企业文化英文(精选多篇)

企业文化英文(精选多篇)

第一篇：中国石油天然气集团公司企业文化用语规范英文表述中国石油天然气集团公司

企业文化用语规范英文表述

一、标识logo

标识图样为“宝石花”，色泽为红色和黄色，为中国国旗的颜色。外观呈花朵状，体现中国石油创造能源与环境和谐的社会责任。十等分的花瓣图形，象征中国石油多项主营业务的集合。红色基底体现中国石油的基础深厚，初升的太阳象征中国石油前程似锦。

our logo is a flower radiating red and yellow, the same color pattern as the national flag of china. it embodies our commitment to the harmony between energy and the environment. the ten petals in the logo represent our core businesses. the red base symbolizes our solid foundation as a state-owned enterprise and the rising sun indicates our bright future.

二、企业宗旨corporate mission

奉献能源，创造和谐

energize·harmonize·realize

或caring for energy, caring for you

三、企业精神corporate philosophy

爱国、创业、求实、奉献

— 3 —

cnpc is a company that values patriotism, honesty, dedication and entrepreneurship.

四、企业核心经营管理理念

core operational and managerial principles

诚信、创新、业绩、和谐、安全

credibility and integrity, creation and innovation, performance and achievements, harmony and balance, safety and security

五、其他常用表述

1．大庆精神2．铁人精神3．三老四严the spirit of daqingthe spirit of the daqing iron man“three honests”: to think, speak and

act honestly;

“four requirements”: high

standards, systematic organization,

responsible attitude, and strict

discipline.

4．新时期铁人5．精神文明建设6．主人翁精神8．艰苦创业精神— 4 —modern daqing iron manmoral and ethical enrichmententrepreneurial spirit 7．团结协作、团队精神teamworkenterprising spirit

9．以人为本

10．资源优化配置

11．公益事业

12．管理提升

13．绿色、国际、可

持续的中石油

14．资源、市场、国

际化战略

15．两级行政、三级

业务管理模式

16．全面建成世界水

平综合性国际能

源公司

17．立足国内，走向

国际

18．用发展的目标鼓舞

人，用宏伟的事业

凝聚人，用科学的

机制激励人

19．打造绿色、国际、

可持续的中石油people-first optimization of resources allocation public welfare operation improved management a green, international and sustainable company our strategies for resources, market and internationalization 2-level administrative management model and the 3-level business management model to build cnpc into a major integrated

international energy corporation base ourselves at home and expand business overseas.to inspire our employees with ambitious goals, unite them with our common cause and support them with sound human resource policies to build cnpc into a green, international and sustainable — 5 —

corporation

20．建设忠诚、放心、cnpc is a reliable and trust-worthy

受尊重的中石油corporation.

make full use of both21．两种资源、两个市to

场

22．资源节约型、环

境友好型企业

23．互利共赢、共同

发展

24．与时俱进，开拓

创新

25．以人为本，安全

第一

26．构建学习型企业

27．战略性结构调整

28．跨越式发展

29．综合一体化优势

30．自主创新能力

31．整体协调发展

—6 —international and domestic resources and markets a sustainable and environmentally friendly enterprise mutually beneficial cooperation for common development setting the standard with innovative strength and pioneering spirit people and safety first to build a corporate culture of continuouslearning strategic business adjustment to achieve a leapfrog development comprehensive and integrated strength innovation capabilities integrated and coordinated

development

32．战略自信、体制to have full confidence in the

自信、文化自信strategies,institutions and culture

of cnpc

— 7 —

第二篇：企业文化,文化企业企业文化，文化企业

文化，一个广泛的概念。文化是一种社会现象，是人们长期创造形成的产物，同时又是一种历史现象，是社会历史的积淀物。而文化的定义又有上百种，包括：社会、历史、人文、传统、生活、艺术等等，是人类之间进行交流的普通认可的一种能够传承的意识形态。

何为企业文化？企业文化是指企业在长期生产经营过程中形成的独特的企业价值观、企业精神，以及以此为核心而生成的行为规范、道德标准、生活信念、企业风俗、习惯的总称。它是企业在经营管理过

