyme, "feminine" rhyme, and "triple" rhyme. In a masculine rhyme, the rhyming sound falls in a single accented syllable, as with "heat" and "eat." Feminine rhyme is a rhyme of two syllables, one stressed and one unstressed, as with "merry" and "tarry." Triple rhyme matches the sound of the accented syllable and the two unaccented syllables that follow: "narrative" and "declarative."
Romance: is a tale in verse, embodying the life and adventures of knights. Romance was characteristic of the early feudal age, as it reflected the spirit of chivalry, i. e., the quality and ideal of knightly conduct. The content of romance was usually about love, chivalry, and religion. It generally concerns knights and involves a large amount of fighting as well as a number of miscellaneous adventures;
Scansion: The analysis or "scanning" of a poem to determine its Meter and often its rhyme scheme. The most common system of scansion uses accents (slanted lines drawn above syllables) to show stressed syllables, breves (curved lines drawn above syllables) to show unstressed syllables, and vertical lines to separate each Foot.
In the first line of John Keats's Endymion,
"A thing of beauty is a joy forever:"
the word "thing," the first syllable of "beauty," the word "joy," and the second syllable of "forever" are stressed, while the words "A" and "of," the second syllable of "beauty," the word "a," and the first and third syllables of "forever" are unstressed. In the second line:
"Its loveliness increases; it will never"
a pair of vertical lines separate the foot ending with "increases" and the one beginning with "it."
Soliloquy: A monologue in a drama used to give the audience information and to develop the speaker's character. It is typically a projection of the speaker's innermost thoughts. Usually delivered while the speaker is alone on stage, a soliloquy is intended to present an illusion of unspoken reflection.
Sonnet: A fourteen-line poem, usually composed in iambic pentameter, employing one of several rhyme schemes. There are three major types of sonnets, upon which all other variations of the
form are based: the "Petrarchan" or "Italian" sonnet, the "Shakespearean" or "English" sonnet, and the "Spenserian" sonnet. A Petrarchan sonnet consists of an octave rhymed abbaabba and a "sestet" rhymed either cdecde,cdccdc, or cdedce. The octave poses a question or problem, relates a narrative, or puts forth a proposition; the sestet presents a solution to the problem, comments upon the narrative, or applies the proposition put forth in the octave. The Shakespearean sonnet is divided into three quatrains and a couplet rhymed abab cdcd efef gg.The couplet provides an epigrammatic comment on the narrative or problem put forth in the quatrains. The Spenserian sonnet uses three quatrains and a couplet like the Shakespearean, but links their three rhyme schemes in this way: abab bcbc cdcd ee. The Spenserian sonnet develops its theme in two parts like the Petrarchan, its final six lines resolving a problem, analyzing a narrative, or applying a proposition put forth in its first eight lines.
Spenserian stanza: a group of eight lines of iambic pentameter followed by a six-stress iambic line, with a rhyme scheme ababbcbcc.
Theme: The main point of a work of literature. The term is used interchangeably with thesis. Tragic Flaw:In a tragedy, the quality within the hero or heroine which leads to his or her downfall.
Examples of the tragic flaw include Othello's jealousy and Hamlet's indecisiveness, although most great tragedies defy such simple interpretation.
Unities: (Also known as Three Unities.) Strict rules of dramatic structure, formulated by Italian and French critics of the Renaissance and based loosely on the principles of drama discussed by Aristotle in his Poetics.Foremost among these rules were the three unities of action, time, and place that compelled a dramatist to: (1) construct a single plot with a beginning, middle, and end that details the causal relationships of action and character; (2) restrict the action to the events of a single day; and (3) limit the scene to a single place or city. The unities were observed faithfully by continental European writers until the Romantic Age, but they were never regularly observed in English drama. Modern dramatists are typically more concerned with a unity of impression or emotional effect than with any of the classical unities.
