英语毕业论文 乱世佳人中女主人翁斯佳丽人物形象分析

Abstract

This paper intends to explore out Scarlett’s rich life in the perspective of character and destiny by an analysis of Scarlett’s personality and her destiny, based on the heroine Scarlett in the novel Gone with the Wind. Scarlett is a typical character who changed from old manor class to the new bourgeoisie, which decides the diversity of her character. This paper will give a brief introduction of Scarlett’s three main personalities: strong and masculine, independent and individualistic, responsible and trustworthy. Then there will be an analysis of the interaction of Scarlett’s personality and destiny by means of the effect of Scarlett’s personality on her destiny in the form of her main experiences in this part. Firstly, she had an indomitable spirit to dare to face the reality and do not bow to fate. This personality makes her return home and assume the whole family’s burden and fight against the fate without cowardice and grow to maturity. Secondly, she is selfish and greedy; she uses all kinds of means to gain profits. She believes in individualism. Her selfishness and vanity is the direct factor leading to her three purposeful marriages. Thirdly, she is trustworthy. This personality makes her never give up the help to Melanie who is her rival in love just for her promise to Ashley. “Tomorrow is another day”. This is the best confession to her optimistic life and her perennial interpretation of destiny.

Key words: Gone with the Wind; Scarlett; personality; destiny

内容摘要

本文立足小说《乱世佳人》中女主人翁斯佳丽这一人物形象，从性格和命运的视角出发，通过分析斯佳丽自身性格对其命运的影响展示斯佳丽丰富的人生。斯佳丽是一个典型的由旧庄园主阶级向新型的资产阶级转变的人物形象，这注定了她性格的多元性.本文首先会分三部分分别呈现出斯佳丽的三个主要性格：坚强，独立和个人主义，有责任感并值得信赖。接着将会分析斯佳丽性格和命运之间的相互影响。这个部分主要通过斯佳丽的经历进行分析：一.她有敢于面对现实，不向命运低头，坚强不屈的精神，这使她在战乱中她决定返还家园承担起整个家庭的重担，与命运抗衡，不怯懦，不退缩,逐渐走向成熟。

二.她自私自利唯利是图，为达目的不择手段。她是一个个人主义者，自私，虚荣直接导致了她的三次有目的性的婚姻。三.她信守承诺值得信赖,这种性格使她为了信守对阿希礼的承诺，在任何时候都没有放弃对自己情敌梅兰妮的援助。“明天将会是崭新的一天”是她对生活积极进取的最好表白，也是她对命运生生不息的诠释。

关键词：《乱世佳人》；斯佳丽；性格；命运

1. Introduction

The topic on the relationship between one’s personality and destiny is hot all the time. Many people have done research on it before. Personality has always been defined as an individual thinking, mood, behavior and attitudes of the general. Destiny is close to us as well. People are excepting the knowledge of fate. This paper will do the same work by a simple analysis of Scarlett’s personality and her destiny. Scarlett is the heroine of Gone with the Wind by Margaret Mitchell, a renowned American female writer. People in Gone with the Wind can reflect kinds of person’s personality and destiny vividly, and Scarlett is representative. So the paper will focus on Scarlett to tell her personality and destiny.

Scarlett is a controversial character. She is selfish, cold, ruthless, unscrupulous, cute, strong and also beautiful and weak. Her personality decided that she would not live a plain and common life. But just because of her over hard-edged personality in other people’s view, she suffered more both in her career or her love than people’s imagination. As her name suggests, she is a wild and strong-willed lady. She is not only charming and attractive in her appearance but also in her personality: She is a strong willed, indomitable, hard working and masculine lady of the western people. However, she is an individualist, in other words, she is a self-centered woman. She never

cares about the feelings of others. “To the men, she is an independent lady, she never depends on them. She shows her attitudes by different personalities. To love, she is warm and persistent. To life, she is brave and strong; To secular, she is resistant; To interest, she is unscrupulous” (Taylor 49-50).

The structure of the paper is as follows. It begins with a brief review of the present situation on the topic of the interaction between personality and destiny. Following that is a brief introduction of Scarlett’s personality which includes three parts, each part will present Scarlett’s one main personality. Next, there will be an analysis of the interaction of Scarlett’s personality and destiny. This part will analyze the effect of Scarlett’s personality to her destiny in the form of her main experiences. In this part, her growing to maturity shows her strength and masculinity; her three marriages will show her individuality; taking care of Melanie shows her responsibility and trustworthy. Finally, there will come to a conclusion of the whole paper.

