工业设计翻译

工业设计翻译

Industrial Design Translation

Industrial design is a specialized field that involves the development of innovative and aesthetically appealing products. It combines art, engineering, and business to create products that meet consumer needs and enhance the user experience. In today's global economy, industrial design also plays a crucial role in facilitating international trade and communication.

One of the fundamental principles of industrial design is the concept of user-centered design. This approach focuses on understanding the needs and preferences of the end-users and designing products that meet those needs. Companies that employ this approach often conduct extensive market research to gather insights about consumers' wants and desires. This information is then used to inform the design process and create products that resonate with the target audience.

Industrial design also involves the use of various design techniques and tools to create visually appealing products. These techniques include sketching, computer-aided design (CAD), and prototyping. Sketching allows designers to quickly visualize and communicate their ideas, while CAD software enables them to create detailed digital models of the products. Prototyping, on the other hand, involves the creation of physical or virtual prototypes to test and refine the design before mass production.

Translation plays a crucial role in the field of industrial design, as it allows designers to communicate their ideas and concepts across

different cultures and languages. Translators need to have a deep understanding of both the source and target languages, as well as the cultural nuances associated with each language. This ensures that the translated text accurately conveys the original intent and meaning.

When translating industrial design documents, it is important to accurately convey technical terms and concepts. This requires translators to have a solid understanding of the industrial design field, including knowledge of engineering and manufacturing processes. Translators must also be skilled at adapting their language to the target market's expectations and preferences.

In addition, translators must be aware of the target country's regulations and standards regarding product safety and quality. This is particularly important when translating user manuals and other instructional materials, as incorrect translations can lead to serious consequences.

To ensure the accuracy and quality of translations, many industrial design companies work with professional translation agencies or in-house translators. These translators not only possess the necessary language skills, but they also have a comprehensive understanding of the industrial design field.

In conclusion, industrial design is a dynamic field that relies on effective communication and a deep understanding of consumer needs and preferences. Translation plays a vital role in this field, enabling designers to communicate their ideas and concepts globally. By ensuring accurate and culturally appropriate

translations, industrial design companies can effectively reach global markets and increase their competitiveness.

工业设计专业英语英文翻译

工业设计原著选读 优秀的产品设计 第一个拨号电话1897年由卡罗耳Gantz 第一个拨号电话在1897年被自动电器公司引入，成立于1891年布朗强，一名勘萨斯州承担者。在1889年，相信铃声“中央交换”将转移来电给竞争对手，强发明了被拨号系统控制的自动交换机系统。这个系统在1892年第一次在拉波特完成史端乔系统中被安装。1897年，强的模型电话，然而模型扶轮拨条的位置没有类似于轮齿约170度,以及边缘拨阀瓣。电话，当然是被亚历山大格雷厄姆贝尔（1847—1922）在1876年发明的。第一个商业交换始建于1878（12个使用者），在1879年，多交换机系统由工程师勒罗伊B 菲尔曼发明,使电话取得商业成功,用户在1890年达到250000。 直到1894年，贝尔原批专利过期，贝尔电话公司在市场上有一个虚拟的垄断。他们已经成功侵权投诉反对至少600竞争者。该公司曾在1896年，刚刚在中央交易所推出了电源的“普通电池”制度。在那之前，一个人有手摇电话以提供足够的电力呼叫。一个连接可能仍然只能在给予该人的名义下提出要求达到一个电话接线员。这是强改变的原因。 强很快成为贝尔的强大竞争者。他在1901年引进了一个桌面拨号模型，这个模型在设计方面比贝尔的模型更加清晰。在1902年，他引进了一个带有磁盘拨号的墙面电话，这次与实际指孔，仍然只有170度左右在磁盘周围。到1905年，一个“长距离”手指孔已经被增加了。最后一个强的知名模型是在1907年。强的专利大概过期于1914年，之后他或他的公司再也没有听到过。直到1919年贝尔引进了拨号系统。当他们这样做，在拨号盘的周围手指孔被充分扩展了。 强发明的拨号系统直到1922年进入像纽约一样的大城市才成为主流。但是一旦作为规规范被确立，直到70年代它仍然是主要的电话技术。后按键式拨号在1963年被推出之后，强发明的最初的手指拨号系统作为“旋转的拨号系统”而知名。这是强怎样“让你的手指拨号”的。 埃姆斯椅LCW和DCW 1947 这些带有复合曲线座位，靠背和橡胶防震装置的成型胶合板椅是由查尔斯埃姆斯设计，在赫曼米勒家具公司生产的。 这个原始的概念是被查尔斯埃姆斯（1907—1978）和埃罗沙里宁（1910—1961）在1940年合作构想出来的。在1937年，埃姆斯成为克兰布鲁克学院实验设计部门的领头人，和沙里宁一起工作调查材料和家具。在这些努力下，埃姆斯发明了分成薄片和成型胶合板夹板，被称作埃姆斯夹板，在1941年收到了来自美国海军5000人的订单。查尔斯和他的妻子雷在他们威尼斯，钙的工作室及工厂和埃文斯产品公司的生产厂家一起生产了这批订单。 在1941年现代艺术博物馆，艾略特诺伊斯组织了一场比赛用以发现对现代生活富有想象力的设计师。奖项颁发给了埃姆斯和沙里宁他们的椅子和存储碎片，由包括埃德加考夫曼，大都会艺术博物馆的阿尔弗雷德，艾略特诺伊斯，马尔塞布鲁尔，弗兰克帕里什和建筑师爱德华达雷尔斯通的陪审团裁决。 这些椅子在1946年的现代艺术展览博物馆被展出，查尔斯埃姆斯设计的新的家具。当时，椅子只有三条腿，稳定性问题气馁了大规模生产。 早期的LCW（低木椅）和DWC（就餐木椅）设计有四条木腿在1946年第一次被埃文斯产品公司（埃姆斯的战时雇主）生产出来，被赫曼米勒家具公司分配。这些工具1946年被乔治纳尔逊为赫曼米勒购买，在1949年接手制造权。后来金属脚的愿景在1951年制作，包括LCW（低金属椅）和DWC（就餐金属椅）模型。配套的餐饮和咖啡桌也产生。这条线一直