英国文学史及选读__期末试题及答案
考试课程：英国文学史及选读考核类型：A 卷 考试方式：闭卷出卷教师: XXX 考试专业：英语考试班级：英语xx班 I.Multiple choice (30 points, 1 point for each) select from the four choices of each item the one that best answers the question or completes the statement. 1._____，a typical example of old English poetry ,is regarded today as the national epic of the Anglo-Saxons. A.The Canterbury Tales B.The Ballad of Robin Hood C.The Song of Beowulf D.Sir Gawain and the Green Kinght 2._____is the most common foot in English poetry. A.The anapest B.The trochee C.The iamb D.The dactyl 3.The Renaissance is actually a movement stimulated by a series of historical events, which one of the following is NOT such an event? A.The rediscovery of ancient Roman and Greek culture. B.England’s domestic rest C.New discovery in geography and astrology D.The religious reformation and the economic expansion 4._____is the most successful religious allegory in the English language. A.The Pilgrims Progress B.Grace Abounding to the Chief of Sinners C.The Life and Death of Mr.Badman D.The Holy War 5.Generally, the Renaissance refers to the period between the 14th and mid-17th centuries, its essence is _____. A.science B.philosophy C.arts D.humanism 6.“So long as men can breathe, or eyes can see,/So long lives this, and this gives life to thee.”(Shakespeare, Sonnets18)What does“this”refer to ? A.Lover. B.Time. C.Summer. D.Poetry. 7.“O prince, O chief of my throned powers, /That led th’ embattled seraphim to war/Under thy conduct, and in dreadful deeds/Fearless, endangered Heaven’s perpetual king”In the third line of the above passage quoted from Milton’s Paradise Los t, the phrase“thy conduct”refers to _____conduct. A.God’s B.Satan’s C.Adam’s D.Eve’s
王守仁《英国文学选读》译文汇总.