2. A brief introduction of the author Margaret Mitchell and the novel

The author of novel Gone with the Wind Margaret Mitchell was born in Atlanta. Her mother was a suffragist and father was a prominent lawyer and president of the Atlanta Historical Society. Mitchell grew up listening to stories about old Atlanta and the battles the Confederate Army had fought there during the American Civil War. At the age of fifteen she wrote in her journal: “If I were a boy, I would try for West Point, if I could make it, or well I’d be a prize fighter - anything fpr the thrill” (12). Mitchell graduated from the local Washington Seminary and started in 1918 to study medicine at Smith College. In her youth Mitchell adopted her mother’s feminist leanings which clashed with her father’s conservatism - but she lived fully the Jazz age and wrote about it in nonfiction, like in her article “Dancers Now Drown Out Even the Cowbell in the Atlanta Journal Sunday Magazine.” In vain, the leader the jazz band may burst blood vessels in his efforts to make him heard above the din of the Double Shuffle and the Fandango Stamp, the newest dances introduced to Atlanta’s younger set. Formerly we had a vast respect for the amount of noise a jazz band could produce. Now we see it is utterly eclipsed.

When Mitchell’s mother died in 1919, she returned to home to keep house for her father and brother. In 1922 she married Berrien Kinnard Upshaw. The disastrous marriage was climaxed by

spousal rape and was annulled 1924. Mitchell started her career as a journalist in 1922 under the name Peggy Mitchell, writing articles, interviews, sketches, and book reviews for the Atlanta Journal. Four years later she resigned after an ankle injury. Her second husband, John Robert Marsh, an advertising manager, encouraged Mitchell in her writing aspirations. From 1926 to 1929 she wrote Gone with the Wind. The outcome, a thousand page novel, which was later compared with Tolstoy’s War and Peace, was published by the Macmillan Publishing Company in 1936. The retail price of the book was $3.00.

Mitchell’s book broke sales records, the New Yorker praised it, and the poet and critic John Crowe Ransom admired “the architectural persistence behind the big work” but criticized the book as overly Southern, particularly in its treatment of Reconstruction. Malcolm Cowley’s disdain in his review originated partly from the book’s popularity. John Peale Bishop dismissed the novel as merely one more of those 1000 page novels. Competent but neither very good nor very sound. In 1937 Gone with the Wind was awarded the Pulitzer Prize.

Although Gone with the Wind brought Mitchell fame and a tremendous fortune, it seems to have brought little joy. Chased by the press and public, the author and her husband lived modestly and traveled rarely. Also questions about the book’s literary status and racism, historical view and depiction of the Klu Klux Klan, which had many similarities wit h D.W. Griffith’s, film The Birth of a Nation (1915), led to critical neglect which continued well in the 1960s. Griffith’s film was based on the Reverend Thomas Dixon’s racist play; the author was a great admirer of Mitchell and wanted to write a study of her novel. In Atlanta the Klan kept a high profile and had it national headquarters in the 1920s on the same street, where Mitchell lived.

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

Gone with the Wind, an all-time best-seller by Margaret.

Mitchell, is a legendary recollection of the last brilliance of the Old South. The writer's debut novel was an instant success. And the story has been bestowed an even further reaching

popularity since Vivian Leigh presented a vivid translation to the screen of Katie Scarlett O'Hara, a southern belle raised in her father’s white-pillared plantation Tara. A climax of Hollywood, from Director Victor Fleming for MGM, Gone with the Wind is more than a vicissitude, it is also an old, lost culture revisited.