工业设计外文翻译---不需要设计师的设计

Design Without Designers 网站截图： https://www.sodocs.net/doc/ee19017416.html,/baidu?word=%B9%A4%D2%B5%C9%E8%BC%C6%D3%A2%CE%C4%CE%C4%CF%D 7&tn=sogouie_1_dg 原文： Design Without Designers I will always remember my first introduction to the power of good product design. I was newly arrived at Apple, still learning the ways of business, when I was visited by a member of Apple's Industrial Design team. He showed me a foam mockup of a proposed product. "Wow," I said, "I want one! What is it?" That experience brought home the power of design: I was excited and enthusiastic even before I knew what it was. This type of visceral "wow" response requires creative designers. It is subjective, personal. Uh oh, this is not what engineers like to hear. If you can't put a number to it, it's not important. As a result, there is a trend to eliminate designers. Who needs them when we can simply test our way to success? The excitement of powerful, captivating design is defined as irrelevant. Worse, the nature of design is in danger. Don't believe me? Consider Google. In a well-publicized move, a senior designer at Google recently quit, stating that Google had no interest in or understanding of design. Google, it seems, relies primarily upon test results, not human skill or judgment. Want to know whether a design is effective? Try it out. Google can quickly submit samples to millions of people in well-controlled trials, pitting one design against another, selecting the winner based upon number of clicks, or sales, or whatever objective measure they wish. Which color of blue is best? Test. Item placement? Test. Web page layout? Test. This procedure is hardly unique to Google. https://www.sodocs.net/doc/ee19017416.html, has long followed this practice. Years ago I was proudly informed that they no longer have debates about which design is best: they simply test them and use the data to decide. And this, of course, is the approach used by the human-centered iterative design approach: prototype, test, revise. Is this the future of design? Certainly there are many who believe so. This is a hot topic on the talk and seminar circuit. After all, the proponents ask reasonably, who could object to making decisions based upon data? Two Types of Innovation: Incremental Improvements and New Concepts In design—and almost all innovation, for that matter—there are at least two distinct forms. One is