Unit 1 Geoffrey Chaucer 1343-1400 夏雨给大地带来了喜悦送走了土壤干裂的三月沐浴着草木的丝丝经络顿时百花盛开生机勃勃西风轻吹留下清香缕缕田野复苏吐出芳草绿绿碧蓝的天空腾起一轮红日青春的太阳洒下万道金辉小鸟的歌喉多么清脆优美迷人的夏夜怎好安然入睡美丽的自然撩拨万物的心弦多情的鸟儿歌唱爱情的欣欢香客盼望膜拜圣徒的灵台僧侣立愿云游陌生的滨海信徒来自全国东西南北众人结伴奔向坎特伯雷去朝谢医病救世的恩主以缅怀大恩大德的圣徒那是个初夏方临的日子我到泰巴旅店投宿歇息怀着一颗虔诚的赤子心我准备翌日出发去朝圣黄昏前后华灯初上时分旅店院里涌入很多客人二十九人来自各行各业不期而遇都到旅店过夜这些香客人人虔心诚意次日要骑马去坎特伯雷客房与马厩宽敞又洁净店主的招待周到而殷勤夕阳刚从地平线上消失众人同我已经相互结识大家约好不等鸡鸣就起床迎着熹微晨光干燥把路上可是在我叙述故事之前让我占用诸位一点时间依我之见似乎还很必要把每人的情况作些介绍谈谈他们从事什么行业社会地位属于哪个阶层容貌衣着举止又是如何那么我就先把骑士说说骑士的人品出众而且高尚自从军以来就驰骋于疆场待人彬彬有礼大度而豪爽珍惜荣誉节操和骑士风尚为君主效命创辉煌战绩所到国家之远无人能比转战于基督和异教之邦因功勋卓著缕缕受表彰他攻打过亚历山大利亚在普鲁士庆功宴上有他这位佼佼者多次坐首席从立陶宛直打到俄罗斯同级的骑士都大为逊色攻克阿给西勒有他一个还出征到过柏尔玛利亚夺取烈亚斯和萨塔利亚他还
多次游弋于地中海跟随登陆大军将敌战败十五次比武他大显身手为捍卫信仰而浴血奋斗在战场上三次杀死敌将高贵的武士美名传四方他还侍奉过柏拉西亚国君讨伐另一支土耳其异教军没有一次不赢得最高荣誉他骁勇善战聪慧而不痴愚他温柔顺从像个大姑娘一生无论是在什么地方对谁也没有讲过半个脏字堪称一个完美的真骑士他有一批俊美的千里马但是他的衣着朴实无华开价的底下是结识的布衣上上下下到处是斑斑污迹他风尘仆仆刚从战场归来片刻未休息就急忙去朝拜 Unit 2 William Shakespeare 1564-1616 生存或毁灭这是个必答之问题是否应默默的忍受坎苛命运之无情打击还是应与深如大海之无涯苦难奋然为敌并将其克服此二抉择就竟是哪个较崇高死即睡眠它不过如此倘若一眠能了结心灵之苦楚与肉体之百患那么此结局是可盼的死去睡去但在睡眠中可能有梦啊这就是个阻碍当我们摆脱了此垂死之皮囊在死之长眠中会有何梦来临它令我们踌躇使我们心甘情愿的承受长年之灾否则谁肯容忍人间之百般折磨如暴君之政骄者之傲失恋之痛法章之慢贪官之侮或庸民之辱假如他能简单的一刃了之还有谁会肯去做牛做马终生疲於操劳默默的忍受其苦其难而不远走高飞飘於渺茫之境倘若他不是因恐惧身后之事而使他犹豫不前此境乃无人知晓之邦自古无返者所以「理智」能使我们成为懦夫而「顾虑」能使我们本来辉煌之心志变得黯然无光像个病夫再之这些更能坏大事乱大谋使它们失去魄力第二场同前凯普莱特家的花园罗密欧上罗密欧没有受过伤的才会讥笑别人身上的创痕朱丽叶自上方
英语专八英美文学常识汇总
英语专八英美文学常识汇总
3专八人文知识:英国地理概况 the english channel: the channel is a narrow sea passage which separates england and france and connects the atlantic ocean and north sea. 英吉利海峡：英吉利海峡是一道狭长的海峡，分割英法两国，连接大西洋和北海。 the dee estuary: a small sea ( in irish sea) where the dee river enters. 迪河河口：是迪河流入的一个小海。 "the act of union of 1801": in 1801 the english parliament passed an act by which scotland, wales and the kingdom of england were constitutionally joined as the kingdom of great britain. 1801合并法：1801年英国议会通过法令，规定英格兰、苏格兰和威尔士根据宪法合并成为大不列颠王国。 gaelic: it is one of the celtic language, and is spoken in parts of the highlands. 盖尔语：是盖尔特语言的一种，在高地地区仍有人说这种语言。 the "backbone of england": it refers to the pennies, the board ridge of hills.