It is Old South, which today is no more than a dream remembered. People were once there, living with the high strong slaves songs in the quarters, in security, peace and eternity. Here, Scarlett spends her young maiden years. She is well disciplined by her mother, but her blazing green eyes always betray her covert capricious self; the one who enjoys parties and the surrounding of beauties. She dreams to marry the noble Ashley Wilkes. The impending war shatters the golden peace of the South, and leaves many lives permanently changed. Plantations, treasures, and honor are ruined. Scarlett is made a most peculiar widow by the war, and then compelled into a second marriage in continuation of her struggle for the salvation of Tara. And her third marriage to Rhett Butler is also jeopardized because of her secret, stubborn ardency for Ashley. In the end of the movie, Scarlett is left only with her Tara, a plantation which symbolizes the culture of the Old South, a place where she could ever gather her strength

3. A brief introduction of Scarlett’s personality

3.1 Strong and masculine

Scarlett’s strength and masculinity manifested in the character mainly. She is the strongest and toughest one to come out of pain and difficult. She not only had to endure the same pain and suffering as other but also face the ruins and smoke of war, her mother’s and father’s death, poverty of life and loss of her daughter. Even though she had been brought up to believe that a woman alone could accomplish nothing, yet she had managed the plantatio n without man’ help. She believed that women could manage everything in the world without men’s help—except having babies. With the idea that she was as capable as a man came a sudden rush of pride and violent longing to prove it, to make money for herself as men did. Money could be her own and she could handle it at her own will. In chapter twenty-four, it wrote that “Her burdens were her own and burdens were for shoulders strong enough to bear the. She thought without surprise, looking down from her height, that her shoulders were strong enough to bear anything now, having borne the worst that could ever happen to her. Tara was her fate, her fight, and she must conquer it”

(Mitchell 153). All of these descriptions reflect Scarlett’s strength. She is just the representation of strength and masculinity.

3.2 Independent and individualistic

Scarlett is an individualist, in other words, she is a self-centered woman. She is cruel, selfish, vain and greedy. This character reflects her mind of individualism completely. In chapter twenty-five, Scarlett’s cruelty and selfishness had been represented vividly. Scarlett reigned supreme at Tara, and like others suddenly elevate to authority, all the bullying instincts in her nature rose to the surface. It was not that she was basically unkind. It was because she was so frightened and unsure of herself. She was harsh lest others learn her inadequacies and refuse her authority. She bullied the negroes and harrowed the feelings of her sisters not only because she was too worried and strained and tired to do otherwise, but because it helped her to forget her own bitterness. She never cares about the feelings of others. To the men, she is an independent lady, she never depends on them; To the children, she is not a good mother, instead, she is Satan to them, and she has no female friends. She used to be the apple of Tara, she needs to pay no attention to the life. So the trace of cruelty and selfish can be easily found on Scarlett’s body.

3.3 Responsible and trustworthy

It’s no doubt that Scarlett is responsible. In the war time, she decided that somehow she must keep her father and her sister, Melanie and Ashley’s child, the negroes. Scarlett can care about herself and live a good life completely, but she hadn’t done like that. She assumed the whole family’s burden. Just responsibility can explain her activity. Responsibility and credibility is the key to communicate with the others. Scarlett decided that somehow she must keep her father and her sister, Melanie and Ashley’s child, the negroes. Scarlett can care about herself and live a good life completely, but she hadn’t done like that. Scarlett is responsible, so she assumes the whole family’s burden. She is trustworthy also, so she never forgets her promise to Ashley, she takes the task of taking care of Melanie.

4. Analysis of the effect of Scarlett’s personality to her destiny

4.1 Process of maturity

Before the war: Scarlet, the individualist is quite willful. In her opinion, “a lady’s highest

and the only task for her is to s how her perfect character of being a woman.” So the only thing for her is to dress up beautifully and looks for an ideal husband. She could never long endure any conversation of which she is not the chief subject, and she hopes that every man pays attention only to her.

During the war: There is an old saying that life is connected with the world, and each people make choices through his around environment and through it to make sure of him. The pre-war period are sweet memories for Scarlett, however, the war stimulates her to be strong. Scarlet becomes a widow during the war. Atlanta is falling; she wants to turn back to Tara for help. However, Melanie is going to give birth. Without the doctor’s help, she becomes a midwife and delivers her child. With Rhett’s help, she gets away from Atlanta successfully, but Rhett also leaves her in the half way because he is going to take part in the war. Scarlet feels sad, the only word she can remind is “leaving”, and Rhett is going to leave her. But she has no time to feel sad; she has to return to Tara. However, the situation in Tara is much more serious-- Mum Ellen died the day before, father is in a state of dementia, her pitiful two sisters are hit by the typhoid, she has to look after Melanie for she just gives birth to a child… In a word, the war throws her into a homeless and starved state. Scarlet has to become strong; she tries every means to save Tara and becomes a competent businesswoman. When a Yankee soldier intrudes, she even kills him and takes away his treasure.