程中创造的具有本企业特色的精神财富的总和，对企业成员有感召力和凝聚力，能把众多人的兴趣、目的、需要以及由此产生的行为统一起来，是企业长期文化建设的反映。企业文化在现代企业经营中的巨大作用日渐凸现出来，成为企业经营最深厚的基础和最根本的要素。有无深厚的文化底蕴，是否拥有博采众长又独具特色、富有个性化魅力的企业文化，直接决定着企业的市场竞争能力，决定着企业的兴衰与成败。日益进步的社会需要跟上时代潮流的新时代文化含义，当然企业也不甘落后，一大批企业文化展露出来。出现了更多新颖的文化形式。企业文化的种类有四大类，由表及里顺次为物质文化、行为文化、制度文化、精神文化，各层面之间有着密切的内在联系。以个别事例举例：阿里巴巴的“家庭文化”，此企业文化以使员工在企业中工作时感受到家庭氛围为目的的企业文化，与一般企业不同，阿里巴巴的企业文化注重自由，随性。再有，海尔“品质”文化：由海尔老总亲自创造的企业文化，以产品质量的保证作为稳固的企业文化，曾

一度获得广大百姓的一致好评。还有品牌企业文化，如沃尔沃汽车品牌，大多数人一想到沃尔沃就会立马想到其安全可靠的特点，这就是企业文化的一大作用。物质文化是行为文化、制度文化、精神文化以物质形态表现出的表层文化，它包括企业进行生产经营的物质基础等企业“硬”文化；行为文化是制度文化、精神文化的动态体现，也是团队精神和价值观的折射，体现在企业员工行为的价值取向、行动目标等方面；制度文化是塑造精神文化的机制与载体；精神文化是更深层次的文化现象，是企业文化的核心内容，包含生产经营理念、管理作

风、企业价值观、企业道德等构成企业的“软文化”。

何为建筑工程管理？工程管理专业培养具备管理学、经济学和土木工程技术的基本知识，学生在校学习期间，要接受工程师和经济师的基本素质训练，打好工程技术、管理、经济、法律、外语及计算机应用方面的坚实基础。管理学院在对工程管理专业人才培养过程中，积极提供相应条件，使学生根据自身能力，能够攻读相关学科专业的双学位和双专业。专业方向的主要课程包括：建设法规、建筑技术经济学、工程估价、财务管理、统计学、运筹学、经济学、会计学、工程建设合同管理、建筑结构经济学概论、工程项目管理，工程项目成本规划与控制、建设项目风险管理、工程建设信息管理、工程建设项目投资与融资等。

专业和文化的交融，如何进行？作为浙江学院经济管理系建筑工程管理专业的一名大二学生，我对自己的专业也有所了解，在校的这段学习时间我们的学习重点在建筑工程试图，力学研究以及建筑法规

等等方面进行初步的学习，而在大三初期我们的学习重点会从学习方面转向实际实践的方面发展。而我们的毕业生大多以公司项目经理为奋斗目标进行努力，一般实际工作5年左右即有升职机会。个人认为建筑工程管理专业需要大力发扬“管”和“理”的重大理念，“管”即管制企业内部的工作，员工，文化内涵。而“理”则为理解深层次的企业思想和发展道路。一般以精神文化为主，旨在带动企业的成员共同努力。用价值观引导员工，自觉把实现企业价值和实现自我价值联系在一起，使员工和企业间产生价值观的认同和感情共鸣，使员工行为的

自我功效得以更大程度的提高，这可称之为“没有管理的管理”，这种管理更具有持久性、更加有力、更加富有成效。第二，激发与奖励，激励是一种精神力量或状态。它可以调动与激发员工的主动性，最大限度地发挥员工的积极性和创新精神。物质激励到一定程度，就会出现边际递减现象，来自企业文化提供的精神激励，却是持久的、强大的。

企业文化，文化企业。拥有自身“企业文化”的企业在发展方向，发展前途，发展情况等方面会取得很大的进步。拥有属于自己的企业文化会使得企业脱胎换骨，更上一层楼。

第三篇：中国文化英文介绍京剧脸谱（beijing opera types of facial makeup in operas）

beijing opera types of facial makeup in operas, is a special feature of a national cosmetic. as each historical figure or a certain type of person has an approximate spectral type, like sing, play music to the music, so called “types of facial makeup in operas”. on the types of facial makeup in operas sources, the general view is from mask.

beijing opera types of facial makeup in operas are based on certain personality, temperament or some special types of figures for the use of certain colors. red has expressed his warriors of strong types of facial makeup in operas such as guan yu, concubines victoria, regular book; black said the types of facial makeup in operas ming criticized people, integrity, bravery and even reckless, such as zheng and zhang fei, li;

yellow types of facial makeup in operas that vicious brutality, such as yu chengdu, and dian wei. blue or green types of facial makeup in operas that some of the figures represented irritable, such as dou ambassador, ma wu; general treacherous court official said the types of facial makeup in operas white, bad guys, such as cao cao, zhao higher.

beijing opera types of facial makeup in operas of color painting methods, basically divided into three categories : rub face, face towel, different faces. types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological

characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts.