英国文学史及选读 复习要点总结
《英国文学史及选读》第一册复习要点 1. Beowulf: national epic of the English people; Denmark story; alliteration, metaphors and understatements （此处可能会有填空，选择等小题） 2. Romance （名词解释） 3. “Sir Gawain and the Green Knight”: a famous roman about King Arthur’s story 4. Ballad（名词解释） 5. Character of Robin Hood 6. Geoffrey Chaucer: founder of English poetry; The Canterbury Tales (main contents; 124 stories planned, only 24 finished; written in Middle English; significance; form: heroic couplet) 7. Heroic couplet (名词解释)8. Renaissance（名词解释）9.Thomas More——Utopia 10. Sonnet（名词解释）11. Blank verse（名词解释）12. Edmund Spenser “The Faerie Queene” 13. Francis Bacon “essays” esp. “Of Studies”（推荐阅读，学习写正式语体的英文文章的好参照，本文用词正式优雅，多排比句和长句，语言造诣非常高，里面很多话都可以引用做格言警句，非常值得一读） 14. William Shakespeare四大悲剧比较重要，此外就是罗密欧与朱立叶了，这些剧的主题，背景，情节，人物形象都要熟悉，当然他最重要的是Hamlet这是肯定的。他的sonnet也很重要，最重要属sonnet18。（其戏剧中著名对白和几首有名的十四行诗可能会出选读） 15. John Milton 三大史诗非常重要，特别是Paradise Lost和Samson Agonistes。对于Paradise Lost需要知道它是blank verse写成的，故事情节来自Old Testament，另外要知道此书theme和Satan的形象。 16. John Bunyan——The Pilgrim’s Progress 17. Founder of the Metaphysical school——John Donne; features of the school: philosophical poems, complex rhythms and strange images. 18. Enlightenment（名词解释） 19. Neoclassicism（名词解释） 20. Richard Steele——“The Tatler” 21. Joseph Addison——“The Spectator”这个比上面那个要重要，注意这个报纸和我们今天的报纸不一样，它虚构了一系列的人物，以这些人物的口气来写报纸上刊登的散文，这一部分要仔细读。 22. Steel’s and Addison’s styles and their contributions 23. Alexander Pope: “Essay on Criticism”, “Essay on Man”, “The Rape of Lock”, “The Dunciad”; his workmanship (features) and limitations 24. Jonathan Swift: “Gulliver’s Travels”此书非常重要，要知道具体内容，就是Gulliver游历过的四个地方的英文名称，和每个部分具体的讽刺对象; （我们主要讲了三个地方）“A Modest Proposal”比较重要，要注意作者用的irony 也就是反讽手法。 25. The rise and growth of the realistic novel is the most prominent achievement of 18th century English literature. 26. Daniel Defoe: “Robinson Crusoe”, “Moll Flanders”, 当然是Robinson Crusoe比较重要，剧情要清楚，Robinson Crusoe的形象和故事中蕴涵的早期黑奴的原形，以及殖民主义的萌芽。另外注意Defoe的style和feature，另外Defoe是forerunner of English realistic novel。 27. Samuel Richardson——“Pamela” (first epistolary novel), “Clarissa Harlowe”, “Sir Charles Grandison” 28. Henry Fielding: “Joseph Andrews”, “Jonathan Wild”, “Tom Jones”第一个和第三个比较重要，需要仔细看。他是一个比较重要的作家，另外Fielding也被称为father of the English novel. 29. Laurence Sterne——“Tristram Shandy”项狄传 30. Richard Sheridan——“The School for Scandal” 31. Oliver Goldsmith——“The Traveller”(poem), “The Deserted V illage” (poem) (both two poems were written by heroic couplet), “The Vicar of Wakefield” (novel), “The Good-Natured Man” (comedy), “She stoops to Conquer” (comedy),
《英国文学选读》课程教学大纲
英国文学选读》课程教学大纲 课程编号： 01120280 学分：2 学时： 34（其中实践学时： 0） 授课学期：第 5 学期 一、课程的性质、地位、作用及与其他课程的联系 该课程的目的在于培养学生阅读、欣赏、理解英语文学原著的能力，掌握文学批评的 基本知识和方法。通过阅读和分析英国文学作品，使学生了解英国的历史、地理、社会、政 治等方面的情况及文化传统， 促进学生对西方文学及文化的了解， 提高学生对文化差异的敏 感性、宽容性和处理文化差异的灵活性， 培养学生的跨文化交际能力。 授课的内容包括： （ 1） 文学导论；英语文学常识；（ 2）英国文学史；（ 3）英国文学经典作品导读；（ 4）英国文 学批评。选用《新编英国文学选读》（上、下册），罗经国 编著；北京大学出版社； 2005。 期望达到如下教学要求： 1． 对英国文学的发展概况有清晰的了解； 2． 对重要的文学术语有相当的了解并能在文学批评中加以运用； 3． 能读懂英语国家出版的有一定难度的历史传记和文学作品； 4． 熟悉英国主要作家代表作、其写作风格和所属流派； 5． 要求在理解的基础上分析文章的思想观点、篇章结构、语言特点、修辞手法、文体 风格； 6． 要求学生有较强的跨文化交际的能力。 二、课程的教学内容与要求 Chapter One The Anglo-Saxon Period (450-1066) 教学目标】帮助学生了解古英语诗歌的源泉及其韵律特点 教学内容】 1. Historical background 2. Northumbrian School and Wessex Literature 3. Anglo-Saxon Poetry : Beowulf 教学重点与难点】古英语文学的代表人物 King Alfred; Beowulf Chapter Two The Norman Period (1066-1350) 教学目标】帮助学生了解诺曼时期英国骑士文学和法国文学对英国文学的影响。 4． Romance and the influence of French literature 教学重点与难点】骑士文学和宗教文学的特点。 教学内容】 1． Historical background 2． Middle English 3． Religious literature 4．