After the war: Scarlet measures money much more important than before. She dares to ask her neighbors to pay back the debts, employ the free black slaves even the prisoners. “Now, all what she does is masculine. She is clear out, firm, decisive and sharp, without any hesitation. She knows what she needs and looks for it i n an easiest way like men.” When other people interrupt her family, she tries every means to recapture her property.

The event that shocks Scarlet most is that when she finally clears about her feeling—the one she really loves is Rhett. However, it is too late for Rhett to accept because he is too tired to accept her love. But luckily, she is full of hope and believes that “I will think of it all tomorrow, at Tara. I can stand it then. Tomorrow, I will think of some way to get him back. After all, tomorrow is another day.” (Mitchell 389)

《乱世佳人》影评

影视鉴赏姓名: 学号： 专业: 课程名称： 《影视鉴赏》 《乱世佳人》影评 每次看完《乱世佳人》，这样的一个场景总会在我脑海中不断呈现： 斯嘉丽泪眼婆娑地蹲坐在楼梯上，心底有百般忏悔，喃喃地说了那句让那让我铭心刻骨的台词——“tomorrow is another day。”真爱从不会迟到，追梦也从不会太晚。这是《乱世佳人》里斯嘉丽给我最有意义的启迪。 渴望安定、渴望生存、渴望富裕的强烈而真实的内心情感。我觉得那时的斯嘉丽，已完成了最艰难的嬗变，由一只丑陋的毛毛虫破茧而出变成了美丽的蝶，自由而高贵，那时的斯佳丽就像一个女神－－－渴望富有、并为此能不择手段的欲望女神。 无论是面对战争的废墟和硝烟、母亲和父亲的去世、生活的贫穷艰难还是女儿的夭折，在和她承受同样的痛苦和艰难的人们当中，她都是最刚强、最坚韧的一个和最先从痛苦和艰难中走出来的一个。当斯佳丽面对着已是满目伤痕泰勒庄园时，她的坚韧和刚强令她这个家中的长女担起家长的重担。在影片的末尾，她还坚定地告诉我们： “Tomorrow is another day。” 虚荣，这应该是一个贬义词了，可是，斯佳丽的虚荣心似乎格外的可爱，在她的身上，虚荣似乎也变成了褒义词。有位名模曾说： “女孩子总是要有一点虚荣心的，无论这虚荣心表现在什么方面。”当斯佳丽扯下母亲唯一的遗物——窗帘，无论如何也要用它做一件漂亮的衣服，还将它披在身上憧憬着新衣服的样子时，她的虚荣心使她成了一个看起来不孝的女

儿，但她的这种做法是当时拯救全家的唯一出路。由虚荣心而使全家人都有了生存下去的希望，这样的虚荣心也不应该算是值得摒弃的。 贪婪，这总应该是个贬义词了。但是，斯佳丽的贪婪不仅是有情可原的，在某种程度上来讲还是难能可贵的。战后的泰勒庄园在北方军的控制之下，母亲的去世和父亲的崩溃使斯佳丽——家中的长女担起了“家长”的重担。斯佳丽一家人过着艰辛的生活。战争使她贫穷，贫穷继之以饥饿。然而最可怕的是无钱交税险些失去生活来源的土地，为了借钱交税，斯佳丽勾引了妹妹的情人，继而当起了一家小店的老板娘。在经历这一切后，她明白了她所处的是一个什么样的社会以及在这个社会中钱的重要性。所以，当她拥有了当前她所需要的钱之后，她自然会想拥有更多的钱。在她追求“更多的钱”的过程中，她表现出了一个早期资本主义的资本家所必须具有的优秀品质——贪婪。 残忍与自私，这两个词无论用在什么人身上似乎都应该是表贬义的词语，特别是以温和、善良为美德的女性。但是，斯佳丽的残忍与自私在某种适度上却是值得褒扬的。首先，在社会转型的时期，人的观念需要从传统的观念转变成为新型的、与社会发展相适应的观念。 不能在第一时间内转变观念的人就失去了领导时代的主动权。斯佳丽就是一个在第一时间内转变观念，接受了新的社会和社会制度、新的价值观念、新的生活方式，并且成为了一个小资本家的女人，在这一点，她是非常了不起的。而且，在刚刚建立了资本主义制度时，自私和残忍对于一个资本家来说是生存和发展的关键。在资本主义社会，对世界的博爱已经是阻碍资本的自身生存和发展的一个因素，此时，自私与残忍就成了强者的优点。 美丽，斯佳丽为我们提供了一种对待爱情的态度。她美丽，但她只是适当地运用她的美丽来得到她所喜爱的东西，从来不用自己的美貌来玩弄爱情，无论是自己的还是他人的爱情。斯佳丽是美丽的，但美丽不是拥有爱情的必备条件——你可以没有斯佳丽那样美丽动人，但你也有权利去追求属于自己的爱情。 斯佳丽的坚强与勇敢，这是我最喜爱她的地方。