工业设计专业英语英文翻译

工业设计原著选读

优秀的产品设计 第一个拨号电话1897年由卡罗耳Gantz 第一个拨号电话在1897年被自动电器公司引入，成立于1891年布朗强，一名勘萨斯州承担者。在1889年，相信铃声“中央交换”将转移来电给竞争对手，强发明了被拨号系统控制的自动交换机系统。这个系统在1892年第一次在拉波特完成史端乔系统中被安装。1897年，强的模型电话，然而模型扶轮拨条的位置没有类似于轮齿约170度,以及边缘拨阀瓣。 电话，当然是被亚历山大格雷厄姆贝尔（1847—1922）在1876年发明的。第一个商业交换始建于1878（12个使用者），在1879年，多交换机系统由工程师勒罗伊B 菲尔曼发明,使电话取得商业成功,用户在1890年达到250000。 直到1894年，贝尔原批专利过期，贝尔电话公司在市场上有一个虚拟的垄断。他们已经成功侵权投诉反对至少600竞争者。该公司曾在1896年，刚刚在中央交易所推出了电源的“普通电池”制度。在那之前，一个人有手摇电话以提供足够的电力呼叫。一个连接可能仍然只能在给予该人的名义下提出要求达到一个电话接线员。这是强改变的原因。 强很快成为贝尔的强大竞争者。他在1901年引进了一个桌面拨号模型，这个模型在设计方面比贝尔的模型更加清晰。在1902年，他引进了一个带有磁盘拨号的墙面电话，这次与实际指孔，仍然只有170度左右在磁盘周围。到1905年，一个“长距离”手指孔已经被增加了。最后一个强的知名模型是在1907年。强的专利大概过期于1914年，之后他或他的公司再也没有听到过。直到1919年贝尔引进了拨号系统。当他们这样做，在拨号盘的周围手指孔被充分扩展了。 强发明的拨号系统直到1922年进入像纽约一样的大城市才成为主流。但是一旦作为规规范被确立，直到70年代它仍然是主要的电话技术。后按键式拨号在1963年被推出之后，强发明的最初的手指拨号系统作为“旋转的拨号系统”

工业设计外文翻译---中国要有自己的创新之道

1.Creative China must find its ownPath 网站截图： https://www.sodocs.net/doc/ee19017416.html,/baidu?word=%B9%A4%D2%B5%C9%E8%BC%C6%D3%A2%CE%C4 %CE%C4%CF%D7&tn=sogouie_1_dg 原文： Creative China must find its own Path Justin 0'Connor It is commonly said that China needs to ‘catch-up’ with `the west' or the `developed world'. This phrase implies a singular path; there may be short cuts and `late-comer advantages' but the destination一a modern, developed country一is the same. But just when it seems China is within touching distance, the `developed world' changes the definition of what it is to be `developed' and puts more obstacles in the path of those trying to catch-up. In English we call this `moving the goal-posts'. After manufacturing, services and high-technology seemed to present clear goals for China, the cultural creative industries arrive as the new `value-added' product and service sector, posing yet more problems for the country's policy-makers. Many in the West have argued that China will take a long time to catch-up in these areas and that this provides a new source of competitive advantage to the West. Indeed, for some, the absence of a competitive cultural creative industries sector is evidence that China is not, and maybe can never be, fully `developed'. Much of this can be dismissed as another example of the West's superiority complex; however, there can be no doubt that the cultural creative industries present great possibilities but also great challenges for China. These industries一from visual and performing arts, to recorded music, film and TV, to digital animation and new media services, through to fashion, design and architecture一are highly creative and innovative products and services, relying on complex flows of knowledge and intellectual property. They are also cultural or symbolic products that reflect and influence our pleasures and ambitions, and our individual and collective sense of meaning and identity. For these reasons all nations have sought to protect and develop their own national culture and traditions by investing in cultural infrastructure and expertise. In the second half of the twentieth century this was expanded beyond `the arts，一galleries,

工业设计_外文翻译-2

Design and Environment https://www.sodocs.net/doc/ee19017416.html,/baidu?word=%B9%A4%D2%B5%C9%E8%BC%C6%D3%A2%CE%C4%CE%C4%CF%D 7&tn=sogouie_1_dg 原文： DESIGN and ENVIRONMENT Product design is the principal part and kernel of industrial design. Product design gives uses pleasure. A good design can bring hope and create new lifestyle to human. In spscificity,products are only outcomes of factory such as mechanical and electrical products,costume and so on.In generality,anything,whatever it is tangibile or intangible,that can be provided for a market,can be weighed with value by customers, and can satisfy a need or desire,can be entiled as products. Innovative design has come into human life. It makes product looking brand-new and brings new aesthetic feeling and attraction that are different from traditional products. Enterprose tend to renovate idea of product design because of change of consumer's lifestyle , emphasis on individuation and self-expression,market competition and requirement of individuation of product. Product design includes factors of society ,economy, techology and leterae humaniores. Tasks of product design includes styling, color, face processing and selection of material and optimization of human-machine interface. Design is a kind of thinking of lifestyle.Product and design conception can guide human lifestyle . In reverse , lifestyle also manipulates orientation and development of product from thinking layer. With the development of science and technology ,more and more attention is paid to austerity of environmental promblems ,such as polluting of atmosphere,destroy of forest, soilerosion,land desertification, water resource polluting, a great deal of species becaming extinct,exhansting of petroleum , natural gas and