英国文学选读-安顺学院外语系
《英国文学史及作品选读》教学大纲 一、课程说明 1. 课程中文名称：英国文学史及作品选读 2 课程英文名称：History and Selected Readings of English Literature 3. 课程总学时数：32 4. 课程学分数： 2 5. 授课对象：英语专业本科学生 6. 本课程的性质、地位和作用 本课程为面向英语专业高年级（三年级）学生开设的一门专业选修课，在学科体系中居重要地位。要求学生以先修英语阅读、综合英语、英美文化和英美概况等课程为基础。通过教学，使学生对英国文学有一个概观了解，同时初步培养学生对英国文学作品的鉴赏能力，增强学生对西方文学及文化的了解。该课程有助于增强学生的语言基本功，丰富学生的人文知识、充实学生的文化修养，提高学生的精神素质。 二、教学基本要求 1. 本课程的目的、任务 英国文学史及文学作品包含着历史的记忆和哲学的睿智，是英语语言艺术的结晶。本课程旨在介绍英国文学各个时期的主要文化思潮，文学流派，主要作家及其代表作，使学生对英国文学的发展脉络有一个大概的了解和认识，提高他们对文学作品的阅读鉴赏能力，并能掌握文学批评的基本知识和方法。要求学生在阅读和分析英国文学作品的基础上了解英国的历史、社会、政治等方面的情况及传统，促进学生对西方文学及文化的了解，提高学生对文化差异的敏感性、宽容性，培养学生对作品的洞察批判能力，从而丰富提升学生人文素养。 2. 本课程的教学要求 了解英国文学的发展概况，熟悉发展过程中出现的历史事件，文学思潮，文学流派；熟悉具体作家的文学生涯，创作思想，艺术特色和所属流派；能读懂代表作家的经典作品，并能分析评介作品的主题思想，人物形象，篇章结构、语言
(完整word版)吴伟仁--英国文学史及选读--名词解释
①Beowulf: The national heroic epic of the English people. It has over 3,000 lines. It describes the battles between the two monsters and Beowulf, who won the battle finally and dead for the fatal wound. The poem ends with the funeral of the hero. The most striking feature in its poetical form is the use if alliteration. Other features of it are the use of metaphors(暗喻) and of understatements(含蓄). ②Alliteration: In alliterative verse, certain accented(重音) words in a line begin with the same consonant sound(辅音). There are generally 4accents in a line, 3 of which show alliteration, as can be seen from the above quotation. ③Romance: The most prevailing(流行的) kind of literature in feudal England was the Romance. It was a long composition, sometimes in verse(诗篇), sometimes in prose(散文), describing the life and adventures of a noble hero, usually a knight, as riding forth to seek adventures, taking part in tournament(竞赛), or fighting for his lord in battle and the swearing of oaths. ④Epic: An epic is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significantly to a culture or nation. The first epics are known as primacy, or original epics. ⑤Ballad: The most important department of English folk literature is the ballad which is a story told in song, usually in 4-line stanzas(诗节), with the second and fourth lines rhymed. The subjects of ballads are various in kind, as the struggle of young lovers against their feudal-minded families, the conflict between love and wealth, the cruelty of jealousy, the criticism of the civil war, and the matters and class struggle. The paramount(卓越的) important ballad is Robin Hood(《绿林好汉》). ⑥Geoffrey Chaucer杰弗里.