论 文 题 目：《西游记》人物形象分析

西南大学网络与继续教育学院 毕业论文 论文题目：《西游记》人物形象分析 学生姓名刘凤兰 学号 11117403553003 类型网络教育 专业汉语言文学教育 层次本科 指导教师骆晓倩 日期 2013年3月

《西游记》人物形象分析 摘要 《西游记》是我国四大古典名著之一，也是中华民族文学史上最伟大的作品之一，它那经久不衰的艺术魅力在世界上极负盛名。不说作品的整体价值，单就其成功塑造的众多的人物形象，已经具备了深刻的借鉴和思考价值。其中，而唐僧则是兼圣僧和凡人形象为一体。一方面表现出意志坚定、仁爱、谦怀；另一方面却呈现骄矜、迂腐、以及是非不明的反面形象。孙悟空机灵敏捷、足智多谋、神通广大、勇于斗争、为民除害、率性而为，桀骜不驯；又是一个蔑视皇权和追求高官的矛盾体；且最让人回味的是其充满矛盾的人格特征：怯懦与勇敢、迂腐与变通、出世与入世、盲目相信与不信任。猪八戒是猪、人、神的统一，他有猪的外形，猪的习性，身上的毛病多，恨不能浑身净优点。因而有了猪八戒的妙趣横生，也少不了呆子气。沙和尚身上有着传统美德，勤劳稳重，任劳任怨，却也存在着人性的特点，精明世故，逆来顺受，他的存在调和了集团内部矛盾，保证了取经的顺利进行。 关键字：唐僧，孙悟空，猪八，沙僧，形象

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西安广播电视大学制 贾探春人物分析 内容摘要：贾探春，贾府三小姐，在《红楼梦》中是一个“补天式”的出色人物，作者在书中给予其“文彩精华，见之忘俗”的高度赞赏。她有才干、有眼光、敢作敢为，是一个关注家族命运，富有忧患意识的大观园中的女“政治家”。本文从形象、性格、才能、心理、结局五个方面分析了贾探春这一人物。 关键词：《红楼梦》、贾探春、形象分析 《红楼梦》众多人物形象中探春是浓墨重书的人物之一。她在十二钗正册排位第四，紧次于钗、黛和元春；她是一位妇女却没有妇女的悲天悯人；她又极强的理财、治家能力，却不能尽情发挥；她有自己的一丝政治豪情，但始终摆脱不了封建伦理的桎；她有着姑娘的尊贵体面，却又因庶出的身份处境尴尬；她是行将没落的侯门闺秀中的一个改革者。在她身上凝聚着曹雪芹对完美女性品质的塑造，更寄托了他对封建家族的期望。 一、贾探春的形象 （一）见之忘俗的神采 贾探春早在第三回林黛玉进贾府时就与迎春、惜春一起出场。一出场，作者就有意识的轻轻“点”了一笔，使她脱颖而出：当宝玉欲送“颦颦”二字为黛玉之表字时，探春便问“何处出典？”又道“只恐又是杜撰。”短短一两句话，却适时突显出她的不同。“削肩细腰，长挑身材，鸭蛋脸面，俊眼修眉，顾盼神飞，文彩精华，见之忘俗。” 这是作对探春的描述，也是探春留给黛玉的印象。一样的妆扮，探春却能给黛玉留下“见之忘俗”的深刻印象。黛玉进贾府时探春的年纪也应不大，于是这“文彩精华，见之忘俗”就愈发显出她的不寻常。 （二）他人眼中的探春 贾府是个钟鸣鼎食的大家族，人物众多，关系纷乱复杂。探春在王熙凤眼里是个臂膀，说她“心里嘴里都也来的，又是咱家的正人……正该和他协同，大家做个膀臂，我也不孤不独了。” 平儿也说探春“二奶奶这些大姑子小姑子里头，也就只单怕他五分” 。可见王熙凤对她是抱着赞赏的态度。