中文对照:)~

京剧脸谱，是具有民族特色的一种特殊的化妆方法。由于每个历史人物或某一种类型的人物都有一种大概的谱式，就像唱歌、奏乐都要按照乐谱一样，所以称为“脸谱”。关于脸谱的来源，一般的说法是来自假面具。

京剧脸谱，是根据某种性格、性情或某种特殊类型的人物为采用某些色彩的。红色有脸谱表示忠勇士义烈，如关羽、姜维、常遇春；黑色

的脸谱表示刚烈、正直、勇猛甚至鲁莽，如包拯、张飞、李逵等；黄色的脸谱表示凶狠残暴，如宇文成都、典韦。蓝色或绿色的脸谱表示一些粗豪暴躁的人物，如窦尔敦、马武等；白色的脸谱一般表示奸臣、坏人，如曹操、赵高等。

京剧脸谱的色画方法，基本上分为三类：揉脸、抹脸、勾脸。脸谱最初的作用，只是夸大剧中角色的五官部位和面部的纹理，用夸张的手法表现剧中人的性格、心理和生理上的特征(请你继续关注好)，以此来为整个戏剧的情节服务，可是发展到后来，脸谱由简到繁、由粗到细、由表及里、由浅到深，本身就逐渐成为一种具有民族特色的、以人的面部为表现手段的图案艺术了。

京剧，是中国的传统艺术。它起源于1840年，盛行于20世纪三、四十年代，是中国的国粹。京剧的伴奏是以二胡等为主，配合演员唱腔、念白、动作、

武打，达到音乐美与舞蹈美的统一。京剧耐人寻味，回味悠长，把各种故事、道理融入一段段表演中，让人在美的享受的同时，得到升华。可是，在节奏日益加快的今天，京剧已被大家渐渐漠视、遗忘。这是让人心疼的事情。我们应该提高对京剧的认识，多多接触传统，让孩子们熟悉它，热爱它，让它重新绽放迷人的生命。

beijing opera, is a traditional chinese art.it originated in 1840, prevailed in the 1930s and 1940s, is the quintessence of chinese culture. peking opera on the erhu, and give priority to, accompanied with actor singing, nianbai, action, the martial arts, achieve music beauty and dance beautiful unity.

beijing opera intriguing, the aftertaste is long, all sorts of stories, reasonable performance in bits and pieces, let a person be in beautiful enjoyment at the same time, get distillation. but, in rhythm of rapidly today, peking opera has been gradually ignore, forgetting all. this is to let people love of things. we should improve the understanding of beijing opera, great contact traditional, let the children know it, love it, let it back to blossom glamorous life.

beijing opera is a chinese historial artical opara, which is a combination of singing,saying,dancing and martial art. it’s the quintessence of china. peking opera has a 200-year-long history. its main melodies originated from xipi and erhuang in anhui and hubei.

it is believed that peking opera gradually came into being after 1790 when the famous four anhui opera troupes came to beijing. peking opera underwent fast development during the reign of emperor qianlong and the notorious empress dowager cixi under the imperial patron, eventually becoming more accessible to the common people.

in ancient times, peking opera was performed mostly on stage in the open air, teahouses or temple courtyards. since the orchestra played loudly, the performers developed a piercing style of song that could be heard by everyone. the costumes were a garish collection of sharply contrasting colors to stand out on the dim stage illuminated only by oil lamps. peking opera is a

harmonious combination of the grand opera, ballet and acrobatics, consisting of dance, dialogue, monologues, martial arts and mime.

the peking opera band mainly consists of an orchestra and percussion band. the former frequently accompanies peaceful scenes while the latter provides the right atmosphere for battle scenes. the commonly used percussion

instruments include castanets, drums, bells and cymbals. one person usually plays the castanets and drum simultaneously, which conduct the entire band. the orchestral instruments include the erhu, huqin, yueqin, sheng (reed pipe),

pipa (lute) and other instruments. the band usually sits on the left side of the stage.