乔叟: He was an English author, poet, philosopher and diplomat. He is the founder of English poetry. He obtained a good knowledge of Latin, French and Italian. His best remembered narrative is the Canterbury Tales(《坎特伯雷故事集》), which the Prologue(序言) supplies a miniature(缩影) of the English society of Chaucer’s time. That is why Chaucer has been called “the founder of English realism”. Chaucer affirms men and women’s right to pursue their happiness on earth and opposes(反对) the dogma of asceticism(禁欲主义) preached(鼓吹) by the church. As a forerunner of humanism, he praises man’s energy, intellect, quick wit and love of life. Chaucer’s contribution to English poetry lies chiefly in the fact that he introduced from France the rhymed stanza of various types, especially the rhymed couplet of 5 accents in iambic(抑扬格) meter(the “heroic couplet”) to English poetry, instead of the old Anglo-Saxon alliterative verse. ⑦【William Langland威廉.朗兰: Piers the Plowman《农夫皮尔斯》】
英国文学选读课后答案
The Tiger P50 1.Why does the poet mention the Lamb? Do you think both the Lamb and the Ti ger can illuminate each other? The Tyger is corresponding to The Lamb. Both the poems show the poet ’s exploration, understanding and plaint of the mysterious creation. In this poem, the author implies that the Tiger is created by God as well as the Lamb. S o either the Tiger or the Lamb is essential to God. I think both the Lamb and the Tiger can illuminate each other. Although the Lamb can represent the kind “innocent society”, it will be lack of enough motivation to make progress. While the Tiger will caus e social misery, unrest or even disruption, but it can make people release their creativity. So the poet believes that the Tiger is the symbol of strength and courage. And he also praises its passion, desire and all the lofty beauty. 2.What is the symbolic meaning of the tiger? What idea does the poet want to express? The symbol of the Tyger is one of the two central mysteries of the poem (the other being the Tyger ’s creator). It is unclear what it exactly symbolizes, but scholars have hypothesized that the Tyger could be inspiration, the divine, artistic creation, history, the sublime (the big, mysterious, powerful and sometimes scary. Read more on this in the "Themes and Quotes" section), or vision itself. Really, the list is almost infinite. The point is, the Tyger is important, and Blake’s poem barely limits the possibilities The tiger is the embodiment of God's power in creation: the animal is terrifying in its beauty, strength, complexity and vitality. The poem is divided into six parts. In the first part, the author imagined that he met a terrible tiger on a dark night and was frightened by its awful eyesight. There are creations and creators. How great the creator is that he could create such an awful creation like tiger! In the second part, the author continues to ask, where comes the eyesight like fire, sea or sky? The following two parts, the author describes the creator as a smith. He creates the tiger. What behind the questions is the frightening and respect of the author to the creator. In the fif th part, the author changes his tone and asks when the stars throw down their spears, why they are not happy? The last part is as same as the first part, the creator is too mysterious to understand. The tiger shows its outstanding energy. It’s the vitality which the author thinks highly of. The key sentence of the poem is "Did he who made the Lamb make thee?" It challenges the one-track religious views of the 18 ’s century. The view only concluded that god create the lame, he is so kind a father. But it didn ’t know god also create the tough tiger. He can also be very serious. The god is someone who can’t be truly understood by human beings. Ode to the West Wind P83西风颂 第一节 哦，狂暴的西风，秋之生命的呼吸！