工业设计专业英语翻译

Lesson17 Insects won’t take over the earth, they own it now. A leading biologist explains why bugs are the world’s most successful design. 昆虫没有占据地球，它们现在属于地球，一个杰出的生物学家解释为什么昆虫是世界上最成功的设计。 They incorporate astonishingly sophisticated design features, both structurally and functionally, which render them especially well suited for survival on this planet. 无论在结构上还是机能上，它们具有令人惊讶的设计能力特征，来展示出它们在这个星球上的适应性。 There’s no denying it: Bugs Rule. There are currently 200 million insects for every man, woman and child. Of the species identified, more than half are insects. 不可否认的是：昆虫法那么。当前每一个人都对应2亿虫类。 1.5亿被人所识别，其中一半以上为昆虫。 We humans may not like the idea, but there is no denying it: Bugs Rule. Estimates have it that there are some 1018 bugs now alive on the planet. It is not only their sheer number, but also their diversity that is staggering: Of the total million species of animals, plants and microorganisms that have been identified, more than half—or over 800,000—are insects. And while new species of insects are being discovered daily, over 10 million may yet remain unknown.

外文资料原文及翻译---现代工业设计概述

外文资料原文 THE SUMMARY OF MODERN INDUSTRIAL DESIGN the industry design bring of not only is a spirit ascend of dulcify and enjoy, more important, it can change the people's life style.The industry design is expectation the purpose and ideas embody, the entity turn of means, is people to carry on the economy construction activity to expect the process first.Its essence is people to will carry on of the economy construction activity make an art to turn of conceive and plan and prepare.Every consider, this kind of conceives and plans and prepare is progressive, development of, even is something to run before.From this meaning up, also explained that the industry design is a kind of motive that pushes the social development. But in very part of business enterprise eyeses, the external appearance design of the product becomes the all of the industry design.A good product is only rich is not enough in the shape of the pleasant impression, industry the designers not only need to be rich in the imagination dint, more important is make consumer at enjoy of the whole process of the product is more comfortable, safety, convenience, labor-saving, operation interface more rich humanized, more friendly.A wheel chair that can climb the stairs can use to nurse patient's more labor-saving, a cleverly made and luminous remote control, feel more the person whom the ream watches the television easily.Make use of a chair of the wastepaper recovery, more environmental protection.Big arrive the airplane to make, small to the design of the razor, the essence that industry design woulds be the of make people the center.The designer of the industry want to be real to cater to the current of the society, making technique real to match now the social person's need:1) technical usage of micro-electronics and new the development of the material, make people new science and technology of usage be a kind of vogue.2)The people's life, the appearance of more and more full of diverse sex and small meaning.The person pursues the living independence more and more, pursuing the character to make

合肥工业大学各学院、专业名称及其英文翻译

合肥工业大学各学院、专业名称及其英文翻译 仪器科学与光电工程学院 School of Instrument Science and Opto-electronic Engineering 1、测控技术与仪器 Measurement & Control Technology and Instrument 2、光信息科学与技术 Optic Information Science & Technology 机械与汽车工程学院 School of Machinery and Automobile Engineering 3、车辆工程 Vehicles Engineering 4、工业工程 Industrial Engineering 5、工业设计 Industry Design 6、过程装备与控制工程 Process Equipment & Control Engineering 7、机械设计制造及其自动化 Machine Design & Manufacture & Its Automation 8、交通工程 Transportation Engineering 9、热能与动力工程 Thermal Energy & Power Engineering 材料科学与工程学院 School of Material Science and Engineering 10、金属材料工程 Metal Materials Engineering 11、材料物理 Materials Physics 12、无机非金属材料工程 Inorganic Non-metallic Materials Engineering 13、材料成型及控制工程 Material Forming & Control Engineering 电气与自动化工程学院 School of Electric Engineering and Automation 14、电气工程及其自动化 Electric Engineering and Automation 15、生物医学工程 Biomedical Engineering 16、自动化 Automation 计算机与信息学院 School of Computer and Information 17、计算机科学与技术 Computer Science & Technology 18、电子信息工程 Electronic Information Engineering 19、电子信息科学与技术 Electronic Information Science & Technology 20、通信工程 Communications Engineering 21、信息安全Information Security