介绍旗袍

qipao (ch’ipau) is one of the most typical, traditional costumes for chinese women. also known as cheongsam, it is like a wonderful flower in the chinese colorful fashion scene because of its particular charm.

in the early 17th century in north china, nurhachi, a great political and military strategist, unified the various nuzhen tribes and set up the eight banner system. later he led his troops into beijing and overthrew the ming dynasty. over the years, a collarless tube-shaped gown was developed, which was worn by men and women. this is the embryo of the qipao. it became popular among the royal palace of the qing dynasty and the

mansions of the manchu nobility. at that time, it was loosely fitted and long enough to reach the insteps. usually it was made of silk, and embroidered, with broad laces trimmed at the collar, sleeves and edges. the dress empresses of past dynasties wore them. their style of dress was regarded as the highest of standards for chinese women for several thousand years.

the only medium to display the elegance of a human body is an elegant costume. whatever costume a woman wears, in addition to magnificence and nobility, she must have a thirst for elegance or beauty. perhaps that’s the reason why qipao was born.

in the past, the collar of the costume was made high and tight-fitting to keep warm. qipao has incorporated this feature, not just for preventing coldness but also for beauty. the collar of qipao generally takes the shape of a semicircle, its right and left sides being symmetrical, flattering the soft and slender neck of a woman. the collar of qipao is meticulously made, especially the buttonhole loop on the collar, which serves as the finishing touch. we can’t help but admire the designers’ artistic originality. the design of the front of qipao depicts the maturity of women properly, reminding people of the line of a

chinese poem ‘a garden full of the beauty of spring can not be prevented from being enjoyed.’

qipao generally has two big slits at either side of the hem for convenient

movement and display of the slender legs of women. unlike a short-length skirt, the slits of qipao expose a woman’s legs indistinctly when she walks, as if there was a blurred emotional appeal of ‘enjoying flowers in mist.’

qipaos can di splay chinese women’s modesty, softness and beauty. like chinese women’s temperament, qipaos are elegant and gentle.

like other costumes, the beauty of qipao comes first. simplicity is one of its features from the collar, loop, chest, waist and hips to the lower hem, and a qipao almost varies with a woman’s figure. it not only lays stress on the natural beauty of a female figure, but also makes women’s legs appear more slender. mature women in qipaos can display their graceful refined manner.

besides its simplicity, qipao provides designers with vast, creative space: some short, some long, with low, high, or even no collars at all. practicality always goes with beauty. qipaos are worn in both urban and rural areas, its long-standing elegance and serenity making wearers fascinating.

when wearing qipao, women should pay attention to the match as a whole; particularly middle-aged or elderly women should do so. hairstyles, jewelry, socks and shoes should match qipaos properly in color and design.

today, with the development of the market economy in china, designs or

styles of fashions are so dazzling as the stars that the eye cannot take them all in. as a result, people are often at a loss what to choose when facing the vast sea of fashions. on the other hand, it is just a golden opportunity for chinese national costumes to regain their popularity. fashion culture has become a point of intersection of social culture, reflecting economic developments, social progress and educational level. it represents people’s spirit, living standards and aspirations towards beauty.

纽约时报旗袍

the cheongsam is a female dress with distinctive chinese features and enjoys a growing popularity in the international world of high fashion. the name “cheongsam,” meaning simply “long dress,” entered the english vocabulary from the dialect of china’s guangdong province (cantonese). in other parts of the country including beijing, however, it is known as “qipao”, which has a history behind it.

when the early manchu rulers came to china proper, they organized certain people, mainly manchus, into “banners” (qi) and called them “banner people” (qiren), which then became loosely the name of all manchus. the manchu women wore normally a one-piece dress which, likewise, came to be called “qipao” or “banner dress.” although the 1911 revolution toppled the rule of the

qing (manchu) dynasty, the female dress survived the political change and,

with later improvements, has become the traditional dress for chinese women.

easy to slip on and comfortable to wear, the cheongsam fits well the female chinese figure. its neck is high, collar closed, and its sleeves may be either short, medium or full length, depending on season and taste. the dress is buttoned on the right side, with a loose chest, a fitting waist, and slits up from the sides, all of which combine to set off the beauty of the female shape.

the cheongsam is not too complicated to make. nor does it call for too much material, for there are no accessories like belts, scarves, sashes or frills to go with it.

another beauty of the cheongsam is that, made of different materials and to varying lengths, they can be worn either on casual or formal occasions. in either case, it creates an impression of simple and quiet charm, elegance and neatness. no wonder it is so much liked by women not only of china but of foreign countries as well.