你无形，但枯死的落叶被你横扫， 有如鬼魅碰到了巫师，纷纷逃避：黄的，黑的，灰的，红得像患肺痨， 呵，重染疫疠的一群：西风呵，是你以车驾把有翼的种子催送到 黑暗的冬床上，它们就躺在那里，像是墓中的死穴，冰冷，深藏，低贱， 直等到春天，你碧空的姊妹吹起她的喇叭，在沉睡的大地上响遍，
“英国文学选读”课程研究论文写作规范和要求
Selected Readings of English Literature “英国文学选读”课程研究论文写作规范和要求 一、论文写作规范 1、逻辑思维训练： 整理引入眼帘的简单物件，按一定思路规则分类，注意物品的外延与内涵关系；大家在整理思路时，就要用我们做的逻辑思维训练方法： （1）把你所有的想法、本文要素、理论概论等等（大-小，简单-复杂，前-后）都写下来：就像写下屋子里所有物件； （2）仔细审视这些想法、要素、概念，试着按你一定的规律排列起来。注意这些想法或要素之间的关系，外延与内涵关系、因果关系、前后关系等等；（3）保留你最感兴趣，组织最合理的部分，细化成为你的论文主题。 2、写作基本原则 - 基本原则：读书要宽，下笔要窄 - 细读文学文本； - 读作家自己的文论、日记、信件，搜寻作家创作动机和理念作为直接证据- 读文学评论家的评论，搜集旁证 3、论文基本要素 1）标题 2）开篇章 3）文献综述（这次省略） 4）主题 5）问题切入点与理论视角 6）论证（相关文本论据、作者的非文本论据、其他论据） 7）结论 8）引用文献 二、论文题目（从以下所列的论文标题中选一个进行写作）
The Canterbury Tales: A Song of Spring Sonnet 18: A Song of Eternity On the Rhetoric Skills in Sonnet 18 On the Rhetoric Skills in The Canterbury Tales On the Themes of Shakespeare’s Sonnet 18 The View of Love in A Valediction: Forbidding Mourning The Use of Metaphor and Conceits in A Valediction: Forbidding Mourning On the Themes of Robinson Crusoe Satires and Symbols in Gulliver’s Travels 三、论文写作内容 1、开篇章Introduction / Opening Paragraph / Topic Sentence 交代时代背景、作家简介 2、论证与论据 论据：相关文本论据（被评论作品）、作者的非文本论据（作家本人的文论、日记、书信等）、其他论据（文学评论家的论著） 3、结语 总结你自己的论文中所假设的研究论题是否已经得到解决，得到什么样的结论。一般用完成时。 注意：不是总结该部作品；切忌不要又开始论证。 四、长度、参考文献 1、页数：5页（正文：小四号或者12号；1.5倍行距） 2、参考文献：4-5条英文论著来源（包括被评论作品）。各条文献按字母顺序排 列，小四号字。 3、采用MLA格式标注：包括文内参考文献标注和文尾的引用作品。 五、评分标准 Idea (40%) Structure (20%) Language (30%) Format (10%) Total (100%)
(完整)最全面英国文学史知识点总结,推荐文档
英国文学史 I. Old English Literature & The Late Medieval Ages
英国文学选读知识总结
Geoffrey Chaucer (1343-1400) 乔叟He was born in 1343 in London. He died in 1400 and was buried in Westminster Abbey, thus founding the “Poets Corner”.The father of English Poetry and one of the greatest narrative poets of England.“The Canterbury Tales” (1387-1400) It is Chaucer?s masterpiece and one of the monumental works in English literature. Chaucer’s Contribution to English Literature Chaucer is regarded as the founder of English poetry and has been called “the founder of English realism.” He is the firs t great poet who wrote in the English language. He introduced from France the rhymed stanza of various types, especially the “heroic couplet” (英雄双韵体) to English poetry.His masterpiece “The Canterbury T ales” is one of the monumental works in English literature 公爵夫人之书，百鸟议会，声誉之堂，特罗勒思和克里西德 Structure of a poem: A poem can be broken down into three parts: (1) Stanza (节) : a group of lines set off from the other lines in a poem. It is the poetic equivalent of a paragraph in prose. In traditional poems, the stanza usually contains a unit of thought.