工业设计翻译

工业设计翻译 Industrial Design Translation Industrial design is a specialized field that involves the development of innovative and aesthetically appealing products. It combines art, engineering, and business to create products that meet consumer needs and enhance the user experience. In today's global economy, industrial design also plays a crucial role in facilitating international trade and communication. One of the fundamental principles of industrial design is the concept of user-centered design. This approach focuses on understanding the needs and preferences of the end-users and designing products that meet those needs. Companies that employ this approach often conduct extensive market research to gather insights about consumers' wants and desires. This information is then used to inform the design process and create products that resonate with the target audience. Industrial design also involves the use of various design techniques and tools to create visually appealing products. These techniques include sketching, computer-aided design (CAD), and prototyping. Sketching allows designers to quickly visualize and communicate their ideas, while CAD software enables them to create detailed digital models of the products. Prototyping, on the other hand, involves the creation of physical or virtual prototypes to test and refine the design before mass production. Translation plays a crucial role in the field of industrial design, as it allows designers to communicate their ideas and concepts across

工业设计专业英语(第三版部分翻译

艺术装饰风格 被宣告是“唯一一个总体设计”，艺术装饰必然是在众多消费者中间找到观众的最高产的设计之一。虽然它起源于19世纪20年代高度专有的法国手工裁剪装潢艺术，但它通过利用廉价的新金属材料，塑料和玻璃而发展迅速，找到了便宜，短期利用，并可以大批生产的装饰用品，如香烟盒，香水瓶，家庭用的陶瓷和玻璃，流行纺织品及各种装饰物，还有可以像鸡尾般甩动的物品。作为一种装饰风格它可以运用于无数物品的形状和表面装饰，因而赋予它们全部以相同质量的瞬间的现代性和时尚性。 就像许多这个世纪其它的流行风格一样，艺术装饰风格扎根于高雅文化，例如，立体主义、俄国芭蕾、美洲印第安风格和欧洲纯粹主义，但是相对其他文化而言，艺术装饰风格取长补短，装饰特征表现得更为折衷一些。结合艺术装饰风格在1930年代流行的因素，大规模批量生产使用新材料是商品价格相对低廉的必要条件。但这些是远远不够的，更深层次的原因是艺术装饰风格具有典型的适应性。在那段经济萧条的时期，豪华奢侈的装饰风格所带来的美感让当时的消费者有了逃避现实的放松心情。艺术装饰风格的宣传方式也促进了它的流行，艺术风格被好莱坞应用于多种流行电影中。通过影片媒体使大量观众接触到装饰风格，除此之外，艺术装饰风格也运用在广告和包装上，使其有效的影响了大量的环境之外，艺术装饰风格也影响到了建筑领域，许多新场所也运用了这种风格，美化建筑的外表，那些新商业的

娱乐楼房，例如商场电影院，工厂，甚至于新的豪华游轮，它也被利用于在1933年芝加哥展览之中。艺术装饰风格开始象征着高效率的现代化生活和新的生活理念，这种动人的方式随着人们对时尚性和社会地位的追求与渴望，艺术装饰风格得到了大量消费者的高度喜爱地位。 艺术装饰的大量应用伴随着消费产品的需求。但是，从不好的方而来看，艺术装饰风格只是作为一种中档的艺术手法，来装饰非常廉价的商品甚至留有一种杂乱的感觉。在英国有一群针对低端市场开发产品的地毯制造商，他们意识到了这个新潮流里的商业潜力。 但是，这些地毯制造商也很注意他们消费群里的保守心理，因此，即使是在一块地毯里的花紋也会出现那些很传统的1案象是老式的叶子造型和较灰暗的颜色。这种设计的消费市场不同于那些要不就是现代型或是完全传统的设计方案。1920年代到30年代，英国都铎王室的一些新居住者和新建筑的到来，使工艺美术运动和现代风格可以较为自由的发展和合理的被采用.这些各异的艺术风格也被按照使用者的喜好不同加入到地毯的设计之中。在20世纪30年代的中期，改良过的艺术装饰风格在数不清的家居装饰里都可以看到"在花园门饰上，无线电机的面板装饰上，阿芝台克寺庙的壁炉上和那些扶手椅和沙发的几何形体上。"