以下这篇关于中国旗袍的完整介绍内容，应值得你参考：

chinese cheongsam (qipao)

the cheongsam is a female dress with distinctive chinese features and enjoys a growing popularity in the international world of high fashion. the name “cheongsam,” meaning simply “long dress,” entered the english vocabulary from the dialect of china’s guangdong province (cantonese).

in other parts of the country including beijing, however, it is known as “qipao”, which has a history behind it.

when the early manchu rulers came to china proper, they organized certain people, mainly manchus, into “banners” (qi) and called them “banner people” (qiren), which then became loosely the name of all manchus. the manchu women wore normally a one-piece dress which, likewise, came to be called “qipao” or “banner dress.” although the 1911 revolution toppled the rule of the qing (manchu) dynasty, the female dress survived the political change and, with later improvements, has become the traditional dress for chinese women.

easy to slip on and comfortable to wear, the cheongsam fits well the female chinese figure. its neck is high, collar closed, and its sleeves may be either short, medium or full length, depending on season and taste. the dress is buttoned on the right side, with a loose chest, a fitting waist, and slits up from the sides, all of which combine to set off the beauty of the female shape.

the cheongsam is not too complicated to make. nor does it call for too much material, for there are no accessories like belts, scarves, sashes or frills to go with it.

another beauty of the cheongsam is that, made of different materials and to varying lengths, they can be worn either on casual or formal occasions.

in either case, it creates an impression of simple and quiet charm, elegance and neatness. no wonder it is so much liked by women not only of china but of foreign countries as well.

第四篇：关于文化差异的英文作文关于文化差异的英文作文

the culture differences between the east and west.

as we know ,there are so many differences between culture of the east and west that i can not list all of their different aspects.i will focus on the differences of diet custom and teaching system.for your better understanding ,i will set examples of china and america.

it is no doubt that it is a tradition to use chopsticks for chinese.but people in america prefer to forks and knives.this different result is based on different food they are like .americans choose to eat beefsteak,bread,and salad,while chinese people choose noodles ,pancakes and rice.what is more,the custom of drinking tea in china and drinking coffee in america are stand out particularly.however,there is a trend that the food in both countries has been mixture.for example,the coffee and bread have introduced to china.the famous kfc is very popular at children. the gap of teaching system between china and america is big.chinese students always complain about their homework.too much homework has limited the time to exercise and relax.they

have to recite many things as to get a high mark.homework comes the first to them.

in my opinion,the study in america is more interesting .teachers pay attentions to training students skills in thinking in realastic life not to emphasis on the importances of memories.in a addition,the rate of going to school ,the salary of teaching ,and the job of gruduates are quite different,too.i should say that chima government should make great efforts to improve its teaching syetem.i am also expect to be one day ,the west give more cheers to our country.

第五篇：关于中国文化的英文文章lucky number is part of our culture to my way of thinking, the so-called lucky number represents the characteristics of our culture. we chinese have a tradition: whenever we have important things to do, we always select the day we think lucky. such as: the “10.10.10” day (october 10, 2014), we regard it as the prefect day. for in our culture, “10” as a very lucky number means everything is perfect.

this tradition is gradually formed in history. as we all know, china have a very long history. the nature is very sacred then, and our ancestors try their best in order to gain its help, hoping everything run smooth. so when they were to do things, they usually choose something which indicates good fortune. as the time passes, this habit slowly becomes a tradition, and gradually expands every aspect of life. for example, chinese people like wear the red clothes, because in our eyes the red indicates positive, smooth, prosperous.

among this, the lucky number is the especial example. now the number seems to appear everywhere in our daily life. such as: our telephone number, various bank card number, id number, vip card number, house number and so on. the number four looked as unlucky, for its pronunciation sound as the word “death” in chinese. so is the number seven. however, six, nine, ten are lucky numbers. affected by this culture, most of us prefer to use the so-called lucky numbers. therefore there are lots of coup les choose the” 8.8.8” “9.9.9” ”10.10.10”day when they marry.

all in all, the lucky number is part of our culture. all things we can do are holding a respect and accept of attitude to it.

默认

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