(2) The line (行) : a single line of poetry (3) The foot (音步) : a syllable or a group of 2 or 3 syllables. T o scan a line of poetry one counts the number of feet in a line. For a beginner, the easiest thing to do is to count the number of stresses. Typically a foot will contain a stressed and an unstressed syllable. William Shakespeare (1564-1616)playwright, poet, actor.Shakespeare and Aeschylus are the two greatest dramatic geniuses the world has ever known.—Carl Marks.The Great Tragedies: 《哈姆雷特》(Hamlet,1601 ) 《奥赛罗》(Othello, 1604) 《李尔王》(King Lear, 1605) 《麦克白》(Macbeth, 1606) The Great Comedies威尼斯商人》(The Merchant of Venice, 1596) 《仲夏夜之梦》(A Midsummer Night's Dream,1596) 《第十二夜》(Twelfth Night, 1600) 《皆大欢喜》(As You Like It, 1601) Shakespeare’s car eer as a dramatist may be divided into four major phases.: The First Period(1590-1594) This period is the period of his apprenticeship in play-writing. Works: Henry VI The Comedy of Errors《错误的喜剧》/《连环错》Love?s Labor?s Lost 《迷失的爱》/《空爱一场》/《爱的徒劳》Romeo and Juliet, etc. The Second Period (1595-1600) This period is his mature period, mainly a period of “great comedies” and mature historical plays. It includes 6 comedies, 5 historical plays and 1 Roman tragedy. His sonnets are also thought to be written in this period. The Third Period (1601-1607) The third period of Shakespeare?s dramatic career is mainly the period of “great tragedies” and “dark comedies”. It includes 5 tragedies, 3 comedies and 2 Roman tragedies.Major works written in this period:Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra The Fourth Period (1608-1612) The fourth period of Shakespeare?s work is the period of romantic drama. It includes 4 romances or “reconciliation（和解，复合）plays”. Shakespeare’s Literary Position:Shakespeare and the Authorized Version of the English Bible are the two greatest treasuries of the English language. Shakespeare has been universally acknowledged to be the summit of the English Renaissance, and one of the greatest writers in world literature. Hamlet:Hamle t is considered the summit of Shakespeare?s art. It is one of Shakespeare?s canon, and it is universally included in the list of the world?s greatest works.It?s written in the form of blank verse.blank verse : poetry in rhymeless iambic pentameter.（素体诗剧）The story, coming from an old Danish legend, is a tragedy of the “revenge” genre. Shakespeare incorporates into the medieval story other major humanistic themes, including love, justice, good and evil, and most notably, madness, and the spirit of the time Injustice, conspiracy, and betrayal in the society。1. first blow: father?s murder and mother?s re-marriage2.second blow: betrayal of his two former friends Rosencrantz and Guildenstern3. third blow: betrayal of his girl friend OpheliaThe greatness o f the play: in praise of the noble quality of Prince Hamlet as a representative of humanist thinkers and his disillusionment with the corrupt and degenerated society in which he lived.
相关文档
- 英国文学史及选读作者作品列表
- 英国文学史及选读
- 英国文学史及选读模拟2
- 英国文学史及选读 复习要点总结
- 《英国文学史及选读》第一册复习要点
- (完整word版)英国文学史及选读复习大纲
- 【答案】英国文学史及选读-unite9课后习题答案.docx
- 英国文学史及选读试卷
- 英国文学史及选读教案
- (完整word版)英国文学史及选读作者及作品
- 英国文学史及选读之文学史作品及作者
- 英国文学史及选读 名词解释
- 英国文学史及选读
- 英国文学史及选读__期末试题及答案
- 英国文学史及选读__期末试题及答案
- 英国文学史及选读__复习要点总结
- 英国文学史及选读
- 吴伟仁《英国文学史及选读》模拟试题及详解(一)(二)【圣才出品】
- 英国文学史及选读第一册
- (完整)英国文学史及选读__期末试题及答案,推荐文档