设计类英语词汇翻译汇总

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13 三维设计 Three-dimension Design 14 四维设计 Four-dimension Design 15 装饰、装潢 Decoration 16 家具设计 Furniture Design 17 玩具设计 Toy Design 18 室内设计 Interior Design 19 服装设计 Costume Design 20 包装设计ackaging Design 21 展示设计 Display Design 22 城市规划 UrbanDesgin 23生活环境 Living Environment 24 都市景观 Townscape 25 田园都市 Gardon City 26 办公室风致 Office Landscape 27 设计方法论 Design Methodology 28 设计语言 Design Language 29 设计条件 Design Condition

工业设计的名词解释

工业设计的名词解释 工业设计的名词解释 工业设计的意思 工业设计(Industrial Design)，简称ID设计。指以工学、美学、经济学为基 础对工业产品进行设计。工业设计分为产品设计、环境设计、传播设计、设计管理 4类;包括造型设计、机械设计、电路设计、服装设计、环境规划、室内设计、建筑设计、UI设计、平面设计、包装设计、广告设计、动画设计、展示设计、网站设计等。工业设计又称工业产品设计学，工业设计涉及到心理学，社会学，美学，人机工程学，机械构造，摄影，色彩学等。工业发展和劳动分工所带来的工业设计，与其它艺术、生产活动、工艺制作等都有明显不同，它是各种学科、技术和审美观念的交叉产物。 工业设计造句欣赏 1. 成品棉布不是轻工业部的么我是重工业设计车间啊。 2. 雷军在微博透露,智米的牵头人苏峻,是清华大学工业设计博士、前北方工 业大学工业设计系主任。 3. 硕士毕业后,常捷回到了已搬至成都、改名为国家建材局成都建材工业设计研究院的原单位,主要从事工程设计和水泥新技术、新装备的研发。 4. 2001年,辞去国家建材局下属蚌埠玻璃工业设计研究院的翻译工作,戴老师 回到阔别多年的家乡上海。 5. ONE智能混合动力山地车和捷安特美利达的有什么不一样呢,他在继承了传 统自行车结构特别简洁的同时,又将极致美学融入工业设计,整体外观堪称精致。 6. 今年57岁的龚金源毕业于台北工专工业设计科,目前拥有澳大利亚国籍,在 台湾有3家营造建设公司,在大陆有超过6家投资公司。 7. 溯洄工业设计事务所专攻工具设计,如今国内排名前十的工具出口厂商中有一半是其客户,去年营收约500万元。 8. 在台湾馆里,台湾华梵大学带来的系列创意工业设计产品得到了广大观众的关注。 9. 据台湾《联合报》报道,徐慈馡念华梵大学工业设计研究所,原本在台北县 租屋,因不舍猫咪住得太挤,去年搬回新竹老家,宁可自己长途跋涉,也不要猫咪受苦。 10. 工业设计系统工程

工业设计外文文献翻译及原文

The impact of “3r” principles to industrial design Abstract While industrial design creates modem life and living surroundings for people，it also accelerates the exhaustion of the natural resources and the energy resources．Besides，it has done harm to the ecological balance，and threatened the existence and the sustainable development of human beings．Confront with this situation，the strategy of sustainable development,proposed in 1990s，is accepted by many people．Recycling economy and its key point，“3r” princ iple,were born for this situation and become important principle in all kinds of economic activities and in the area of design and manufacture．By decoding the connotation of “3r” principle,the article analyzes the influence and the guidance over industrial design of “3r” principle．Furthermore，the article tries to discuss the conception of redesign，which is the extension of the “3r” principle in the area of industrial design，and explicates 4R principle of industrial design for recycling economy at last． Key words 3 R principle；industrial design;recycling economy；Redesign 1 Introduction Industrial design as a cross—cutting technology and the arts disciplines, it is closely related to the economy and to maintain its development and progress of society。It can be summarized：First，it services for industrial mass production，making industrial products enhance the value and value—added. Second，It leads the fashion，to effectively stimulate consumption，so that consumers not only use the product at the same time，but also enjoy the new technology and material；Third, it puts technology to link up with the market，making products enhance competitiveness；Last but not the least，it can bring the innovation into the enterprise。Therefore,the economic development needs industrial design which has become indispensable to the country's economic construction 。 However, along with the traditional industrial design creating high—quality modern lifestyle and living environment and promoting economic development ，it also speeds up the consumption of resources and energy。What is more ，it dose harm to the ecological balance of the Earth and brings about a serious of great damage to human survival and sustainable development。Especially the excessive commercialization of industrial design，utilitarian and excessive pursuit of profit，the implementation of ”merchandise has plans to abolish the system" without taking into account production，use，process waste, such as the environment，