永不消逝的经典——评《乱世佳人》

永不消逝的经典 ——评《乱世佳人》 漳州师范学院中文系09级师本四班欧佳莉090101438 众所周知，二十世纪三十年代美国女作家玛格丽特·米切尔的小说《飘》一出版．便风靡全国，成为美国家喻户晓的畅销书。一时洛阳纸贵。《飘》获得空前的成功。而敏锐的影视导演们从小说一出版便认识到改编成电影的艺术价值。他们潜心探索，执着求新，历经三年，轮流执导，耗资400多万美元，于1939年拍摄成功，使电影《乱世佳人》举问鼎第12届奥斯卡的8项金像奖，轰动了世界影坛。 在《乱世佳人》这部影片中，无论是画面的色彩、线条还是剧情发展和影片叙事，在当时世界可以算是一流的水平。影片以恢弘的气势，绚丽的色调．豪华的场景，细腻的心理刻画，典型的艺术细节呈现和男女主角珠联璧合的完美演绎．给了人们以极大的艺术享受，使之与小说《飘》各得其妙、相映成辉，成为电影史上一座标志性的里程碑。 下面我将从主题、结构、人物、场景、影像、声音、剪辑、蒙太奇与长镜头八个方面对《乱世佳人》进行分析。 一、主题 《乱世佳人》的成功，首先在于制片人选择了一个良好的制作脚本。《乱世佳人》改编自畅销小说《飘》，主要讲述了美丽动人却又高傲任性的斯嘉丽追寻真爱的历程，以及为保卫自己的家园——塔拉庄园所做出的不懈努力。作者以她的家乡佐治亚州为故事背景，以同情黑奴的南方农奴主观点描述南北战争期间一个南方家族的兴衰经历。尤其是以一种对“随风而逝”的文明的眷念和感伤的情凋，真实地描写出南方奴隶主文明在北方资本主义文明面前的一败涂地的史实，因而具有了很高的文学鉴赏价值和艺术史诗品味。 除此之外，本片还很好的表现了“美国精神”。何谓“美国精神”？我认为，“美国精神”就是顺境中奋斗不息，逆境中坚强不屈。简言之，“美国精神”就是一种奋发向上的奋斗精神。人可以被消灭，但不能被打败，就是是“美国精神”的最好注解。而斯嘉丽这一形象，就是这一精神的表现。 二、结构 《乱世佳人》是美国好莱坞情节剧电影发展史上一颗最闪亮的艺术明珠，是好莱坞情节剧电影艺术的集大成者。这部长达220分钟的史诗性影片，以广阔的时代背景和宏大的叙述结构展示了丰富的社会内容与必然的历史趋势。影片严格按照传统的戏剧式结构，运用单线索的叙述方式，以主人公斯嘉丽与几个男人的纠葛和她的几次婚姻变化为叙事主体，成为一部不折不扣的战争浪漫史诗，既直接反映了美国历史上南北战争给人们带来的巨大心灵创伤，又间接折射了美国民族精神的真正内涵。 另外，影片在情节发展上十分注重各种戏剧性矛盾的展示和戏剧性情境的营造：战争中南北双方的矛盾、南方内部人与人之间的矛盾、爱情纠葛的矛盾及人与社会环境的矛盾等等。特别是悬念的设置，使剧情跌宕起伏、扣人心弦。 在叙事角度方面，本片也是独具匠心。其编导在全面把握原著精神的基础上，去发现表现战争的独特角度，通过影片复杂多变的情节展示和人物多重性格的塑造，揭示了战争的性质：其残酷性和灾难性对于战争的双方都是无可避免的，它最终导致了人们精神的空虚和绝望、人性的扭曲和堕落。影片的叙述角度主要以斯嘉丽以及家庭的种种遭遇为叙事中心，来展现南北战争时期的“历史故事”。编导把美国历史上的南北战争作为文化背景，表现战争的目的主要在于表现人的命运。人物的悲剧不仅是性格的悲剧，而且是历史和时代的悲剧。